Beyrouth dans ses ruines
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Comment, au-delà du symbole, les ruines deviennent un enjeu artistique. Depuis le début des années 1990 (fin de la guerre civile), Beyrouth connaît de profondes transformations. Instabilité politique, conflits armés, entreprises de reconstruction et spéculation foncière font de la ville un territoire en mutation permanente. Après avoir abordé la notion de patrimoine au(...)
Beyrouth dans ses ruines
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Comment, au-delà du symbole, les ruines deviennent un enjeu artistique. Depuis le début des années 1990 (fin de la guerre civile), Beyrouth connaît de profondes transformations. Instabilité politique, conflits armés, entreprises de reconstruction et spéculation foncière font de la ville un territoire en mutation permanente. Après avoir abordé la notion de patrimoine au Liban depuis 1840, l’autrice a identifié les formes d’une poétique des ruines – photographique, notamment - dont l’ambiguïté réside dans sa capacité à élever au rang de catégorie esthétique les traces d’une violence destructrice. Urbanistes, architectes, défenseurs du patrimoine, anciens propriétaires ou usagers de ces quartiers expriment attachement ou désaffection, faisant émerger des conceptions ordinaires ou savantes des objets urbains familiers comme des lieux symboliques de la ville.
Arch Middle East
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A protocol drawn up long ago in 1945 by Otto Koenigsberger, adopted in nearly one hundred instances in India and in more than half the world, provides the framework and rules for the planning of the prototypes of planned cities, and tells us that the so-called "participative architecture" aimed at intercultural inclusion, originated in the post-colonial territories(...)
Warm modernity: Indian architecture building democracy
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A protocol drawn up long ago in 1945 by Otto Koenigsberger, adopted in nearly one hundred instances in India and in more than half the world, provides the framework and rules for the planning of the prototypes of planned cities, and tells us that the so-called "participative architecture" aimed at intercultural inclusion, originated in the post-colonial territories between India and Africa. The catalogue, the fruition of a 5-year long Italian-Indian research, illustrates the consequences of democratic choice in independent India, its factual existence and its globalized outcomes, present even today. Presented in the installation, are four examples of Democratic New Towns – Jamshedpur, Bhubaneswar, Faridabad and Chandigarh- outcomes of the interface between the experiences of Frey, Drew and Le Corbusier and the ideas of their Indian counterparts, Varma, Doshi, Correa, Rewal. The cities are analytically described and documented through photographs of their present condition, preserved as the modern protected areas in Europe.
Arch Middle East
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After seizing Jerusalem's eastern precincts from Jordan at the conclusion of the Six-Day War in 1967, Israel unilaterally unified the city and plunged into an ambitious building program, eager to transform the very meaning of one of the world's most emotionally charged urban spaces. The goal was as simple as it was controversial: to both Judaize and modernize Jerusalem.(...)
Seizing Jerusalem: the architectures of unilateral unification
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After seizing Jerusalem's eastern precincts from Jordan at the conclusion of the Six-Day War in 1967, Israel unilaterally unified the city and plunged into an ambitious building program, eager to transform the very meaning of one of the world's most emotionally charged urban spaces. The goal was as simple as it was controversial: to both Judaize and modernize Jerusalem. Seizing Jerusalem, the first architectural history of "united Jerusalem," chronicles how numerous disciplines, including architecture, landscape design, and urban planning, as well as everyone from municipal politicians to state bureaucrats, from Israeli-born architects to international luminaries such as Louis Kahn, Buckminster Fuller, and Bruno Zevi, competed to create Jerusalem's new image. This decade-long competition happened with the Palestinian residents still living in the city, even as the new image was inspired by the city's Arab legacy. The politics of space in the Holy City, still contested today, were shaped in this post-1967 decade not only by the legacy of the war and the politics of dispossession, but curiously also by emerging trends in postwar architectural culture.Drawing on previously unexamined archival documents and in-depth interviews with architects, planners, and politicians, Alona Nitzan-Shiftan analyzes the cultural politics of the Israeli state and, in particular, of Jerusalem's influential mayor, Teddy Kollek, whose efforts to legitimate Israeli rule over Jerusalem provided architects a unique, real-world laboratory to explore the possibilities and limits of modernist design--as built form as well as political and social action. Seizing Jerusalem reveals architecture as an active agent in the formation of urban and national identity, and demonstrates how contemporary debates about Zionism, and the crisis within the discipline of architecture over postwar modernism, affected Jerusalem's built environment in ways that continue to resonate today.
Arch Middle East
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A beautifully written rumination on memory and forgetting, place and displacement, this essay uncovers the ramifying layers of one great city's buried history as it asks what it means, everywhere, to be foreign and to belong.
Till we have built Jerusalem: architects of a new city
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A beautifully written rumination on memory and forgetting, place and displacement, this essay uncovers the ramifying layers of one great city's buried history as it asks what it means, everywhere, to be foreign and to belong.
Arch Middle East
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"Chandigarh rethink" captures the rich, ongoing discourse on radically transforming urbanities within the Global South with specific reference to India's social, historical, economic and cultural repositioning. It examines urban edge 'figures' and their rural 'grounds', relevant not just to Chandigarh, but also to cities in general, while suggesting narrative strategies(...)
Chandigarh rethink: transforming ruralities & edeg(ness) in global urbanities
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"Chandigarh rethink" captures the rich, ongoing discourse on radically transforming urbanities within the Global South with specific reference to India's social, historical, economic and cultural repositioning. It examines urban edge 'figures' and their rural 'grounds', relevant not just to Chandigarh, but also to cities in general, while suggesting narrative strategies via provocative design studio design work. These introspections are framed within themed contributions from a globally recognized group of scholars who represent the diverse disciplines of architecture, planning, urban design, landscape ecologies and the humanities. As a topical publication on global urbanities transforming a 'signature' urban project, "Chandigarh rethink" anticipates the Buildings-Landscapes-Cultures (blc) program and SARUP's efforts to uniquely aligning urban research, pedagogy and critical design practice towards examining global urbanities that continue to defy normative urban analysis. Beyond serving as an exemplar for globally aware architectural schools nationwide and beyond, it is also directed to serve as an instructive primer for design students and instructors examining global urban sites.
