The noise of being
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The Noise of Being attempts to piece together the dissonance that was produced and gathered at the 2017 Sonic Acts Festival. The festival focused on a theme that resonates deeply when thinking about the contemporary – namely, what it means to be human, to be part of a world that is an ever changing network. Many different ‘noises’ were featured and produced at the(...)
The noise of being
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The Noise of Being attempts to piece together the dissonance that was produced and gathered at the 2017 Sonic Acts Festival. The festival focused on a theme that resonates deeply when thinking about the contemporary – namely, what it means to be human, to be part of a world that is an ever changing network. Many different ‘noises’ were featured and produced at the festival conference, in the clubs, museums, and cinemas. This book is by no means a definite conclusion: more of a reminder and a chance to continue speculating about the strange and anxious state of being. The Noise of Being features contributions by Arie Altena, Ingrid Burrington, Wendy Hui Kyong Chun, Rick Dolphijn, Jennifer Gabrys, Louis Henderson, Jamon Van Den Hoek, Joey Holder, Rosa Menkman, Metahaven, Nina Power, The Rodina, Daniel Rourke, Lucas van der Velden, Eyal Weizman, Ytasha Womack, and Juha van ’t Zelfde.
Acoustics
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Ce livre est la rencontre entre deux artistes qui ont étudié le silence en s’y immergeant afin de déconstruire une chose et d’en reconstruire une autre, par les sensibilités de chacun, les images trouvées, les objets, les conversations entendues, les bruits de la ville enregistrés, etc.
Silence-décomposition : à l'écoute d'une ville
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Ce livre est la rencontre entre deux artistes qui ont étudié le silence en s’y immergeant afin de déconstruire une chose et d’en reconstruire une autre, par les sensibilités de chacun, les images trouvées, les objets, les conversations entendues, les bruits de la ville enregistrés, etc.
Acoustics
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Architects are used to designing visually. In order to expand their basic design tools, this book explores the interactions between sound, space, hearing, and architecture. To this end, the author uses contemporary and historic buildings and projects, but also fictional, philosophical, and theoretical approaches – the idea is not only to define sound as a source, but also(...)
Architectures of sound: acoustic concepts and parameters for architectural design
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Architects are used to designing visually. In order to expand their basic design tools, this book explores the interactions between sound, space, hearing, and architecture. To this end, the author uses contemporary and historic buildings and projects, but also fictional, philosophical, and theoretical approaches – the idea is not only to define sound as a source, but also as an instrument of architectural space. By introducing a metatheory of "critical hearing", designers are able to acoustically test their projects and contribute to their design with auditive input, already at the design stage.
Acoustics
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A literary mix tape that explores the entwined boundaries between sound, material culture, landscape and esoteric belief.
High static, dead lines: sonic spectres and the object hereafter
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A literary mix tape that explores the entwined boundaries between sound, material culture, landscape and esoteric belief.
Acoustics
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Hors-série ''D'Ailleurs'', la revue de recherche de l'Institut supérieur des beaux-arts de Besançon, Max Feed est le résultat d'une réflexion collective sur l'héritage de Max Neuhaus, considéré comme le père de l'installation sonore.
Max Feed : oeuvre et héritage de Max Neuhaus
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Hors-série ''D'Ailleurs'', la revue de recherche de l'Institut supérieur des beaux-arts de Besançon, Max Feed est le résultat d'une réflexion collective sur l'héritage de Max Neuhaus, considéré comme le père de l'installation sonore.
Acoustics
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Although Theodor W. Adorno is best known for his association with the Frankfurt School of Critical Theory, he began his career as a composer and successful music critic. "Night Music" presents the first complete English translations of two collections of texts compiled by German philosopher and musicologist Adorno—Moments musicaux, containing essays written between 1928(...)
Night music: essays on music 1928-1962
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Although Theodor W. Adorno is best known for his association with the Frankfurt School of Critical Theory, he began his career as a composer and successful music critic. "Night Music" presents the first complete English translations of two collections of texts compiled by German philosopher and musicologist Adorno—Moments musicaux, containing essays written between 1928 and 1962, and "Theory of New Music", a group of texts written between 1929 and 1955.
Acoustics
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In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors,(...)
Inflamed invisible: collected writings on art and sound, 1976-2018
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In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors, singing sculptures, weather, meditations, vibration and the interior resonance of objects, interspecies communications, instructional texts, silent actions, and performance art. This publications collects more than four decades of David Toop's essays, reviews, interviews, and experimental texts, drawing us into the company of artists and their concerns, not forgetting the quieter, unsung voices. The volume is an exploration of strata of sound that are the crossing points of sensory, intellectual, and philosophical preoccupations.
Acoustics
In a sound world
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This collection gathers together Victor Segalen's previously untranslated essay “Synesthestics and the Symbolist School” and his novel In A Sound World, a work of fantasy concerning an inventor lost in his own immersive harmonic space. Segalen's medical training (he had a career as a ship's doctor) inspired an interest in the link between the prevailing Symbolism of the(...)
In a sound world
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This collection gathers together Victor Segalen's previously untranslated essay “Synesthestics and the Symbolist School” and his novel In A Sound World, a work of fantasy concerning an inventor lost in his own immersive harmonic space. Segalen's medical training (he had a career as a ship's doctor) inspired an interest in the link between the prevailing Symbolism of the time and synesthesia, the condition whereby one sense affects the perception of another. This edition also includes an essay by the musician and cultural historian David Toop that explores the historical context of Segalen's ideas. Also included is Segalen's libretto for Orpheus Rex, a collaboration with the composer Claude Debussy, which he would use as an opportunity for further explorations of his synesthetic concepts.
Acoustics
Dialectic of pop
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Agnès Gayraud explores all the paradoxes of pop — its inauthentic authenticity, its mass production of emotion and personal resonance, its repetitive novelty, its precision engineering of seduction — and calls for pop (in its broadest sense, encompassing all genres of popular recorded music) to be recognised as a modern technologically-mediated art form to rank alongside(...)
Dialectic of pop
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Agnès Gayraud explores all the paradoxes of pop — its inauthentic authenticity, its mass production of emotion and personal resonance, its repetitive novelty, its precision engineering of seduction — and calls for pop (in its broadest sense, encompassing all genres of popular recorded music) to be recognised as a modern technologically-mediated art form to rank alongside cinema and photography.
Acoustics
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Tokyo Listening examines how the sensory experience of the city informs how people listen to both music and everyday, ubiquitous sounds. Drawing on recent scholarship in the fields of sound studies, anthropology, and ethnomusicology and over fifteen years of ethnographic fieldwork in Japan, Lorraine Plourde traces the linkages between sound and urban space. She examines(...)
Tokyo listening: sound and sense in a contemporary city
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Tokyo Listening examines how the sensory experience of the city informs how people listen to both music and everyday, ubiquitous sounds. Drawing on recent scholarship in the fields of sound studies, anthropology, and ethnomusicology and over fifteen years of ethnographic fieldwork in Japan, Lorraine Plourde traces the linkages between sound and urban space. She examines listening cultures via four main ethnographic sites in Tokyo?an experimental music venue, classical music cafes, office workspaces, and department stores?looking specifically at how such auditory sensibilities are cultivated. The book brings together two different types of spaces into the same frame of reference: places people go to specifically for the music, and spaces where the music comes to them. Tokyo Listening examines the sensory experience of urban listening as a planned and multifaceted dimension of everyday city life, ultimately exploring the relationship between sound, comfort, happiness, and productivity.
Acoustics