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Since the foundation of the country in 1830, architecture in Belgium has been an expression of the key issues of modern Western societies. In "Something completely different," Christophe Van Gerrewey uses this small European country as a case study to describe, interpret, and criticize more universal spatial problems and behaviors. In seven wide-ranging essays, he looks(...)
Something completely different: Architecture in Belgium
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Since the foundation of the country in 1830, architecture in Belgium has been an expression of the key issues of modern Western societies. In "Something completely different," Christophe Van Gerrewey uses this small European country as a case study to describe, interpret, and criticize more universal spatial problems and behaviors. In seven wide-ranging essays, he looks at the activities of architects from the past two centuries to better understand political evolutions, social gaps, aesthetic considerations, housing and planning, transport and infrastructure, order and chaos, and culture and ecology. The result is a literary text full of surprises and discoveries, showing both the shortcomings and the merits of what architects do.
Architecture since 1900, Europe
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This book chronicles the third academic year of the studio led by Kersten Geers, Jelena Pancevac, Guido Tesio and Fabrizio Ballabio at the Academy of Architecture USI in Mendrisio. Stemming from the idea of ‘large form’ and the built environment as a testament to the futility of the virtual one, this body of work investigates how the model of grand ensembles can perform(...)
Architecture since 1900, Europe
December 2023
Everything XI-XV. Everything without content 232
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This book chronicles the third academic year of the studio led by Kersten Geers, Jelena Pancevac, Guido Tesio and Fabrizio Ballabio at the Academy of Architecture USI in Mendrisio. Stemming from the idea of ‘large form’ and the built environment as a testament to the futility of the virtual one, this body of work investigates how the model of grand ensembles can perform in urban fringes (in Milan), and what to do with the existing obsolete office space in the urban centre (in Brussels). Our unlikely guide to the contemporary idea of sustainable living and working in the city was the work of Aldo and Hannie van Eyck, which would grow into a separate book itself (Excess of Architecture). Brussels also served as a testbed for establishing a relation between the production of culture and the instrumental role of architecture within that process.
Architecture since 1900, Europe
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This publication explores a paradigm shift in architecture, transitioning from abstract design to the artistry of construction and materials. Drawing its inspiration from the exhibition ‘'SUPER DANISH – Art and Craftsmanship in New Danish Architecture'’ in Aalborg, it delves into the innovative works of Danish architects who embrace resource-conscious practices. From(...)
Works: New Danish architecture
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This publication explores a paradigm shift in architecture, transitioning from abstract design to the artistry of construction and materials. Drawing its inspiration from the exhibition ‘'SUPER DANISH – Art and Craftsmanship in New Danish Architecture'’ in Aalborg, it delves into the innovative works of Danish architects who embrace resource-conscious practices. From detailed precision to elegantly weathered creations, these architects showcase a merger of sculptural form and material poetry. Contributing architects include Johansen Skovsted Arkitekter, Panum & Kappel, Lynge Lynge Arkitekter, Reværk, Hahn Lavsens, Jespersen Nødtvedt, Noaa, and several more.
Architecture since 1900, Europe
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In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural(...)
Architecture since 1900, Europe
October 2021
From Brussels with love: Office Kersten Geers David Van Severen
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In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural flourishing, but they can be broken down to the simple conditions of the city itself: it is cosmopolitan and cheap. And there is available space. Beyond the visible art venues – museums and galleries, theatres and concert halls, established institutions, or converted industrial spaces – there is space where artists can live and work, go out and exchange ideas. The production of culture happens (also) in clubs and salons, offices and lofts, studios and ateliers. Our aim was to investigate these spaces and identify an urban prerequisite for such an elusive category as culture. Furthermore, we wanted to examine how spatial types can be appropriated for a new (cultural) practice.
Architecture since 1900, Europe
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"The architectural project" considers the practice of architectural design as it has developed during the last two centuries. In this challenging interpretation of design education and its effect on design process and products, Argentinean scholar Alfonso Corona-Martínez emphasizes the distinction between an architectural project, created in the architect's mind(...)
Architecture since 1900, Europe
January 2003, Coolege Station
The architectural project - number six : studies in architecture and culture
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"The architectural project" considers the practice of architectural design as it has developed during the last two centuries. In this challenging interpretation of design education and its effect on design process and products, Argentinean scholar Alfonso Corona-Martínez emphasizes the distinction between an architectural project, created in the architect's mind and materialized as a set of drawings on paper, and the realized three-dimensional building. Corona-Martínez demonstrates how representation plays a substantial role in determining both the notion and the character of architecture, and he traces this relationship from the Renaissance into the Modern era, giving detailed considerations of Functionalism and Typology. His argument clarifies the continuity in the practice of design method through the nineteenth and twentieth centuries, a continuity that has been obscured by the emphasis on changing goals instead of design procedures.
Architecture since 1900, Europe
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"Architects in Germany" Presents 13 innovative and diverse German architecture offices, including Kleihues + Kleihues, Fritsch und Tschaidse, b, and Hentschel und Oestreich Architekten. Each firm is presented subjectively, through the architects' own statements about the tensions between tradition and visions of the future, ecology and cost awareness, and their own(...)
