181 Results
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books
books
Title:
Radio territories
Radio territories
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The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital(...)
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Summary:
The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital(...)
Subject:
Acoustics
Acoustics
Publication:
November 2006, Los Angeles, Copenhagen, New York
November 2006, Los Angeles, Copenhagen, New York
Title:
Radio territories
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Summary:
The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital technology - from digital streaming to web radio and podcasting - paying special attention to the "transmission arts" in culture and politics. It includes creative and critical essays by historians, media theorists, radio producers and activists, coupled with artistic and audio projects by current avant-gardists Kabir Carter, Brandon LaBelle, James Sey and others. While "Modern" radio stitched together an electronic network by expanding outward, today's radio may fulfill Marshall McLuhan's idea of the global "extended nervous system" by networking individual lives on more of a cellular level. According to the authors, radio is no longer out there, in the ether, but inside us, transmitting intense stratifications of culture. Comes with audio CD
Radio territories
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Summary:
The legacy of radio and the arts has spawned many forms of radical culture over the years, from early Modernist notions of the "Wireless imagination" and its subsequent vernacular tongues to Acoustic Ecology's call for "Radical radio". This contemporary history of radical radio addresses the transformation of this broadcast medium by recent breakthroughs in digital technology - from digital streaming to web radio and podcasting - paying special attention to the "transmission arts" in culture and politics. It includes creative and critical essays by historians, media theorists, radio producers and activists, coupled with artistic and audio projects by current avant-gardists Kabir Carter, Brandon LaBelle, James Sey and others. While "Modern" radio stitched together an electronic network by expanding outward, today's radio may fulfill Marshall McLuhan's idea of the global "extended nervous system" by networking individual lives on more of a cellular level. According to the authors, radio is no longer out there, in the ether, but inside us, transmitting intense stratifications of culture. Comes with audio CD
Form:
books
books
Publication:
November 2006, Los Angeles, Copenhagen, New York
November 2006, Los Angeles, Copenhagen, New York
Subject:
Acoustics
Acoustics
Form:
books
books
Title:
Spectre n° 02 : résonances
Spectre n° 02 : résonances
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Le deuxième numéro de la publication annuelle consacrée à l'expérimentation sonore et musicale, coéditée par Shelter Press et l'Ina GRM – Groupe de Recherches Musicales, autour du concept de résonances, avec des contributions de Maryanne Amacher, Chris Corsano, Ellen Fullman, Christina Kubisch, Okkyung Lee, Pali Meursault, Jean-Luc Nancy, David Rosenboom, Tomoko Sauvage,(...)
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Summary:
Le deuxième numéro de la publication annuelle consacrée à l'expérimentation sonore et musicale, coéditée par Shelter Press et l'Ina GRM – Groupe de Recherches Musicales, autour du concept de résonances, avec des contributions de Maryanne Amacher, Chris Corsano, Ellen Fullman, Christina Kubisch, Okkyung Lee, Pali Meursault, Jean-Luc Nancy, David Rosenboom, Tomoko Sauvage,(...)
Title:
Spectre n° 02 : résonances
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$29.95
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Le deuxième numéro de la publication annuelle consacrée à l'expérimentation sonore et musicale, coéditée par Shelter Press et l'Ina GRM – Groupe de Recherches Musicales, autour du concept de résonances, avec des contributions de Maryanne Amacher, Chris Corsano, Ellen Fullman, Christina Kubisch, Okkyung Lee, Pali Meursault, Jean-Luc Nancy, David Rosenboom, Tomoko Sauvage, The Caretaker, David Toop et Christian Zanési.
Spectre n° 02 : résonances
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Le deuxième numéro de la publication annuelle consacrée à l'expérimentation sonore et musicale, coéditée par Shelter Press et l'Ina GRM – Groupe de Recherches Musicales, autour du concept de résonances, avec des contributions de Maryanne Amacher, Chris Corsano, Ellen Fullman, Christina Kubisch, Okkyung Lee, Pali Meursault, Jean-Luc Nancy, David Rosenboom, Tomoko Sauvage, The Caretaker, David Toop et Christian Zanési.
Form:
books
books
Publication:
May 2020
May 2020
Subject:
Acoustics
Acoustics
Form:
books
books
Price:
$54.00
(available to order)
Summary:
The relationship between sound and space has become central to both creative practices in music and sound art and contemporary scholarship on sound. Entire subfields have emerged in connection to the spatial aspects of sound, from spatial audio and sound installation to acoustic ecology and soundscape studies. But how did our understanding of sound become spatial? In(...)
