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Set behind the grand houses of Georgian and Victorian London, intimately scaled mews originally served as accommodation for coaches and horses.?After the advent of the motorcar in the early twentieth century, these secluded courts and alleys began to be converted for residential use, favoured by artists and bohemians.?As they grew in popularity, mews also became popular(...)
December 2025
At home in London: the Mews House
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Set behind the grand houses of Georgian and Victorian London, intimately scaled mews originally served as accommodation for coaches and horses.?After the advent of the motorcar in the early twentieth century, these secluded courts and alleys began to be converted for residential use, favoured by artists and bohemians.?As they grew in popularity, mews also became popular as sites for new-build homes. Often these were of a radically experimental nature, challenging established notions of domesticity in the heart of the?historic city. ''At Home in London: The Mews House'' documents?seventeen examples of this rich tradition dating from the 1960s to the present day, with new photography and extensive drawings.?The self-built houses of architects feature particularly prominently,?including those of John Winter, Ted and Roz Cullinan, and Peter St John and Siw Thomas.?Acclaimed architecture critic Ellis Woodman narrates the history of this perennially popular type from its early pioneers including potter Lucie Rie through the potential of the mews as a model for new residential development, exemplified by Peter Barber’s monumental Edgewood Mews (2022) and Al-Jawad Pike’s?Chowdhury Walk (2023).
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L'Art déco apparaît dans le sillage de l'Art nouveau au cours des années 1920. Ce mouvement tire son origine des Arts décoratifs, mis sur le devant de la scène lors de l'Exposition internationale des arts décoratifs et industriels modernes de Paris en 1925. En pleines Années folles, la création artistique est alors éclatante. Décorateurs, ensembliers, architectes,(...)
Architecture since 1900, Europe
November 2024
Art déco : cinq bâtiments emblématiques
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L'Art déco apparaît dans le sillage de l'Art nouveau au cours des années 1920. Ce mouvement tire son origine des Arts décoratifs, mis sur le devant de la scène lors de l'Exposition internationale des arts décoratifs et industriels modernes de Paris en 1925. En pleines Années folles, la création artistique est alors éclatante. Décorateurs, ensembliers, architectes, ferronniers, etc. , s'associent pour concevoir des pavillons aux intérieurs richement décorés. Trait d'union entre l'ornementation excessive de l'Art nouveau et la rigueur formelle de l'architecture moderne - qui apparaît peu avant -, l'Art déco impose une esthétique élégante, faisant la part belle aux motifs géométriques, sans toutefois délaisser les courbes, et mettant en valeur la pureté des lignes et la sophistication des détails. L'Art déco accompagne le développement de la modernité et de nouveaux équipements tels que gares, cinémas, piscines, musées, etc. , où s'expriment les idées de vitesse, de voyage, de dépaysement et de divertissement ; mais il se manifeste également dans des programmes plus traditionnels comme les édifices administratifs ou religieux, par exemple. Ce nouvel opus de la collection "Cinq" offre un panorama représentatif de ce mouvement polymorphe, à travers cinq réalisations remarquables : l'église Saint-Louis de Vincennes, la bibliothèque Carnegie de Reims, le palais de la Porte-Dorée, la gare de Lens et l'hôtel de ville de Puteaux.
Architecture since 1900, Europe
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"Built futures" brings together Shahed Saleem’s written and visual research on the British Mosque, to narrate how mosques have emerged, evolved and become established in Britain since the late nineteenth century. Critical texts describe the ways in which mosques have been created through the grassroots, self-funded and self-built endeavours of migrant Muslim communities(...)
Architecture since 1900, Europe
September 2021
Building futures: The counter architecture of the British Mosque
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"Built futures" brings together Shahed Saleem’s written and visual research on the British Mosque, to narrate how mosques have emerged, evolved and become established in Britain since the late nineteenth century. Critical texts describe the ways in which mosques have been created through the grassroots, self-funded and self-built endeavours of migrant Muslim communities of diverse backgrounds, as they have settled in Britain. Through this journey of research, writing and designing, Saleem challenges the norms and assumptions of his own architectural training and wider design culture, leading him to ask: where is architectural meaning made, and with whom does authorship actually reside? Mostly created through the adaptation of existing buildings, from pubs to cinemas, high street banks to domestic terraces, the mosques which emerge from these sites are a combination of cultural histories and architectural styles, resulting in unexpected and original buildings that are powerful expressions of minority community agency and empowerment.
Architecture since 1900, Europe
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L’architecture qui incarne l’Europe est inextricablement liée à des enjeux politiques mouvants et à la recherche d’une expression symbolique unitaire. Mais existe-t-il une esthétique propre aux formes bâties du pouvoir européen? En reconstruisant minutieusement la genèse des sièges européens de Strasbourg, Luxembourg et Bruxelles, Gauthier Bolle explore les liens entre(...)
L'Europe en ses capitales : Strasbourg, Luxembourg et Bruxelles (1949-1992)
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L’architecture qui incarne l’Europe est inextricablement liée à des enjeux politiques mouvants et à la recherche d’une expression symbolique unitaire. Mais existe-t-il une esthétique propre aux formes bâties du pouvoir européen? En reconstruisant minutieusement la genèse des sièges européens de Strasbourg, Luxembourg et Bruxelles, Gauthier Bolle explore les liens entre architecture, ville et pouvoir au fil du second 20e siècle. Ce livre éclaire ainsi un pan du «projet européen» à travers l’analyse de l’accueil offert aux principales institutions, celles du Conseil de l’Europe puis de toutes les communautés fondatrices de l’Union européenne. Dans les villes étudiées, la fragilité de la construction européenne pèse sur le développement des quartiers, plus ou moins intégrés à leur environnement, qui prennent forme grâce à une diversité d’acteurs. Articulé en trois périodes, ce récit propose une lecture transversale des sites, mettant en évidence les rouages complexes de la conception, construction et réception de plusieurs édifices phares des trois villes. En creux de cette étude architecturale, c’est bien la quête du sens même de l’Europe qui est en question, un enjeu dont la portée est plus cruciale que jamais.
