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In this anthropological history, Mary E. Hancock examines the politics of public memory in the southern Indian city of Chennai. Once a colonial port, Chennai is now poised to become a centre for India's "new economy" of information technology, export processing, and back-office services. State and local governments promote tourism and a heritage-conscious cityscape to(...)
Arch Middle East
December 2008, Bloomington, Indianapolis
The politics of heritage from Madras to Chennai
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In this anthropological history, Mary E. Hancock examines the politics of public memory in the southern Indian city of Chennai. Once a colonial port, Chennai is now poised to become a centre for India's "new economy" of information technology, export processing, and back-office services. State and local governments promote tourism and a heritage-conscious cityscape to make Chennai a recognizable "brand" among investment and travel destinations. Using a range of textual, visual, architectural, and ethnographic sources, Hancock grapples with the question of how people in Chennai remember and represent their past, considering the political and economic contexts and implications of those memory practices. Working from specific sites, including a historic district created around an ancient Hindu temple, a living history museum, neo-traditional and vernacular architecture, and political memorials, Hancock examines the spatialization of memory under the conditions of neo-liberalism.
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These ruins you see
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This publication is part of the projet These Ruins You See, it includes the project's research, realization, and a series of specially commissioned essays. This project has manifested in different exhibitions, publications, and lectures. These Ruins You See was exhibited at the Museo de Arte Carrillo Gil from November 8, 2006 to February 28, 2007.
These ruins you see
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This publication is part of the projet These Ruins You See, it includes the project's research, realization, and a series of specially commissioned essays. This project has manifested in different exhibitions, publications, and lectures. These Ruins You See was exhibited at the Museo de Arte Carrillo Gil from November 8, 2006 to February 28, 2007.
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September 2008, New York
Arch Middle East
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South Korea in the last decades has experienced an unprecedented series of transformations at all levels in society: in the economics, in the culture, and in the politics. More specifically its capital Seoul has become one of the densest urban zones in the world. After a long period of dictatorship and along with an extraordinary process of economic development that(...)
Seoulscape: towards a new urbanity in Korea
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South Korea in the last decades has experienced an unprecedented series of transformations at all levels in society: in the economics, in the culture, and in the politics. More specifically its capital Seoul has become one of the densest urban zones in the world. After a long period of dictatorship and along with an extraordinary process of economic development that characterized the last years, South Korea opened up to experimentation in all major arts, not least architecture. And architecture is at the center of the exhibition curated by Francisco Sanin, which presents an overview on the research which revolves around that emerging yet configured urban lanscape that constitute this unique city and is continuously engulfing the entire population of the South Korean peninsula.
Arch Middle East
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''Checkpoint 300'', the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most.(...)
Checkpoint 3000: Colonial space in Palestine
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''Checkpoint 300'', the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most. Offering a nuanced exploration of space, Mark Griffiths reveals ''Checkpoint 300'' as a stark symbol of Israeli colonialism that embodies larger systems of control and violence. Drawing on nearly a decade of fieldwork, Griffiths examines how colonial power infiltrates family dynamics, enforces gendered mobility restrictions, shapes local economies, and extends into the global exchange of capital and security technologies. He also underscores how Palestinians endure and resist under oppressive conditions and how indigenous forms of life and living are sustained, illuminating how colonial space is contested and countered, unmade and remade.
Arch Middle East
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Selected projects by Charles Correa, Balkrishna Doshi, Muzharul Islam, and Achyut Kanvinde.
Arch Middle East
September 1999, New York
An architecture of independence : the making of modern South Asia
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Selected projects by Charles Correa, Balkrishna Doshi, Muzharul Islam, and Achyut Kanvinde.
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September 1999, New York
Arch Middle East
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Photography by Andrea Brizzi
Cuba : 400 years of architectural heritage
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Photography by Andrea Brizzi
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March 2000, New York
Arch Middle East
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Mexique contemporain
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Aux composantes clés de l'architecture mexicaine - le patio, l'escalier et une utilisation débridée de la couleur -, architectes et designers ajoutent aujourd'hui leur fascination pour la matière - adobe, acier rouillé, pierres volcaniques - et pour les formes monumentales. À travers les travaux récents les plus significatifs d'architectes et de designers(...)
