Lethbridge modern
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Arthur Erickson's internationally renowned example of "brutalist modernism", the University of Lethbridge, is a featured example in this review of the surprising number of buildings designed under the influence of Frank Lloyd Wright and Le Corbusier in this relatively small community. Illustrated with photographs and architectural drawings that showcase modern design in(...)
Lethbridge modern
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Arthur Erickson's internationally renowned example of "brutalist modernism", the University of Lethbridge, is a featured example in this review of the surprising number of buildings designed under the influence of Frank Lloyd Wright and Le Corbusier in this relatively small community. Illustrated with photographs and architectural drawings that showcase modern design in educational, religious, commercial, and industrial buildings and modern homes, Forseth's essay is accompanied by an interview with Erickson.
Architecture in Canada
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In the ten years since the first edition of "A Guide to Canadian Architectural Styles" was published, the heritage movement has gained strength, sensitizing many to the value of our architectural legacy. This new edition reflects an enriched understanding of architecture that focuses more on the visual and cultural setting of the built environment and less on individual(...)
Architecture in Canada
September 2003, Peterborough, Ontario
A guide to Canadian architectural styles, second edition
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In the ten years since the first edition of "A Guide to Canadian Architectural Styles" was published, the heritage movement has gained strength, sensitizing many to the value of our architectural legacy. This new edition reflects an enriched understanding of architecture that focuses more on the visual and cultural setting of the built environment and less on individual works seen in isolation. Today, we cherish the buildings that characterize the original Main Street / rue Principale - the bank building, the shops, the old hotel, the post office, the city hall. There is more recognition for older inner-city neighbourhoods, with their row housing, churches, and community halls as well as for our often romantic attachment to vernacular rural architecture. This interest in more ordinary-looking architecture marks both the democratization of Canada's heritage movement and its coming of age, for the value of these more modest structures lies in their unique ability to sustain a sense of identity. This book provides an essential profile of the origins and development of the many architectural styles across Canada, from early settlement to the postmodern period, and discusses special forms such as religious, civic, domestic, commercial, and industrial design. While remaining true to the accessible format of the first edition, the second offers updated and considerably expanded text, as well as many more illustrations.
Architecture in Canada
Studioeast 2002
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A student journal of work from the architecture and urban planning programs at Dalhousie University, Nova Scotia.
Architecture in Canada
September 2002, Halifax
Studioeast 2002
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A student journal of work from the architecture and urban planning programs at Dalhousie University, Nova Scotia.
Architecture in Canada
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In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy(...)
The National Gallery of Canada : ideas and architecture
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In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy with philosophy, art theory, and architectural analysis, Ord provides vivid accounts of successive directors' struggles to obtain a permanent home for the nation's art. Ord looks at the gallery's historical and intellectual context - from 1910 when Eric Brown became the gallery's founding director, through Jean Sutherland Boggs, to Shirley Thomson - shedding light on its acquisitions, government policy towards the arts, and the public's deep-rooted suspicion of avant-garde art. In showing how Canadian art came to be housed in a building whose architectural and ideological sources include Gothic cathedrals, Islamic mosques, Egyptian temples, St Peter's Basilica, and the squared-stone facades of the Holy City of Jerusalem, The National Gallery of Canada insightfully explores the relationship of Canada's art and its National Gallery to the project of the Canadian nation state.
Architecture in Canada
Off the radar
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Architectural design is not limited by geographical, economic or political boundaries. However, the majority of the architecture brought to the world's attention tends to be concentrated in a few countries and located in the wealthier nations of Europe and North America. This "Architectural Design" title seeks to present recent architecture that is situated beyond these(...)
Architecture in Canada
March 2003, London
Off the radar
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Architectural design is not limited by geographical, economic or political boundaries. However, the majority of the architecture brought to the world's attention tends to be concentrated in a few countries and located in the wealthier nations of Europe and North America. This "Architectural Design" title seeks to present recent architecture that is situated beyond these familiar boundaries and outside the customary centres of architectural debate. It focuses on architecture that positively benefits from being at the periphery. By presenting work from countries as diverse as Iceland, Guinea, Canada, Portugal, Chile, New Zealand and India, it highlights buildings designed to respond to climatic extremes, remote sites and a broad range of social settings. It also identifies architects who are exploring the potential of materials and limited resources. This work has not only been sought out for attention, but is documented and connected through interviews with selected architects and international contributors who are designing, researching and building at the edge.
Architecture in Canada
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A rich visual history of one of North America's premier engineering firms and the extraordinary buildings this company engineered. Fifty years after it was founded, the Yolles Partnership continues the larger-than-life engineering tradition on which Canada was built. But its legacy-thousands of structures to date-constitutes an important architectural record of the(...)
