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Photographers from across the globe chronicle Chile’s new architecture in wintertime Here, 15 leading architectural photographers- including Aryeh Kornfeld, Bleda y Rosa, Cristóbal Palma, David Bestué, Erieta Attali, Felipe Fontecilla, Guy Wenborne, Ignacio Acosta, Leonardo Finotti, Louise Oates and Iwan Baan- capture some of Chile’s most important works of contemporary(...)
Architecture since 1900, Americas
September 2020
Winter: images of contemporary Chilean architecture
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Photographers from across the globe chronicle Chile’s new architecture in wintertime Here, 15 leading architectural photographers- including Aryeh Kornfeld, Bleda y Rosa, Cristóbal Palma, David Bestué, Erieta Attali, Felipe Fontecilla, Guy Wenborne, Ignacio Acosta, Leonardo Finotti, Louise Oates and Iwan Baan- capture some of Chile’s most important works of contemporary architecture during the winter months. The photographs dwell on details, textures, form and qualities of light and space, as well the dialogue between buildings and surrounding landscape.
Architecture since 1900, Americas
Civitas: Sao Paulo
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This illustrated monograph explores the city-building aspirations of the Brazilian modern masters through their buildings in Sao Paulo. Works by Vilanova Artigas, Lina Bo Bardi, Salvador Candia, Rino Levi, Oscar Niemeyer and Paulo Mendes da Rocha were designed in response to the chaotic growth of one of the world's largest metropolises. ''CIVITAS'' brings together for the(...)
Civitas: Sao Paulo
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This illustrated monograph explores the city-building aspirations of the Brazilian modern masters through their buildings in Sao Paulo. Works by Vilanova Artigas, Lina Bo Bardi, Salvador Candia, Rino Levi, Oscar Niemeyer and Paulo Mendes da Rocha were designed in response to the chaotic growth of one of the world's largest metropolises. ''CIVITAS'' brings together for the first time a unique collection of nineteen buildings, proposing a fresh take on them through new photographs especially taken for the book and graphic elements re-drawn by the author. Some of the works are today references in the urban public space, underlining the contemporary relevance of this architecture.
Architecture since 1900, Americas
Bien sûr, Chicago
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Le projet d’Adolf Loos pour le Chicago Tribune fait toujours énigme. L’architecte se place à contre-courant du formalisme moderne, « qui demain déjà sera obsolète ». Il prend l’arrogance du commanditaire au pied de la lettre pour mieux la révéler. Il raille les désirs de l’époque en proposant d’installer, si les limites de hauteur pouvaient être abolies un jour, une(...)
Bien sûr, Chicago
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Le projet d’Adolf Loos pour le Chicago Tribune fait toujours énigme. L’architecte se place à contre-courant du formalisme moderne, « qui demain déjà sera obsolète ». Il prend l’arrogance du commanditaire au pied de la lettre pour mieux la révéler. Il raille les désirs de l’époque en proposant d’installer, si les limites de hauteur pouvaient être abolies un jour, une statue de tribun romain assis au sommet de la colonne dorique. Il avertit pourtant?: ce projet ne contredit en rien ses positions théoriques antérieures à propos de l’ornement. Loos nous avait alertés. La tour n’est pas un archétype, elle est un artefact.
Architecture since 1900, Americas
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This publication celebrates a lost vision of Miami: the architectural golden age it enjoyed in the 1980s, when the subtropical city experienced a profound synergy between art and architecture. In these years, Miami’s architects partook of the discipline’s international discourse, pushing back against the utilitarian International Style with a playful yet innovative(...)
In Miami in the 1980s: The vanishing architecture of a paradise lost
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This publication celebrates a lost vision of Miami: the architectural golden age it enjoyed in the 1980s, when the subtropical city experienced a profound synergy between art and architecture. In these years, Miami’s architects partook of the discipline’s international discourse, pushing back against the utilitarian International Style with a playful yet innovative sensibility. Firms like Arquitectonica, an experimental studio founded in 1977, introduced thoroughly modern buildings typified by abstract designs in bold colors and graphics. Unfortunately, the contributions of these firms are often overlooked, and the era’s ethos of artistic inquiry has lapsed into a crude commercialism. The 2018 case of the Babylon, a building developed by Arquitectonica that was demolished only two years after its designation as a protected landmark, served as the impetus for Miami-based architectural historian and architect Charlotte von Moos’ research. Dismayed at the negligence shown toward such remarkable projects, she assembled this authoritative guide, compiling a group of essays and a photo series that delineate the treasures, built and unbuilt, of Miami’s 1980s architecture.
Architecture since 1900, Americas
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In the period following World War II, eminent Mexican architects such as Juan O’Gorman and Luis Barragán pioneered the adaptation of an international narrative in housing design to their own cultural environment. Seven decades on, Mexican architecture, and housing design in particular, is experiencing a renaissance and gaining unparalleled international attention owing to(...)
