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Bien qu'il n'ait jamais été construit, pas même en maquette, et même à peine dessiné, l'Immeuble-villas, imaginé en 1922, tient un rôle central dans la stratégie développée dans les années 1920 par Le Corbusier pour accéder à la commande et à la reconnaissance. Avec ce projet, Le Corbusier met au point bien plus qu'un nouveau style de vie ou une technique de(...)
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Bien qu'il n'ait jamais été construit, pas même en maquette, et même à peine dessiné, l'Immeuble-villas, imaginé en 1922, tient un rôle central dans la stratégie développée dans les années 1920 par Le Corbusier pour accéder à la commande et à la reconnaissance. Avec ce projet, Le Corbusier met au point bien plus qu'un nouveau style de vie ou une technique de(...)
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Le Corbusier et l'Immeuble-Villas
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Bien qu'il n'ait jamais été construit, pas même en maquette, et même à peine dessiné, l'Immeuble-villas, imaginé en 1922, tient un rôle central dans la stratégie développée dans les années 1920 par Le Corbusier pour accéder à la commande et à la reconnaissance. Avec ce projet, Le Corbusier met au point bien plus qu'un nouveau style de vie ou une technique de construction : il invente un mode de communication qui lui permet d'inscrire l'ensemble de ses projets dans le récit qui en organise la cohérence. Ce qu'il tait dans ses publications de ses difficultés pour concrétiser son projet avec des industriels montre à quel point son positionnement public - celui d'un architecte conscient des bouleversements techniques et économiques de son temps, qui entend entretenir avec l'industrie une collaboration étroite mais maîtrisée dans laquelle il reste maître du jeu et exerce en toute autonomie - est construit sur une aporie, non résolue, entre l'architecture comme oeuvre et la maison comme produit.
Le Corbusier et l'Immeuble-Villas
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Bien qu'il n'ait jamais été construit, pas même en maquette, et même à peine dessiné, l'Immeuble-villas, imaginé en 1922, tient un rôle central dans la stratégie développée dans les années 1920 par Le Corbusier pour accéder à la commande et à la reconnaissance. Avec ce projet, Le Corbusier met au point bien plus qu'un nouveau style de vie ou une technique de construction : il invente un mode de communication qui lui permet d'inscrire l'ensemble de ses projets dans le récit qui en organise la cohérence. Ce qu'il tait dans ses publications de ses difficultés pour concrétiser son projet avec des industriels montre à quel point son positionnement public - celui d'un architecte conscient des bouleversements techniques et économiques de son temps, qui entend entretenir avec l'industrie une collaboration étroite mais maîtrisée dans laquelle il reste maître du jeu et exerce en toute autonomie - est construit sur une aporie, non résolue, entre l'architecture comme oeuvre et la maison comme produit.
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books
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July 2011
July 2011
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Architecture Monographs
Architecture Monographs
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The old saying used to warn that the map is not the territory. But the guerrilla architectartist-urbanists at Hong Kong-based MAP Office (Gutierrez + Portefaix) insist that the map (or the MAP)most definitely is the territory, and this exuberant book proves it. An incredibly complex, 360-page book, jam-packed with essays, interviews and over 500color illustrations,(...)
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The old saying used to warn that the map is not the territory. But the guerrilla architectartist-urbanists at Hong Kong-based MAP Office (Gutierrez + Portefaix) insist that the map (or the MAP)most definitely is the territory, and this exuberant book proves it. An incredibly complex, 360-page book, jam-packed with essays, interviews and over 500color illustrations,(...)
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Map Office: where the map is the territory
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The old saying used to warn that the map is not the territory. But the guerrilla architectartist-urbanists at Hong Kong-based MAP Office (Gutierrez + Portefaix) insist that the map (or the MAP)most definitely is the territory, and this exuberant book proves it. An incredibly complex, 360-page book, jam-packed with essays, interviews and over 500color illustrations, photos, drawings, collages and more, summarizes two decades in MAP Office’s evolution from architectural research to artistic intervention and cinematic theorization. It’s a work of genius from working geniuses, mixing politics, installation art, humor, science fiction, multi-cultural initiatives and just plain visionary thinking. The group has rejected everything about Modernist ideology, from the idea of the pristine space or the iconic shape to the quaint thought that form might follow function. Architecture has been let out of the bag, and it’s running wild.
