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"Proto Vernacular" is both art object and architectural meditation, a richly visual and philosophical publication by Pezo von Ellrichshausen. It explores architecture’s most primordial tension, tracing the shift from anonymous building traditions to authored design. Bringing together "Vernacular" drawings (pencil studies of archetypal buildings) and "Proto" paintings, the(...)
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"Proto Vernacular" is both art object and architectural meditation, a richly visual and philosophical publication by Pezo von Ellrichshausen. It explores architecture’s most primordial tension, tracing the shift from anonymous building traditions to authored design. Bringing together "Vernacular" drawings (pencil studies of archetypal buildings) and "Proto" paintings, the(...)
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Architecture Monographs
Architecture Monographs
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April 2026
April 2026
Title:
Pezo von Ellrichshausen: Proto vernacular
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"Proto Vernacular" is both art object and architectural meditation, a richly visual and philosophical publication by Pezo von Ellrichshausen. It explores architecture’s most primordial tension, tracing the shift from anonymous building traditions to authored design. Bringing together "Vernacular" drawings (pencil studies of archetypal buildings) and "Proto" paintings, the book reflects on origins, repetition, and architecture’s desire to return to a “first” state. A thoughtful text on the making of Luna House reveals how seclusion, material necessity, and the interruptions of daily life shape architectural thought. The book also features essays by Hans Ibelings and Pezo von Ellrichshausen.
Pezo von Ellrichshausen: Proto vernacular
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"Proto Vernacular" is both art object and architectural meditation, a richly visual and philosophical publication by Pezo von Ellrichshausen. It explores architecture’s most primordial tension, tracing the shift from anonymous building traditions to authored design. Bringing together "Vernacular" drawings (pencil studies of archetypal buildings) and "Proto" paintings, the book reflects on origins, repetition, and architecture’s desire to return to a “first” state. A thoughtful text on the making of Luna House reveals how seclusion, material necessity, and the interruptions of daily life shape architectural thought. The book also features essays by Hans Ibelings and Pezo von Ellrichshausen.
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books
books
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April 2026
April 2026
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Architecture Monographs
Architecture Monographs
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Peter Celsing (1920–74) belongs to the small group of Swedish modernist architects, including luminaries such as Gunnar Asplund (1885–1940) and Sigurd Lewerentz (1885–1975), who have rightly attracted attention beyond the country’s borders. How Celsing approached and carried out his commissions testifies to a great understanding of architecture as an applied art, where(...)
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Peter Celsing (1920–74) belongs to the small group of Swedish modernist architects, including luminaries such as Gunnar Asplund (1885–1940) and Sigurd Lewerentz (1885–1975), who have rightly attracted attention beyond the country’s borders. How Celsing approached and carried out his commissions testifies to a great understanding of architecture as an applied art, where(...)
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Architecture by Peter Celsing
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Peter Celsing (1920–74) belongs to the small group of Swedish modernist architects, including luminaries such as Gunnar Asplund (1885–1940) and Sigurd Lewerentz (1885–1975), who have rightly attracted attention beyond the country’s borders. How Celsing approached and carried out his commissions testifies to a great understanding of architecture as an applied art, where function and economy are important parameters. At the same time, during a major shift in the construction industry from more small-scale and artisanal to large-scale and prefabricated, Celsing managed the feat of running his projects with artistic integrity. John Håkansson’s black and white photographs, taken in the mid-1990s, capture the essence of Celsing’s buildings. In many cases, the images are now a valuable document of that era, since some of the buildings have changed, and not always in a favorable way. In this beautiful volume, supplemented by insightful texts contributed by architect Staffan Henriksson and artist Maria Lantz, Håkansson’s skillful photography forms a loving and sensitive portrait of Celsing’s architecture.
