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After the Second World War, talented young architects including several from Switzerland, turned to the task of promoting the ideals of Modernism. Their main interest lay in furthering the new design and construction methods which were then being made possible by industrial prefabrication and montage, eve considering and incorporating them at the design stage. The time(...)
Architecture since 1900, Europe
April 2002, Basel
Post-war modernity in Switzerland : architecture by Werner Frey, Franz Füeg, Jacques Schader, Jakob Zweifel
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After the Second World War, talented young architects including several from Switzerland, turned to the task of promoting the ideals of Modernism. Their main interest lay in furthering the new design and construction methods which were then being made possible by industrial prefabrication and montage, eve considering and incorporating them at the design stage. The time has now come to review this chapter of recent architectural history. This publication focuses on four architects: Werner Frey (1912-1989), Franz Füeg (born 1921), Jacques Schader (born 1917) and Jacob Zweifel (born 1921). This group of Zurich architects created buildings which can be seen to embody the typical features of the architecture emerging from the late 1950s, 1960s, and early 1970s : fastidious construction methods, a structural approach to designing brought about by increased use of prefabricated parts, an awareness of different social needs of the individual and the group which were subsequently reflected in the designs. Using a wealth of historical illustrations together with photographs by Doris Fanconis and 8 documentary films by Georg Radanowicz, visually interpreting the architecture from a contemporary viewpoint, this book is an invaluable documentation and analysis of those buildings which are of consequence for today's architecture.
Architecture since 1900, Europe
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Ever since the discovery of the cave, humans have made use of nature’s geological formations. Only recently, however, have developments in structural engineering made it possible to engage the earth’s surface as a building element in its own right. With an increasing awareness of our planet’s limited natural resources, the most acclaimed architectural practices from(...)
Landscrapers : building with the land
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Ever since the discovery of the cave, humans have made use of nature’s geological formations. Only recently, however, have developments in structural engineering made it possible to engage the earth’s surface as a building element in its own right. With an increasing awareness of our planet’s limited natural resources, the most acclaimed architectural practices from around the world are building into the earth and merging man-made forms with the contours of the land. The results are at once preternatural and breathtaking. From Zaha Hadid’s Tram Terminal in France to Snøhetta’s Bibliotheca Alexandrina in Egypt, from Future System’s hill-burrowing house in Wales to Antoine Predock’s Spencer Theater in the United States, over fifty projects displayed here expose the breadth and depth of this new direction in architecture. Aaron Betsky first considers our historical preoccupation with communing with the land through building, then four central chapters – ‘Engineered Utopias’, ‘Caves and Caverns’, ‘Unfolding the Land’ and ‘A New Nature’ – explore the ways in which ‘geotecture’ responds to, becomes a part of and yet remains distinctive within our natural landscape.
Architecture since 1900, Europe
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From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s(...)
Architecture since 1900, Europe
December 2002, Cambridge / London
The glass state : the technology of the spectacle - Paris, 1981-1998
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From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buildings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions. Fierro employs a "discourse of the detail," in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building’s design and construction. She examines the paradox of the most pared down architectural configurations being used to support the most complex meanings. Intrinsic to Mitterrand’s glass buildings in Paris, for example, is a political concept: the metaphor of accessibility as a means of breaking open cultural institutions previously closed to the public. In addition to the structures of the Grands Projets--the Institut du Monde Arabe, the Grande and Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at La Villette and Andre Citroën, and the Bibliothèque nationale de France--Fierro discusses the Fondation Cartier and two precedent structures, the Centre Georges Pompidou and the Eiffel Tower.
Architecture since 1900, Europe
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A view of contemporary Australian architecture from the past ten years is provided, featuring the work of fourteen architectural practices. Most are "young" firms with a recognisable body of built work.
Architecture since 1900, Europe
May 2001, Balmain
New directions in australian architecture
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A view of contemporary Australian architecture from the past ten years is provided, featuring the work of fourteen architectural practices. Most are "young" firms with a recognisable body of built work.
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May 2001, Balmain
Architecture since 1900, Europe
books
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Portuguese architecture, and its place on the international scene, has been receiving a lot of attention in the specialised press for some time now. The work of such great Portuguese architects as Fernando Távora, Álvaro Siza and Gonçalo Byrne has formed generations of internationally known figures, figures like Eduardo Souto de Moura, Adalberto Dias, Carrilho de Graça(...)
Architecture since 1900, Europe
January 1900, Barcelona
2G 20 : Portuguese architecture, a new generation
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Portuguese architecture, and its place on the international scene, has been receiving a lot of attention in the specialised press for some time now. The work of such great Portuguese architects as Fernando Távora, Álvaro Siza and Gonçalo Byrne has formed generations of internationally known figures, figures like Eduardo Souto de Moura, Adalberto Dias, Carrilho de Graça and Álvaro Rocha. The aim of this issue of 2G is to present the architecture of a generation of architects whose work opens up new perspectives on Portuguese architecture, despite the latter being usually submitted to the scrutiny of the masters. Young architects who would form a more or less homogeneous "third generation", one caught between its ongoing marginality in geographical terms and an attentiveness to what is happening on the international scene.
