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Comment, au milieu du XIXe siècle, Paris a-t-elle pu devenir l’incarnation urbaine de la modernité ? Pour répondre à cette question, David Harvey a exploré les mutations connues par la ville à cette époque : transformation physique, avec les grands projets d’Haussmann, qui remplace le plan médiéval par les grands boulevards ; transformation économique, avec une(...)
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Comment, au milieu du XIXe siècle, Paris a-t-elle pu devenir l’incarnation urbaine de la modernité ? Pour répondre à cette question, David Harvey a exploré les mutations connues par la ville à cette époque : transformation physique, avec les grands projets d’Haussmann, qui remplace le plan médiéval par les grands boulevards ; transformation économique, avec une(...)
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David Harvey : Paris, capitale de la modernité
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Comment, au milieu du XIXe siècle, Paris a-t-elle pu devenir l’incarnation urbaine de la modernité ? Pour répondre à cette question, David Harvey a exploré les mutations connues par la ville à cette époque : transformation physique, avec les grands projets d’Haussmann, qui remplace le plan médiéval par les grands boulevards ; transformation économique, avec une nouvelle forme de capitalisme dominée par les puissances financières et industrielles ; transformation culturelle, avec l’irruption de ce qu’on appellera plus tard le modernisme ; transformation sociale, avec l’émergence de violents antagonismes de classes qui atteignent leur paroxysme dans les révolutions de 1848 et de 1871. En présentant la ville moderne comme le produit instable de forces hétérogènes et contradictoires, David Harvey nous offre une image vivante du fonctionnement de Paris ainsi qu’une vision panoramique de la période décisive que fut le Second Empire. Mais cette analyse de la ville moderne est aussi l’occasion d’une réflexion magistrale sur la ville contemporaine – sur la part de la population dans l’urbanisation, sur son accès aux ressources, en somme sur le «droit à la ville».
David Harvey : Paris, capitale de la modernité
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Comment, au milieu du XIXe siècle, Paris a-t-elle pu devenir l’incarnation urbaine de la modernité ? Pour répondre à cette question, David Harvey a exploré les mutations connues par la ville à cette époque : transformation physique, avec les grands projets d’Haussmann, qui remplace le plan médiéval par les grands boulevards ; transformation économique, avec une nouvelle forme de capitalisme dominée par les puissances financières et industrielles ; transformation culturelle, avec l’irruption de ce qu’on appellera plus tard le modernisme ; transformation sociale, avec l’émergence de violents antagonismes de classes qui atteignent leur paroxysme dans les révolutions de 1848 et de 1871. En présentant la ville moderne comme le produit instable de forces hétérogènes et contradictoires, David Harvey nous offre une image vivante du fonctionnement de Paris ainsi qu’une vision panoramique de la période décisive que fut le Second Empire. Mais cette analyse de la ville moderne est aussi l’occasion d’une réflexion magistrale sur la ville contemporaine – sur la part de la population dans l’urbanisation, sur son accès aux ressources, en somme sur le «droit à la ville».
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books
books
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July 2012
July 2012
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History since 1900, Reference Books
History since 1900, Reference Books
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books
books
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Volume 1: MAC's Musée des Arts Contemporains au Grand Hornu. Volume 2: Les Halles de Schaerbeek Volume 3: Le Théâtre National
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Volume 1: MAC's Musée des Arts Contemporains au Grand Hornu. Volume 2: Les Halles de Schaerbeek Volume 3: Le Théâtre National
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History since 1900, Reference Books
History since 1900, Reference Books
Publication:
August 2012
August 2012
Title:
Visions, Architectures publiques, volume 1-3
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Volume 1: MAC's Musée des Arts Contemporains au Grand Hornu. Volume 2: Les Halles de Schaerbeek Volume 3: Le Théâtre National
Visions, Architectures publiques, volume 1-3
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Volume 1: MAC's Musée des Arts Contemporains au Grand Hornu. Volume 2: Les Halles de Schaerbeek Volume 3: Le Théâtre National
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books
books
Publication:
August 2012
August 2012
Subject:
History since 1900, Reference Books
History since 1900, Reference Books
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books
books
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$23.95
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La Maison Folie de Mons, à l’instar du Palais de Tokyo, de l’Espace Lu à Nantes ou encore de la Condition publique à Roubaix, n’a pas le souci de paraître, mais seulement celui d’être au plus près de ceux qui l’habitent, comme le dit Yves Vasseur, le directeur du Théâtre du Manège. Invité à redéfinir simplement les zones d’accueil et d’accès de la salle de théâtre des(...)
