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Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth(...)
$27.95
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Summary:
Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth(...)
Title:
Sounding new media, immersion and embodiment in the arts and culture
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Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about embodiment (or its lack) in art and technology as well as fears about technology and the so-called "post-human."
Sounding new media, immersion and embodiment in the arts and culture
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$27.95
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Summary:
Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about embodiment (or its lack) in art and technology as well as fears about technology and the so-called "post-human."
Form:
books
books
Publication:
September 2009
September 2009
Subject:
Acoustics
Acoustics
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books
books
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$34.95
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Summary:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's(...)
$34.95
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Summary:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's(...)
Title:
Night music, essays on music 1928-1962
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Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's most dazzling yet perplexing philosophers. The fidelity to the ordering of the original German editions allows some of the less well-known essays (such as those on Ravel and Offenbach) to thematically and stylistically resonate in the company of the famous (and infamous) works on Beethoven, Schubert, Schoenberg and jazz.
Night music, essays on music 1928-1962
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$34.95
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Summary:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's most dazzling yet perplexing philosophers. The fidelity to the ordering of the original German editions allows some of the less well-known essays (such as those on Ravel and Offenbach) to thematically and stylistically resonate in the company of the famous (and infamous) works on Beethoven, Schubert, Schoenberg and jazz.
Form:
books
books
Publication:
October 2009, Chicago
October 2009, Chicago
Subject:
Acoustics
Acoustics
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books
books
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$27.95
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Summary:
In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to(...)
$27.95
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Summary:
In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to(...)
Title:
Cracked media : the sound of malfunction
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In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to the cold and clean sounds of digital glitch in the work of Tone and Oval. Kelly offers a detailed historical account of these practices, arguing that they can be read as precursors to contemporary new media. Kelly looks at the nature of recording technology and the music industry in relation to the crack and the break, and discusses the various manifestations of noise, concluding that neither theories of recording nor theories of noise offer an adequate framework for understanding cracked media. Connecting the historical avant-garde to modern-day turntablism, and predigital destructive techniques to the digital ticks, pops, and clicks of the glitch, Kelly proposes new media theorizations of cracked media that focus on materiality and the everyday.
Cracked media : the sound of malfunction
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$27.95
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Summary:
In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to the cold and clean sounds of digital glitch in the work of Tone and Oval. Kelly offers a detailed historical account of these practices, arguing that they can be read as precursors to contemporary new media. Kelly looks at the nature of recording technology and the music industry in relation to the crack and the break, and discusses the various manifestations of noise, concluding that neither theories of recording nor theories of noise offer an adequate framework for understanding cracked media. Connecting the historical avant-garde to modern-day turntablism, and predigital destructive techniques to the digital ticks, pops, and clicks of the glitch, Kelly proposes new media theorizations of cracked media that focus on materiality and the everyday.
Form:
books
books
Publication:
September 2009
September 2009
Subject:
Acoustics
Acoustics
Form:
books
books
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$22.00
(available in store)
Summary:
is first monograph on sound artist Christof Migone tracks his work since the mid-80s: a weaving together of multiple media, from radio to telephone to digital objects, that has formed a stunning and highly dynamic practice, one that combines an acute sonic sensibility with performative usages of the body, video, and voice.
$22.00
(available in store)
Summary:
is first monograph on sound artist Christof Migone tracks his work since the mid-80s: a weaving together of multiple media, from radio to telephone to digital objects, that has formed a stunning and highly dynamic practice, one that combines an acute sonic sensibility with performative usages of the body, video, and voice.
Title:
Christof Migone: sound, voice, perform
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$22.00
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Summary:
is first monograph on sound artist Christof Migone tracks his work since the mid-80s: a weaving together of multiple media, from radio to telephone to digital objects, that has formed a stunning and highly dynamic practice, one that combines an acute sonic sensibility with performative usages of the body, video, and voice.
Christof Migone: sound, voice, perform
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$22.00
(available in store)
Summary:
is first monograph on sound artist Christof Migone tracks his work since the mid-80s: a weaving together of multiple media, from radio to telephone to digital objects, that has formed a stunning and highly dynamic practice, one that combines an acute sonic sensibility with performative usages of the body, video, and voice.
Form:
books
books
Publication:
September 2009
September 2009
Subject:
Acoustics
Acoustics
Form:
books
books
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$24.00
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Summary:
Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history(...)
$24.00
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Summary:
Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history(...)
Title:
What remains of a building divided into equal parts and distributed for reconfiguration
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$24.00
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Summary:
Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history of "participatory" architecture. It includes temporary architectural work by the Tijuana-based consortium of artists, designers and musicians known as Torolab, as well as a study of Nis Roemer's innovative Hot Summer urban farming project in Copenhagen. With essays digital culture in Brazil, electronic waste and camouflage as creative strategy, this volume offers fresh reading on the specifics of site.