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The relationship between sound and space has become central to both creative practices in music and sound art and contemporary scholarship on sound. Entire subfields have emerged in connection to the spatial aspects of sound, from spatial audio and sound installation to acoustic ecology and soundscape studies. But how did our understanding of sound become spatial? In(...)
Title:
Stereophonica: Sound and space in science, technology and the arts
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The relationship between sound and space has become central to both creative practices in music and sound art and contemporary scholarship on sound. Entire subfields have emerged in connection to the spatial aspects of sound, from spatial audio and sound installation to acoustic ecology and soundscape studies. But how did our understanding of sound become spatial? In ''Stereophonica,'' Gascia Ouzounian examines a series of historical episodes that transformed ideas of sound and space, from the advent of stereo technologies in the nineteenth century to visual representations of sonic environments today. Developing a uniquely interdisciplinary perspective, Ouzounian draws on both the history of science and technology and the history of music and sound art. She investigates the binaural apparatus that allowed nineteenth-century listeners to observe sound in three dimensions; examines the development of military technologies for sound location during World War I; revisits experiments in stereo sound at Bell Telephone Laboratories in the 1930s; and considers the creation of "optimized acoustical environments" for theaters and factories. She explores the development of multichannel "spatial music" in the 1950s and sound installation art in the 1960s; analyzes the mapping of soundscapes; and investigates contemporary approaches to sonic urbanism, sonic practices that reimagine urban environments through sound.
Stereophonica: Sound and space in science, technology and the arts
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Summary:
The relationship between sound and space has become central to both creative practices in music and sound art and contemporary scholarship on sound. Entire subfields have emerged in connection to the spatial aspects of sound, from spatial audio and sound installation to acoustic ecology and soundscape studies. But how did our understanding of sound become spatial? In ''Stereophonica,'' Gascia Ouzounian examines a series of historical episodes that transformed ideas of sound and space, from the advent of stereo technologies in the nineteenth century to visual representations of sonic environments today. Developing a uniquely interdisciplinary perspective, Ouzounian draws on both the history of science and technology and the history of music and sound art. She investigates the binaural apparatus that allowed nineteenth-century listeners to observe sound in three dimensions; examines the development of military technologies for sound location during World War I; revisits experiments in stereo sound at Bell Telephone Laboratories in the 1930s; and considers the creation of "optimized acoustical environments" for theaters and factories. She explores the development of multichannel "spatial music" in the 1950s and sound installation art in the 1960s; analyzes the mapping of soundscapes; and investigates contemporary approaches to sonic urbanism, sonic practices that reimagine urban environments through sound.
Form:
books
books
Publication:
February 2021
February 2021
Subject:
Acoustics
Acoustics
Form:
books
books
Title:
Structure and synthesis
Structure and synthesis
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In this extensive anthology, Mark Fell, a pioneering artist known for his sound installations and his musical work solo and as part of SND and Sensate Focus, assembles a collection of diverse materials charting his defiantly unorthodox thinking on time, structure, technology, and the relation between academic and popular electronic music.
$54.00
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Summary:
In this extensive anthology, Mark Fell, a pioneering artist known for his sound installations and his musical work solo and as part of SND and Sensate Focus, assembles a collection of diverse materials charting his defiantly unorthodox thinking on time, structure, technology, and the relation between academic and popular electronic music.
Title:
Structure and synthesis
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$54.00
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Summary:
In this extensive anthology, Mark Fell, a pioneering artist known for his sound installations and his musical work solo and as part of SND and Sensate Focus, assembles a collection of diverse materials charting his defiantly unorthodox thinking on time, structure, technology, and the relation between academic and popular electronic music.
Structure and synthesis
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$54.00
(available to order)
Summary:
In this extensive anthology, Mark Fell, a pioneering artist known for his sound installations and his musical work solo and as part of SND and Sensate Focus, assembles a collection of diverse materials charting his defiantly unorthodox thinking on time, structure, technology, and the relation between academic and popular electronic music.
Form:
books
books
Publication:
May 2021
May 2021
Subject:
Acoustics
Acoustics
Form:
books
books
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$37.95
(available to order)
Summary:
Profoundly intimate yet immediately giving onto distant spaces, both an ‘organ of fear’ and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In "The order of(...)
$37.95
(available to order)
Summary:
Profoundly intimate yet immediately giving onto distant spaces, both an ‘organ of fear’ and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In "The order of(...)
