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"John Soane and the Wooden Bridges of Switzerland" provides an insight into the technology, construction and design of timber bridges in the 18th century. Among the sketches and models is a series of three wooden models attributed to the Swiss architects Hans Ulrich and Johannes Grubenmann. Bridge-building had always fascinated Soane. As a student, he had even won a(...)
Architecture Monographs
May 2003, Barcelona
John Soane and the wooden bridges of Switzerland. Architecture and the culture of technology from Palladio to the Grubenmanns
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"John Soane and the Wooden Bridges of Switzerland" provides an insight into the technology, construction and design of timber bridges in the 18th century. Among the sketches and models is a series of three wooden models attributed to the Swiss architects Hans Ulrich and Johannes Grubenmann. Bridge-building had always fascinated Soane. As a student, he had even won a gold medal for his design of a wooden bridge. During his long professional career, Soane often planned bridges and was consulted about their construction. On his way home from the "grand tour" of Italy, he took a detour through Switzerland to see some bridges built by the Grubenmann brothers. The bridges at Wettingen, Reichenau and Schaffhausen left a lasting impression on the young architect. Years later, in his lectures to the Royal Academy, he would praise their "sublime simplicity".
Architecture Monographs
Greene & Greene
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Charles and Henry Greene created the definitive houses of the American Arts and Crafts Movement. Raised to be architects, the Greene brothers were educated together at MIT, where their natural artistic skills blossomed in concert with an excellent practical education. While they practised architecture jointly in Southern California from 1906 to 1922 they achieved a(...)
Architecture Monographs
October 2003, London / New York
Greene & Greene
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Charles and Henry Greene created the definitive houses of the American Arts and Crafts Movement. Raised to be architects, the Greene brothers were educated together at MIT, where their natural artistic skills blossomed in concert with an excellent practical education. While they practised architecture jointly in Southern California from 1906 to 1922 they achieved a powerful symbiosis, resulting in some of the most beautifully crafted houses in America. The elegant works of their peak period, such as the Gamble, Blacker and Thorsen houses, are masterful in their design and execution. No detail was overlooked: every element of the interior, including furniture, fittings and glasswork, as well as the building structure (down to pegs, air-vents and bracing) was conceived as an organic whole, and finished exquisitely. No hint of conflict was ever recorded between the gentlemanly brothers, yet their intertwined professional lives ultimately diverged into a physical separation and distinct design vocabularies. Even so, the automatic bond between the brothers was never completely severed, and they continued to consult each other on projects for the rest of their lives. This critical monograph, which charts the brothers’ careers (together and apart), is illustrated with superb new photography and draws on a wealth of previously unpublished archival material.
Architecture Monographs
Louis I. Kahn
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Born in Estonia in 1901, Louis Isidore Kahn was to become one of the United States’ most important architects of the post-war period, alongside the Modern masters Mies van der Rohe, Walter Gropius and Le Corbusier. Although renowned for a number of seminal modern works, he came to question many of the precepts of the Modern Movement. In particular, he questioned the(...)
Louis I. Kahn
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Born in Estonia in 1901, Louis Isidore Kahn was to become one of the United States’ most important architects of the post-war period, alongside the Modern masters Mies van der Rohe, Walter Gropius and Le Corbusier. Although renowned for a number of seminal modern works, he came to question many of the precepts of the Modern Movement. In particular, he questioned the ability of the International Style of Modernism to house the social spaces required by the latter half of the century. In 1947 Kahn was appointed Professor at Yale University. He was to continue teaching throughout his architectural career, influencing a younger generation of architects along the way. His teaching enabled him to further develop his own concepts and to inform his ever-evolving definition of design. He was drawn to investigate monumentality in architecture, creating buildings out of heavy, solid materials and forms and incorporating vivid plays of light, in complete contrast to the lightweight glass and steel structures being created elsewhere by his peers. This monumentality was also imbued with his concern for the ritual of human experience. His career, although extending to just over twenty years, was a rich and varied one, where he continually readdressed the issues of light, mass, structure, monumentality, geometry and materials. This monograph follows a predominantly chronological order, identifying major themes and examining key works according to these themes. A comprehensive list of projects by Kahn spanning his lifetime and drawn from the Louis I Kahn Collection at the University of Pennsylvania Archives is also included, listing over 231 projects, of which at least 30 were previously unattributed.
