Responsive environments. An Interdisciplinary Manifesto on Design, Technology and the Human Experien
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The entanglement of physical contexts with digital environments is constantly changing our relationship with the surrounding space and creating new hybrid experiences. These transformations pose complex design challenges and yet offer novel opportunities for the understanding and development of human-centered built environments. Drawing from a 5-year design research(...)
Responsive environments. An Interdisciplinary Manifesto on Design, Technology and the Human Experien
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The entanglement of physical contexts with digital environments is constantly changing our relationship with the surrounding space and creating new hybrid experiences. These transformations pose complex design challenges and yet offer novel opportunities for the understanding and development of human-centered built environments. Drawing from a 5-year design research collaboration between the REAL Lab at Harvard GSD and the University of Bergamo, this book unfolds the experiential facets of our technologically-mediated relationship with space in the fields of architecture, urbanism and art. The book attempts to describe what makes an environment "responsive" in the form of a design manifesto, introducing ten attributes or principles at both methodological and experiential levels. Critically articulated from the perspective of leading experts, scholars and professionals, the ideas explored are unpacked through speculative urban visions and design concepts at different timeframes, contexts and scales ranging from smart artifacts to smart cities.
Architectural Theory
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The eighth volume of the “Critical Spatial Practice” series focuses on Jill Magid's “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize—winning architect Luis Barragán (1902-1988), and questions forms of power, public access, and copyright that construct artistic legacy.
Critical spatial practice 8: the proposal
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The eighth volume of the “Critical Spatial Practice” series focuses on Jill Magid's “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize—winning architect Luis Barragán (1902-1988), and questions forms of power, public access, and copyright that construct artistic legacy.
Architectural Theory
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This publication includes lectures; interviews; articles published in daily newspapers and magazines, and longer essays on a variety of topics. Steiner brings to his work a keen critical acumen that draws on decades of travel, research, and contact with renowned international architects, such as Rob Krier, Hermann Czech, Herzog & de Meuron, Rem Koolhaas, Lacaton + Vassal,(...)
Steiner's Diary: on architecture since 1959
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This publication includes lectures; interviews; articles published in daily newspapers and magazines, and longer essays on a variety of topics. Steiner brings to his work a keen critical acumen that draws on decades of travel, research, and contact with renowned international architects, such as Rob Krier, Hermann Czech, Herzog & de Meuron, Rem Koolhaas, Lacaton + Vassal, Jon Jerde, Rural Studio, Wang Shu, and Alexander Brodsky. At the same time, his articles and essays are often amplified by personal observations and experiences. While paying tribute to a prolific scholar and critic, Steiner’s Diary takes readers through four decades of architectural history that represent some of the discipline’s most fascinating historical developments, and it will be welcomed by architects, architectural historians, and anyone with an interest in architecture’s role in society today.
Architectural Theory
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This previously unpublished work is essential reading for anyone who has followed Marco Frascari’s scholarship and teachings over the last three decades. It also provides the perfect introduction for anyone new to his writings. As ever, Frascari does not offer prescriptive tools and frameworks to enact his theories of drawing and imagination; instead, he teaches how to(...)
Marco Frascari's dream house: a theory of imagination
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This previously unpublished work is essential reading for anyone who has followed Marco Frascari’s scholarship and teachings over the last three decades. It also provides the perfect introduction for anyone new to his writings. As ever, Frascari does not offer prescriptive tools and frameworks to enact his theories of drawing and imagination; instead, he teaches how to build one’s own through individual practice. An illuminating introduction places the text in a wider context, providing the reader with a fascinating and important context and understanding to this posthumous work. Frascari's sketchbooks are reproduced faithfully in full colour to provide the reader with a remarkable insight into the design process of this influential mind.
Architectural Theory
l'Obsolescence
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Qu’est-ce que l’«obsolescence»? Parfois confondue avec l’idée d’inadaptation et parfois envisagée comme synonyme de péremption, citée ici dans un discours contre l’autodestruction programmée et invoquée là pour témoigner du caractère démodé ou désuet des objets… Ces dernières années, on aura entendu parler à tort et à travers de l’obsolescence. Que révèle cette confusion(...)
l'Obsolescence
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Qu’est-ce que l’«obsolescence»? Parfois confondue avec l’idée d’inadaptation et parfois envisagée comme synonyme de péremption, citée ici dans un discours contre l’autodestruction programmée et invoquée là pour témoigner du caractère démodé ou désuet des objets… Ces dernières années, on aura entendu parler à tort et à travers de l’obsolescence. Que révèle cette confusion sémantique? Et surtout quel sens attribuer en définitive à ce terme? Cet ouvrage s’attache à fonder la notion d’obsolescence de façon rigoureuse pour en déployer ensuite les potentialités critiques et leurs multiples résonances avec l’actualité. Ainsi, au fil des chapitres, sont envisagés et questionnés des champs et objets d’études variés, de la pensée de Günther Anders aux courants transhumantes, de la critique de l’«obsolescence programmée» à la discipline architecturale. Avec à chaque fois une même hypothèse: l’idée que l’obsolescence, entrevue comme figure de l’impossible, recèle aussi un formidable potentiel: une ressource incomparable pour relire sous un nouvel angle notre contemporain et ses enjeux.
