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''Fortress Power'' presents a genealogy of fortification as a material and political technology intent on obstruction, tracing its implementation across battlefields, borders, and urban environments. Drawing on the influential work of philosophers Michel Foucault and Giorgio Agamben, Derek S. Denman places the fortress alongside the archetypes of the prison and the camp,(...)
Fortress power: Hostile designs and the politics of spatial control
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''Fortress Power'' presents a genealogy of fortification as a material and political technology intent on obstruction, tracing its implementation across battlefields, borders, and urban environments. Drawing on the influential work of philosophers Michel Foucault and Giorgio Agamben, Derek S. Denman places the fortress alongside the archetypes of the prison and the camp, citing them as paradigmatic of how space is transformed into a tool of domination and control. Focusing on the defensive architecture of bastion fortresses, urban design, and border landscapes, ''Fortress Power'' charts the rise of a form of governance grounded in hostility, extending the scope of its subject from a piece of military construction to a much broader political concept. Detailing how power manifests in everything from city centers to international boundaries, the book analyzes the logic of fortification as it moves through various contexts in the advancement of surveillance, exploitation, warfare, and political authority.
Architectural Theory
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Along with the rise of Mussolini’s fascist regime, the interwar years in Italy also saw the widespread development of its modernist interior design and furnishing practices. While the regime’s politics were overtly manifest in monumental government architecture, ''Furnishing Fascism'' examines the subtler yet effective role of household goods and decor in the cultivation(...)
Furnishing fascism: Modernist design and politics in Italy
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Along with the rise of Mussolini’s fascist regime, the interwar years in Italy also saw the widespread development of its modernist interior design and furnishing practices. While the regime’s politics were overtly manifest in monumental government architecture, ''Furnishing Fascism'' examines the subtler yet effective role of household goods and decor in the cultivation of Italy’s exclusionary sense of national identity. Presenting a fresh look at the work of various architects and designers, including iconic figures such as Gio Ponti and Carlo Enrico Rava, Ignacio G. Galán explores how seemingly neutral products of everyday life contributed to the propagation of fascist ideology. Through extensive promotion in popular magazines and department stores, on the film sets of Cinecittà Studios, and throughout the country’s colonial territories, Italy’s modernist design practices were part of a larger political project that aimed to produce a totalizing image of cultural hegemony.
Architectural Theory
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L'architecture et le design partagent un même souci des formes, tous deux les considérant moins pour ce qu'elles sont que pour ce qu'elles peuvent, pour ce qu'elles engagent et ouvrent comme possibilités. N'aspirant pas à avoir empire sur elles, ils assumeraient, l'un et l'autre à leur manière, de gouverner les formes, au sens d'un ménagement (das Schonen), pour que(...)
Du gouvernement des formes : Essai sur l'architecture et le design
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L'architecture et le design partagent un même souci des formes, tous deux les considérant moins pour ce qu'elles sont que pour ce qu'elles peuvent, pour ce qu'elles engagent et ouvrent comme possibilités. N'aspirant pas à avoir empire sur elles, ils assumeraient, l'un et l'autre à leur manière, de gouverner les formes, au sens d'un ménagement (das Schonen), pour que dérivent d'elles tant l'apparence que l'utilité de bâtiments, d'objets nouveaux entre autres choses. Au sein de cet essai, David Bihanic s'attelle à clarifier la contribution commune de l'architecture et du design au dessein des formes, précisant en quoi celle-ci s'avèrerait tout entière retenue à un accomplissement.
Architectural Theory
Architecture and retrenchment : aesthetics, spatial practices and the neoliberalisation of the 1980s
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"Architecture and retrenchment" explores the "neoliberal turn" in architecture, through the rise and fall of the Swedish welfare state. There are few better case studies of architecture's role in the retrenchment and dismantling of the welfare state than Sweden, the birthplace of the world-famous "Swedish Model" and now home to Europe's fastest-growing inequality. Through(...)
Architecture and retrenchment : aesthetics, spatial practices and the neoliberalisation of the 1980s
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"Architecture and retrenchment" explores the "neoliberal turn" in architecture, through the rise and fall of the Swedish welfare state. There are few better case studies of architecture's role in the retrenchment and dismantling of the welfare state than Sweden, the birthplace of the world-famous "Swedish Model" and now home to Europe's fastest-growing inequality. Through eight in-depth architectural case studies, Helena Mattsson analyzes how neoliberalism has created conditions for a new built environment which was once closely integral to the welfare system, examining how new architectural strategies and techniques were developed in order to protect the agency of architecture in a newly re-organised society, and revealing the role of architecture in creating new types of segregation, discrimination, and social stratification.
Architectural Theory
Pandemic objects
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A publication based on "Pandemic objects", an editorial project that compiles and reflects on objects that have taken on new meaning and purpose during the Covid-19 pandemic. During times of pandemic, a host of everyday often-overlooked "objects" are suddenly charged with new urgency. Toilet paper becomes a symbol of public panic, a forehead thermometer a tool for social(...)
Pandemic objects
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A publication based on "Pandemic objects", an editorial project that compiles and reflects on objects that have taken on new meaning and purpose during the Covid-19 pandemic. During times of pandemic, a host of everyday often-overlooked "objects" are suddenly charged with new urgency. Toilet paper becomes a symbol of public panic, a forehead thermometer a tool for social control, convention centres become hospitals, while parks become contested public commodities. By compiling these objects and reflecting on their changing purpose and meaning, the project aims to paint a unique picture of the pandemic and the pivotal role objects play within it.