What remains of a building divided into equal parts and distributed for reconfiguration
Actions:
Price:
$24.00
(available to order)
Summary:
Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history of "participatory" architecture. It includes temporary architectural work by the Tijuana-based consortium of artists, designers and musicians known as Torolab, as well as a study of Nis Roemer's innovative Hot Summer urban farming project in Copenhagen. With essays digital culture in Brazil, electronic waste and camouflage as creative strategy, this volume offers fresh reading on the specifics of site.
Form:
books
books
Publication:
September 2009
September 2009
Subject:
Acoustics
Acoustics
Form:
books
books
Title:
Toy instruments
Toy instruments
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Toy Instruments comprises an eye-popping collection of musical toys made between the 1950s and 1990s. Created to excite children about learning how to play an instrument, it turns out that adults also had fun with these products.
$26.95
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Summary:
Toy Instruments comprises an eye-popping collection of musical toys made between the 1950s and 1990s. Created to excite children about learning how to play an instrument, it turns out that adults also had fun with these products.
Title:
Toy instruments
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$26.95
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Summary:
Toy Instruments comprises an eye-popping collection of musical toys made between the 1950s and 1990s. Created to excite children about learning how to play an instrument, it turns out that adults also had fun with these products.
Toy instruments
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$26.95
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Summary:
Toy Instruments comprises an eye-popping collection of musical toys made between the 1950s and 1990s. Created to excite children about learning how to play an instrument, it turns out that adults also had fun with these products.
Form:
books
books
Publication:
October 2009
October 2009
Subject:
Acoustics
Acoustics
Form:
books
books
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$24.95
(available to order)
Summary:
The emergence of electronic music with its new generation of artists and digital technologies has disturbed the world music landscape. From the musicians’ angle, since the end of the eighties, techno, house, and their multiple subgenres, have brought in a new breath, sometimes sweeping aside the order established by rock and pop, and imposing new game rules: ephemeral and(...)
$24.95
(available to order)
Summary:
The emergence of electronic music with its new generation of artists and digital technologies has disturbed the world music landscape. From the musicians’ angle, since the end of the eighties, techno, house, and their multiple subgenres, have brought in a new breath, sometimes sweeping aside the order established by rock and pop, and imposing new game rules: ephemeral and(...)
Title:
Jean-Yves Leloup: Digital magma
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Summary:
The emergence of electronic music with its new generation of artists and digital technologies has disturbed the world music landscape. From the musicians’ angle, since the end of the eighties, techno, house, and their multiple subgenres, have brought in a new breath, sometimes sweeping aside the order established by rock and pop, and imposing new game rules: ephemeral and shared creations, widespread sampling, DJ rule, the practice of mix and remix, new and micro-economy. But that aesthetic revolution, which ended up contaminating most music during the nineties, is not only limited to artists. The democratization of the digital, of the means of diffusion, and of exchange and listening, transforms the relationship between the audience and music. Today the MP3 generation, beyond the simple question of piracy, invents new codes and practices which have shaken our way of “consuming” culture.
Jean-Yves Leloup: Digital magma
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$24.95
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Summary:
The emergence of electronic music with its new generation of artists and digital technologies has disturbed the world music landscape. From the musicians’ angle, since the end of the eighties, techno, house, and their multiple subgenres, have brought in a new breath, sometimes sweeping aside the order established by rock and pop, and imposing new game rules: ephemeral and shared creations, widespread sampling, DJ rule, the practice of mix and remix, new and micro-economy. But that aesthetic revolution, which ended up contaminating most music during the nineties, is not only limited to artists. The democratization of the digital, of the means of diffusion, and of exchange and listening, transforms the relationship between the audience and music. Today the MP3 generation, beyond the simple question of piracy, invents new codes and practices which have shaken our way of “consuming” culture.
Form:
books
books
Publication:
December 2009
December 2009
Subject:
Acoustics
Acoustics
Form:
books
books
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$32.95
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Summary:
The role of popular music is widely recognized in giving voice to radical political views, the plight of the oppressed, and the desire for social change. Avant-garde music, by contrast, is often thought to prioritize the pursuit of new technical or conceptual territory over issues of human and social concern. Yet throughout the activist 1960s, many avant-garde musicians(...)
$32.95
(available to order)
Summary:
The role of popular music is widely recognized in giving voice to radical political views, the plight of the oppressed, and the desire for social change. Avant-garde music, by contrast, is often thought to prioritize the pursuit of new technical or conceptual territory over issues of human and social concern. Yet throughout the activist 1960s, many avant-garde musicians(...)
Title:
Sound commitments : avant-garde music in the sixties
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$32.95
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Summary:
The role of popular music is widely recognized in giving voice to radical political views, the plight of the oppressed, and the desire for social change. Avant-garde music, by contrast, is often thought to prioritize the pursuit of new technical or conceptual territory over issues of human and social concern. Yet throughout the activist 1960s, many avant-garde musicians were convinced that aesthetic experiment and social progressiveness made natural bedfellows. Intensely involved in the era's social and political upheavals, they often sought to reflect this engagement in their music. Yet how could avant-garde musicians make a meaningful contribution to social change if their music remained the preserve of a tiny, initiated clique? In answer, this publication examines the encounter of avant-garde music and "the Sixties" across a range of genres, aesthetic positions and geographical locations. Through music for the concert hall, tape and electronic music, jazz and improvisation, participatory "events," performance art, and experimental popular music, the essays in this volume explore developments in the United States, France, West Germany, Italy, the Netherlands, the Soviet Union, Japan and parts of the "Third World," delving into the deep richness of avant-garde musicians' response to the decade's defining cultural shifts.
