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"Architecture of invention" explores the experimental side of architecture through an architecture of books. It brings together ten experimental bibliographies conceived as a dialogue between expanded, spatial art and a critical, relational architecture that reflects on its own status. An intertextual and generative framework structures the project, producing narratives(...)
Architecture of invention: 10 experimental biographies
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"Architecture of invention" explores the experimental side of architecture through an architecture of books. It brings together ten experimental bibliographies conceived as a dialogue between expanded, spatial art and a critical, relational architecture that reflects on its own status. An intertextual and generative framework structures the project, producing narratives and cross-references among books and publications that are not necessarily contemporaneous or disciplinary. The ordering maps multiple cultural trajectories along a non-linear timeline marked by epochal leaps, ranging from avant-garde architecture to conceptual, radical, experimental and hardcore architecture. These constellations address themes such as construction and deconstruction, image and media, the body, the city, crisis, and critical practice.
Architectural Theory
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Over the past thirty years, the number of architectural laboratories has surged from a handful to hundreds across the globe. Yet the term remains elusive: What defines an architectural lab? And why has it become so compelling to architects today? "The Architectural Laboratory" is the first volume to critically address these questions, assembling a series of essays that(...)
Architectural Theory
June 2026
The architectural laboratory: performing design research
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Over the past thirty years, the number of architectural laboratories has surged from a handful to hundreds across the globe. Yet the term remains elusive: What defines an architectural lab? And why has it become so compelling to architects today? "The Architectural Laboratory" is the first volume to critically address these questions, assembling a series of essays that examine some of the most remarkable architectural labs of the twentieth century. While scientific laboratories have long been the subject of scholarly inquiry, architecture labs remain underexplored. This book situates them within their specific architectural-historical contexts, revealing how they have operated both metaphorically and materially.
Architectural Theory
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''Projet et utopie'' est la réédition du classique - paru en français en 1979 - de Manfredo Tafuri (1935-1994), architecte et théoricien de l'urbanisme italien. En s'attachant à appliquer les thèses opéraïstes aux domaines de l'architecture et de l'urbanisme, l'auteur propose une réflexion sur la métropole comme lieu de l'accumulation capitaliste et de l'antagonisme(...)
Projet et utopie : Architecture et développement capitaliste
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''Projet et utopie'' est la réédition du classique - paru en français en 1979 - de Manfredo Tafuri (1935-1994), architecte et théoricien de l'urbanisme italien. En s'attachant à appliquer les thèses opéraïstes aux domaines de l'architecture et de l'urbanisme, l'auteur propose une réflexion sur la métropole comme lieu de l'accumulation capitaliste et de l'antagonisme social. La ville devient dans cette optique l'un des sites majeurs de déploiement de la critique sociale, mais aussi de bon nombre d'entreprises avant-gardistes et utopiques : l'espace urbain comme enjeu politique, imbriqué aux rapports de domination et d'aliénation, qu'il s'agit toujours de subvertir.Projet et utopie ou comment l'histoire de l'architecture se fait critique de l'idéologie.
Architectural Theory
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Ce recueil ne propose pas une théorie du dessin architectural, mais réunit sept essais (écrits durant ces quinze dernières années), qui explorent le potentiel du dessin architectural au cours du XXe siècle, à travers sept modes de représentation : le plan, la coupe, la flèche, la grille, les images, le diagramme, le dessin.
Un dessin n'est pas un plan et autres essais
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Ce recueil ne propose pas une théorie du dessin architectural, mais réunit sept essais (écrits durant ces quinze dernières années), qui explorent le potentiel du dessin architectural au cours du XXe siècle, à travers sept modes de représentation : le plan, la coupe, la flèche, la grille, les images, le diagramme, le dessin.
Architectural Theory
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According to Anna Heringer, "Beauty has nothing to do with money or finance, but everything to do with creativity and love". With statements like this she clearly has her finger on the pulse of our time, judging by the packed lecture halls, international awards such as the 2007 Aga Kahn Award or the 2020 OBEL Award, and exhibitions at MoMA, MAM Sao Paulo, and the Venice(...)
Architectural Theory
September 2024
Form follows love: Building by intuition - From Bangladesh to Europe and beyond
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According to Anna Heringer, "Beauty has nothing to do with money or finance, but everything to do with creativity and love". With statements like this she clearly has her finger on the pulse of our time, judging by the packed lecture halls, international awards such as the 2007 Aga Kahn Award or the 2020 OBEL Award, and exhibitions at MoMA, MAM Sao Paulo, and the Venice Biennale. In "Form follows love," Anna Heringer talks to author Dominique Gauzin-Müller about her career as an architect, her studies, her experiences during a workshop by Martin Rauch, her practice in the Global South, and current projects in the Global North.
Architectural Theory
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« Ce […] livre est parti d’une idée assez monstrueuse, mais, je pense, assez exaltante. J’ai choisi, à Paris, douze lieux, des rues, des places, des carrefours, liés à des souvenirs, à des événements ou à des moments importants de mon existence. Chaque mois, je décris deux de ces lieux ; une première fois, sur place (dans un café ou dans la rue même) je décris « ce que je(...)