Architecture Monographs
Shigeru Ban
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Based in Japan and one of an emerging generation of young, world-class architects, Shigeru Ban designs and builds graceful, serene structures using modest materials such as cardboard, paper tubes, bamboo, and prefabricated wood. His buildings are sometimes soaring and birdlike, sometimes simple, grounded, and evocative of the Japanese aesthetic, but always they are(...)
Architecture Monographs
October 2003, London / New York
Shigeru Ban
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Based in Japan and one of an emerging generation of young, world-class architects, Shigeru Ban designs and builds graceful, serene structures using modest materials such as cardboard, paper tubes, bamboo, and prefabricated wood. His buildings are sometimes soaring and birdlike, sometimes simple, grounded, and evocative of the Japanese aesthetic, but always they are integrated with and respectful of their surrounding environment. Ban has designed projects at both ends of the client spectrum: from one-room temporary houses of paper tubes for earthquake refugees worldwide to a 14,000 square-foot country house in Sharon, Connecticut – his first U.S. commission. His humanitarian efforts and his interest in recyclable, affordable, natural materials have won praise and attention from museums and critics in America and Europe. Ban’s Curtain Wall House was a favorite entry in the Museum of Modern Art’s “Un-Private House” exhibition in 1999; he has gone on to design a museum for children in Japan, a canal museum in France, and a private art museum in Belgium; he was included in the 2000 and 2002 Venice Biennale, and created the Japan Pavilion for the Expo 2000 in Hannover, Germany. He was a member of the Think team of architects selected in February 2003 as one of two finalist teams to compete for the commission to design the new World Trade Center site in New York.
Architecture Monographs
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This detailed examination of I. M. Pei's new wing of the German Historical Museum in Berlin was published to coincide with the unveiling of the extension in 2003. The glass building, with its triangular footprint and seemingly weightless curved staircase, offers a striking departure from the museum's older structures, and plays an important role in Berlin's current(...)
I.M. Pei : the exhibitions building of the German Historical Museum Berlin
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This detailed examination of I. M. Pei's new wing of the German Historical Museum in Berlin was published to coincide with the unveiling of the extension in 2003. The glass building, with its triangular footprint and seemingly weightless curved staircase, offers a striking departure from the museum's older structures, and plays an important role in Berlin's current architectural and cultural renaissance. Essays from architectural scholars comment on Pei's design, provide a history of the Arsenal building and site, and place the Show House in context with the architect's other important museum structures, including those built for the National Art Gallery in Washington, D.C., and the legendary Glass Pyramid in the courtyard of the Louvre.
Architecture Monographs
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Pinos's architecture of overlay is evident in her design process; her unique models and drawings are complex compositions that reinforce the multifaceted quality of her design. This monograph, the first comprehensive English-language publication of the architect's work, presents extensive visual documentation of twenty-five built and unbuilt works from 1991, the year she(...)
Carme Pinos : an architecture of overlay
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Pinos's architecture of overlay is evident in her design process; her unique models and drawings are complex compositions that reinforce the multifaceted quality of her design. This monograph, the first comprehensive English-language publication of the architect's work, presents extensive visual documentation of twenty-five built and unbuilt works from 1991, the year she founded her own firm, to the present. Pinos is particularly noted for her large-scale architecture-landscape projects, including her most significant current project, the JVC Cultural & Business Center fair area, part of a major project in Guadalajara, Mexico. Among other designs are the pedestrian bridge, Petrer, Alicante; Dunar Park, Matalascanas, Huelva; the Juan Aparicio and Punta Prima waterfonts, Torrevieja, Alicante; and landscape improvements and recreational center, Caldas de Reis, Galicia. Pinos also specializes in sports facilities and schools.
Architecture Monographs
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Wright publie ‘A Testament' à l’âge de 90 ans, alors qu’il a déjà publié une autobiographie. Autant dire que ce texte se concentre sur l’activité architecturale plutôt que sur les aspects personnels et dresse un bilan de son œuvre. Auteur de nombreux textes théoriques, Wright s’efforce ici de diffuser sa pensée, avec notamment une présentation synthétique des neufs(...)