Architecture since 1900, Americas
November 2022
Nueva Vivienda: New housing paradigms in Mexico
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In the period following World War II, eminent Mexican architects such as Juan O’Gorman and Luis Barragán pioneered the adaptation of an international narrative in housing design to their own cultural environment. Seven decades on, Mexican architecture, and housing design in particular, is experiencing a renaissance and gaining unparalleled international attention owing to the ideas and ambitions of a new generation of architects. Mexico’s architects are making a strong contribution to a global discourse grounded in local economic and cultural issues, as well as environmental concerns. This volume features twenty-two exceptional housing projects in Mexico from the last ten years. Featuring a series of conversations among architects, developers, and researchers, the book illuminates the local context for these projects, highlighting their designers’ new ideas and their contribution to reimagining housing typologies.
Architecture since 1900, Americas
$69.00
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The most ''African'' of the Brazilian villages in the south of Bahia bears a Swiss name. Helvécia was founded 200 years ago by Swiss and German colonists, and the coffee grown on its vast estates produced great wealth for them. This would not have been possible without exploitation: in the mid-19th century, for every 200 white colonists, there were 2,000 slaves of African(...)
Architecture since 1900, Americas
January 2023
Helvécia: A Swiss colonial history in Brazil
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The most ''African'' of the Brazilian villages in the south of Bahia bears a Swiss name. Helvécia was founded 200 years ago by Swiss and German colonists, and the coffee grown on its vast estates produced great wealth for them. This would not have been possible without exploitation: in the mid-19th century, for every 200 white colonists, there were 2,000 slaves of African origin. Black people still make up the majority of the population today; many do not know the origins of their community. With great sensitivity and in dialogue with the inhabitants, Swiss photographer Dom Smaz goes in search of traces of the past, capturing the lives of the local people. Smaz’s pictures and text contributions by Shalini Randeria, among others, allow a new look at history and the origins of Switzerland’s wealth, revealing global histories of interconnectedness and power relations of the past that continue into the present.
Architecture since 1900, Americas
$72.00
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"Designing Detroit: Wirt Rowland and the Rise of Modern American Architecture" begins with a brief overview of Rowland’s early life and career. Author Michael G. Smith goes on to analyze Rowland’s achievements in building design and as a leader of Detroit’s architectural community throughout both World Wars and the Great Depression. The interdependence of architecture(...)
Designing Detroit: Wirt Rowland and the rise of modern American architecture
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"Designing Detroit: Wirt Rowland and the Rise of Modern American Architecture" begins with a brief overview of Rowland’s early life and career. Author Michael G. Smith goes on to analyze Rowland’s achievements in building design and as a leader of Detroit’s architectural community throughout both World Wars and the Great Depression. The interdependence of architecture with the city’s fluctuating economic prosperity and population growth is explored, illuminating the conditions for good architecture and the arts in general. The author identifies the influence of Jay Hambidge’s "dynamic symmetry" in Rowland’s work and how it allowed him to employ color as a modern replacement for traditional ornamentation, leading to the revolutionary design of the Union Trust (Guardian) Building, for which he receives nearly unanimous praise in national media. This book is concerned primarily with Rowland’s influence on Detroit architecture, but spans beyond his work in Michigan to include the designer’s broad reach from New York to Miami. A comprehensive appendix includes extensive lists of Rowland’s publications, locations he had designed, and jobs taken on by his firm during his tenure. This book represents new research and insights not previously discussed in either scholarly or general audience texts and will be of interest to casual readers of Detroit history, as well as architecture historians.
Architecture since 1900, Americas
$39.95
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Exposed Architecture offers an overview of work by young architects in Latin America. Published in collaboration with LIGA, Space for Architecture in Mexico City, it is broken into three parts. The first documents, through images and brief texts, exhibitions that twelve firms from Argentina, Brazil/Uruguay, Chile, Mexico, Peru, Venezuela, and from Portugal created at(...)
Architecture since 1900, Americas
April 2018
Exposed architecture: exhibitions, interludes, and essays
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Exposed Architecture offers an overview of work by young architects in Latin America. Published in collaboration with LIGA, Space for Architecture in Mexico City, it is broken into three parts. The first documents, through images and brief texts, exhibitions that twelve firms from Argentina, Brazil/Uruguay, Chile, Mexico, Peru, Venezuela, and from Portugal created at LIGA’s exhibition space in Mexico. In the second part, six “Studio Interludes” shed light on practice and aesthetics in contemporary Latin American architecture. The third part comprises short essays by Latin American architects, along with two interviews with local figures, looking at key aspects and topics against a backdrop of the many challenges the region poses for the production and communication of architecture.
Architecture since 1900, Americas
$47.00
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This book is the latest in a series of biannual publications that examine the most innovative examples of contemporary architecture from across Mexico, from both established and emerging architecture studios. It provides a general overview of Mexico's architectural scene, documenting changes in trends in recent years.
Mexican architectures: The best of the 21st century, 2019-2020
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This book is the latest in a series of biannual publications that examine the most innovative examples of contemporary architecture from across Mexico, from both established and emerging architecture studios. It provides a general overview of Mexico's architectural scene, documenting changes in trends in recent years.
Architecture since 1900, Americas
$90.00
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using(...)
August 2022
Constructing Latin America: Architecture, politics and race at the Museum of Modern Art
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of ''Americanness'' and ''modernity'' in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA’s role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.