Architecture in Canada
January 1900, Vancouver / Toronto
Yolles : a Canadian engineering legacy
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A rich visual history of one of North America's premier engineering firms and the extraordinary buildings this company engineered. Fifty years after it was founded, the Yolles Partnership continues the larger-than-life engineering tradition on which Canada was built. But its legacy-thousands of structures to date-constitutes an important architectural record of the styles and the statements that have predominated over the last half century. From modernism through structural expression, Yolles celebrates the vision of Morden Yolles and Roland Bergmann and some of the firm's legendary technical accomplishments. Throughout the years, the Yolles Partnership worked with a who's who of Canada's finest architects, including such notables as Peter Dickinson, Irving Grossman and Ray Moriyama, and international luminaries Cesar Pelli and Norman Foster, among others. They designed the structures of some of the country's most memorable buildings. Among them are First Canadian Place, Champlain College at Trent University, Galleria and Heritage Square at BCE Place. Overseas projects included such structures as New York's Battery Park and the famed Docklands Light Railway roof at Canary Wharf in London, England. Designed by Bruce Mau Design, and using narrative, photographs and drawings relating to many of Canada's best-known structures, Yolles provides a fascinating record of modern building in Canada.
Architecture in Canada
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In General Stores of Canada: Merchants and Memories, Rae Fleming explores our relationship with the general store. The book examines the eclectic architecture of general stores and ponders their history.
General stores of Canada : merchants and memories
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In General Stores of Canada: Merchants and Memories, Rae Fleming explores our relationship with the general store. The book examines the eclectic architecture of general stores and ponders their history.
Architecture in Canada
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There is an almost elemental appeal in the rural fishing villages of Nova Scotia, Maine, and Newfoundland. Their intimate connection to nature, to the land, water, and (often harsh) weather; their reliance on ingenuity, on-hand materials, and craftsmanship; and their values of thrift and endurance serve as inspiration and as touchstones for those of us caught up in the(...)
Tilting : house launching, slide hauling, potato trenching, and other tales from a Newfoundland fishing village
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There is an almost elemental appeal in the rural fishing villages of Nova Scotia, Maine, and Newfoundland. Their intimate connection to nature, to the land, water, and (often harsh) weather; their reliance on ingenuity, on-hand materials, and craftsmanship; and their values of thrift and endurance serve as inspiration and as touchstones for those of us caught up in the hubbub of modern life. "Tilting" is a celebration of all these virtues and an eclectic documentation of the buildings, landscape, and lifestyle of this remote community on a small island far off the Canadian coast. Through photographs, firsthand historical anecdotes, and delicate pencil drawings, author Robert Mellin presents a personal account of Tilting's houses, outbuildings, furniture, tools, fences, and docks, and, in the process, the way of life of Tilting. Mellin describes how houses are built for mobility and then "launched," or moved; how houses are detailed and constructed; how cabbage houses are built out of overturned boats; and the difference between picket, paling, and riddle fences.
Architecture in Canada
books
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With texts by Gilles Pellerin, Sophie Gironnay, Alexis Ligoune, and Ricardo L. Castro.
Architecture in Canada
April 1997, Québec
Projects and achievements : Pierre Thibault
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With texts by Gilles Pellerin, Sophie Gironnay, Alexis Ligoune, and Ricardo L. Castro.
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April 1997, Québec
Architecture in Canada
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"Substance over Spectacle" presents the best and brightest architectural work in Canada in the last ten years, providing a representative sample of Canadian architectural practice since the early nineties, and demonstrating a specific Canadian sensibility that is unlike any architectural trend elsewhere in the world. The book also explores issues of viability,(...)
Substance over spectacle : contemporary Canadian architecture
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"Substance over Spectacle" presents the best and brightest architectural work in Canada in the last ten years, providing a representative sample of Canadian architectural practice since the early nineties, and demonstrating a specific Canadian sensibility that is unlike any architectural trend elsewhere in the world. The book also explores issues of viability, sustainability, community, and utility as they relate to the Canadian architectural experience. Included is the work of twenty-five architects from every area of the country, each represented by an installation of their own design and construction. In addition to photographs of the finished projects, "Substance over Spectacle" also features images of models and architectural drawings, together with analytical/critical text demonstrating the architectural ideas embedded in the work. Five essays deal with different aspects of contemporary Canadian architecture, written by some of Canada’s leading thinkers on architecture: George Baird, Sherry McKay, Marco Polo, Georges Adamczyk, and Andrew Gruft. Publication of the book coincides with an exhibition of the same name mounted by the Morris and Helen Belkin Art Gallery at the University of British Columbia, in April 2005, during the international conference of the Society of Architectural Historians, which is taking place at UBC. "Substance over Spectacle", the first national critical overview of Canadian architecture in some eighteen years, offers fresh new perspectives on how our architecture defines us as we approach the first mid-decade of the new century.
Architecture in Canada