Architects in Germany / Architekten in Deutschland
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"Architects in Germany" Presents 13 innovative and diverse German architecture offices, including Kleihues + Kleihues, Fritsch und Tschaidse, b, and Hentschel und Oestreich Architekten. Each firm is presented subjectively, through the architects' own statements about the tensions between tradition and visions of the future, ecology and cost awareness, and their own creative ideas and the wishes of developers.
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March 2003, Berlin
Architecture since 1900, Europe
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The NAi Prize is to be awarded every two years to the best building by a young Dutch architectural practice. This book documents the five short-listed buildings by VMX Architecten, NL Architects, Korteknie Stuhlmacher Architecten, MVRDV and René van Zuuk Architekten and analyses the current position held by young Dutch architects. Are they following in the footsteps of(...)
Architecture since 1900, Europe
March 2003, Rotterdam
Fresh facts : the best buildings by young architects in the Netherlands
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The NAi Prize is to be awarded every two years to the best building by a young Dutch architectural practice. This book documents the five short-listed buildings by VMX Architecten, NL Architects, Korteknie Stuhlmacher Architecten, MVRDV and René van Zuuk Architekten and analyses the current position held by young Dutch architects. Are they following in the footsteps of their forebears or blazing a trail of their own? Is there greater leeway in the Netherlands for experiment or can comparable architecture be found elsewhere? And can these five practices be regarded as a barometer for the latest generation of designers? The short-listed projects were presented during the Venice Biennale 2002. Photography: Ralph Kämena, design: Coppens en Alberts.
Architecture since 1900, Europe
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The book reconstructs the story of Serbian modernism as a local history within a major movement and views the buildings designed in Belgrade in the 1920s and 1930s as part of a larger cultural phenomenon. Because so many of the buildings discussed are disintegrating or have been destroyed or altered beyond recognition, the book serves not only as a documentary and(...)
Architecture since 1900, Europe
June 2003, Cambridge, Mass.
Modernism in Serbia : the elusive margins of Belgrade architecture 1919-1941
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The book reconstructs the story of Serbian modernism as a local history within a major movement and views the buildings designed in Belgrade in the 1920s and 1930s as part of a larger cultural phenomenon. Because so many of the buildings discussed are disintegrating or have been destroyed or altered beyond recognition, the book serves not only as a documentary and critical study but also as a preservation resource. Most of the photographs and plans have never been published outside of Serbia, if at all. In restoring this work to its rightful place in the history of modern architecture, the book also sheds new light on a number of other stories. These include the influence of Le Corbusier and of the Yugoslav avant-garde movement Zenitism and the impact of international modern movements on the theoretical underpinnings of Serbian modernism. One of the subplots follows the story of the Group of Architects of the Modern Movement in Belgrade and its four founding members, Milan Zlokovic, Branislav Kojic, Jan Dubovy, and Dusan Babic. Through anexamination of their work and that of other modern architects, most notably Dragisa Brasovan and Nikola Dobrovic, the book discusses the identity of Serbian modernism as it was established in the period from 1925 to 1940. The book also identifies those buildings that represent the purest examples of Serbian modernism and analyzes the qualities that make them quintessentially local forms while part of the larger modernist movement
Architecture since 1900, Europe
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"The organic approach to architecture" is a multi-disciplinary investigation of emerging forms in the context of ecology, social and physical infrastructures, and electronic technologies. It brings together renowned figures from the fields of architecture, engineering, mathematics, computer graphics, biology and critical theory to share their investigations related to(...)
Architecture since 1900, Europe
February 2003, Chichester
The organic approach to architecture
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"The organic approach to architecture" is a multi-disciplinary investigation of emerging forms in the context of ecology, social and physical infrastructures, and electronic technologies. It brings together renowned figures from the fields of architecture, engineering, mathematics, computer graphics, biology and critical theory to share their investigations related to the production and perception of space. Drawn from a symposium organised by the editors Deborah Gans and Zehra Kuz, the chapters and panel discussions address topical issues of genetic technologies, cyber and geometric morphing, environmentalism, landscape and infrastructure.
Architecture since 1900, Europe
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The export of American architecture began in the nineteenth century as a disjointed set of personal adventures and commercial initiatives. It continues today alongside the transfer of other aspects of American life and culture to most regions of the world. Jeffrey Cody explains how, why and where American architects, planners, building contractors and other actors have(...)
Exporting American architecture, 1870-2000
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The export of American architecture began in the nineteenth century as a disjointed set of personal adventures and commercial initiatives. It continues today alongside the transfer of other aspects of American life and culture to most regions of the world. Jeffrey Cody explains how, why and where American architects, planners, building contractors and other actors have marketed American architecture overseas. In so doing he provides a historical perspective on the diffusion of American building technologies, architectural standards, construction methods and planning paradigms. Using previously undocumented examples and illustrations, he shows how steel-frame manufacturers shipped their products abroad enabling the erection of American-style skyscrapers worldwide by 1900 and how this phase was followed by similar initiatives by companies manufacturing concrete components.
Architecture since 1900, Europe