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La Maison Folie de Mons, à l’instar du Palais de Tokyo, de l’Espace Lu à Nantes ou encore de la Condition publique à Roubaix, n’a pas le souci de paraître, mais seulement celui d’être au plus près de ceux qui l’habitent, comme le dit Yves Vasseur, le directeur du Théâtre du Manège. Invité à redéfinir simplement les zones d’accueil et d’accès de la salle de théâtre des(...)
Subject:
History since 1900, Reference Books
History since 1900, Reference Books
Publication:
August 2012
August 2012
Title:
Visions. Architectures publiques volume 5
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La Maison Folie de Mons, à l’instar du Palais de Tokyo, de l’Espace Lu à Nantes ou encore de la Condition publique à Roubaix, n’a pas le souci de paraître, mais seulement celui d’être au plus près de ceux qui l’habitent, comme le dit Yves Vasseur, le directeur du Théâtre du Manège. Invité à redéfinir simplement les zones d’accueil et d’accès de la salle de théâtre des Arbalestriers dans l’esprit des Maisons Folie qui venaient de voir le jour à Lille en 2004, Matador est parvenu à réaffecter l’ensemble du domaine exploitable. Si la salle de théâtre est restée dans son état initial, Matador, pratiquant une architecture de friche, revendique pleinement l’originalité des concepts d’Espace des possibles et de Margin’halle – ces deux lieux formant, avec la cour centrale, la Maison Folie de Mons
Visions. Architectures publiques volume 5
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La Maison Folie de Mons, à l’instar du Palais de Tokyo, de l’Espace Lu à Nantes ou encore de la Condition publique à Roubaix, n’a pas le souci de paraître, mais seulement celui d’être au plus près de ceux qui l’habitent, comme le dit Yves Vasseur, le directeur du Théâtre du Manège. Invité à redéfinir simplement les zones d’accueil et d’accès de la salle de théâtre des Arbalestriers dans l’esprit des Maisons Folie qui venaient de voir le jour à Lille en 2004, Matador est parvenu à réaffecter l’ensemble du domaine exploitable. Si la salle de théâtre est restée dans son état initial, Matador, pratiquant une architecture de friche, revendique pleinement l’originalité des concepts d’Espace des possibles et de Margin’halle – ces deux lieux formant, avec la cour centrale, la Maison Folie de Mons
Form:
books
books
Publication:
August 2012
August 2012
Subject:
History since 1900, Reference Books
History since 1900, Reference Books
Form:
books
books
Price:
$93.95
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Summary:
"Typology", volume 2 of the new series Christ & Gantenbein Review, presents more than 150 buildings located in Rome, New York, Hong Kong and Buenos Aires that have been analysed by the chair of Emanuel Christ and Christoph Gantenbein at the Swiss Federal Institute of Technology Zurich. This selective and subjective inventory of metropolitan and essentially anonymous(...)
$93.95
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"Typology", volume 2 of the new series Christ & Gantenbein Review, presents more than 150 buildings located in Rome, New York, Hong Kong and Buenos Aires that have been analysed by the chair of Emanuel Christ and Christoph Gantenbein at the Swiss Federal Institute of Technology Zurich. This selective and subjective inventory of metropolitan and essentially anonymous(...)
Subject:
History since 1900, Reference Books
History since 1900, Reference Books
Publication:
September 2012
September 2012
Title:
Review N. 2 : Typology, Hong Kong, Rome, New York, Buenos Aires
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"Typology", volume 2 of the new series Christ & Gantenbein Review, presents more than 150 buildings located in Rome, New York, Hong Kong and Buenos Aires that have been analysed by the chair of Emanuel Christ and Christoph Gantenbein at the Swiss Federal Institute of Technology Zurich. This selective and subjective inventory of metropolitan and essentially anonymous 20th-century building production provides a basis for urban project creation. In this new book, the buildings are documented with floor plans, axonometric projections, recent photographs and key information. The theoretical essay by Emanuel Christ and Christoph Gantenbein and four texts by other authors explain the interactions between the contexts, especially the governing urban rule sets and the buildings, and show the potential for the design of a contemporary urban architecture.