Architecture since 1900, Europe
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Longtemps rattachée aux Beaux-Arts, l’architecture, d’abord simple section, est devenue au xxe siècle une discipline autonome — et majeure — du paysage français de l’enseignement supérieur. À Marseille, l’engouement des étudiants pour l’architecture avait très tôt révélé l’exiguïté des locaux en centre ville du palais Carli, réservé depuis le xixe siècle aux classes(...)
L'école d'architecture de Marseille
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Longtemps rattachée aux Beaux-Arts, l’architecture, d’abord simple section, est devenue au xxe siècle une discipline autonome — et majeure — du paysage français de l’enseignement supérieur. À Marseille, l’engouement des étudiants pour l’architecture avait très tôt révélé l’exiguïté des locaux en centre ville du palais Carli, réservé depuis le xixe siècle aux classes d’art. De projets de déménagement en perspectives d’extension, aucune solution satisfaisante ne sera trouvée avant le tournant historique de l’implantation de l’École d’architecture à Luminy, en 1967. En même temps que ceux de l’École des beaux-arts, ses bâtiments couleur craie prendront place dans le somptueux cadre naturel des calanques de Marseille. Conçus par l’architecte du campus René Egger dans un style à la fois moderne et méditerranéen, ils seront dès leur inauguration le lieu d’une véritable ébullition culturelle, artistique et estudiantine.
Architecture since 1900, Europe
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This extensive publication provides the first chronological presentation of 20th century Austrian architecture in English. Using over 100 carefully selected buildings the roots, traditions and conditions from which Austrian architecture has (...)
Architecture since 1900, Europe
July 1999, Basel
Architecture in Austria : a survey of the 20th century
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This extensive publication provides the first chronological presentation of 20th century Austrian architecture in English. Using over 100 carefully selected buildings the roots, traditions and conditions from which Austrian architecture has developed are made accessible. A concise overview of building activities in the 20th century is conveyed, using over 900 documents, largely unpublished photographs and sketches, drawings and models. A particularly important feature of this chronological survey lies in highlighting Austria's contribution to contemporary architecture.
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July 1999, Basel
Architecture since 1900, Europe
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This volume documents over 200 significant building projects which will be, for the most part, completed by the turn of the millenium.
New architecture, Berlin 1990-2000
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This volume documents over 200 significant building projects which will be, for the most part, completed by the turn of the millenium.
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September 1999, Berlin
Architecture since 1900, Europe
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This is the first publication on the Prague Werkbund Housing Estate "Baba", a symbol of architectural Modernism in the Czech Republic. Up until the fall of the Iron Curtain, the housing estate "Baba" in Prague was a little-known tip. This was the(...)
Baba : the Werkbund housing estate Prague
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This is the first publication on the Prague Werkbund Housing Estate "Baba", a symbol of architectural Modernism in the Czech Republic. Up until the fall of the Iron Curtain, the housing estate "Baba" in Prague was a little-known tip. This was the last building exhibition which the Werkbund set up in Europe in 1932 and symbolises an entire era, vividly depicting Modern Architecture in the Czech Republic, which has gained growing international recognition since 1989. Three generations of architects were active here; the older generation, still influenced by Cubism, include Janak and Gocar; the middle generation, whose works were purist and functionalist, include Linhart and Stary; and the younger generation, for example, Ladislav Zak, who with their sweeping forms wished to distance themselves from 'white functionalism'. With copious, unpublished source material, this book analyses for the first time the particular status which the Prague Housing Estate has in architectural history. It addresses architectural and sociopolitical topics, documents the individual projects and looks at the circumstances of the private clients.
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July 1999, Basel
Architecture since 1900, Europe
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Originally published in 1947, this newly revised and updated edition examines the various aspects of the environment that buildings control for human habitation as well as the impact of buildings on the outside world.
Architecture since 1900, Europe
April 1999, Oxford
American building : the environmental forces that shape it
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Originally published in 1947, this newly revised and updated edition examines the various aspects of the environment that buildings control for human habitation as well as the impact of buildings on the outside world.
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April 1999, Oxford
Architecture since 1900, Europe
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The Pritzker Architecture Prize is the world’s most highly regarded architecture award. It is presented annually to a living architect who has “produced consistent and significant contributions to humanity and the built environment through the art of architecture.” This splendid book celebrates the 20th anniversary of the prize, which(...)
Architecture since 1900, Europe
March 1999, New York
The Pritzker architecture prize : the first twenty years
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The Pritzker Architecture Prize is the world’s most highly regarded architecture award. It is presented annually to a living architect who has “produced consistent and significant contributions to humanity and the built environment through the art of architecture.” This splendid book celebrates the 20th anniversary of the prize, which has been awarded to such outstanding international figures as Tadao Ando, Frank Gehry, Philip Johnson, Richard Meier, I. M. Pei, James Stirling, Robert Venturi, and most recently Renzo Piano. This volume features texts by Pritzker jury members and discussions of the prize and the laureates’ work by Colin Amery and William J. R. Curtis. Selected buildings and projects by each of the 21 winners are illustrated.
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March 1999, New York
Architecture since 1900, Europe