Arch Middle East
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Compiled by Mexico City–based architects Miquel Adrià and Andrea Griborio, this volume features projects in Argentina, Brazil, Chile, Colombia, Costa Rica, Ecuador, El Salvador, Guatemala, Mexico, Paraguay, Peru, Uruguay and Venezuela, offering a panoramic view of some of the freshest work in contemporary Latin American architecture.
Radical: 50 Latin American Architectures
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Compiled by Mexico City–based architects Miquel Adrià and Andrea Griborio, this volume features projects in Argentina, Brazil, Chile, Colombia, Costa Rica, Ecuador, El Salvador, Guatemala, Mexico, Paraguay, Peru, Uruguay and Venezuela, offering a panoramic view of some of the freshest work in contemporary Latin American architecture.
Arch Middle East
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Entre le début de l'exploitation des ressources pétrolières (fin des années 1940) et l'invasion du pays par l'armée irakienne (fin des années 1980 ) en passant par l'indépendance (1961), le Koweït a connu de profondes transformations qui se reflètent dans le patrimoine bâti. L'autonomie politique et l'élévation du niveau de vie ont eu pour conséquence une modification(...)
Arch Middle East
May 2016
Modern architecture Kuwait, 1949-1989
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Entre le début de l'exploitation des ressources pétrolières (fin des années 1940) et l'invasion du pays par l'armée irakienne (fin des années 1980 ) en passant par l'indépendance (1961), le Koweït a connu de profondes transformations qui se reflètent dans le patrimoine bâti. L'autonomie politique et l'élévation du niveau de vie ont eu pour conséquence une modification radicale de la ville historique située sur la côte du golfe Persique. Les grands projets d'architecture et d'urbanisme lancés durant ces quatre décennies ont fourni à de grands architectes locaux et internationaux l'occasion de construire une ville nouvelle, de sorte que Koweït City présente aujourd'hui de nombreux exemples de l'architecture moderne classique. Résultat de plusieurs années de recherches interdisciplinaires, le présent ouvrage répertorie plus de cent cinquante bâtiments présentés avec des textes et des photos permettant de saisir la dynamique de changement qu'ils incarnent. Ces bâtiments reflètent une typologie et des styles très variés, mettent en évidence les différents moyens de s'adapter aux conditions climatiques locales et sont systématiquement présentés dans leur contexte urbanistique.
Arch Middle East
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"The Object of Zionism" is a critical study of Zionist spatial planning and the architectural fabrication of the State of Israel from the early 20th century to the 1960s and '70s. Zvi Efrat scrutinizes Israel as a singular modernist project, unprecedented in its political and ethical circumstances and its hyper-production of spatial and structural experiments.
The Israel project: the object of Zionism
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"The Object of Zionism" is a critical study of Zionist spatial planning and the architectural fabrication of the State of Israel from the early 20th century to the 1960s and '70s. Zvi Efrat scrutinizes Israel as a singular modernist project, unprecedented in its political and ethical circumstances and its hyper-production of spatial and structural experiments.
Arch Middle East
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This book offers a critical look at the territory that today forms the state of Israel and the lasting historical role of agriculture, which sprang from the Neolithic revolution in the Middle East, had for a wide range of aspects of human social and ecological development. Topics considered include agriculture’s role in territorial appropriation and domestication, in(...)
Arch Middle East
April 2018
Israel lessons: industrial Arcadia. Teaching and research in architecture
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This book offers a critical look at the territory that today forms the state of Israel and the lasting historical role of agriculture, which sprang from the Neolithic revolution in the Middle East, had for a wide range of aspects of human social and ecological development. Topics considered include agriculture’s role in territorial appropriation and domestication, in structuring the development of urbanization, in creating a national homeland narrative for the Jewish state, and in changing the climate. "Israel Lessons" explores in particular the three major types of Israeli agricultural development: vernacular Palestinian/Bedouin, socialist utopian Kibbutz/Moshav, and contemporary high-tech desert farming. Presenting findings through text matched to striking images, graphics, and maps, and featuring proposals for architectural intervetions, it demonstrates how facts and narratives related to agriculture and the climate crisis are intertwined with geopolitics and sectarian ideals of an earthly paradise.
Arch Middle East
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With "Sundry Modernism", Oraib Toukan presents an informal register of modernist Palestinian architecture—an assemblage of images and stories collected from 2013 to 2015 in the cities of Nablus, Ramallah, Jerusalem, Bethlehem, and Jericho. Using her photographs as conversation prompts with various residents, historians, and architects, Toukan places the anecdotes(...)
Sundry modernism: materials for a study of Palestinian modernism
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With "Sundry Modernism", Oraib Toukan presents an informal register of modernist Palestinian architecture—an assemblage of images and stories collected from 2013 to 2015 in the cities of Nablus, Ramallah, Jerusalem, Bethlehem, and Jericho. Using her photographs as conversation prompts with various residents, historians, and architects, Toukan places the anecdotes collected thereby into political and historical context, weaving together narrative and critique. "Sundry Modernism" sets out to be a gesture, a nod, a salutation to, and a critique of, the lines and angles of Palestinian modernism. It is a provocation on the act of looking, and, in particular, it is a proposal for reading apolitical forms in politicized contexts.
Arch Middle East