Review N. 2 : Typology, Hong Kong, Rome, New York, Buenos Aires
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$93.95
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Summary:
"Typology", volume 2 of the new series Christ & Gantenbein Review, presents more than 150 buildings located in Rome, New York, Hong Kong and Buenos Aires that have been analysed by the chair of Emanuel Christ and Christoph Gantenbein at the Swiss Federal Institute of Technology Zurich. This selective and subjective inventory of metropolitan and essentially anonymous 20th-century building production provides a basis for urban project creation. In this new book, the buildings are documented with floor plans, axonometric projections, recent photographs and key information. The theoretical essay by Emanuel Christ and Christoph Gantenbein and four texts by other authors explain the interactions between the contexts, especially the governing urban rule sets and the buildings, and show the potential for the design of a contemporary urban architecture.
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books
books
Publication:
September 2012
September 2012
Subject:
History since 1900, Reference Books
History since 1900, Reference Books
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books
books
Title:
You were never in Chicago
You were never in Chicago
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In 1952 the New Yorker published a three-part essay by A. J. Liebling in which he dubbed Chicago the “Second City.” From garbage collection to the skyline, nothing escaped Liebling’s withering gaze. Among the outraged responses from Chicago residents was one that Liebling described as the apotheosis of such criticism: a postcard that read, simply, “You were never in(...)
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Summary:
In 1952 the New Yorker published a three-part essay by A. J. Liebling in which he dubbed Chicago the “Second City.” From garbage collection to the skyline, nothing escaped Liebling’s withering gaze. Among the outraged responses from Chicago residents was one that Liebling described as the apotheosis of such criticism: a postcard that read, simply, “You were never in(...)
Title:
You were never in Chicago
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In 1952 the New Yorker published a three-part essay by A. J. Liebling in which he dubbed Chicago the “Second City.” From garbage collection to the skyline, nothing escaped Liebling’s withering gaze. Among the outraged responses from Chicago residents was one that Liebling described as the apotheosis of such criticism: a postcard that read, simply, “You were never in Chicago.” Neil Steinberg has lived in and around Chicago for more than three decades — ever since he left his hometown of Berea, Ohio, to attend Northwestern — yet he remains fascinated by the dynamics captured in Liebling’s anecdote. In You Were Never in Chicago Steinberg weaves the story of his own coming-of-age as a young outsider who made his way into the inner circles and upper levels of Chicago journalism with a nuanced portrait of the city that would surprise even lifelong residents. Steinberg takes readers through Chicago’s vanishing industrial past and explores the city from the quaint skybridge between the towers of the Wrigley Building, to the depths of the vast Deep Tunnel system below the streets. He deftly explains the city’s complex web of political favoritism and carefully profiles the characters he meets along the way, from greats of jazz and journalism to small-business owners just getting by. Throughout, Steinberg never loses the curiosity and close observation of an outsider, while thoughtfully considering how this perspective has shaped the city, and what it really means to belong.
You were never in Chicago
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In 1952 the New Yorker published a three-part essay by A. J. Liebling in which he dubbed Chicago the “Second City.” From garbage collection to the skyline, nothing escaped Liebling’s withering gaze. Among the outraged responses from Chicago residents was one that Liebling described as the apotheosis of such criticism: a postcard that read, simply, “You were never in Chicago.” Neil Steinberg has lived in and around Chicago for more than three decades — ever since he left his hometown of Berea, Ohio, to attend Northwestern — yet he remains fascinated by the dynamics captured in Liebling’s anecdote. In You Were Never in Chicago Steinberg weaves the story of his own coming-of-age as a young outsider who made his way into the inner circles and upper levels of Chicago journalism with a nuanced portrait of the city that would surprise even lifelong residents. Steinberg takes readers through Chicago’s vanishing industrial past and explores the city from the quaint skybridge between the towers of the Wrigley Building, to the depths of the vast Deep Tunnel system below the streets. He deftly explains the city’s complex web of political favoritism and carefully profiles the characters he meets along the way, from greats of jazz and journalism to small-business owners just getting by. Throughout, Steinberg never loses the curiosity and close observation of an outsider, while thoughtfully considering how this perspective has shaped the city, and what it really means to belong.
Form:
books
books
Publication:
December 2012
December 2012
Subject:
History since 1900, Reference Books
History since 1900, Reference Books
Form:
books
books
Title:
Architecture
Architecture
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L’architecture, c’est notre cadre de vie quotidien et bien souvent, nous oublions de la regarder. Pourtant, les architectes rivalisent d’audace et de prouesses pour proposer de nouveaux lieux aussi beaux qu’utiles. L’architecte manie des données sociologiques et économiques, utilise la pointe de la technologie, pense en terme de durable et d’écologique. Un art d’imaginer(...)