Map Office: where the map is the territory
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The old saying used to warn that the map is not the territory. But the guerrilla architectartist-urbanists at Hong Kong-based MAP Office (Gutierrez + Portefaix) insist that the map (or the MAP)most definitely is the territory, and this exuberant book proves it. An incredibly complex, 360-page book, jam-packed with essays, interviews and over 500color illustrations, photos, drawings, collages and more, summarizes two decades in MAP Office’s evolution from architectural research to artistic intervention and cinematic theorization. It’s a work of genius from working geniuses, mixing politics, installation art, humor, science fiction, multi-cultural initiatives and just plain visionary thinking. The group has rejected everything about Modernist ideology, from the idea of the pristine space or the iconic shape to the quaint thought that form might follow function. Architecture has been let out of the bag, and it’s running wild.
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books
books
Publication:
October 2011
October 2011
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
Javier Sordo Madaleno
Javier Sordo Madaleno
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A tour through 12 of the most recent projects from architect Javier Sordo Madaleno, who is best known for designed large-scale projects such as convention centers, hospitals, hotels and commercial plazas that combine a monumental modernity with influences of Mexican vernacular. Sordo Madaleno's father, the mid-20th-century architect Juan Sordo Madaleno, collaborated with(...)
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A tour through 12 of the most recent projects from architect Javier Sordo Madaleno, who is best known for designed large-scale projects such as convention centers, hospitals, hotels and commercial plazas that combine a monumental modernity with influences of Mexican vernacular. Sordo Madaleno's father, the mid-20th-century architect Juan Sordo Madaleno, collaborated with(...)
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Javier Sordo Madaleno
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A tour through 12 of the most recent projects from architect Javier Sordo Madaleno, who is best known for designed large-scale projects such as convention centers, hospitals, hotels and commercial plazas that combine a monumental modernity with influences of Mexican vernacular. Sordo Madaleno's father, the mid-20th-century architect Juan Sordo Madaleno, collaborated with Barragan, Serrano and Legorreta, among others; the son's work pays homage to his father's legacy yet takes it into the new generation, as this finely designed and comprehensively illustrated book shows. Just a look at the church of San Josemaria Escriva in Mexico City, totally original yet echoing both Ronchamps and Teotihuacan, shows the creativity of Sordo Madeleno's work.
Javier Sordo Madaleno
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A tour through 12 of the most recent projects from architect Javier Sordo Madaleno, who is best known for designed large-scale projects such as convention centers, hospitals, hotels and commercial plazas that combine a monumental modernity with influences of Mexican vernacular. Sordo Madaleno's father, the mid-20th-century architect Juan Sordo Madaleno, collaborated with Barragan, Serrano and Legorreta, among others; the son's work pays homage to his father's legacy yet takes it into the new generation, as this finely designed and comprehensively illustrated book shows. Just a look at the church of San Josemaria Escriva in Mexico City, totally original yet echoing both Ronchamps and Teotihuacan, shows the creativity of Sordo Madeleno's work.
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books
books
Publication:
April 2012
April 2012
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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Since the beginning of the 1980s, the architecture scene in French-speaking Switzerland has undergone a process of drastic rejuvenation while constantly extending its range of influence. In its vibrancy it is producing works of high quality. Among the works from this circle are those presented in this book of meier + associes architectes (maa) from Geneva, who with(...)
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Since the beginning of the 1980s, the architecture scene in French-speaking Switzerland has undergone a process of drastic rejuvenation while constantly extending its range of influence. In its vibrancy it is producing works of high quality. Among the works from this circle are those presented in this book of meier + associes architectes (maa) from Geneva, who with(...)
