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''The Storyteller'' gathers for the first time the fiction of the legendary critic and philosopher Walter Benjamin, best known for his groundbreaking studies of culture and literature, including Illuminations, ''One-Way Street'' and ''The Arcades Project''. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory(...)
The Storyteller : Tales out of Loneliness
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''The Storyteller'' gathers for the first time the fiction of the legendary critic and philosopher Walter Benjamin, best known for his groundbreaking studies of culture and literature, including Illuminations, ''One-Way Street'' and ''The Arcades Project''. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory realms, celebrate the importance of games, and delve into the peculiar relationship between gambling and fortune-telling, and explore the themes that defined Benjamin. The novellas, fables, histories, aphorisms, parables and riddles in this collection are brought to life by the playful imagery of the modernist artist and Bauhaus figure Paul Klee.
Literature and poetry
Walter Benjamin's Archive
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The works of the great literary and cultural critic Walter Benjamin are a reservoir of texts, commentaries, scraps and fragments of everyday life, arts and dreams. This beautifully designed book gives an insight into Benjamin's habits of collecting and archiving through some of his most personal documents. From notebooks in which every conceivable space is covered with(...)
Critical Theory
November 2007, London, New York
Walter Benjamin's Archive
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The works of the great literary and cultural critic Walter Benjamin are a reservoir of texts, commentaries, scraps and fragments of everyday life, arts and dreams. This beautifully designed book gives an insight into Benjamin's habits of collecting and archiving through some of his most personal documents. From notebooks in which every conceivable space is covered with handwriting, and a heartfelt traveller's series of postcards, to a sequence of Benjamin's own photographs, and lists that include a collection of his son Stefan's early words and sentences, this wonderful collection testifies to Benjamin's complex and kaleidoscopic passion for the ephemera of human life. Illustrated throughout in color and black and white.
Critical Theory
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“The illiterate of the future … will not be the man who cannot read the alphabet, but the one who cannot take a photograph.” So declared Walter Benjamin (1892–1940) in his essay ''A Short History of Photography'', originally published in the periodical Literarische Welt in 1931. Beginning with the early experiments of Louis Daguerre and Nicéphore Niépce and concluding(...)
A short history of photography
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“The illiterate of the future … will not be the man who cannot read the alphabet, but the one who cannot take a photograph.” So declared Walter Benjamin (1892–1940) in his essay ''A Short History of Photography'', originally published in the periodical Literarische Welt in 1931. Beginning with the early experiments of Louis Daguerre and Nicéphore Niépce and concluding with the work of August Sander and Germaine Krull, Benjamin moved beyond the medium itself to address the artistic, societal and political capabilities that photography foretold. ''A Short History of Photography'' contains the inklings of his thoughts on “reproducibility” that he would later flesh out in his best-known text, “The Work of Art in the Age of Mechanical Reproduction.” Benjamin’s view of photography gave early credence to the medium and its practitioners and shaped the methodology by which it can be analyzed.
Theory of Photography
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Notre enquête se propose de montrer comment les formes de vie nouvelle et les nouvelles créations à base économique et technique que nous devons au siècle dernier entrent dans l'univers d'une fantasmagorie. Ces créations subissent cette "illumination" non pas seulement de manière théorique, par une transposition idéologique, mais bien dans l'immédiateté de la présence(...)
February 2003, Paris
Paris, capitale du XIXè siècle
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Notre enquête se propose de montrer comment les formes de vie nouvelle et les nouvelles créations à base économique et technique que nous devons au siècle dernier entrent dans l'univers d'une fantasmagorie. Ces créations subissent cette "illumination" non pas seulement de manière théorique, par une transposition idéologique, mais bien dans l'immédiateté de la présence sensible. Elles se manifestent en tant que fantasmagories. Quant à la fantasmagorie de la civilisation elle-même, elle a trouvé son champion dans Haussmann, et son expression manifeste dans ses transformation de Paris.
The arcades project
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The Arcades Project is Walter Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history and, in so doing, to liberate the supressed 'true history' that underlay the ideological mask. Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, 'The Arcades Project' (in German: 'Das Passagen-Werk`)(...)
The arcades project
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The Arcades Project is Walter Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history and, in so doing, to liberate the supressed 'true history' that underlay the ideological mask. Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, 'The Arcades Project' (in German: 'Das Passagen-Werk`) was constructed over the course of thirteen years - 'the theater', as Benjamin called it, 'of all my struggles and all my ideas.'
Critical Theory
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Early Writings, 1910-1917 documents the formative intellectual experiences of one of the twentieth century's most independent thinkers.
Walter Benjamin: Early writings 1910-1917
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Early Writings, 1910-1917 documents the formative intellectual experiences of one of the twentieth century's most independent thinkers.
Critical Theory
Walter Benjamin: archives
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Cet ouvrage se compose teizes archives rassemblant images, textes, photographies et schémas de Walter Benjamin. Elles sont fort complexes et très personnelles, parfois marginales, et pourtant elles mènent au centre de son œuvre. Elles tracent un portrait de l’auteur.
Walter Benjamin: archives
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Cet ouvrage se compose teizes archives rassemblant images, textes, photographies et schémas de Walter Benjamin. Elles sont fort complexes et très personnelles, parfois marginales, et pourtant elles mènent au centre de son œuvre. Elles tracent un portrait de l’auteur.
Critical Theory
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This new selection brings together Benjamin's major works, including "One-Way Street", his dreamlike, aphoristic observations of urban life in Weimar Germany; "Unpacking My Library", a delightful meditation on book-collecting; the confessional "Hashish in Marseille"; and, "The Work of Art in the Age of Mechanical Reproduction", his seminal essay on how technology changes(...)
Walter Benjamin : One way street and other writings
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This new selection brings together Benjamin's major works, including "One-Way Street", his dreamlike, aphoristic observations of urban life in Weimar Germany; "Unpacking My Library", a delightful meditation on book-collecting; the confessional "Hashish in Marseille"; and, "The Work of Art in the Age of Mechanical Reproduction", his seminal essay on how technology changes the way we appreciate art. Also including writings on subjects ranging from Proust to Kafka, violence to surrealism, this is the essential volume on one of the most prescient critical voices of the modern age.
Critical Theory
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Ne regardez jamais l'appareil.
Walter Benjamin : Petite histoire de la photographie
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Ne regardez jamais l'appareil.
Theory of Photography
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En s'autorisant de la pratique de la citation et du montage, courante chez Walter Benjamin (1892-1940), le présent recueil propose à la lecture un certain nombre d'écrits de cet auteur qu'on ne cesse de découvrir à neuf : notes, articles, fragments théoriques, extraits conséquents de grandes études et recherches, ici organisés autour du concept de critique, doublé de celui d'utopie.
Walter Benjamin : critique et utopie
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En s'autorisant de la pratique de la citation et du montage, courante chez Walter Benjamin (1892-1940), le présent recueil propose à la lecture un certain nombre d'écrits de cet auteur qu'on ne cesse de découvrir à neuf : notes, articles, fragments théoriques, extraits conséquents de grandes études et recherches, ici organisés autour du concept de critique, doublé de celui d'utopie.
Critical Theory