Architecture by Peter Celsing
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Peter Celsing (1920–74) belongs to the small group of Swedish modernist architects, including luminaries such as Gunnar Asplund (1885–1940) and Sigurd Lewerentz (1885–1975), who have rightly attracted attention beyond the country’s borders. How Celsing approached and carried out his commissions testifies to a great understanding of architecture as an applied art, where function and economy are important parameters. At the same time, during a major shift in the construction industry from more small-scale and artisanal to large-scale and prefabricated, Celsing managed the feat of running his projects with artistic integrity. John Håkansson’s black and white photographs, taken in the mid-1990s, capture the essence of Celsing’s buildings. In many cases, the images are now a valuable document of that era, since some of the buildings have changed, and not always in a favorable way. In this beautiful volume, supplemented by insightful texts contributed by architect Staffan Henriksson and artist Maria Lantz, Håkansson’s skillful photography forms a loving and sensitive portrait of Celsing’s architecture.
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books
books
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May 2026
May 2026
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
Aalto: Alvar, Aino, Elissa
Aalto: Alvar, Aino, Elissa
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To mark the 50th anniversary of the death of Alvar Aalto, one of the most important figures in architectural history, this exhibition will showcase the extensive body of work he created with his two wives, Aino and Elissa. The Aaltos revolutionised the humanist aspect of modern architecture by grounding it in an organic connection to nature, producing countless designs in(...)
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To mark the 50th anniversary of the death of Alvar Aalto, one of the most important figures in architectural history, this exhibition will showcase the extensive body of work he created with his two wives, Aino and Elissa. The Aaltos revolutionised the humanist aspect of modern architecture by grounding it in an organic connection to nature, producing countless designs in(...)
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Architecture Monographs
Architecture Monographs
Publication:
January 2025
January 2025
Title:
Aalto: Alvar, Aino, Elissa
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To mark the 50th anniversary of the death of Alvar Aalto, one of the most important figures in architectural history, this exhibition will showcase the extensive body of work he created with his two wives, Aino and Elissa. The Aaltos revolutionised the humanist aspect of modern architecture by grounding it in an organic connection to nature, producing countless designs in the process. Between the two world wars, the Aaltos helped to create an identity for the young Finnish nation. They participated in the International Congresses of Modern Architecture and the Paris and New York exhibitions and designed masterpieces such as the Viipuri Library (now in Russia), Villa Mairea in Finland, Baker House in the United States and Maison Carré in France. Following the introduction of antibiotics, their Paimio Sanatorium set an example to the world by demonstrating how spaces could be made healthier and more accessible, through studies of solar incidence, natural ventilation and silent washbasins. Sanatorium is one of the thirteen Aalto-designed projects currently proposed as UNESCO World Heritage Sites. The book accompanying the exhibition features a preface by António Choupina, director of the Architecture Department at the Serralves Foundation and curator of the exhibition, and Jukka Savolainen, director of the Alvar Aalto Museum. It also includes contributions from architect Álvaro Siza and Juhani Pallasmaa, architect, professor emeritus at Aalto University, Helsinki, and writer.
Aalto: Alvar, Aino, Elissa
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To mark the 50th anniversary of the death of Alvar Aalto, one of the most important figures in architectural history, this exhibition will showcase the extensive body of work he created with his two wives, Aino and Elissa. The Aaltos revolutionised the humanist aspect of modern architecture by grounding it in an organic connection to nature, producing countless designs in the process. Between the two world wars, the Aaltos helped to create an identity for the young Finnish nation. They participated in the International Congresses of Modern Architecture and the Paris and New York exhibitions and designed masterpieces such as the Viipuri Library (now in Russia), Villa Mairea in Finland, Baker House in the United States and Maison Carré in France. Following the introduction of antibiotics, their Paimio Sanatorium set an example to the world by demonstrating how spaces could be made healthier and more accessible, through studies of solar incidence, natural ventilation and silent washbasins. Sanatorium is one of the thirteen Aalto-designed projects currently proposed as UNESCO World Heritage Sites. The book accompanying the exhibition features a preface by António Choupina, director of the Architecture Department at the Serralves Foundation and curator of the exhibition, and Jukka Savolainen, director of the Alvar Aalto Museum. It also includes contributions from architect Álvaro Siza and Juhani Pallasmaa, architect, professor emeritus at Aalto University, Helsinki, and writer.