Title:
Maa at work : project Meier + associés architectes
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Since the beginning of the 1980s, the architecture scene in French-speaking Switzerland has undergone a process of drastic rejuvenation while constantly extending its range of influence. In its vibrancy it is producing works of high quality. Among the works from this circle are those presented in this book of meier + associes architectes (maa) from Geneva, who with persistency and patience have been producing a wide spectrum of impressive work since 1988. maa draw on contemporary influences from German-speaking Switzerland as well as from the international arena in their work. The range of projects includes buildings for living, health, culture and education as well as engineering projects. maa can look back on a long series of publications and exhibitions which document the consistency of their work. This book focuses on their latest series of projects and provides a direct insight into the considerations of the maa work process.
Maa at work : project Meier + associés architectes
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Since the beginning of the 1980s, the architecture scene in French-speaking Switzerland has undergone a process of drastic rejuvenation while constantly extending its range of influence. In its vibrancy it is producing works of high quality. Among the works from this circle are those presented in this book of meier + associes architectes (maa) from Geneva, who with persistency and patience have been producing a wide spectrum of impressive work since 1988. maa draw on contemporary influences from German-speaking Switzerland as well as from the international arena in their work. The range of projects includes buildings for living, health, culture and education as well as engineering projects. maa can look back on a long series of publications and exhibitions which document the consistency of their work. This book focuses on their latest series of projects and provides a direct insight into the considerations of the maa work process.
Form:
books
books
Publication:
October 2011
October 2011
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Luis Barragan: His house
Luis Barragan: His house
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Luis Barragan: His House presents the crowning achievement of the architect who was awarded the Pritzker Prize in 1980: his own house, considered one of the ten most important houses of the twentieth century. Originally built in 1947 and continually renovated by the architect, it would come to be considered Barragan's masterpiece, the laboratory in which he developed(...)
$72.00
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Luis Barragan: His House presents the crowning achievement of the architect who was awarded the Pritzker Prize in 1980: his own house, considered one of the ten most important houses of the twentieth century. Originally built in 1947 and continually renovated by the architect, it would come to be considered Barragan's masterpiece, the laboratory in which he developed(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
October 2011
October 2011
Title:
Luis Barragan: His house
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Luis Barragan: His House presents the crowning achievement of the architect who was awarded the Pritzker Prize in 1980: his own house, considered one of the ten most important houses of the twentieth century. Originally built in 1947 and continually renovated by the architect, it would come to be considered Barragan's masterpiece, the laboratory in which he developed his new architectural language.
Luis Barragan: His house
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Luis Barragan: His House presents the crowning achievement of the architect who was awarded the Pritzker Prize in 1980: his own house, considered one of the ten most important houses of the twentieth century. Originally built in 1947 and continually renovated by the architect, it would come to be considered Barragan's masterpiece, the laboratory in which he developed his new architectural language.
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books
books
Publication:
October 2011
October 2011
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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The Jewish Museum in Berlin tells the story of German-Jewish history from the fourth century to the present. It consists of two buildings: the first, a former courthouse, was built in the eighteenth century, and the second, a massive extension that opened to the public in 2001, was designed by the world-renowned architect Daniel Libeskind (born 1946). Libeskind's building(...)
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The Jewish Museum in Berlin tells the story of German-Jewish history from the fourth century to the present. It consists of two buildings: the first, a former courthouse, was built in the eighteenth century, and the second, a massive extension that opened to the public in 2001, was designed by the world-renowned architect Daniel Libeskind (born 1946). Libeskind's building(...)
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Daniel Libeskind: Jewish Museum Berlin
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The Jewish Museum in Berlin tells the story of German-Jewish history from the fourth century to the present. It consists of two buildings: the first, a former courthouse, was built in the eighteenth century, and the second, a massive extension that opened to the public in 2001, was designed by the world-renowned architect Daniel Libeskind (born 1946). Libeskind's building is comprised of a zinc façade and a set of three underground allegorical roads. The first leads to the main stairs, and by implication to the continuation of Berlin's history in the Museum; the second leads outdoors into the E.T.A. Hoffmann Garden, representing the exile and emigration of the Jews from Germany; and the third road leads to a dead end, representing “the Holocaust void.” This road cuts through the ensemble as a whole, and evokes, in the architect's words, “that which can never be exhibited when it comes to Jewish Berlin history: humanity reduced to ashes.” For Libeskind, a Polish Jew raised not far from Berlin who lost many relatives in the Holocaust, this extraordinary building was an intensely personal undertaking with numerous responsibilities. This volume details this most freighted and complex of buildings.
