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Cuban-born, Mexico-based designer Clara Porset is renowned for her mid-century modern furniture and interior design and for her collaborations with architects such as Luis Barragán and Mario Pani. She was also an accomplished critic and writer. ''Living Design'' collects Porset’s essays, reviews, and lectures to highlight her role as an influential thinker, educator, and(...)
Living design: The writings of Clara Porset
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Cuban-born, Mexico-based designer Clara Porset is renowned for her mid-century modern furniture and interior design and for her collaborations with architects such as Luis Barragán and Mario Pani. She was also an accomplished critic and writer. ''Living Design'' collects Porset’s essays, reviews, and lectures to highlight her role as an influential thinker, educator, and practitioner. This volume insightfully contextualizes the politics that shaped Porset’s design principles, charts the influence of the Bauhaus and Black Mountain College on her work, and reveals the period’s fusion of local adaptations and modernist principles that made Mexico a major center of modernist design. At a time when many practitioners believed that design could only be modernized by replacing hand craftsmanship with mechanization, Porset valued both approaches for their distinctive qualities and urged others to do the same. Through her writings, she encouraged efforts to catalyze local design communities during a period of rapid technological and social change. With essays by historian Randal Sheppard and design curator and scholar Ana Elena Mallet, an introduction by volume editors Zoë Ryan and Valentina Sarmiento Cruz, and explanatory notes on the people and publishing forums in Porset’s circle, ''Living Design'' makes available works never before published in English, and with only limited circulation in the Spanish language, in order to recover an important and neglected voice in global modernism.
Design Monographs
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"Open: New Designs for Public Space" puts forth the simple proposition that new public spaces need not be the banal leftovers of design neglect. "Open" showcases the best recent public projects from some of the world's most talented designers, including Elizabeth Diller and Ricardo Scofidio, Craig Dykers, Peter Eisenman, Zaha Hadid, Walter Hood, UN Studio, Norman(...)
Open : new designs for public space
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"Open: New Designs for Public Space" puts forth the simple proposition that new public spaces need not be the banal leftovers of design neglect. "Open" showcases the best recent public projects from some of the world's most talented designers, including Elizabeth Diller and Ricardo Scofidio, Craig Dykers, Peter Eisenman, Zaha Hadid, Walter Hood, UN Studio, Norman Foster, Weiss/Manfredi, and Will Alsop. More than 300 images illustrate a range of projects from memorials to new types of urban plazas and parks. Essays by Raymond Gastil, Linda Pollak, and Zoë Ryan, argue that the most successful urban spaces are those that combine large-scale operations and small-scale experiences, major infrastructure with recreation and culture, and grand civic events with intimate daily interaction.
Urban Theory
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Van Alen Institute mounted the exhibition "Renewing, Rebuilding, Remembering" to demonstrate how cities, after incomparable loss of people and places, find ways to plan, design, and reconstruct the life of the city. The book is both a catalogue and a special edition of our series of "Van Alen Reports," the publication both documents the exhibit and expands on it with(...)
Information exchange : how cities renew, rebuild, and remember
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Van Alen Institute mounted the exhibition "Renewing, Rebuilding, Remembering" to demonstrate how cities, after incomparable loss of people and places, find ways to plan, design, and reconstruct the life of the city. The book is both a catalogue and a special edition of our series of "Van Alen Reports," the publication both documents the exhibit and expands on it with personal essays, articles and interviews. The point of the exhibition was not to compare catastrophes, but to compare, contrast, and try to explicate and understand initiatives, projects, plans, and actions that took place after the bomb, the earthquake, the war. After that, what worked, what would they do differently, what mattered right away, what mattered for the long-term? In October, the Institute put out a call for ideas for the exhibit. Students, designers, planners, artists, professors, photographers, public officials and a wide range of respondents from around the world were generous in suggesting places, projects, issues, and designs that were telling for the future of New York. From this response and ongoing research, the Institute chose to focus on specific processes and projects in seven cities. In Beirut, a public art installation that progressed through the city was a first step in reclaiming its war-torn districts, and the Lebanese capital has continued not only with master plans and major new developments, but also with works such as the Garden of Forgiveness, grappling with a hard history to contemplate. In Berlin, a center for information about the city and its reconstruction rose above the ruins of the Berlin Wall, half a century after the city had been devastated and divided. In San Francisco, an earthquake left the elevated highway downtown in such precarious decision that the city decided to tear it down-and implement a long-held dream of reopening the city to the waterfront. In Kobe, where an earthquake resulted not only in billions of dollars of damage to infrastructure, but also in a terrible loss of life, architects responded with an outpouring of energy to survey the damage and construct innovative emergency housing, proving the old adage that necessity is the mother of invention. In addition, they strove to understand the disaster, building a museum about, and at, the geological fault that brought down so much of their city. Manchester had a terrorist attack in the mid-1990s, and rebuilt its center city better than before, as well as setting up an institute for the study of cities around the world, to better understand that the life of the city and its public realm can not be taken for granted. So, too, did Oklahoma City, where a public process led to an international design competition for a memorial, and the city has rebuilt itself around it. Sarajevo, after years of civil war, pulled together its citizens through restoring the landmarks of their public life.