Title:
The order of sounds: a sonorous archipelago
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Profoundly intimate yet immediately giving onto distant spaces, both an ‘organ of fear’ and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In "The order of sounds", François J. Bonnet makes a compelling case for the irreducible heterogeneity of ‘sound’, navigating between the physical models constructed by psychophysics and refined through recording technologies, and the synthetic production of what is heard. From primitive vigilance and sonic mythologies to digital sampling and sound installations, he examines the ways in which we make sound speak to us, in an analysis of listening as a plurivocal phenomenon drawing on Foucault, Deleuze and Guattari, Barthes, Nancy, Adorno, and de Certeau, and experimental pioneers such as Tesla, Bell, and Raudive. Stringent critiques of the ‘soundscape’ and ‘reduced listening’ demonstrate that univocal ontologies of sound are always partial and politicized; for listening is always a selective fetishism, a hallucination of sound filtered by desire and convention, territorialized by discourse and its authorities. Bonnet proposes neither a disciplined listening that targets sound ‘itself’, nor an ‘ocean of sound’ in which we might lose ourselves, but instead maps out a sonorous archipelago—a heterogeneous set of shifting sonic territories shaped and aggregated by the vicissitudes of desire and discourse.
The order of sounds: a sonorous archipelago
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$37.95
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Summary:
Profoundly intimate yet immediately giving onto distant spaces, both an ‘organ of fear’ and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In "The order of sounds", François J. Bonnet makes a compelling case for the irreducible heterogeneity of ‘sound’, navigating between the physical models constructed by psychophysics and refined through recording technologies, and the synthetic production of what is heard. From primitive vigilance and sonic mythologies to digital sampling and sound installations, he examines the ways in which we make sound speak to us, in an analysis of listening as a plurivocal phenomenon drawing on Foucault, Deleuze and Guattari, Barthes, Nancy, Adorno, and de Certeau, and experimental pioneers such as Tesla, Bell, and Raudive. Stringent critiques of the ‘soundscape’ and ‘reduced listening’ demonstrate that univocal ontologies of sound are always partial and politicized; for listening is always a selective fetishism, a hallucination of sound filtered by desire and convention, territorialized by discourse and its authorities. Bonnet proposes neither a disciplined listening that targets sound ‘itself’, nor an ‘ocean of sound’ in which we might lose ourselves, but instead maps out a sonorous archipelago—a heterogeneous set of shifting sonic territories shaped and aggregated by the vicissitudes of desire and discourse.
Form:
books
books
Publication:
May 2016
May 2016
Subject:
Acoustics
Acoustics
Form:
books
books
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Au confluent des arts visuels et de la musique, les partitions graphiques de "voir dans le vent qui hurle les étoies rire, et rire" se présentent comme de véritables oeuvres autonomes conviant le regardeur à s'immerger dans l'univers du compositeurs montréalais Symon Henry. Le créateur nous livre un grand fleuve intranquille où se conjuguent les traits de plomb, de fusain(...)
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Au confluent des arts visuels et de la musique, les partitions graphiques de "voir dans le vent qui hurle les étoies rire, et rire" se présentent comme de véritables oeuvres autonomes conviant le regardeur à s'immerger dans l'univers du compositeurs montréalais Symon Henry. Le créateur nous livre un grand fleuve intranquille où se conjuguent les traits de plomb, de fusain(...)
Title:
Voir dans le vent qui hurle les étoiles rire, et rire
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Au confluent des arts visuels et de la musique, les partitions graphiques de "voir dans le vent qui hurle les étoies rire, et rire" se présentent comme de véritables oeuvres autonomes conviant le regardeur à s'immerger dans l'univers du compositeurs montréalais Symon Henry. Le créateur nous livre un grand fleuve intranquille où se conjuguent les traits de plomb, de fusain et de pastel gras. À travers ces 168 dessins, il nous invite à voir et à entendre sa musique, en écho au concert d'ouverture du pavillon Pierre Lassonde qui s'est tenu le 18 septembre 2016, faisant résonner encore un peu les notes de cet événement aussi unique que nécessaire.
Voir dans le vent qui hurle les étoiles rire, et rire
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$30.00
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Summary:
Au confluent des arts visuels et de la musique, les partitions graphiques de "voir dans le vent qui hurle les étoies rire, et rire" se présentent comme de véritables oeuvres autonomes conviant le regardeur à s'immerger dans l'univers du compositeurs montréalais Symon Henry. Le créateur nous livre un grand fleuve intranquille où se conjuguent les traits de plomb, de fusain et de pastel gras. À travers ces 168 dessins, il nous invite à voir et à entendre sa musique, en écho au concert d'ouverture du pavillon Pierre Lassonde qui s'est tenu le 18 septembre 2016, faisant résonner encore un peu les notes de cet événement aussi unique que nécessaire.