Daniel Libeskind: Jewish Museum Berlin
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The Jewish Museum in Berlin tells the story of German-Jewish history from the fourth century to the present. It consists of two buildings: the first, a former courthouse, was built in the eighteenth century, and the second, a massive extension that opened to the public in 2001, was designed by the world-renowned architect Daniel Libeskind (born 1946). Libeskind's building is comprised of a zinc façade and a set of three underground allegorical roads. The first leads to the main stairs, and by implication to the continuation of Berlin's history in the Museum; the second leads outdoors into the E.T.A. Hoffmann Garden, representing the exile and emigration of the Jews from Germany; and the third road leads to a dead end, representing “the Holocaust void.” This road cuts through the ensemble as a whole, and evokes, in the architect's words, “that which can never be exhibited when it comes to Jewish Berlin history: humanity reduced to ashes.” For Libeskind, a Polish Jew raised not far from Berlin who lost many relatives in the Holocaust, this extraordinary building was an intensely personal undertaking with numerous responsibilities. This volume details this most freighted and complex of buildings.
Form:
books
books
Publication:
September 2011
September 2011
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Price:
$28.00
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Summary:
The Institute of Contemporary Art, designed by Diller + Scofidio (now Diller Scofidio + Renfro), was the first new art museum to be built in Boston in a century. Opened in December 2006, the ICA is located on a small parcel of land on Boston Harbor and this is the 25th location for the museum in its 75 year history and its first, permanent, free-standing home. “The ICA's(...)
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The Institute of Contemporary Art, designed by Diller + Scofidio (now Diller Scofidio + Renfro), was the first new art museum to be built in Boston in a century. Opened in December 2006, the ICA is located on a small parcel of land on Boston Harbor and this is the 25th location for the museum in its 75 year history and its first, permanent, free-standing home. “The ICA's(...)
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Diller Scofidio & Renfro: Institute of Contemporary Art (ICA) Boston
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The Institute of Contemporary Art, designed by Diller + Scofidio (now Diller Scofidio + Renfro), was the first new art museum to be built in Boston in a century. Opened in December 2006, the ICA is located on a small parcel of land on Boston Harbor and this is the 25th location for the museum in its 75 year history and its first, permanent, free-standing home. “The ICA's decision to hire Diller + Scofidio reflected our belief in the firm's vision that architecture can shape as well as reflect contemporary experience,” stated Jill Medvedow, director of ICA. The architects balanced use of cool and transparent glass with the warmth of wood and the energy of light, as well as their design of spare, flexible spaces for presenting contemporary art, was a revelation for a city and an architectural community. ''Their brilliant and beautiful design of the ICA was a harbinger of change: edgy, bold and breathtaking, transforming the landscape for contemporary art and culture in Boston and for the artists, art and ideas of our time,” Medvedow has said.
Diller Scofidio & Renfro: Institute of Contemporary Art (ICA) Boston
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The Institute of Contemporary Art, designed by Diller + Scofidio (now Diller Scofidio + Renfro), was the first new art museum to be built in Boston in a century. Opened in December 2006, the ICA is located on a small parcel of land on Boston Harbor and this is the 25th location for the museum in its 75 year history and its first, permanent, free-standing home. “The ICA's decision to hire Diller + Scofidio reflected our belief in the firm's vision that architecture can shape as well as reflect contemporary experience,” stated Jill Medvedow, director of ICA. The architects balanced use of cool and transparent glass with the warmth of wood and the energy of light, as well as their design of spare, flexible spaces for presenting contemporary art, was a revelation for a city and an architectural community. ''Their brilliant and beautiful design of the ICA was a harbinger of change: edgy, bold and breathtaking, transforming the landscape for contemporary art and culture in Boston and for the artists, art and ideas of our time,” Medvedow has said.