Urban Theory
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London-based Graphic Thought Facility (GTF) has emerged as one of today’s most progressive and versatile design firms. Established in 1990, it has a reputation for a non-conformist approach to graphic design. The firm's originality results from its combination of a handmade aesthetic, knowledge of digital technology, and an interest in new materials and production(...)
Graphic Through Facility : A+D series
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London-based Graphic Thought Facility (GTF) has emerged as one of today’s most progressive and versatile design firms. Established in 1990, it has a reputation for a non-conformist approach to graphic design. The firm's originality results from its combination of a handmade aesthetic, knowledge of digital technology, and an interest in new materials and production methods. This catalogue includes photographs and essays that highlight GTF’s most notable projects and commissions, which range from graphic identity to marketing materials to exhibition and catalogue design. Whether providing innovative design materials for the Institute of Contemporary Arts, London,Shakespeare’s Globe Theatre, the Tate Museum, the furniture and interior design store Habitat, or designers such as Ron Arad and Tord Boontje, GTF encourages us to appreciate the visual richness of the world around us.
Graphic Designers, Monographs
books
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For almost 100 years, Coney Island was the most popular seaside destination in the United States. Each year, millions escaped the heat of New York City to savor the thrills of the Cyclone roller coaster and Wonder Wheel at the Astroland amusement park. They came to sample an original Nathan's Famous hot dog, witness the first demolition derby, or to take a chance at a(...)
Museums and Universal Exhibitions
April 2007, New York
Coney island : the parchute pavilion competition
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For almost 100 years, Coney Island was the most popular seaside destination in the United States. Each year, millions escaped the heat of New York City to savor the thrills of the Cyclone roller coaster and Wonder Wheel at the Astroland amusement park. They came to sample an original Nathan's Famous hot dog, witness the first demolition derby, or to take a chance at a game of three-card Monte on the legendary boardwalk. The advent of air-conditioning, concerns about Coney's "tawdry" entertainment, and faster transportation to other beaches hastened the demise of what had become a uniquely American icon of entertainment and a defining terminus of New York at the water's edge. In an effort to revitalize the area, the Van Alen Institute, in concert with the Coney Island Development Corporation, held the Parachute Pavilion Competition, a contest to design a year-round pavilion in the shadow of the Parachute Jump, a landmark built for the 1939 World's Fair. Coney Island: The Parachute Pavilion Competition presents all 864 submissions—from the feasible to the fantastic—received from around the world. The winning design by London-based Carmody Groarke Hardie is a mesmerizing attraction in its own right, composed of two provocative trapezoids illuminated by thousands of colored light bulbs. The design respects the historic icon under which it is located but also promises to become an icon in its own right and bring the fun-loving spirit of Coney Island into the twenty-first century. Featuring essays, photographic documentation, and jury comments, Coney Island: The Parachute Pavilion Competition is a critical resource for students, designers, city officials, and anyone interested in Coney Island and the reinvention of the historic recreation sites of our cities.
books
April 2007, New York
Museums and Universal Exhibitions
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Featuring written and photographic descriptions of the shows and illuminating essays from noted curators, scholars, critics, designers, and theorists, As Seen: Exhibitions that Made Architecture and Design History explores the multifaceted ways in which exhibitions have reflected on contemporary dilemmas and opened up new processes and ways of working. Providing a fresh(...)