Sound commitments : avant-garde music in the sixties
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$32.95
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Summary:
The role of popular music is widely recognized in giving voice to radical political views, the plight of the oppressed, and the desire for social change. Avant-garde music, by contrast, is often thought to prioritize the pursuit of new technical or conceptual territory over issues of human and social concern. Yet throughout the activist 1960s, many avant-garde musicians were convinced that aesthetic experiment and social progressiveness made natural bedfellows. Intensely involved in the era's social and political upheavals, they often sought to reflect this engagement in their music. Yet how could avant-garde musicians make a meaningful contribution to social change if their music remained the preserve of a tiny, initiated clique? In answer, this publication examines the encounter of avant-garde music and "the Sixties" across a range of genres, aesthetic positions and geographical locations. Through music for the concert hall, tape and electronic music, jazz and improvisation, participatory "events," performance art, and experimental popular music, the essays in this volume explore developments in the United States, France, West Germany, Italy, the Netherlands, the Soviet Union, Japan and parts of the "Third World," delving into the deep richness of avant-garde musicians' response to the decade's defining cultural shifts.
Form:
books
books
Publication:
February 2009, Oxford
February 2009, Oxford
Subject:
Acoustics
Acoustics
Form:
books
books
Actions:
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$15.00
(available to order)
Summary:
This book presents the elements of music by building upon the long-known fundamentals of acoustics, proportion and Relationship - a kind of musical metaphor. In combination with novel graphics and symbols, the principles behind melody, rhythm, and harmony come alive, along with those of Western musical notation.
$15.00
(available to order)
Summary:
This book presents the elements of music by building upon the long-known fundamentals of acoustics, proportion and Relationship - a kind of musical metaphor. In combination with novel graphics and symbols, the principles behind melody, rhythm, and harmony come alive, along with those of Western musical notation.
Title:
The elements of music : melody, rythm, & harmony
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$15.00
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Summary:
This book presents the elements of music by building upon the long-known fundamentals of acoustics, proportion and Relationship - a kind of musical metaphor. In combination with novel graphics and symbols, the principles behind melody, rhythm, and harmony come alive, along with those of Western musical notation.
The elements of music : melody, rythm, & harmony
Actions:
Price:
$15.00
(available to order)
Summary:
This book presents the elements of music by building upon the long-known fundamentals of acoustics, proportion and Relationship - a kind of musical metaphor. In combination with novel graphics and symbols, the principles behind melody, rhythm, and harmony come alive, along with those of Western musical notation.
Form:
books
books
Publication:
October 2013
October 2013
Subject:
Acoustics
Acoustics
Form:
books
books
Actions:
Price:
$101.95
(available to order)
Summary:
La réussite acoustique d'un bâtiment dépend de sa conception architecturale, de sa conception technique et de la qualité de son exécution. L'objectif de cet ouvrage pratique et pédagogique est de fournir les moyens de répondre aux cahiers des charges acoustiques. La prise en compte du développement durable dans les projets de bâtiments et l'amélioration de la(...)
$101.95
(available to order)
Summary:
La réussite acoustique d'un bâtiment dépend de sa conception architecturale, de sa conception technique et de la qualité de son exécution. L'objectif de cet ouvrage pratique et pédagogique est de fournir les moyens de répondre aux cahiers des charges acoustiques. La prise en compte du développement durable dans les projets de bâtiments et l'amélioration de la(...)
Title:
Réussir l'acoustique d'un bâtiment, 3e édition
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$101.95
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Summary:
La réussite acoustique d'un bâtiment dépend de sa conception architecturale, de sa conception technique et de la qualité de son exécution. L'objectif de cet ouvrage pratique et pédagogique est de fournir les moyens de répondre aux cahiers des charges acoustiques. La prise en compte du développement durable dans les projets de bâtiments et l'amélioration de la réglementation thermique ont des incidences sur les exigences acoustiques des bâtiments et cette 3e édition tient compte de ces nouveaux paramètres.
Réussir l'acoustique d'un bâtiment, 3e édition
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Price:
$101.95
(available to order)
Summary:
La réussite acoustique d'un bâtiment dépend de sa conception architecturale, de sa conception technique et de la qualité de son exécution. L'objectif de cet ouvrage pratique et pédagogique est de fournir les moyens de répondre aux cahiers des charges acoustiques. La prise en compte du développement durable dans les projets de bâtiments et l'amélioration de la réglementation thermique ont des incidences sur les exigences acoustiques des bâtiments et cette 3e édition tient compte de ces nouveaux paramètres.
Form:
books
books
Publication:
March 2014
March 2014
Subject:
Acoustics
Acoustics