Testament
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Wright publie ‘A Testament' à l’âge de 90 ans, alors qu’il a déjà publié une autobiographie. Autant dire que ce texte se concentre sur l’activité architecturale plutôt que sur les aspects personnels et dresse un bilan de son œuvre. Auteur de nombreux textes théoriques, Wright s’efforce ici de diffuser sa pensée, avec notamment une présentation synthétique des neufs principes fondateurs de l’architecture organique et de faire connaître ses réalisations. Comprenant des illustrations détaillées sur 66 bâtiments et projets, ce livre peut en outre être reçu comme une véritable monographie sur un architecte qui a exercé une influence considérable sur tous les courants du siècle. Traduit de l’anglais et présenté par Claude Massu.
Architecture Monographs
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The book spans Murcutt's entire career, from the early modernist houses to his most recent commissions in the 21st century, identifies recurring themes in his work and analyses how his buildings 'marry modern architecture to the place, the territory, the landcape' to arrive at an ecological functionalism. The buildings themselves are an eclectic selection ranging from(...)
Glenn Murcutt : buildings + projects 1962-2003
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The book spans Murcutt's entire career, from the early modernist houses to his most recent commissions in the 21st century, identifies recurring themes in his work and analyses how his buildings 'marry modern architecture to the place, the territory, the landcape' to arrive at an ecological functionalism. The buildings themselves are an eclectic selection ranging from Murcutt's courtyard houses in Sydney to free-standing residences set in Australia's barren and isolated landscapes. The full-colour photography, much of it supplied from the architect's own private collection, testifies to the aesthetic appeal of the buildings, while Murcutt's line drawings and plans lend further insight into his work.
Architecture Monographs
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The first of a unique series of translations of Scamozzi's L'Idea della Architettura Universale. The northern Italian architect, Vincenzo Scamozzi, (1548-1616) designed a number of important palaces, villas and churches in and around Vicenza, Padua and Venice. In addition, he completed a comprehensive study of ancient classical architecture. including the possibilities(...)
Architecture Monographs
January 2003, Amsterdam
Vincenzo Scamozzi, Venetian architect book III : the idea of a universal architecture, villas and country estates
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The first of a unique series of translations of Scamozzi's L'Idea della Architettura Universale. The northern Italian architect, Vincenzo Scamozzi, (1548-1616) designed a number of important palaces, villas and churches in and around Vicenza, Padua and Venice. In addition, he completed a comprehensive study of ancient classical architecture. including the possibilities for its application in a modern context. The first edition of the book was published in 1615. Scamozzi distinguishes himself from his predecessors Vitruvius and Palladio by the scientific approach he follows in his treatise, in which his own designs appear as examples. The clear and detailed account of the historical and geographical background to the principles of classical architecture led to the book's wide popularity in the Northern Netherlands throughout the 17th century. Scamozzi's text was regarded as the most suitable manual for mastering the rules of building, and his theories had a considerable impact upon classical architecture in the Dutch Golden Age.
Architecture Monographs
books
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Transition entre Paris et les communes limitrophes, la " Ville du périphérique " - dénomination adoptée ici par les membres de Tomato architectes pour étudier les spécificités et imaginer les évolutions de la ceinture qui enserre la capitale - est un territoire improbable où se noue et se dénoue une bonne part du présent et de l'avenir de toute la région. Ce livre(...)
Paris la ville du périphérique
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Transition entre Paris et les communes limitrophes, la " Ville du périphérique " - dénomination adoptée ici par les membres de Tomato architectes pour étudier les spécificités et imaginer les évolutions de la ceinture qui enserre la capitale - est un territoire improbable où se noue et se dénoue une bonne part du présent et de l'avenir de toute la région. Ce livre démontre l'existence de la Ville du périphérique entant qu'entité urbaine à part entière, porteuse de multiples opportunités et développements. Il est donc une invitation à rejeter les a priori défavorables, sortir des idées préconçues liées à la coupure créée par le boulevard périphérique et aux nuisances qu'il engendre. Ainsi que le souligne Jacques Lucan, le périphérique pourrait alors ne plus apparaître comme " un facteur de séparation, mais bien plutôt comme un lien nécessaire entre toutes les parties de la métropole". Un voyage initiatique dans une ville en pleine mutation...
books
June 2003, Paris
Architecture Monographs