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George Candilis est né à Bakou en 1913, a appris l'architecture à Athènes, collaboré avec Le Corbusier et partcipé aux CIAM, construit des milliers d'habitations. Ses idées ont marqué des générations d'architectes, parce qu'elles répondaient aux attentes et aux nécessités de leur temps. En 1977, il a raconté son parcours à Michel Lefebvre, qui a mis en forme et publié son(...)
Bâtir la vie: un architecte témoin de son temps
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George Candilis est né à Bakou en 1913, a appris l'architecture à Athènes, collaboré avec Le Corbusier et partcipé aux CIAM, construit des milliers d'habitations. Ses idées ont marqué des générations d'architectes, parce qu'elles répondaient aux attentes et aux nécessités de leur temps. En 1977, il a raconté son parcours à Michel Lefebvre, qui a mis en forme et publié son récit. Cette autobiographie, de la Résistance à l'enseignment, des grands combats du 20e siècle à la réflexion sur le difficle art de vivre ensemble.
Architectural Theory
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Londres, Dresde, Hiroshima… Avec la Seconde Guerre mondiale, la démonstration est faite dans la plus grande cruauté : l’édification urbaine, superposant siècles et générations, peut-être réduite en cendres en quelques minutes seulement. L’architecture pouvait-elle rester indifférente au choc qui affectait son objet même ? L’hypothèse cathartique avancée dans cet ouvrage(...)
Vers une architecture cathartique (1945-2001)
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Londres, Dresde, Hiroshima… Avec la Seconde Guerre mondiale, la démonstration est faite dans la plus grande cruauté : l’édification urbaine, superposant siècles et générations, peut-être réduite en cendres en quelques minutes seulement. L’architecture pouvait-elle rester indifférente au choc qui affectait son objet même ? L’hypothèse cathartique avancée dans cet ouvrage fait apparaître, au contraire, comment la catastrophe aura été gérée par l’expression figurée, réduite, maîtrisable de la tragédie. Depuis la guerre froide jusqu’à l’attentat du 11 septembre, depuis le brutalisme jusqu’au déconstructivisme, s’ébauche ainsi la contre-histoire d’une architecture traumatisante à force d’être traumatisée, et jouant par là un rôle essentiel dans la société de notre temps.
Architectural Theory
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The book is a collection of fragmented documents: previews, photographs, ephemera, reviews, reflections and opinions collated from the first twenty-two POA events. Critical and inquisitive, personal and probing contributions from a variety of authors from across fields and disciplines and with differing agendas here propose a withdrawal from idle commentary and encourage(...)
POA : Public occasion agency 1-22
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The book is a collection of fragmented documents: previews, photographs, ephemera, reviews, reflections and opinions collated from the first twenty-two POA events. Critical and inquisitive, personal and probing contributions from a variety of authors from across fields and disciplines and with differing agendas here propose a withdrawal from idle commentary and encourage more productive forms of participation. It includes essays by Pier Vittorio Aureli, Shumon Basar, Mark Campbell, Barbara-Ann Campbell-Lange, Henderson Downing, David Greene, Samantha Hardingham, Ingrid Schröder, Nicholas Simcik Arese, Silvana Taher, Tom Vandeputte and Carlos Villanueva Brandt
Architectural Theory
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This publication presents articles refering to key portfolios of the 20th and 21st Century including works by Pierre Charreau, Peter Salter and Rural Studio. It also includes extended articles by critics, theorists, educators and designers, such as Mathias Kohler, Nevi Oxman, and Michael Stacey
AD Reader: manufacturing the bespoke
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This publication presents articles refering to key portfolios of the 20th and 21st Century including works by Pierre Charreau, Peter Salter and Rural Studio. It also includes extended articles by critics, theorists, educators and designers, such as Mathias Kohler, Nevi Oxman, and Michael Stacey
Architectural Theory
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and(...)
Tumult and order : Malcontenta, 1924-1939
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and intellectuals that ended when Italy entered World War II. Antonio Foscari recounts this lively period in the building’s history and talks about its then owner, Bertie Landsberg, and his friends Catherine de Rochegude, Baroness of Erlanger, and Paul Rodocanachi, who not only lovingly renovated the villa, but made it such a lively place for the first time. The text is complemented by numerous photographs dating from this exciting time that convey an impression of what was happening in the villa in those days.
Architectural Theory
Weather architecture
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Further extending Jonathan Hill's investigation of authorship, this book recognizes the weather as a creative architectural force alongside the designer and user. Although acknowledging the influence of the client, contractor and engineer, the relations between the designer, user and weather are the focus of this book. Environmental discussions in architecture tend(...)