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books
books
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January 2025
January 2025
Subject:
Architecture Monographs
Architecture Monographs
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books
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Gio Ponti (1891–1979) was a giant of Italian Modernism, contributing to a multitude of fields: architecture, industrial design, furniture design, education, art criticism and publishing. From 1923 to 1930, Ponti served as the artistic director of the now cult Italian tableware manufacturer Richard Ginori. In 1928, he founded the internationally renowned magazine Domus,(...)
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Gio Ponti (1891–1979) was a giant of Italian Modernism, contributing to a multitude of fields: architecture, industrial design, furniture design, education, art criticism and publishing. From 1923 to 1930, Ponti served as the artistic director of the now cult Italian tableware manufacturer Richard Ginori. In 1928, he founded the internationally renowned magazine Domus,(...)
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Architecture Monographs
Architecture Monographs
Publication:
October 2025
October 2025
Title:
More than one: Gio Ponti. Critic, editor, graphic artist, architect
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Gio Ponti (1891–1979) was a giant of Italian Modernism, contributing to a multitude of fields: architecture, industrial design, furniture design, education, art criticism and publishing. From 1923 to 1930, Ponti served as the artistic director of the now cult Italian tableware manufacturer Richard Ginori. In 1928, he founded the internationally renowned magazine Domus, which, apart from a break in the 1940s, he continued to direct for the rest of his life. In the postwar era, Ponti and his associates Antonio Fornaroli and Alberto Rosselli shaped the architectural image of Milan but were also active across the globe from Caracas to Tehran, Denver, Islamabad and Eindhoven. "More than one: Gio Ponti" delves into the many components of Ponti’s creative contribution to the 20th century and traces his enduring influence in Italy and across the globe.
More than one: Gio Ponti. Critic, editor, graphic artist, architect
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Gio Ponti (1891–1979) was a giant of Italian Modernism, contributing to a multitude of fields: architecture, industrial design, furniture design, education, art criticism and publishing. From 1923 to 1930, Ponti served as the artistic director of the now cult Italian tableware manufacturer Richard Ginori. In 1928, he founded the internationally renowned magazine Domus, which, apart from a break in the 1940s, he continued to direct for the rest of his life. In the postwar era, Ponti and his associates Antonio Fornaroli and Alberto Rosselli shaped the architectural image of Milan but were also active across the globe from Caracas to Tehran, Denver, Islamabad and Eindhoven. "More than one: Gio Ponti" delves into the many components of Ponti’s creative contribution to the 20th century and traces his enduring influence in Italy and across the globe.
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books
books
Publication:
October 2025
October 2025
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$79.00
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"Perfection blocks any form of participation and also causes an excessive consumption of resources." In "Form Follows Love," Anna Heringer describes her understanding of architecture. For her new book, she traveled to Bangladesh with Iwan Baan to visit the buildings created there as well as her women's empowerment project, Dipdii Textiles. Dutch photographer Iwan Baan is(...)
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"Perfection blocks any form of participation and also causes an excessive consumption of resources." In "Form Follows Love," Anna Heringer describes her understanding of architecture. For her new book, she traveled to Bangladesh with Iwan Baan to visit the buildings created there as well as her women's empowerment project, Dipdii Textiles. Dutch photographer Iwan Baan is(...)
Title:
Architecture is a tool to improve lives
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"Perfection blocks any form of participation and also causes an excessive consumption of resources." In "Form Follows Love," Anna Heringer describes her understanding of architecture. For her new book, she traveled to Bangladesh with Iwan Baan to visit the buildings created there as well as her women's empowerment project, Dipdii Textiles. Dutch photographer Iwan Baan is best known for his images that show life and interactions in architecture. In Bangladesh, he created intense and sensual images that, between documentation and art, bear witness to what architecture can achieve when it is not about representation but about social benefit.
Architecture is a tool to improve lives
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"Perfection blocks any form of participation and also causes an excessive consumption of resources." In "Form Follows Love," Anna Heringer describes her understanding of architecture. For her new book, she traveled to Bangladesh with Iwan Baan to visit the buildings created there as well as her women's empowerment project, Dipdii Textiles. Dutch photographer Iwan Baan is best known for his images that show life and interactions in architecture. In Bangladesh, he created intense and sensual images that, between documentation and art, bear witness to what architecture can achieve when it is not about representation but about social benefit.