As seen: exhibitions that made architecture and design history
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Featuring written and photographic descriptions of the shows and illuminating essays from noted curators, scholars, critics, designers, and theorists, As Seen: Exhibitions that Made Architecture and Design History explores the multifaceted ways in which exhibitions have reflected on contemporary dilemmas and opened up new processes and ways of working. Providing a fresh perspective on some of the most important exhibitions of the 20th century from America, Europe, and Japan, including This Is Tomorrow, Expo ’70, and Massive Change, this book offers a new framework for thinking about how exhibitions can function as a transformative force in the field of architecture and design.
Museology
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This book unites the pioneering work of six artists and designers: Clara Porset, Lola Álvarez Bravo, Anni Albers, Ruth Asawa, Cynthia Sargent, Sheila Hicks. Inspired by both local traditions and modern methods, these women made art that reflected and contributed to Mexico’s rich artistic landscape at the height of the modern period. Their work was rooted in modernism and(...)
In a cloud, in a wall, in a chair: six modernists in Mexico at midcentury
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This book unites the pioneering work of six artists and designers: Clara Porset, Lola Álvarez Bravo, Anni Albers, Ruth Asawa, Cynthia Sargent, Sheila Hicks. Inspired by both local traditions and modern methods, these women made art that reflected and contributed to Mexico’s rich artistic landscape at the height of the modern period. Their work was rooted in modernism and grounded in abstraction.This constellation of like-minded practitioners shared an affinity for Mexico, a country all lived in or visited between the 1940s and the 1970s. In bringing their works together, this book offers a new lens on modernism in Mexico.
Modernism
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Bertrand Goldberg (1913-1997) was a visionary Chicago architect whose designs for housing, urban planning, and industrial design made a distinctive mark in the modern era. This handsome publication, the first to focus in-depth on the entirety of Goldberg's life and work, traces his development from his early Bauhaus training to his notable architectural achievements.(...)
Bertrand Goldberg: architecture of invention
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Bertrand Goldberg (1913-1997) was a visionary Chicago architect whose designs for housing, urban planning, and industrial design made a distinctive mark in the modern era. This handsome publication, the first to focus in-depth on the entirety of Goldberg's life and work, traces his development from his early Bauhaus training to his notable architectural achievements. Featuring previously unpublished material, it also includes Goldberg's plans for unrealized projects as well as his collaborations with other prominent modern architects, such as Ludwig Mies van der Rohe and Buckminster Fuller. Goldberg's interest in the social dimension of architecture was reflected in many of his cutting-edge designs. In 1959, he conceived the plan for his most iconic structure, the sixty-story Marina City residential towers, in the heart of downtown Chicago. He created a number of hospitals that offered a new paradigm for how patients and staff interacted within the space. Goldberg's progressive designs also extended to schools, prefabricated structures, and furniture.
Architecture Monographs
Building with water
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Water has been an important topic in architecture and urban planning for years. The theme of this publication is the use of water in architecture. It presents buildings that explicitly refer to water in their design and form. It establishes a typology of building by the water: residential buildings, transportation and industrial buildings, buildings for culture and(...)
Building with water
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Water has been an important topic in architecture and urban planning for years. The theme of this publication is the use of water in architecture. It presents buildings that explicitly refer to water in their design and form. It establishes a typology of building by the water: residential buildings, transportation and industrial buildings, buildings for culture and leisure. Classic examples of building by, in, or on the water serve as introductions : for example, the Château de Chenonceaux on the Loire, Falling Water in Pennsylvania by Frank Lloyd Wright, and the Salk Institute in La Jolla, California, by Louis I. Kahn. Organized according to their locations by a river, lake, or the sea, some twenty international projects are presented. The authors’ concern is not showing luxurious buildings in privileged locations but rather presenting projects that seriously grapple with the main criterion of the location — namely, water — in an ecologically sustainable way and respond to it with their design.
Green Architecture
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The hip, functional, and versatile furniture and products of Konstantin Grcic—widely recognized as one of the most important designers working today—are transforming the landscape of contemporary design. This book accompanies the first exhibition in North America of Grcic’s work, highlighting the innovative archetypes of form and concept that have marked his remarkable(...)
Konstantin Grcic: decisive design
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The hip, functional, and versatile furniture and products of Konstantin Grcic—widely recognized as one of the most important designers working today—are transforming the landscape of contemporary design. This book accompanies the first exhibition in North America of Grcic’s work, highlighting the innovative archetypes of form and concept that have marked his remarkable output since 2004.
Design Monographs