Form:
books
books
Publication:
September 2011
September 2011
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$30.00
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Portuguese architect Álvaro Siza (born 1933) is one of the most influential architects of the past half-century. His most famous work is perhaps the Serralves Museum in his hometown of Porto, his second museum building, following the Galician Center for Contemporary Art, erected in 1997. Low built and horizontal in axis, its white stucco walls are perforated with(...)
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Summary:
Portuguese architect Álvaro Siza (born 1933) is one of the most influential architects of the past half-century. His most famous work is perhaps the Serralves Museum in his hometown of Porto, his second museum building, following the Galician Center for Contemporary Art, erected in 1997. Low built and horizontal in axis, its white stucco walls are perforated with(...)
Title:
Àlvaro Siza: Museu De Arte Contemporânea de Serralves Porto
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Portuguese architect Álvaro Siza (born 1933) is one of the most influential architects of the past half-century. His most famous work is perhaps the Serralves Museum in his hometown of Porto, his second museum building, following the Galician Center for Contemporary Art, erected in 1997. Low built and horizontal in axis, its white stucco walls are perforated with occasional openings that yield unexpected views of a surrounding garden. As with most of Siza's buildings, the furniture and fittings were also designed by the architect, including lighting fixtures, handrails, doorknobs and all signage. Building materials include hardwood floors and painted walls in gesso with marble skirting in the exhibition halls and marble floors in the foyers. This volume, published in Poligrafa's innovative Museum Building series, reviews the Serralves Museum, a disarmingly intimate space in pronounced contradistinction to much recent museum architecture.
Àlvaro Siza: Museu De Arte Contemporânea de Serralves Porto
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Portuguese architect Álvaro Siza (born 1933) is one of the most influential architects of the past half-century. His most famous work is perhaps the Serralves Museum in his hometown of Porto, his second museum building, following the Galician Center for Contemporary Art, erected in 1997. Low built and horizontal in axis, its white stucco walls are perforated with occasional openings that yield unexpected views of a surrounding garden. As with most of Siza's buildings, the furniture and fittings were also designed by the architect, including lighting fixtures, handrails, doorknobs and all signage. Building materials include hardwood floors and painted walls in gesso with marble skirting in the exhibition halls and marble floors in the foyers. This volume, published in Poligrafa's innovative Museum Building series, reviews the Serralves Museum, a disarmingly intimate space in pronounced contradistinction to much recent museum architecture.
Form:
books
books
Publication:
September 2011
September 2011
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$33.00
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Summary:
Following his Getty Center in Los Angeles and the Museum of Contemporary Art in Barcelona, celebrated American architect Richard Meier (born 1934) has created another stunning example of museum architecture. Full of light, the Sammlung Frieder Burda in Baden-Baden sits alongside the Staatliche Kunsthalle, and the two are linked via glass bridge. In contrast to the(...)
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Summary:
Following his Getty Center in Los Angeles and the Museum of Contemporary Art in Barcelona, celebrated American architect Richard Meier (born 1934) has created another stunning example of museum architecture. Full of light, the Sammlung Frieder Burda in Baden-Baden sits alongside the Staatliche Kunsthalle, and the two are linked via glass bridge. In contrast to the(...)
Title:
Richard Meier: Museum Frieder Burda
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Following his Getty Center in Los Angeles and the Museum of Contemporary Art in Barcelona, celebrated American architect Richard Meier (born 1934) has created another stunning example of museum architecture. Full of light, the Sammlung Frieder Burda in Baden-Baden sits alongside the Staatliche Kunsthalle, and the two are linked via glass bridge. In contrast to the neo-classical Kunsthalle, Sammlung Frieder Burda has the air of a California mansion, distinguished by its elegance, transparency and openness. Set on the city's historic Lichtentaler Allee park and arboretum, the building is referred to by many--including its architect--as the “jewel in the park.” This newly revised assessment of the project charts the museum from its early phases to completion through numerous sketches, plans and photographs. The book also features essays by art historians and architecture critics that expand upon the structure, its function and its location.
