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The cities of Paris and Chandigarh are the two poles in whose field of tension Le Corbusier's unique creative powers developed. Paris stands for the experimental white modernism of the twenties, a phase that begins immediately after his early works and peaks in the Villa Savoye. Chandigarh in India is the location of the brutalist monumental buildings that accompanied Le(...)
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The cities of Paris and Chandigarh are the two poles in whose field of tension Le Corbusier's unique creative powers developed. Paris stands for the experimental white modernism of the twenties, a phase that begins immediately after his early works and peaks in the Villa Savoye. Chandigarh in India is the location of the brutalist monumental buildings that accompanied Le(...)
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Le Corbusier:Paris - Chandigarh
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The cities of Paris and Chandigarh are the two poles in whose field of tension Le Corbusier's unique creative powers developed. Paris stands for the experimental white modernism of the twenties, a phase that begins immediately after his early works and peaks in the Villa Savoye. Chandigarh in India is the location of the brutalist monumental buildings that accompanied Le Corbusier almost throughout his late period until his death. In between these two great phases - in this book as well - comes his town planning work applied to concrete projects and also his preoccupation with geometrical design principles in the Modulor.
Le Corbusier:Paris - Chandigarh
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The cities of Paris and Chandigarh are the two poles in whose field of tension Le Corbusier's unique creative powers developed. Paris stands for the experimental white modernism of the twenties, a phase that begins immediately after his early works and peaks in the Villa Savoye. Chandigarh in India is the location of the brutalist monumental buildings that accompanied Le Corbusier almost throughout his late period until his death. In between these two great phases - in this book as well - comes his town planning work applied to concrete projects and also his preoccupation with geometrical design principles in the Modulor.
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books
books
Publication:
January 2000
January 2000
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
The Houses of Philip Johnson
The Houses of Philip Johnson
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Johnson's celebrated Glass House, built in 1949 in New Canaan, Connecticut, is perhaps the single most famous house of the twentieth century. Until now, however, that house has not been looked at in the context of Johnson's many other house projects. This book, the first to comprehensively survey Johnson's residential work, not only brings to light a largely neglected(...)
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Johnson's celebrated Glass House, built in 1949 in New Canaan, Connecticut, is perhaps the single most famous house of the twentieth century. Until now, however, that house has not been looked at in the context of Johnson's many other house projects. This book, the first to comprehensively survey Johnson's residential work, not only brings to light a largely neglected(...)
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Architecture Monographs
Architecture Monographs
Publication:
September 2001, New York, London
September 2001, New York, London
Title:
The Houses of Philip Johnson
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Johnson's celebrated Glass House, built in 1949 in New Canaan, Connecticut, is perhaps the single most famous house of the twentieth century. Until now, however, that house has not been looked at in the context of Johnson's many other house projects. This book, the first to comprehensively survey Johnson's residential work, not only brings to light a largely neglected side of Johnson's achievement, but fresly illuminates his entire career.
The Houses of Philip Johnson
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Johnson's celebrated Glass House, built in 1949 in New Canaan, Connecticut, is perhaps the single most famous house of the twentieth century. Until now, however, that house has not been looked at in the context of Johnson's many other house projects. This book, the first to comprehensively survey Johnson's residential work, not only brings to light a largely neglected side of Johnson's achievement, but fresly illuminates his entire career.
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books
books
Publication:
September 2001, New York, London
September 2001, New York, London
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
Shigeru Ban
Shigeru Ban
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Shigeru Ban may be best known for his evocative Curtain Wall House in Tokyo----a highlight of the Museum of Modern Art's 1999 Un-Private House exhibit----but few know the range of this Japanese architect's work. In this first English-language monograph on Ban, 30 built (...)
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Shigeru Ban may be best known for his evocative Curtain Wall House in Tokyo----a highlight of the Museum of Modern Art's 1999 Un-Private House exhibit----but few know the range of this Japanese architect's work. In this first English-language monograph on Ban, 30 built (...)