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books
books
Publication:
May 2026
May 2026
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$72.95
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On croit connaître Jean Prouvé. On évoque le proche de Charlotte Perriand et de Le Corbusier, le créateur de mobilier industrialisé dont les pièces alimentent désormais le marché de l’art. On célèbre l’inventeur de la tôle pliée, le pionnier du mur-rideau, le constructeur visionnaire qui transforma durablement l’usage du métal dans l’architecture. À travers des textes(...)
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On croit connaître Jean Prouvé. On évoque le proche de Charlotte Perriand et de Le Corbusier, le créateur de mobilier industrialisé dont les pièces alimentent désormais le marché de l’art. On célèbre l’inventeur de la tôle pliée, le pionnier du mur-rideau, le constructeur visionnaire qui transforma durablement l’usage du métal dans l’architecture. À travers des textes(...)
Title:
Jean Prouvé : Tortilleur de tôle
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On croit connaître Jean Prouvé. On évoque le proche de Charlotte Perriand et de Le Corbusier, le créateur de mobilier industrialisé dont les pièces alimentent désormais le marché de l’art. On célèbre l’inventeur de la tôle pliée, le pionnier du mur-rideau, le constructeur visionnaire qui transforma durablement l’usage du métal dans l’architecture. À travers des textes rédigés entre 1944 et 1982 — conférences, articles, lettres, hommages, prises de position parfois indignées — se révèle une voix singulière, libre, exigeante. Celle d’un constructeur qui refusait les étiquettes, se méfiait du mot « designer », se disait simplement « tortilleur de tôle », parfois industriel, constructeur ou entrepreneur, mais pas architecte ou ingénieur. Il rejetait les querelles de chapelle : « Architecte ? Ingénieur ?… Il s’agit de bâtir. ». Ces écrits, conservés à la bibliothèque Kandinsky du Centre Pompidou et réunis ici pour la première fois dans leur cohérence, dévoilent un Jean Prouvé théoricien malgré lui, pédagogue passionné, humaniste convaincu que l’industrie pouvait être mise au service du plus grand nombre. On y découvre son engagement dans la Reconstruction, sa foi inébranlable dans l’industrialisation du bâtiment, sa résilience après la perte de son usine de Maxéville, son attention constante aux jeunes architectes et aux étudiants du Conservatoire national des arts et métiers.
Jean Prouvé : Tortilleur de tôle
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On croit connaître Jean Prouvé. On évoque le proche de Charlotte Perriand et de Le Corbusier, le créateur de mobilier industrialisé dont les pièces alimentent désormais le marché de l’art. On célèbre l’inventeur de la tôle pliée, le pionnier du mur-rideau, le constructeur visionnaire qui transforma durablement l’usage du métal dans l’architecture. À travers des textes rédigés entre 1944 et 1982 — conférences, articles, lettres, hommages, prises de position parfois indignées — se révèle une voix singulière, libre, exigeante. Celle d’un constructeur qui refusait les étiquettes, se méfiait du mot « designer », se disait simplement « tortilleur de tôle », parfois industriel, constructeur ou entrepreneur, mais pas architecte ou ingénieur. Il rejetait les querelles de chapelle : « Architecte ? Ingénieur ?… Il s’agit de bâtir. ». Ces écrits, conservés à la bibliothèque Kandinsky du Centre Pompidou et réunis ici pour la première fois dans leur cohérence, dévoilent un Jean Prouvé théoricien malgré lui, pédagogue passionné, humaniste convaincu que l’industrie pouvait être mise au service du plus grand nombre. On y découvre son engagement dans la Reconstruction, sa foi inébranlable dans l’industrialisation du bâtiment, sa résilience après la perte de son usine de Maxéville, son attention constante aux jeunes architectes et aux étudiants du Conservatoire national des arts et métiers.