Mexique contemporain
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Aux composantes clés de l'architecture mexicaine - le patio, l'escalier et une utilisation débridée de la couleur -, architectes et designers ajoutent aujourd'hui leur fascination pour la matière - adobe, acier rouillé, pierres volcaniques - et pour les formes monumentales. À travers les travaux récents les plus significatifs d'architectes et de designers reconnus tels Luis Barragan, José de Yturbe et Manuel de Mestre, Mexique contemporain explore tout à la fois l'audace de ces créateurs et la diversité des racines auxquelles ils restent fidèles.
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April 1998, Paris
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Ilay Cooper, who has travelled extensively in India since 1965, surveys the vernacular buildings of each region with an expert knowledge of materials and techniques, as well as of history and tradition. Barry Dawson's photographs bring us into intimate contact with the rural towns and villages of India where ninety per cent of the population live and work.(...)
Traditional Buildings of India
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Ilay Cooper, who has travelled extensively in India since 1965, surveys the vernacular buildings of each region with an expert knowledge of materials and techniques, as well as of history and tradition. Barry Dawson's photographs bring us into intimate contact with the rural towns and villages of India where ninety per cent of the population live and work. Through this colourful, intimate and humane study of traditional architecture, the many personalities of India are revealed.
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May 1998, London
Arch Middle East
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"Les chefs-d'œuvre de l'architecture traditionnelle de l'Inde" donnent un riche aperçu sur l'héritage et l'architecture indiens en promenant le lecteur à travers les siècles. Réservé initialement aux chercheurs, cet ouvrage présente une myriade d'informations sur les formes, écoles et styles d'architecture et aborde les différents aspects de l'esthétique indienne, de(...)
Les chefs-d'œuvre de l'architecture traditionnelle de l'Inde
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"Les chefs-d'œuvre de l'architecture traditionnelle de l'Inde" donnent un riche aperçu sur l'héritage et l'architecture indiens en promenant le lecteur à travers les siècles. Réservé initialement aux chercheurs, cet ouvrage présente une myriade d'informations sur les formes, écoles et styles d'architecture et aborde les différents aspects de l'esthétique indienne, de l'ingénierie des constructions, de l'histoire et des idées philosophiques afin de redonner à l'architecture indienne sa grandeur et sa majesté. "Les chefs-d'œuvre de l'architecture traditionnelle de l'Inde" est un ouvrage complet qui illustre l'évolution des formes architecturales et leur usage au cours des siècles. Il explique comment différentes cultures, religions et populations ont contribué à créer des styles divers. Des merveilles d'architecture ont ainsi été réalisées : des minars d'une hauteur imposante de l'architecture islamique à l'exquise architecture rocheuse des bouddhistes, de l'éblouissant temple de Dilwara au glorieux temple du Soleil. Source prodigieuse d'informations, ce livre est en outre brillamment illustré.
Arch Middle East
In the garden of Isfahan
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An ancient Persian proverb says, ''Isfahan is half the world,'' referring to the city's influence at the crossroads of 16th century trade routes. This city in present-day Iran is still known for its paradisiacal garden landscapes and fascinating buildings, including Naghsh-e Jahan Square, a UNESCO World Heritage site. Eminent Swiss architectural photographer Werner Blaser(...)
In the garden of Isfahan
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An ancient Persian proverb says, ''Isfahan is half the world,'' referring to the city's influence at the crossroads of 16th century trade routes. This city in present-day Iran is still known for its paradisiacal garden landscapes and fascinating buildings, including Naghsh-e Jahan Square, a UNESCO World Heritage site. Eminent Swiss architectural photographer Werner Blaser has captured the beauty of Isfahan in photos that present the masterworks of Persian architecture and horticulture from the 16th to 18th centuries, Isfahan's heyday under the Persian Safavid dynasty. He paints a picture of boulevards, covered bridges, palaces, mosques and minarets.
Arch Middle East