Architectural Theory
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The mall near Mat thew Newton's childhood home in Pittsburgh, Pennsylvania, was one of the state's first enclosed shopping malls. Like all malls in their heyday, this one was a climate-controlled pleasuredome where strangers converged. It boasted waterfalls, fish ponds, an indoor ice skating rink larger than Rockefeller Center's, and a monolithic clock tower illuminated(...)
Shopping Mall (object lessons)
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The mall near Mat thew Newton's childhood home in Pittsburgh, Pennsylvania, was one of the state's first enclosed shopping malls. Like all malls in their heyday, this one was a climate-controlled pleasuredome where strangers converged. It boasted waterfalls, fish ponds, an indoor ice skating rink larger than Rockefeller Center's, and a monolithic clock tower illuminated year-round beneath a canopy of interconnected skylights. It also became the backdrop for filmmaker George A. Romero's zombie opus "Dawn of the Dead". Part memoir and part case study, Shopping Mall examines the modern mythology of the mall and shows that, more than a collection of stores, it is a place of curiosity, ritual, and fantasy.
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The introduction of iron – and later steel – construction and decoration transformed architecture in the nineteenth century. While the structural employment of iron has been a frequent subject of study, this book re-directs scholarly scrutiny on its place in the aesthetics of architecture in the long nineteenth century. Together, its eleven unique and original chapters(...)
Function and fantasy: iron architecture in the long nineteenth century
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The introduction of iron – and later steel – construction and decoration transformed architecture in the nineteenth century. While the structural employment of iron has been a frequent subject of study, this book re-directs scholarly scrutiny on its place in the aesthetics of architecture in the long nineteenth century. Together, its eleven unique and original chapters chart – for the first time – the global reach of iron’s architectural reception, from the first debates on how iron could be incorporated into architecture’s traditional aesthetics to the modernist cleaving of its structural and ornamental roles.
Architectural Theory
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The essays consider the contemporary architectural scene from a variety of perspectives in theory and practice. They include seminal pieces that framed important debates in the field, such as the introduction to the exhibition catalogue Monolithic Architecture, as well as observations on buildings and practices from around the world, from Santiago, to Beirut and Beijing.
Figures: essays on contemporary architecture
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The essays consider the contemporary architectural scene from a variety of perspectives in theory and practice. They include seminal pieces that framed important debates in the field, such as the introduction to the exhibition catalogue Monolithic Architecture, as well as observations on buildings and practices from around the world, from Santiago, to Beirut and Beijing.
Architectural Theory
L'Odyssée de l'espace IBM : Eliot Noyes et la logique de 'l'intériorité' à l'ère de l'information
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L'Odyssée de l'espace IBM est d'abord une histoire des années 1950 : celle liant le nouveau PDG d'IBM, Thomas Watson Jr., à ses corporate designers, l'architecte Eliot Noyes et le publiciste Paul Rand. Ensemble, ils feront de la firme le n°1 mondial de l'informatique. Dans son essai, John Harwood retrace cette saga au sein de l'espace moderniste réinventant le rapport(...)
L'Odyssée de l'espace IBM : Eliot Noyes et la logique de 'l'intériorité' à l'ère de l'information
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L'Odyssée de l'espace IBM est d'abord une histoire des années 1950 : celle liant le nouveau PDG d'IBM, Thomas Watson Jr., à ses corporate designers, l'architecte Eliot Noyes et le publiciste Paul Rand. Ensemble, ils feront de la firme le n°1 mondial de l'informatique. Dans son essai, John Harwood retrace cette saga au sein de l'espace moderniste réinventant le rapport entre intérieur et extérieur, et entre hardware et software. Des bâtiments et machines « IBM » à ses conseils pour le film 2001de Stanley Kubrick, Noyes aura façonné un univers d'entreprise au sens strict, identité homogène et monde clos héritiers du style international et du brutalisme américains, mais augmentés des bunkers SAGE, des tele-computer centers et des white rooms...
Architectural Theory
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De son inauguration à nos jours, quatre décennies d'intrigues et d'"effets-Beaubourg" nous contemplent. Mais les utopies de Mai 68 et de Georges Pompidou semblent avoir vécues. Visages de l'époque, le bâtiment-raffinerie, et l'usine à gaz institutionnelle qu'elle abrite, dévoilent une histoire française des dispositifs de monstration de la création "industrielle" et de(...)
Architectural Theory
February 2017
De Beaubourg à Pompidou III, la machine (1977-2017)
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De son inauguration à nos jours, quatre décennies d'intrigues et d'"effets-Beaubourg" nous contemplent. Mais les utopies de Mai 68 et de Georges Pompidou semblent avoir vécues. Visages de l'époque, le bâtiment-raffinerie, et l'usine à gaz institutionnelle qu'elle abrite, dévoilent une histoire française des dispositifs de monstration de la création "industrielle" et de l'art "contemporain". Or le nouvel effet-Beaubourg n'est-il pas devenu que l'ombre d'un "effet-Bilbao" parisien (une cash-machine d'expositions mainstream itinérantes), récemment augmentée d'une agora de l'ère du Global Circus ? Par-delà les impératifs d'une politique du chiffre, ne sommes-nous pas passés de "Beaubourg" à "Pompidou", puis de "Pompidou" à "Georges" ?
Architectural Theory