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books
books
Publication:
May 2026
May 2026
Subject:
Architecture Monographs
Architecture Monographs
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books
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$47.95
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Maison familiale de l'architecte Jean-Raphaël Hébrard, construite à Arcangues (64) en 1971, au cœur du Pays basque, Chérenda est mise en lumière dans cet ouvrage pour sa capacité à traiter un programme domestique sans aucun signe de servilité par rapport à l'«?obsession régionaliste?», développant au contraire une affinité élective entre lieu, culture et invention, une(...)
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Maison familiale de l'architecte Jean-Raphaël Hébrard, construite à Arcangues (64) en 1971, au cœur du Pays basque, Chérenda est mise en lumière dans cet ouvrage pour sa capacité à traiter un programme domestique sans aucun signe de servilité par rapport à l'«?obsession régionaliste?», développant au contraire une affinité élective entre lieu, culture et invention, une(...)
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Maison Chérenda : Jean-Raphaël Hébrard architecte
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Maison familiale de l'architecte Jean-Raphaël Hébrard, construite à Arcangues (64) en 1971, au cœur du Pays basque, Chérenda est mise en lumière dans cet ouvrage pour sa capacité à traiter un programme domestique sans aucun signe de servilité par rapport à l'«?obsession régionaliste?», développant au contraire une affinité élective entre lieu, culture et invention, une modernité située. Pour ses qualités, elle est labellisée en 2020 « Architecture contemporaine remarquable » par le ministère de la Culture. Caroline Mazel rend ici compte d'une partie de ses recherches, engagées de longue date autour de cet architecte, cofondateur avec André Grésy de l'agence AAA (Aquitaine Architectes Associés), qui a marqué la région par l'ampleur et la valeur de ses réalisations entre les années 1950 et 1980. Elle participe à l'enrichissement de la connaissance scientifique sur sa production et à sa reconnaissance, alors que dénaturation et destruction la mettent déjà en péril.
Maison Chérenda : Jean-Raphaël Hébrard architecte
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Maison familiale de l'architecte Jean-Raphaël Hébrard, construite à Arcangues (64) en 1971, au cœur du Pays basque, Chérenda est mise en lumière dans cet ouvrage pour sa capacité à traiter un programme domestique sans aucun signe de servilité par rapport à l'«?obsession régionaliste?», développant au contraire une affinité élective entre lieu, culture et invention, une modernité située. Pour ses qualités, elle est labellisée en 2020 « Architecture contemporaine remarquable » par le ministère de la Culture. Caroline Mazel rend ici compte d'une partie de ses recherches, engagées de longue date autour de cet architecte, cofondateur avec André Grésy de l'agence AAA (Aquitaine Architectes Associés), qui a marqué la région par l'ampleur et la valeur de ses réalisations entre les années 1950 et 1980. Elle participe à l'enrichissement de la connaissance scientifique sur sa production et à sa reconnaissance, alors que dénaturation et destruction la mettent déjà en péril.
Form:
books
books
Publication:
June 2026
June 2026
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$59.25
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From Vaux-le-Vicomte to Versailles, the buildings of Louis Le Vau shaped the image of French court society. None, however, has had as dramatic an effect as Mazarin's Collège (1661-70), the Parisian landmark that now houses the Institut de France. In this first English-language book on Louis XIV's celebrated architect, Hilary Ballon deftly portrays the brilliance and(...)
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From Vaux-le-Vicomte to Versailles, the buildings of Louis Le Vau shaped the image of French court society. None, however, has had as dramatic an effect as Mazarin's Collège (1661-70), the Parisian landmark that now houses the Institut de France. In this first English-language book on Louis XIV's celebrated architect, Hilary Ballon deftly portrays the brilliance and(...)