Architectural Theory
Concerning land: Stories
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This publication asks contributors a direct and open question: what are you concerned with right now? Its aim is to place current topics and debate at the centre of architectural education. By publishing contrasting views revolving around a singular question, architects, practitioners, educators, students and theorists can share their ideas on how urgent issues can be(...)
Architectural Theory
March 2025
Concerning land: Stories
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This publication asks contributors a direct and open question: what are you concerned with right now? Its aim is to place current topics and debate at the centre of architectural education. By publishing contrasting views revolving around a singular question, architects, practitioners, educators, students and theorists can share their ideas on how urgent issues can be examined and rethought within education, practice and writing.
Architectural Theory
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Formerly the Louis I. Kahn Visiting Assistant Professor at Yale University, architect Fernanda Canales (born 1974), together with her studio, was named one of the world's "100+ Best Architecture Firms" by Domus magazine, and was cited by the New York Times as one of 10 women changing the face of international leadership. Canales' practice almost exclusively focuses on(...)
2G Essays: My house, your city. Privacy in a shared world
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Formerly the Louis I. Kahn Visiting Assistant Professor at Yale University, architect Fernanda Canales (born 1974), together with her studio, was named one of the world's "100+ Best Architecture Firms" by Domus magazine, and was cited by the New York Times as one of 10 women changing the face of international leadership. Canales' practice almost exclusively focuses on residential buildings. Her solutions address the environmental challenges of a given area or of a changing climate at large: whether rebuilding a family home damaged by an earthquake or designing a new house around the existing trees and vegetation. In this collection of essays published by 2G, Canales analyzes the evolution of the house by dismantling three critical assumptions: the house as a place of rest separate from work, the house as an object of private property and the house as a sanctuary for the nuclear family.
Architectural Theory
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Longtemps insolite et singulière, la réhabilitation de l'existant est en passe d'être systématiquement envisagée dans les grands projets architecturaux et urbains. En cause ? La priorité donnée aux vertus écologiques du réemploi, qui s'est récemment greffée sur le souci fondateur de la préservation du patrimoine. Ancienne abbatiale, piscine municipale, gare désaffectée,(...)
L'inachevé : Le jeu des métamorphoses
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Longtemps insolite et singulière, la réhabilitation de l'existant est en passe d'être systématiquement envisagée dans les grands projets architecturaux et urbains. En cause ? La priorité donnée aux vertus écologiques du réemploi, qui s'est récemment greffée sur le souci fondateur de la préservation du patrimoine. Ancienne abbatiale, piscine municipale, gare désaffectée, entrepôts industriels à l'abandon, usines, moulins et ateliers à l'arrêt : la destruction est la solution d'une époque révolue ; paradoxalement rétrograde. L'auteur de cet ouvrage, acteur de la transformation de la gare d'Orsay en musée, et concepteur entre autres de La Piscine à Roubaix et du musée de Valence, a été l'un des pionniers en France de la métamorphose architecturale.
Architectural Theory
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This book provides an intellectual history of the modernist "minimum dwelling", exploring how early modernism saw mass housing as a primary vehicle for achieving the utopian transformation of society. It reappraises the often-overlooked 2nd and 3rd CIAM conferences (1929-31), addressing their engagement with the "minimum dwelling" and revealing them both as milestones in(...)
The minimum dwelling revisited: CIAM's practical utopia (1928-1931)
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This book provides an intellectual history of the modernist "minimum dwelling", exploring how early modernism saw mass housing as a primary vehicle for achieving the utopian transformation of society. It reappraises the often-overlooked 2nd and 3rd CIAM conferences (1929-31), addressing their engagement with the "minimum dwelling" and revealing them both as milestones in the organisation's annals and as seminal moments in the history of interwar modernism. Split into two parts, ''The Minimum Dwelling'' Revisited first takes a genealogical approach to explore the provenance of the concept of "minimum dwelling" prior to the 2nd and 3rd CIAM conferences, it then traces the proceedings of the two conferences themselves. Addressing the origins of the "minimum dwelling" concept but also its legacies, and serving as a corrective to the overemphasis on 4th CIAM conference and the Athens Charter, the book is essential reading for scholars researching urban design during the Interwar period.
Architectural Theory
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Charleroi, the denigrated capital of the Belgian hinterland, is the unlikely new paradigm for a contemporary city. What seems an incoherent jumble of manmade exuberance—a byproduct of modernity, really—transcends the infamous architectural dichotomy between the centre and the periphery. This is the Large City; dispersed and decentralised, it embraces its post-industrial(...)
Everything Without Content 251. The large city
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Charleroi, the denigrated capital of the Belgian hinterland, is the unlikely new paradigm for a contemporary city. What seems an incoherent jumble of manmade exuberance—a byproduct of modernity, really—transcends the infamous architectural dichotomy between the centre and the periphery. This is the Large City; dispersed and decentralised, it embraces its post-industrial condition. An artificial nature where zero-kilometre food production, electric bikes and trail running enable everyone to live large. Without nostalgia for its industrial ruins, nor contempt for modernity, the city was the subject of a year-long studio led by Kersten Geers at the Academy of Architecture USI in Mendrisio. As a form of “applied theory”, the book presents students’ projects—an imaginary city—coupled with some real projects: Megafactory by OFFICE and Palais des Expositions by Architecten Jan de Vylder Inge Vinck & AgwA. The book features photographs of Charleroi by Stefano Graziani.
Architectural Theory