Lieux
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« Ce […] livre est parti d’une idée assez monstrueuse, mais, je pense, assez exaltante. J’ai choisi, à Paris, douze lieux, des rues, des places, des carrefours, liés à des souvenirs, à des événements ou à des moments importants de mon existence. Chaque mois, je décris deux de ces lieux ; une première fois, sur place (dans un café ou dans la rue même) je décris « ce que je vois » de la manière la plus neutre possible, j’énumère les magasins, quelques détails d’architecture, quelques micro-événements (une voiture de pompiers qui passe, une dame qui attache son chien avant d’entrer dans une charcuterie, un déménagement, des affiches, des gens, etc.) ; une deuxième fois, n’importe où (chez moi, au café, au bureau) je décris le lieu de mémoire, j’évoque les souvenirs qui lui sont liés, les gens que j’y ai connus, etc. Chaque texte [...] est, une fois terminé, enfermé dans une enveloppe que je cachette à la cire. Au bout d’un an, j’aurai décrit chacun de mes lieux deux fois, une fois sur le mode du souvenir, une fois sur place en description réelle. Je recommence ainsi pendant douze ans [...]. J’ai commencé en janvier 1969 ; j’aurai fini en décembre 1980 ! j’ouvrirai alors les 288 enveloppes cachetées [...]. Je n’ai pas une idée très claire du résultat final, mais je pense qu’on y verra tout à la fois le vieillissement des lieux, le vieillissement de mon écriture, le vieillissement de mes souvenirs : le temps retrouvé se confond avec le temps perdu ; le temps s’accroche à ce projet, en constitue la structure et la contrainte ; le livre n’est plus restitution d’un temps passé, mais mesure du temps qui s’écoule ; le temps de l’écriture, qui était jusqu’à présent un temps pour rien, un temps mort, que l’on feignait d’ignorer ou que l’on ne restituait qu’arbitrairement (L’Emploi du temps), qui restait toujours à côté du livre (même chez Proust), deviendra ici l’axe essentiel. Je n’ai pas encore de titre pour ce projet ; ce pourrait être Loci Soli (ou Soli Loci) ou, plus simplement, "Lieux". »
Architectural Theory
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"Between the building and the street", the result of many years of study and research, it is a work that deals in a complete way with the theme of the facade through interpretative paths, evolutionary readings, compositional itineraries. One of its strengths is the study of the etymology of the word "facade" through the centuries, in dictionaries, encyclopedias, and in(...)
Between the building and the street: A phenomenology of the facade
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"Between the building and the street", the result of many years of study and research, it is a work that deals in a complete way with the theme of the facade through interpretative paths, evolutionary readings, compositional itineraries. One of its strengths is the study of the etymology of the word "facade" through the centuries, in dictionaries, encyclopedias, and in all the means that have helped to spread knowledge, from the Accademia della Crusca to the present time.
Architectural Theory
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This volume investigates the influence of cruising cultures on the fields of architecture and urbanism by constructing a typology of the different spaces produced by sexual subcultures, mainly those of gay men. From appropriated spaces such parks, public toilets and streets to dedicated spaces such as sex clubs, bars, bathhouses and geosocial dating apps, cruising has(...)
August 2024
Cruising pavilion: Architecture, dissident sex and cruising cultures
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This volume investigates the influence of cruising cultures on the fields of architecture and urbanism by constructing a typology of the different spaces produced by sexual subcultures, mainly those of gay men. From appropriated spaces such parks, public toilets and streets to dedicated spaces such as sex clubs, bars, bathhouses and geosocial dating apps, cruising has subverted the libidinal cartography and uses of the modern metropolis. A series of case studies on specific cruising hotspots around the world—from the men’s bathrooms in New York’s Central Park to the island of Lesbos, Greece, to the Peace Memorial Park in Taipei, Taiwan—is complemented by photographs, city planning maps and essays on related topics such as the ethics of glory holes.
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This special issue of "Writingplace" brings together the work of the EU COST Writing Urban Places network. Using narrative approaches to analysis and design, the network highlights the specificity of local urban cultures in contemporary European cities. Drawing on research from a range of disciplines (including architecture, urban studies, literary theory, sociology and(...)
Architectural Theory
September 2024
Writingplace journal #8/9 special issue: Writing urban places
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This special issue of "Writingplace" brings together the work of the EU COST Writing Urban Places network. Using narrative approaches to analysis and design, the network highlights the specificity of local urban cultures in contemporary European cities. Drawing on research from a range of disciplines (including architecture, urban studies, literary theory, sociology and media studies), the issue explores spatial approaches that promote responsible, site-specific and socially inclusive design strategies for European cities. The first section offers reflections on the theoretical, methodological and practical outcomes of the Writing Urban Places project. The second part contains case studies of European cities that were studied during the EU COST Action, including Limerick, Almada, Osijek, Tallinn, Tampere, Porto, Canakalle, Skopje and Delft. These collected findings offer important insights for students, scholars and spatial practitioners interested in urban planning and the European city.
Architectural Theory
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Architectural historian and leading voice on Adolf Loos, Christopher Long returns with another commentary on the Austrian pioneer of modern architecture. Adolf Loos (1870–1933), an opponent of ornamentation on buildings, designed buildings in Vienna that contrasted with the popular Art Nouveau and Secession styles. In this anthology of eight essays, Long takes on the(...)
Adolf Loos: Meaning, context, reception. Essays
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Architectural historian and leading voice on Adolf Loos, Christopher Long returns with another commentary on the Austrian pioneer of modern architecture. Adolf Loos (1870–1933), an opponent of ornamentation on buildings, designed buildings in Vienna that contrasted with the popular Art Nouveau and Secession styles. In this anthology of eight essays, Long takes on the meanings of Loos’ writings and design work, the cultural world in which he was embedded, and how he was regarded by the critics and public. Long exposes and explodes old myths about Loos, fostering in the process a new, brilliant and compelling view of one of modern architecture’s key protagonists.
Architectural Theory