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Shigeru Ban
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Shigeru Ban may be best known for his evocative Curtain Wall House in Tokyo----a highlight of the Museum of Modern Art's 1999 Un-Private House exhibit----but few know the range of this Japanese architect's work. In this first English-language monograph on Ban, 30 built projects reveal his inventiveness and humanitarianism. Ban's primary objectives in his work are the use of low-cost materials and the dissolution of the boundaries between interior and exterior spaces. His paper tube designs, which he first created as emergency housing for victims of Rwanda's civil war, were later reconfigured for earthquake victims in Kobe and were incorporated in Ban's Japanese Pavilion at Hannover Expo 2000. Influenced by the Japanese tradition of linking the home with the surrounding environment, Ban has created buildings such as Hanegi Forest and Walls-less House that invite nature to coexist with design.
Shigeru Ban
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Shigeru Ban may be best known for his evocative Curtain Wall House in Tokyo----a highlight of the Museum of Modern Art's 1999 Un-Private House exhibit----but few know the range of this Japanese architect's work. In this first English-language monograph on Ban, 30 built projects reveal his inventiveness and humanitarianism. Ban's primary objectives in his work are the use of low-cost materials and the dissolution of the boundaries between interior and exterior spaces. His paper tube designs, which he first created as emergency housing for victims of Rwanda's civil war, were later reconfigured for earthquake victims in Kobe and were incorporated in Ban's Japanese Pavilion at Hannover Expo 2000. Influenced by the Japanese tradition of linking the home with the surrounding environment, Ban has created buildings such as Hanegi Forest and Walls-less House that invite nature to coexist with design.
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books
books
Publication:
December 2000, New York
December 2000, New York
Subject:
Architecture Monographs
Architecture Monographs
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books
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The Eberswalde Library has been compared to a Warhol painting. Designed in collaboration with artist Thomas Ruff, it carries the idea of a pictorial façade further than any other Herzog & de Meuron project. The building is a simple cube(...)
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The Eberswalde Library has been compared to a Warhol painting. Designed in collaboration with artist Thomas Ruff, it carries the idea of a pictorial façade further than any other Herzog & de Meuron project. The building is a simple cube(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 1900, London
January 1900, London
Title:
Herzog & de Meuron : Eberswalde Library
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The Eberswalde Library has been compared to a Warhol painting. Designed in collaboration with artist Thomas Ruff, it carries the idea of a pictorial façade further than any other Herzog & de Meuron project. The building is a simple cube sheathed in glazing and cast-concrete panels, arranged in horizontal bands. Each band shows a single image, repeated sixty-six times, like a static film strip. The images are drawn from Ruff’s own archive of newspaper photographs, and encompass the decorative, the symbolic, and the politically charged. Combining elements which have long been deemed incompatible – minimalism and ornament, purity and baroque fullness, concrete box and pictorial façade, space and surface – Herzog & de Meuron’s new library challenges the conventions of modernism.
Herzog & de Meuron : Eberswalde Library
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The Eberswalde Library has been compared to a Warhol painting. Designed in collaboration with artist Thomas Ruff, it carries the idea of a pictorial façade further than any other Herzog & de Meuron project. The building is a simple cube sheathed in glazing and cast-concrete panels, arranged in horizontal bands. Each band shows a single image, repeated sixty-six times, like a static film strip. The images are drawn from Ruff’s own archive of newspaper photographs, and encompass the decorative, the symbolic, and the politically charged. Combining elements which have long been deemed incompatible – minimalism and ornament, purity and baroque fullness, concrete box and pictorial façade, space and surface – Herzog & de Meuron’s new library challenges the conventions of modernism.
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books
books
Publication:
January 1900, London
January 1900, London
Subject:
Architecture Monographs
Architecture Monographs
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books
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Title:
The Wittgenstein House
The Wittgenstein House
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In 1926 philosopher Ludwig Wittgenstein designed and built a house in Vienna for his sister. The only building designed by Wittgenstein, it crystallized his philosophy of architecture-notable for its clarity, precision, and austerity-and served as a foil for his written work. This detailed investigation of the house is based on 30 years of extensive research. It(...)
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In 1926 philosopher Ludwig Wittgenstein designed and built a house in Vienna for his sister. The only building designed by Wittgenstein, it crystallized his philosophy of architecture-notable for its clarity, precision, and austerity-and served as a foil for his written work. This detailed investigation of the house is based on 30 years of extensive research. It(...)