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January 1900, Barcelona
Architecture since 1900, Europe
books
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In this age of ever-increasing environmental awareness, the issue of sustainability is set to become the dominant factor in architectural design. At a time when, like most professions, architectural practice is increasingly governed by legal guidelines and requirements, competing policy demands require architects to aim for economic, social and environmental(...)
Architecture since 1900, Europe
December 2001, Chichester
Sustaining architecture in the anti-machine age
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In this age of ever-increasing environmental awareness, the issue of sustainability is set to become the dominant factor in architectural design. At a time when, like most professions, architectural practice is increasingly governed by legal guidelines and requirements, competing policy demands require architects to aim for economic, social and environmental sustainability whilst also trying to effect social progress. "Sustaining Architecture in the Anti-Machine Age" asks whether these two ambitions can be reconciled. Featuring contributions from architects, journalists, academics and legal consultants, the book takes a balanced look at the subject, giving the full range of sometimes opposing views. Examining all the key issues, it considers why the industrial development of town and country is considered unsustainable rather than socially imperative, and whether the aim of raising the level, standard and performance of arhcitectural production conflicts with the promotion of sustainability.
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December 2001, Chichester
Architecture since 1900, Europe
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Looking to the most innovative talents from around the world, "Futurehouse" presents ninety private and community projects that challenge the accepted norms of our living spaces and offer a dazzling array of solutions to meet the changing needs and desires of our global society. These designers – most of whom were raised at the dawn of the digital age – are radically(...)
Architecture since 1900, Europe
May 2002, New York
Archilab's futurehouse : radical experiments in living space
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Looking to the most innovative talents from around the world, "Futurehouse" presents ninety private and community projects that challenge the accepted norms of our living spaces and offer a dazzling array of solutions to meet the changing needs and desires of our global society. These designers – most of whom were raised at the dawn of the digital age – are radically reimagining how we can live. Essays by international critics such as Frédéric Migayrou (France), Bart Lootsma (The Netherlands), Andreas Ruby (Germany), Manuel Gausa (Spain), Kyong Park (U.S.A.) and Christian Girard (France) complement the work of avant-garde and experimental architects from every corner of the globe.
Architecture since 1900, Europe
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Experimental, craftsmanlike, daring – twenty U.S. architectural practices are transforming contemporary buildings, cities and landscapes that are distinctly American into works of global significance. The book presents twenty diverse practices from every corner of the country to investigate the kind of originality that is unique to the American culture and climate.(...)
Architecture since 1900, Europe
April 2002, New York
All American : innovation in American architecture
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Experimental, craftsmanlike, daring – twenty U.S. architectural practices are transforming contemporary buildings, cities and landscapes that are distinctly American into works of global significance. The book presents twenty diverse practices from every corner of the country to investigate the kind of originality that is unique to the American culture and climate. Beginning by tracing the most recent developments in American architecture and identifying regional, theoretical or practical strands, the book focuses on each studio in depth, featuring an extensive profile and coverage of projects. The studio profiles are followed by essays that present the work of five of the most recent practices to emerge on the scene with fresh new approaches. A reference section contains concise biographical and bibliographical information on each architect. Featured architects: • Allied Works Architecture • Architecture Research Office • Building Design Workshop • Wendell Burnette Architects • Daly, Genik Architects • Diller + Scofidio • Garofalo Architects • Leslie Gill Architect • Guthrie + Buresh Architects • Dan Hoffman • Vincent James Associates • Rick Joy Architect • Kennedy & Violich Architecture • Kuth/Ranieri • Greg Lynn Form • Michael McInturf Architects • Office dA • Thomas Phifer + Partners • Charles Rose Architects • SHoP/Sharples Holden Pasquarelli.
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April 2002, New York
Architecture since 1900, Europe
L.A. now - volume two
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L.A. Now brings together the work of UCLA architecture students under the direction of studio leader Thom Mayne (Morphosis), CalArts Graphic Design students, and Art Center film and photography students and others in two distinctive, lavishly illustrated books.
Architecture since 1900, Europe
August 2002, Berkeley
L.A. now - volume two
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L.A. Now brings together the work of UCLA architecture students under the direction of studio leader Thom Mayne (Morphosis), CalArts Graphic Design students, and Art Center film and photography students and others in two distinctive, lavishly illustrated books.
Architecture since 1900, Europe
L.A. now - volume one
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Conceived by Richard Koshalek, L.A. Now is a collaborative design initiative to focus creativity on downtown Los Angeles and provide the foundation for its future development. L.A. Now brings together the work of UCLA architecture students under the direction of studio leader Thom Mayne (Morphosis), CalArts Graphic Design students, and Art Center film and photography(...)
Architecture since 1900, Europe
August 2002, Berkeley
L.A. now - volume one
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$67.95
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Conceived by Richard Koshalek, L.A. Now is a collaborative design initiative to focus creativity on downtown Los Angeles and provide the foundation for its future development. L.A. Now brings together the work of UCLA architecture students under the direction of studio leader Thom Mayne (Morphosis), CalArts Graphic Design students, and Art Center film and photography students and others in two distinctive, lavishly illustrated books.
Architecture since 1900, Europe