Richard Meier: Museum Frieder Burda
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Following his Getty Center in Los Angeles and the Museum of Contemporary Art in Barcelona, celebrated American architect Richard Meier (born 1934) has created another stunning example of museum architecture. Full of light, the Sammlung Frieder Burda in Baden-Baden sits alongside the Staatliche Kunsthalle, and the two are linked via glass bridge. In contrast to the neo-classical Kunsthalle, Sammlung Frieder Burda has the air of a California mansion, distinguished by its elegance, transparency and openness. Set on the city's historic Lichtentaler Allee park and arboretum, the building is referred to by many--including its architect--as the “jewel in the park.” This newly revised assessment of the project charts the museum from its early phases to completion through numerous sketches, plans and photographs. The book also features essays by art historians and architecture critics that expand upon the structure, its function and its location.
Form:
books
books
Publication:
August 2011
August 2011
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$32.95
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Summary:
The mastermind behind what he termed beautiful and functional “machines for living,” Le Corbusier has long been recognized as one of the foremost figures in the international style of architecture. Yet, beginning in the 1940s, the famed architect and urbanist increasingly took modernism in a new direction that has until now been insufficiently considered—and little(...)
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The mastermind behind what he termed beautiful and functional “machines for living,” Le Corbusier has long been recognized as one of the foremost figures in the international style of architecture. Yet, beginning in the 1940s, the famed architect and urbanist increasingly took modernism in a new direction that has until now been insufficiently considered—and little(...)
Title:
Le Corbusier: The architect on the beach
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The mastermind behind what he termed beautiful and functional “machines for living,” Le Corbusier has long been recognized as one of the foremost figures in the international style of architecture. Yet, beginning in the 1940s, the famed architect and urbanist increasingly took modernism in a new direction that has until now been insufficiently considered—and little understood. Dispensing with his trademark suit and bowtie, Le Corbusier was spending increasing amounts of time at the shore in the 1940s, collecting stones, shells, and other jetsam, and enjoying the works of the philosopher and ardent shell collector Paul Valéry. And it was here that the seemingly hyper-rational architect developed a revolutionary new theory of design, built around these polished and splintered shapes. Stating that nature was the source of his inspiration, Le Corbusier embarked on a meandering odyssey through the literature and esoteric writings of his day, going on to produce such unorthodox projects as Chandigarh’s Palace of Assembly and the strange and beautiful Ronchamp Chapel in Paris, whose roof is said to have been modeled after an inverted crab’s shell. The development of Le Corbusier’s new approach not only changed modernism but also inspired—and continues to inspire—new shapes and lines in the work of a host of architects. In this superbly written and accessible piece of architectural history, Maak develops the intricate story of a breakthrough in architecture that began on a beach.
Le Corbusier: The architect on the beach
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The mastermind behind what he termed beautiful and functional “machines for living,” Le Corbusier has long been recognized as one of the foremost figures in the international style of architecture. Yet, beginning in the 1940s, the famed architect and urbanist increasingly took modernism in a new direction that has until now been insufficiently considered—and little understood. Dispensing with his trademark suit and bowtie, Le Corbusier was spending increasing amounts of time at the shore in the 1940s, collecting stones, shells, and other jetsam, and enjoying the works of the philosopher and ardent shell collector Paul Valéry. And it was here that the seemingly hyper-rational architect developed a revolutionary new theory of design, built around these polished and splintered shapes. Stating that nature was the source of his inspiration, Le Corbusier embarked on a meandering odyssey through the literature and esoteric writings of his day, going on to produce such unorthodox projects as Chandigarh’s Palace of Assembly and the strange and beautiful Ronchamp Chapel in Paris, whose roof is said to have been modeled after an inverted crab’s shell. The development of Le Corbusier’s new approach not only changed modernism but also inspired—and continues to inspire—new shapes and lines in the work of a host of architects. In this superbly written and accessible piece of architectural history, Maak develops the intricate story of a breakthrough in architecture that began on a beach.
Form:
books
books
Publication:
August 2011
August 2011
Subject:
Architecture Monographs
Architecture Monographs