Weather architecture
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Further extending Jonathan Hill's investigation of authorship, this book recognizes the weather as a creative architectural force alongside the designer and user. Although acknowledging the influence of the client, contractor and engineer, the relations between the designer, user and weather are the focus of this book. Environmental discussions in architecture tend to focus on the practical or the poetic but here they are considered together. Rather than investigate architecture's relations to the weather in isolation, they are integrated into a wider discussion of cultural and social influences on architecture. The analysis of weather's effects on the design and experience of specific buildings and gardens is interwoven with a historical survey of changing attitudes to the weather in the arts, sciences and society, leading to a critical re-evaluation of contemporary responses to climate change.
Architectural Theory
Kant for architects
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This book introduces architects to a philosopher, Immanuel Kant, whose work was constantly informed by a concern for the world as an evolving whole. According to Kant, in this interconnected and dynamic world, humans should act as mutually dependent and responsible subjects. Given his future-oriented and ethico-politically concerned thinking, Kant is a thinker who clearly(...)
Kant for architects
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This book introduces architects to a philosopher, Immanuel Kant, whose work was constantly informed by a concern for the world as an evolving whole. According to Kant, in this interconnected and dynamic world, humans should act as mutually dependent and responsible subjects. Given his future-oriented and ethico-politically concerned thinking, Kant is a thinker who clearly speaks to architects. This introduction demonstrates how his ideas bear pertinently and creatively upon the world in which we live now and for which we should care thoughtfully.
Architectural Theory
Gadamer for architects
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Providing a concise and accessible introduction to the work of the celebrated twentieth century German philosopher, Hans-Georg Gadamer, this book focuses on the aspects of Gadamer’s philosophy that have been the most influential among architects, educators in architecture, and architectural theorists. Gadamer’s philosophy of art gives a special place to the activity(...)
Gadamer for architects
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Providing a concise and accessible introduction to the work of the celebrated twentieth century German philosopher, Hans-Georg Gadamer, this book focuses on the aspects of Gadamer’s philosophy that have been the most influential among architects, educators in architecture, and architectural theorists. Gadamer’s philosophy of art gives a special place to the activity of "play" as it occurs in artistic creation. His reflections on meaning and symbolism in art draw upon his teacher, Martin Heidegger, while moving Heidegger’s thought in new directions. His theory of interpretation, or "philosophical hermeneutics," offers profound ways to understand the influence of the past upon the present and to appropriate cultural history in ever new forms. For architects, architectural theorists, architectural historians, and students in these fields, Gadamer’s thought opens a world of possibilities for understanding how building today can be rich with human meaning, relating to architecture’s history in ways that do not merely repeat nor repudiate that history. In addition, Gadamer’s sensitivity to the importance of practical thinking – to the way that theory arises out of practice – gives his thought a remarkable usefulness in the everyday work of professional life.
Architectural Theory
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Designers around the world are carving out opportunities for new kinds of engagement, new kinds of collaboration, new kinds of design outcomes, and new kinds of practice; overturning the inherited assumptions of the design professions. Seventeen conversations with practitioners from the fields of architecture, policy, activism, design, education, research, history,(...)
Future practice : conversations from the edge of architecture
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Designers around the world are carving out opportunities for new kinds of engagement, new kinds of collaboration, new kinds of design outcomes, and new kinds of practice; overturning the inherited assumptions of the design professions. Seventeen conversations with practitioners from the fields of architecture, policy, activism, design, education, research, history, community engagement and more, each representing an emergent role for designers to occupy. Whether the "civic entrepreneur," the "double agent," or the "strategic designer," this book offers a diverse spectrum of approaches to design, each offering a potential future for architectural practice. With a foreword by Dan Hill and interviews with Steve Ashton, ARM; Bryan Boyer, Helsinki Design Lab; Camila Bustamante; Mel Dodd, muf_aus; DUS Architects; Jeanne Gang, Studio Gang; Reinier de Graaf and Laura Baird, AMO; Conrad Hamann; Natalie Jeremijenko, xClinic; Indy Johar, 00:/;Bruce Mau; Arjen Oosterman and Lilet Breddels, Volume; Todd Reisz; Wouter Vanstiphout, Crimson; Matt Webb, BERG; Marcus Westbury, Renew Newcastle; and Liam Young, Unknown Fields
Foucault for architects
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From the mid-1960s onwards Michel Foucault has had a significant impact on diverse aspects of culture, knowledge and the arts including architecture and its critical discourse. The implications for architecture have been wide-ranging. His archaeological and genealogical approaches to knowledge have transformed architectural history and theory, while his attitude to arts(...)
Foucault for architects
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From the mid-1960s onwards Michel Foucault has had a significant impact on diverse aspects of culture, knowledge and the arts including architecture and its critical discourse. The implications for architecture have been wide-ranging. His archaeological and genealogical approaches to knowledge have transformed architectural history and theory, while his attitude to arts and aesthetics led to a renewed focus on the avant-garde. The book concentrates on a number of historical and theoretical issues often addressed by Foucault that have been grouped under the themes of archaeology, enclosure, bodies, spatiality and aesthetics in order to examine and demonstrate their relevancy for architectural knowledge, its history and its practice.
Architectural Theory