Form:
books
books
Publication:
October 2016
October 2016
Form:
books
books
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$18.95
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Près de vingt ans après leur « concert » mythique dans les ruines de Pompéi (1971), les membres du groupe de rock progressif Pink Floyd, pour la plupart formés en écoles d'architecture à Londres, décident, lors de leur tournée mondiale « A Momentary Lapse of Reason » en 1989, d'offrir à Venise et en world live un concert flottant devant la place Saint-Marc. Contraint par(...)
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Près de vingt ans après leur « concert » mythique dans les ruines de Pompéi (1971), les membres du groupe de rock progressif Pink Floyd, pour la plupart formés en écoles d'architecture à Londres, décident, lors de leur tournée mondiale « A Momentary Lapse of Reason » en 1989, d'offrir à Venise et en world live un concert flottant devant la place Saint-Marc. Contraint par(...)
Title:
Le concert : Pink Floyd à Venise
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Près de vingt ans après leur « concert » mythique dans les ruines de Pompéi (1971), les membres du groupe de rock progressif Pink Floyd, pour la plupart formés en écoles d'architecture à Londres, décident, lors de leur tournée mondiale « A Momentary Lapse of Reason » en 1989, d'offrir à Venise et en world live un concert flottant devant la place Saint-Marc. Contraint par des impératifs antagonistes de nappes sonores architecturées, de réverbérations acoustiques ingérables et de préservation du patrimoine classé, cet impossible concert s'inscrit à la fois dans l'histoire des grands concerts rock et dans celle des édifices flottants de la Sérénissime. Mais au lieu de fêter le Rédempteur, l'évènement virera finalement à la polémique et au fiasco.
Le concert : Pink Floyd à Venise
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Près de vingt ans après leur « concert » mythique dans les ruines de Pompéi (1971), les membres du groupe de rock progressif Pink Floyd, pour la plupart formés en écoles d'architecture à Londres, décident, lors de leur tournée mondiale « A Momentary Lapse of Reason » en 1989, d'offrir à Venise et en world live un concert flottant devant la place Saint-Marc. Contraint par des impératifs antagonistes de nappes sonores architecturées, de réverbérations acoustiques ingérables et de préservation du patrimoine classé, cet impossible concert s'inscrit à la fois dans l'histoire des grands concerts rock et dans celle des édifices flottants de la Sérénissime. Mais au lieu de fêter le Rédempteur, l'évènement virera finalement à la polémique et au fiasco.
Form:
books
books
Publication:
May 2017
May 2017
Subject:
Acoustics
Acoustics
Form:
books
books
Title:
In a sound world
In a sound world
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This collection gathers together Victor Segalen's previously untranslated essay “Synesthestics and the Symbolist School” and his novel In A Sound World, a work of fantasy concerning an inventor lost in his own immersive harmonic space. Segalen's medical training (he had a career as a ship's doctor) inspired an interest in the link between the prevailing Symbolism of the(...)
$21.95
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Summary:
This collection gathers together Victor Segalen's previously untranslated essay “Synesthestics and the Symbolist School” and his novel In A Sound World, a work of fantasy concerning an inventor lost in his own immersive harmonic space. Segalen's medical training (he had a career as a ship's doctor) inspired an interest in the link between the prevailing Symbolism of the(...)
Title:
In a sound world
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$21.95
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Summary:
This collection gathers together Victor Segalen's previously untranslated essay “Synesthestics and the Symbolist School” and his novel In A Sound World, a work of fantasy concerning an inventor lost in his own immersive harmonic space. Segalen's medical training (he had a career as a ship's doctor) inspired an interest in the link between the prevailing Symbolism of the time and synesthesia, the condition whereby one sense affects the perception of another. This edition also includes an essay by the musician and cultural historian David Toop that explores the historical context of Segalen's ideas. Also included is Segalen's libretto for Orpheus Rex, a collaboration with the composer Claude Debussy, which he would use as an opportunity for further explorations of his synesthetic concepts.
In a sound world
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$21.95
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Summary:
This collection gathers together Victor Segalen's previously untranslated essay “Synesthestics and the Symbolist School” and his novel In A Sound World, a work of fantasy concerning an inventor lost in his own immersive harmonic space. Segalen's medical training (he had a career as a ship's doctor) inspired an interest in the link between the prevailing Symbolism of the time and synesthesia, the condition whereby one sense affects the perception of another. This edition also includes an essay by the musician and cultural historian David Toop that explores the historical context of Segalen's ideas. Also included is Segalen's libretto for Orpheus Rex, a collaboration with the composer Claude Debussy, which he would use as an opportunity for further explorations of his synesthetic concepts.