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L’architecture, c’est notre cadre de vie quotidien et bien souvent, nous oublions de la regarder. Pourtant, les architectes rivalisent d’audace et de prouesses pour proposer de nouveaux lieux aussi beaux qu’utiles. L’architecte manie des données sociologiques et économiques, utilise la pointe de la technologie, pense en terme de durable et d’écologique. Un art d’imaginer(...)
Publication:
November 2012
November 2012
Title:
Architecture
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L’architecture, c’est notre cadre de vie quotidien et bien souvent, nous oublions de la regarder. Pourtant, les architectes rivalisent d’audace et de prouesses pour proposer de nouveaux lieux aussi beaux qu’utiles. L’architecte manie des données sociologiques et économiques, utilise la pointe de la technologie, pense en terme de durable et d’écologique. Un art d’imaginer et de bâtir qui pousse toujours plus loin les limites de l’espace. Architecture est un panorama des réalisations contemporaines, toujours impressionnantes, des plus rationnelles aux plus extravagantes !
Architecture
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L’architecture, c’est notre cadre de vie quotidien et bien souvent, nous oublions de la regarder. Pourtant, les architectes rivalisent d’audace et de prouesses pour proposer de nouveaux lieux aussi beaux qu’utiles. L’architecte manie des données sociologiques et économiques, utilise la pointe de la technologie, pense en terme de durable et d’écologique. Un art d’imaginer et de bâtir qui pousse toujours plus loin les limites de l’espace. Architecture est un panorama des réalisations contemporaines, toujours impressionnantes, des plus rationnelles aux plus extravagantes !
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books
books
Publication:
November 2012
November 2012
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books
books
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$25.95
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Larry Bennett calls contemporary Chicago the third city to distinguish it from its two predecessors: the first city, a sprawling industrial center whose historical arc ran from the Civil War to the Great Depression; and the second city, the Rustbelt exemplar of the period from around 1950 to 1990. The third city features a dramatically revitalized urban core, a shifting(...)
$25.95
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Larry Bennett calls contemporary Chicago the third city to distinguish it from its two predecessors: the first city, a sprawling industrial center whose historical arc ran from the Civil War to the Great Depression; and the second city, the Rustbelt exemplar of the period from around 1950 to 1990. The third city features a dramatically revitalized urban core, a shifting(...)
Title:
The third city: Chicago and American urbanism
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Larry Bennett calls contemporary Chicago the third city to distinguish it from its two predecessors: the first city, a sprawling industrial center whose historical arc ran from the Civil War to the Great Depression; and the second city, the Rustbelt exemplar of the period from around 1950 to 1990. The third city features a dramatically revitalized urban core, a shifting population mix that includes new immigrant streams, and a growing number of middle-class professionals working in new economy sectors. It is also a city utterly transformed by the top-to-bottom reconstruction of public housing developments and the ambitious provision of public works like Millennium Park. It is, according to Bennett, a work in progress spearheaded by Richard M. Daley, a self-consciously innovative mayor whose strategy of neighborhood revitalization and urban renewal is a prototype of city governance for the twenty-first century. The Third City ultimately contends that to understand Chicago under Daley’s charge is to understand what metropolitan life across North America may well look like in the coming decades.
The third city: Chicago and American urbanism
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Larry Bennett calls contemporary Chicago the third city to distinguish it from its two predecessors: the first city, a sprawling industrial center whose historical arc ran from the Civil War to the Great Depression; and the second city, the Rustbelt exemplar of the period from around 1950 to 1990. The third city features a dramatically revitalized urban core, a shifting population mix that includes new immigrant streams, and a growing number of middle-class professionals working in new economy sectors. It is also a city utterly transformed by the top-to-bottom reconstruction of public housing developments and the ambitious provision of public works like Millennium Park. It is, according to Bennett, a work in progress spearheaded by Richard M. Daley, a self-consciously innovative mayor whose strategy of neighborhood revitalization and urban renewal is a prototype of city governance for the twenty-first century. The Third City ultimately contends that to understand Chicago under Daley’s charge is to understand what metropolitan life across North America may well look like in the coming decades.
Form:
books
books
Publication:
September 2010
September 2010
Subject:
History since 1900, Reference Books
History since 1900, Reference Books
Form:
books
books
Title:
Lost Chicago
Lost Chicago
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$39.95
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This book explores the architectural and cultural history of this American city, a city whose architectural heritage was recklessly squandered during the second half of the twentieth century. David Garrard Lowe’s lively prose and over 270 rare photographs and prints, illuminate the decades when Gustavus Swift and Philip D. Armour ruled the greatest stockyards in the(...)