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The Wittgenstein House
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In 1926 philosopher Ludwig Wittgenstein designed and built a house in Vienna for his sister. The only building designed by Wittgenstein, it crystallized his philosophy of architecture-notable for its clarity, precision, and austerity-and served as a foil for his written work. This detailed investigation of the house is based on 30 years of extensive research. It examines the formal properties of the structure, including Wittgenstein's attention to proportion, detail, and color. It is also the story of one man's relationship to this extraordinary building: in 1971, author Bernhard Leitner was instrumental in saving the Wittgenstein House from destruction and having it declared a national landmark.
The Wittgenstein House
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In 1926 philosopher Ludwig Wittgenstein designed and built a house in Vienna for his sister. The only building designed by Wittgenstein, it crystallized his philosophy of architecture-notable for its clarity, precision, and austerity-and served as a foil for his written work. This detailed investigation of the house is based on 30 years of extensive research. It examines the formal properties of the structure, including Wittgenstein's attention to proportion, detail, and color. It is also the story of one man's relationship to this extraordinary building: in 1971, author Bernhard Leitner was instrumental in saving the Wittgenstein House from destruction and having it declared a national landmark.
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books
books
Publication:
October 2000, New York
October 2000, New York
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
Inigo Jones
Inigo Jones
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Inigo Jones, the first English classical architect, was famous in his own time and was the posthumous sponsor of the Palladian movement of the eighteenth century. This authoritative and elegantly written book, first published in 1966, reassessed Jones’ life and career,(...)
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Inigo Jones, the first English classical architect, was famous in his own time and was the posthumous sponsor of the Palladian movement of the eighteenth century. This authoritative and elegantly written book, first published in 1966, reassessed Jones’ life and career,(...)
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Inigo Jones
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Inigo Jones, the first English classical architect, was famous in his own time and was the posthumous sponsor of the Palladian movement of the eighteenth century. This authoritative and elegantly written book, first published in 1966, reassessed Jones’ life and career, cleared away the myths of attribution that surround his work, and reassigned to him projects that had disappeared from his oeuvre. Summerson’s classic text is enhanced by a new foreword and notes by Howard Colvin, updated bibliography, and improved illustrations.
Inigo Jones
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Inigo Jones, the first English classical architect, was famous in his own time and was the posthumous sponsor of the Palladian movement of the eighteenth century. This authoritative and elegantly written book, first published in 1966, reassessed Jones’ life and career, cleared away the myths of attribution that surround his work, and reassigned to him projects that had disappeared from his oeuvre. Summerson’s classic text is enhanced by a new foreword and notes by Howard Colvin, updated bibliography, and improved illustrations.
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books
books
Publication:
May 2000, London
May 2000, London
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Hawksmoor's London churches
Hawksmoor's London churches
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Six remarkable churches built by Nicholas Hawksmoor from 1712 to 1731 still tower over London. Their striking limestone steeples and luminous interiors were designed by him for a parliamentary commission intent on affirming the majesty of the Anglican Church. In Hawksmoor's London(...)
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Six remarkable churches built by Nicholas Hawksmoor from 1712 to 1731 still tower over London. Their striking limestone steeples and luminous interiors were designed by him for a parliamentary commission intent on affirming the majesty of the Anglican Church. In Hawksmoor's London(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
June 2000, Chicago
June 2000, Chicago
Title:
Hawksmoor's London churches
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Six remarkable churches built by Nicholas Hawksmoor from 1712 to 1731 still tower over London. Their striking limestone steeples and luminous interiors were designed by him for a parliamentary commission intent on affirming the majesty of the Anglican Church. In Hawksmoor's London Churches, architectural historian Pierre de la Ruffinière du Prey argues that though each church is unique, they can be viewed as an integrated whole--a single masterpiece that reflects the architect's design principles and his client's wish to return to the purity of early Christian times. Du Prey constructs his book in three stages like an intricate Hawksmoor steeple. He begins with Hawksmoor's education under Christopher Wren, from whom Hawksmoor learned to appreciate Classical and Judeo-Christian antiquities. He then reveals how the writings on early church liturgy that inspired the commission, meshed with Wren's and Hawksmoor's theories of architectural evolution. He concludes by analyzing the churches themselves, focusing closely on the architect's preparatory drawings for the towers. Individually they reveal his ability to translate theological ideas into distinctive landmarks of stone. Cumulatively they explain how his vision of the history of architecture from antiquity to primitive Christianity to the Middle Ages inspired an imaginative personal style. Hawksmoor's churches have become increasingly beloved by architects, critics, historians, and tourists. This timely and beautifully illustrated book will appeal to anyone interested in Hawksmoor, architectural history, religion, or London's many-spired skyline.