Form:
books
books
Publication:
November 2020
November 2020
Subject:
Acoustics
Acoustics
Form:
books
books
Title:
Dialectic of pop
Dialectic of pop
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$39.95
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Agnès Gayraud explores all the paradoxes of pop — its inauthentic authenticity, its mass production of emotion and personal resonance, its repetitive novelty, its precision engineering of seduction — and calls for pop (in its broadest sense, encompassing all genres of popular recorded music) to be recognised as a modern technologically-mediated art form to rank alongside(...)
$39.95
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Summary:
Agnès Gayraud explores all the paradoxes of pop — its inauthentic authenticity, its mass production of emotion and personal resonance, its repetitive novelty, its precision engineering of seduction — and calls for pop (in its broadest sense, encompassing all genres of popular recorded music) to be recognised as a modern technologically-mediated art form to rank alongside(...)
Title:
Dialectic of pop
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$39.95
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Summary:
Agnès Gayraud explores all the paradoxes of pop — its inauthentic authenticity, its mass production of emotion and personal resonance, its repetitive novelty, its precision engineering of seduction — and calls for pop (in its broadest sense, encompassing all genres of popular recorded music) to be recognised as a modern technologically-mediated art form to rank alongside cinema and photography.
Dialectic of pop
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$39.95
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Summary:
Agnès Gayraud explores all the paradoxes of pop — its inauthentic authenticity, its mass production of emotion and personal resonance, its repetitive novelty, its precision engineering of seduction — and calls for pop (in its broadest sense, encompassing all genres of popular recorded music) to be recognised as a modern technologically-mediated art form to rank alongside cinema and photography.
Form:
books
books
Publication:
December 2019
December 2019
Subject:
Acoustics
Acoustics
Form:
books
books
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$34.95
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Summary:
Tokyo Listening examines how the sensory experience of the city informs how people listen to both music and everyday, ubiquitous sounds. Drawing on recent scholarship in the fields of sound studies, anthropology, and ethnomusicology and over fifteen years of ethnographic fieldwork in Japan, Lorraine Plourde traces the linkages between sound and urban space. She examines(...)
$34.95
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Summary:
Tokyo Listening examines how the sensory experience of the city informs how people listen to both music and everyday, ubiquitous sounds. Drawing on recent scholarship in the fields of sound studies, anthropology, and ethnomusicology and over fifteen years of ethnographic fieldwork in Japan, Lorraine Plourde traces the linkages between sound and urban space. She examines(...)
Title:
Tokyo listening: sound and sense in a contemporary city
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$34.95
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Tokyo Listening examines how the sensory experience of the city informs how people listen to both music and everyday, ubiquitous sounds. Drawing on recent scholarship in the fields of sound studies, anthropology, and ethnomusicology and over fifteen years of ethnographic fieldwork in Japan, Lorraine Plourde traces the linkages between sound and urban space. She examines listening cultures via four main ethnographic sites in Tokyo?an experimental music venue, classical music cafes, office workspaces, and department stores?looking specifically at how such auditory sensibilities are cultivated. The book brings together two different types of spaces into the same frame of reference: places people go to specifically for the music, and spaces where the music comes to them. Tokyo Listening examines the sensory experience of urban listening as a planned and multifaceted dimension of everyday city life, ultimately exploring the relationship between sound, comfort, happiness, and productivity.
Tokyo listening: sound and sense in a contemporary city
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$34.95
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Summary:
Tokyo Listening examines how the sensory experience of the city informs how people listen to both music and everyday, ubiquitous sounds. Drawing on recent scholarship in the fields of sound studies, anthropology, and ethnomusicology and over fifteen years of ethnographic fieldwork in Japan, Lorraine Plourde traces the linkages between sound and urban space. She examines listening cultures via four main ethnographic sites in Tokyo?an experimental music venue, classical music cafes, office workspaces, and department stores?looking specifically at how such auditory sensibilities are cultivated. The book brings together two different types of spaces into the same frame of reference: places people go to specifically for the music, and spaces where the music comes to them. Tokyo Listening examines the sensory experience of urban listening as a planned and multifaceted dimension of everyday city life, ultimately exploring the relationship between sound, comfort, happiness, and productivity.
Form:
books
books
Publication:
June 2019
June 2019
Subject:
Acoustics
Acoustics