$39.95
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Summary:
This book explores the architectural and cultural history of this American city, a city whose architectural heritage was recklessly squandered during the second half of the twentieth century. David Garrard Lowe’s lively prose and over 270 rare photographs and prints, illuminate the decades when Gustavus Swift and Philip D. Armour ruled the greatest stockyards in the(...)
Title:
Lost Chicago
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$39.95
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Summary:
This book explores the architectural and cultural history of this American city, a city whose architectural heritage was recklessly squandered during the second half of the twentieth century. David Garrard Lowe’s lively prose and over 270 rare photographs and prints, illuminate the decades when Gustavus Swift and Philip D. Armour ruled the greatest stockyards in the world; when industrialists and entrepreneurs such as Cyrus McCormick, Potter Palmer, George Pullman, and Marshall Field made Prairie Avenue and State Street the rivals of New York City’s Fifth Avenue; and when Louis Sullivan, Daniel Burnham, and Frank Lloyd Wright were designing buildings. Here are the mansions and grand hotels, the office buildings that met technical perfection (including the first skyscraper), and the stores, trains, movie palaces, parks, and racetracks that thrilled residents and tourists alike before falling victim to the wrecking ball of progress.
Lost Chicago
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$39.95
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Summary:
This book explores the architectural and cultural history of this American city, a city whose architectural heritage was recklessly squandered during the second half of the twentieth century. David Garrard Lowe’s lively prose and over 270 rare photographs and prints, illuminate the decades when Gustavus Swift and Philip D. Armour ruled the greatest stockyards in the world; when industrialists and entrepreneurs such as Cyrus McCormick, Potter Palmer, George Pullman, and Marshall Field made Prairie Avenue and State Street the rivals of New York City’s Fifth Avenue; and when Louis Sullivan, Daniel Burnham, and Frank Lloyd Wright were designing buildings. Here are the mansions and grand hotels, the office buildings that met technical perfection (including the first skyscraper), and the stores, trains, movie palaces, parks, and racetracks that thrilled residents and tourists alike before falling victim to the wrecking ball of progress.
Form:
books
books
Publication:
October 2010
October 2010
Subject:
History since 1900, Reference Books
History since 1900, Reference Books
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books
books
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$43.95
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L’essentiel sur les édifices contemporains (1955-2008) les plus marquants qui font la singularité architecturale de la Suisse, entre rigueur et innovation, entre territorialité et mondialisation.
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L’essentiel sur les édifices contemporains (1955-2008) les plus marquants qui font la singularité architecturale de la Suisse, entre rigueur et innovation, entre territorialité et mondialisation.
Title:
Architectures contemporaines: Suisse
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L’essentiel sur les édifices contemporains (1955-2008) les plus marquants qui font la singularité architecturale de la Suisse, entre rigueur et innovation, entre territorialité et mondialisation.
Architectures contemporaines: Suisse
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L’essentiel sur les édifices contemporains (1955-2008) les plus marquants qui font la singularité architecturale de la Suisse, entre rigueur et innovation, entre territorialité et mondialisation.
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books
books
Publication:
July 2010
July 2010
Subject:
History since 1900, Reference Books
History since 1900, Reference Books
Form:
books
books
Title:
Modern architecture A-Z
Modern architecture A-Z
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$64.99
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Each architect's entry features a portrait, quote and short biography as well as a description of important works, historical context and general approach; illustrations include numerous drawings, photographs and floor plans. The book's A to Z entries cover not only architects but also groups, movements and styles from the 18th to the 21st centuries.
$64.99
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Summary:
Each architect's entry features a portrait, quote and short biography as well as a description of important works, historical context and general approach; illustrations include numerous drawings, photographs and floor plans. The book's A to Z entries cover not only architects but also groups, movements and styles from the 18th to the 21st centuries.
Publication:
July 2010
July 2010
Title:
Modern architecture A-Z
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$64.99
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Each architect's entry features a portrait, quote and short biography as well as a description of important works, historical context and general approach; illustrations include numerous drawings, photographs and floor plans. The book's A to Z entries cover not only architects but also groups, movements and styles from the 18th to the 21st centuries.
Modern architecture A-Z
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$64.99
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Summary:
Each architect's entry features a portrait, quote and short biography as well as a description of important works, historical context and general approach; illustrations include numerous drawings, photographs and floor plans. The book's A to Z entries cover not only architects but also groups, movements and styles from the 18th to the 21st centuries.
Form:
books
books
Publication:
July 2010
July 2010