Hawksmoor's London churches
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Summary:
Six remarkable churches built by Nicholas Hawksmoor from 1712 to 1731 still tower over London. Their striking limestone steeples and luminous interiors were designed by him for a parliamentary commission intent on affirming the majesty of the Anglican Church. In Hawksmoor's London Churches, architectural historian Pierre de la Ruffinière du Prey argues that though each church is unique, they can be viewed as an integrated whole--a single masterpiece that reflects the architect's design principles and his client's wish to return to the purity of early Christian times. Du Prey constructs his book in three stages like an intricate Hawksmoor steeple. He begins with Hawksmoor's education under Christopher Wren, from whom Hawksmoor learned to appreciate Classical and Judeo-Christian antiquities. He then reveals how the writings on early church liturgy that inspired the commission, meshed with Wren's and Hawksmoor's theories of architectural evolution. He concludes by analyzing the churches themselves, focusing closely on the architect's preparatory drawings for the towers. Individually they reveal his ability to translate theological ideas into distinctive landmarks of stone. Cumulatively they explain how his vision of the history of architecture from antiquity to primitive Christianity to the Middle Ages inspired an imaginative personal style. Hawksmoor's churches have become increasingly beloved by architects, critics, historians, and tourists. This timely and beautifully illustrated book will appeal to anyone interested in Hawksmoor, architectural history, religion, or London's many-spired skyline.
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books
books
Publication:
June 2000, Chicago
June 2000, Chicago
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
The Villa Cavrois
The Villa Cavrois
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A masterpiece of 20th-century architecture designed by Robert Mallet-Stevens between 1929 and 1932, the Villa Cavrois had an eventful history before its restoration and opening to the public in 2015. The man who commissioned it, Paul Cavrois, a well-established industrialist from Northern France, wanted a residence large enough to house his family and servants. His(...)
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A masterpiece of 20th-century architecture designed by Robert Mallet-Stevens between 1929 and 1932, the Villa Cavrois had an eventful history before its restoration and opening to the public in 2015. The man who commissioned it, Paul Cavrois, a well-established industrialist from Northern France, wanted a residence large enough to house his family and servants. His(...)
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The Villa Cavrois
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A masterpiece of 20th-century architecture designed by Robert Mallet-Stevens between 1929 and 1932, the Villa Cavrois had an eventful history before its restoration and opening to the public in 2015. The man who commissioned it, Paul Cavrois, a well-established industrialist from Northern France, wanted a residence large enough to house his family and servants. His meeting with Robert Mallet-Stevens was to make his project an object-manifesto, an ocean liner rising on the heights of Roubaix, in a striking contrast with the neighbouring traditional bourgeois houses. Mallet-Stevens mastered all aspects of the design: the silhouette and geometry of the villa; the simple, yet luxurious furniture, and the materials chosen specifically for each room – marble and precious woods in the reception areas and tiles in sober colours in the bathrooms and kitchen – the lighting fixtures, the heating and sound systems.
The Villa Cavrois
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A masterpiece of 20th-century architecture designed by Robert Mallet-Stevens between 1929 and 1932, the Villa Cavrois had an eventful history before its restoration and opening to the public in 2015. The man who commissioned it, Paul Cavrois, a well-established industrialist from Northern France, wanted a residence large enough to house his family and servants. His meeting with Robert Mallet-Stevens was to make his project an object-manifesto, an ocean liner rising on the heights of Roubaix, in a striking contrast with the neighbouring traditional bourgeois houses. Mallet-Stevens mastered all aspects of the design: the silhouette and geometry of the villa; the simple, yet luxurious furniture, and the materials chosen specifically for each room – marble and precious woods in the reception areas and tiles in sober colours in the bathrooms and kitchen – the lighting fixtures, the heating and sound systems.