Title:
Louis Le Vau : Mazarin's Collège, Colbert's revenge
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From Vaux-le-Vicomte to Versailles, the buildings of Louis Le Vau shaped the image of French court society. None, however, has had as dramatic an effect as Mazarin's Collège (1661-70), the Parisian landmark that now houses the Institut de France. In this first English-language book on Louis XIV's celebrated architect, Hilary Ballon deftly portrays the brilliance and controversy of Le Vau's late career through an exploration of this masterpiece, a hybrid of baroque and classical styles. She tracks the design and construction of the Collège on the basis of splendid drawings, fully illustrated here, integrating into this account previously unknown dimensions of Le Vau's creative personality, his financial entanglements, and his feuds with government leaders. The story of the Collège begins in 1661 with the death of Cardinal Mazarin, who left an extravagant sum of money for a school to be built in his memory. Le Vau responded with an ambitious architectural tribute intended to launch the development of Paris in a new artistic direction. As Ballon shows, many personal factors figured into the final product, including Le Vau's activities as a real estate developer and entrepreneur, and his explosive response to the Italian baroque master Gianlorenzo Bernini, who visited Paris in 1665. The project ended up significantly over budget, and officials charged Le Vau shortly after his death with embezzling funds. The chief minister, Jean-Baptiste Colbert, led the attack on Le Vau, turning the ethical scandal into an aesthetic crusade to maintain a "classical" look for central Paris. By relating the intriguing context in which the Collège was created, Ballon explains why traditional definitions of the baroque and classical styles have failed to offer a cohesive understanding of the building. Her examination of the elements informing Le Vau's personal style and his relationship with Colbert brings into sharper focus the phenomenon of royal patronage and opens a new perspective on the development of French classicism at a turning point in Parisian architectural history.
Louis Le Vau : Mazarin's Collège, Colbert's revenge
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From Vaux-le-Vicomte to Versailles, the buildings of Louis Le Vau shaped the image of French court society. None, however, has had as dramatic an effect as Mazarin's Collège (1661-70), the Parisian landmark that now houses the Institut de France. In this first English-language book on Louis XIV's celebrated architect, Hilary Ballon deftly portrays the brilliance and controversy of Le Vau's late career through an exploration of this masterpiece, a hybrid of baroque and classical styles. She tracks the design and construction of the Collège on the basis of splendid drawings, fully illustrated here, integrating into this account previously unknown dimensions of Le Vau's creative personality, his financial entanglements, and his feuds with government leaders. The story of the Collège begins in 1661 with the death of Cardinal Mazarin, who left an extravagant sum of money for a school to be built in his memory. Le Vau responded with an ambitious architectural tribute intended to launch the development of Paris in a new artistic direction. As Ballon shows, many personal factors figured into the final product, including Le Vau's activities as a real estate developer and entrepreneur, and his explosive response to the Italian baroque master Gianlorenzo Bernini, who visited Paris in 1665. The project ended up significantly over budget, and officials charged Le Vau shortly after his death with embezzling funds. The chief minister, Jean-Baptiste Colbert, led the attack on Le Vau, turning the ethical scandal into an aesthetic crusade to maintain a "classical" look for central Paris. By relating the intriguing context in which the Collège was created, Ballon explains why traditional definitions of the baroque and classical styles have failed to offer a cohesive understanding of the building. Her examination of the elements informing Le Vau's personal style and his relationship with Colbert brings into sharper focus the phenomenon of royal patronage and opens a new perspective on the development of French classicism at a turning point in Parisian architectural history.
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books
books
Publication:
January 1900, Princeton
January 1900, Princeton
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$25.00
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Summary:
Introduction by Antoine Predock.
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Introduction by Antoine Predock.
Title:
Rebecca Binder : spatial dynamics
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Introduction by Antoine Predock.
Rebecca Binder : spatial dynamics
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Introduction by Antoine Predock.
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books
books
Publication:
January 1900, Milano
January 1900, Milano
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Alvar Aalto
Alvar Aalto
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Summary:
Reprint of the book first published in 1974.
$26.95
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Reprint of the book first published in 1974.
Title:
Alvar Aalto
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$26.95
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Summary:
Reprint of the book first published in 1974.
Alvar Aalto
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$26.95
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Summary:
Reprint of the book first published in 1974.
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books
books
Publication:
September 1999, Basel
September 1999, Basel
Subject:
Architecture Monographs
Architecture Monographs