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books
books
Publication:
December 2024
December 2024
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$22.95
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Comprised of two steel and concrete towers outfitted with 140 prefabricated living capsules, the ''Nakagin Capsule Tower'' in Tokyo is one of the most iconic and influential architectural marvels of the postwar period. A touchstone of the Metabolist movement, the tower was designed by the office of Japanese architect Kisho Kurokawa (1934–2007) and completed between 1970(...)
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Comprised of two steel and concrete towers outfitted with 140 prefabricated living capsules, the ''Nakagin Capsule Tower'' in Tokyo is one of the most iconic and influential architectural marvels of the postwar period. A touchstone of the Metabolist movement, the tower was designed by the office of Japanese architect Kisho Kurokawa (1934–2007) and completed between 1970(...)
Title:
Kisho Kurokawa: Nakagin Capsule Tower. MoMA one on one series
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Comprised of two steel and concrete towers outfitted with 140 prefabricated living capsules, the ''Nakagin Capsule Tower'' in Tokyo is one of the most iconic and influential architectural marvels of the postwar period. A touchstone of the Metabolist movement, the tower was designed by the office of Japanese architect Kisho Kurokawa (1934–2007) and completed between 1970 and 1972. Each capsule was intended for single occupancy and came outfitted with its own ensuite bathroom, a foldout desk, a telephone, a reel-to-reel tape player, a Sony color television and a "porthole" window overlooking the city. In this volume of the MoMA ''One on One'' series, curator Evangelos Kotsioris delves into the groundbreaking design, construction, evolution and ultimate need for the demolition of this remarkable structure in 2022. It is published in advance of MoMA's exhibition of one of the original capsules, the first to be publicly shown in the United States.
Kisho Kurokawa: Nakagin Capsule Tower. MoMA one on one series
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Comprised of two steel and concrete towers outfitted with 140 prefabricated living capsules, the ''Nakagin Capsule Tower'' in Tokyo is one of the most iconic and influential architectural marvels of the postwar period. A touchstone of the Metabolist movement, the tower was designed by the office of Japanese architect Kisho Kurokawa (1934–2007) and completed between 1970 and 1972. Each capsule was intended for single occupancy and came outfitted with its own ensuite bathroom, a foldout desk, a telephone, a reel-to-reel tape player, a Sony color television and a "porthole" window overlooking the city. In this volume of the MoMA ''One on One'' series, curator Evangelos Kotsioris delves into the groundbreaking design, construction, evolution and ultimate need for the demolition of this remarkable structure in 2022. It is published in advance of MoMA's exhibition of one of the original capsules, the first to be publicly shown in the United States.
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books
books
Publication:
August 2025
August 2025
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Price:
$68.00
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Summary:
Buildings for People and Plants by WORKac is a thoughtfully curated architectural exploration by Amale Andraos and Dan Wood, the New York-based design firm’s co-founders. The compelling volume, featuring ten of WORKac’s most recent projects, such as the North Boulder Library, the Rhode Island School of Design’s Student Success Center, and the Miami Museum Garage,(...)
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Summary:
Buildings for People and Plants by WORKac is a thoughtfully curated architectural exploration by Amale Andraos and Dan Wood, the New York-based design firm’s co-founders. The compelling volume, featuring ten of WORKac’s most recent projects, such as the North Boulder Library, the Rhode Island School of Design’s Student Success Center, and the Miami Museum Garage,(...)
Title:
Buildings for people and plants by WORKac: Architecture of WORKac
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Buildings for People and Plants by WORKac is a thoughtfully curated architectural exploration by Amale Andraos and Dan Wood, the New York-based design firm’s co-founders. The compelling volume, featuring ten of WORKac’s most recent projects, such as the North Boulder Library, the Rhode Island School of Design’s Student Success Center, and the Miami Museum Garage, navigates through the interconnected realms of architecture, environment, and social sustainability.
Buildings for people and plants by WORKac: Architecture of WORKac
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Buildings for People and Plants by WORKac is a thoughtfully curated architectural exploration by Amale Andraos and Dan Wood, the New York-based design firm’s co-founders. The compelling volume, featuring ten of WORKac’s most recent projects, such as the North Boulder Library, the Rhode Island School of Design’s Student Success Center, and the Miami Museum Garage, navigates through the interconnected realms of architecture, environment, and social sustainability.
Form:
books
books
Publication:
July 2025
July 2025
Subject:
Architecture Monographs
Architecture Monographs
