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Corridor offers a series of conceptually provocative readings that illuminate a hidden and surprising relationship between architectural space and modern American fiction. By paying close attention to fictional descriptions of some of modernity's least remarkable structures, Kate Marshall discovers a rich network of connections between corridors and novels, one that also(...)
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Corridor offers a series of conceptually provocative readings that illuminate a hidden and surprising relationship between architectural space and modern American fiction. By paying close attention to fictional descriptions of some of modernity's least remarkable structures, Kate Marshall discovers a rich network of connections between corridors and novels, one that also(...)
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Corridor: media architecture in american fiction
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Corridor offers a series of conceptually provocative readings that illuminate a hidden and surprising relationship between architectural space and modern American fiction. By paying close attention to fictional descriptions of some of modernity's least remarkable structures, Kate Marshall discovers a rich network of connections between corridors and novels, one that also sheds new light on the nature of modern media.
Corridor: media architecture in american fiction
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Corridor offers a series of conceptually provocative readings that illuminate a hidden and surprising relationship between architectural space and modern American fiction. By paying close attention to fictional descriptions of some of modernity's least remarkable structures, Kate Marshall discovers a rich network of connections between corridors and novels, one that also sheds new light on the nature of modern media.
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books
books
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February 2013
February 2013
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Architecture and Film, Set Design
Architecture and Film, Set Design
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From one of the earliest mobile shots in film history — a voyage up the Grand Canal shot in 1896 — to classic depictions of the city like Summertime, Death in Venice, and Don’t Look Now, as well as recent big budget productions such as The Tourist, this book spans the history of filmmaking in Venice.
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From one of the earliest mobile shots in film history — a voyage up the Grand Canal shot in 1896 — to classic depictions of the city like Summertime, Death in Venice, and Don’t Look Now, as well as recent big budget productions such as The Tourist, this book spans the history of filmmaking in Venice.
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World film locations : Venice
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From one of the earliest mobile shots in film history — a voyage up the Grand Canal shot in 1896 — to classic depictions of the city like Summertime, Death in Venice, and Don’t Look Now, as well as recent big budget productions such as The Tourist, this book spans the history of filmmaking in Venice.
World film locations : Venice
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From one of the earliest mobile shots in film history — a voyage up the Grand Canal shot in 1896 — to classic depictions of the city like Summertime, Death in Venice, and Don’t Look Now, as well as recent big budget productions such as The Tourist, this book spans the history of filmmaking in Venice.
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books
books
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March 2013
March 2013
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Architecture and Film, Set Design
Architecture and Film, Set Design
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books
books
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World Film Locations : Vancouver offers insight into how so-called “runaway” productions from Hollywood use Vancouver as a stand-in for other locations and it highlights the work of Canadian filmmakers who deserve more attention. Thirty-eight analyses of different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the(...)
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World Film Locations : Vancouver offers insight into how so-called “runaway” productions from Hollywood use Vancouver as a stand-in for other locations and it highlights the work of Canadian filmmakers who deserve more attention. Thirty-eight analyses of different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the(...)
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World film locations : Vancouver
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World Film Locations : Vancouver offers insight into how so-called “runaway” productions from Hollywood use Vancouver as a stand-in for other locations and it highlights the work of Canadian filmmakers who deserve more attention. Thirty-eight analyses of different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the creativity and contradictions of Vancouver’s film industry throughout the ages.
World film locations : Vancouver
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World Film Locations : Vancouver offers insight into how so-called “runaway” productions from Hollywood use Vancouver as a stand-in for other locations and it highlights the work of Canadian filmmakers who deserve more attention. Thirty-eight analyses of different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the creativity and contradictions of Vancouver’s film industry throughout the ages.
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books
books
Publication:
March 2013
March 2013
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
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books
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$31.50
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From Street Scene and Breakfast at Tiffany's to Rosemary's Baby, The Warriors, and 25th Hour , the sixteen essays in this book explore the cinematic representation of New York as a city of experience, as a locus of ideographic characters and spaces, as a city of moves and traps, and as a site of allurement and danger. Contributors consider the work of Woody Allen, Blake(...)
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From Street Scene and Breakfast at Tiffany's to Rosemary's Baby, The Warriors, and 25th Hour , the sixteen essays in this book explore the cinematic representation of New York as a city of experience, as a locus of ideographic characters and spaces, as a city of moves and traps, and as a site of allurement and danger. Contributors consider the work of Woody Allen, Blake(...)
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Publication:
July 2007, New Brunswick New Jersey London
July 2007, New Brunswick New Jersey London
Title:
City that never sleeps: New York and the filmic imagination
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From Street Scene and Breakfast at Tiffany's to Rosemary's Baby, The Warriors, and 25th Hour , the sixteen essays in this book explore the cinematic representation of New York as a city of experience, as a locus of ideographic characters and spaces, as a city of moves and traps, and as a site of allurement and danger. Contributors consider the work of Woody Allen, Blake Edwards, Alfred Hitchcock, Gregory La Cava, Spike Lee, Sidney Lumet, Vincente Minnelli, Roman Polanski, Martin Scorsese, Andy Warhol, and numerous others.
City that never sleeps: New York and the filmic imagination
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From Street Scene and Breakfast at Tiffany's to Rosemary's Baby, The Warriors, and 25th Hour , the sixteen essays in this book explore the cinematic representation of New York as a city of experience, as a locus of ideographic characters and spaces, as a city of moves and traps, and as a site of allurement and danger. Contributors consider the work of Woody Allen, Blake Edwards, Alfred Hitchcock, Gregory La Cava, Spike Lee, Sidney Lumet, Vincente Minnelli, Roman Polanski, Martin Scorsese, Andy Warhol, and numerous others.
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books
books
Publication:
July 2007, New Brunswick New Jersey London
July 2007, New Brunswick New Jersey London
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
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books
books
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$35.95
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The city is one of the greatest unsung heroes in cinema -- a modernist inspiration for silent classics such as Metropolis (1926) and a dense urban jungle in The Matrix (1999) -- yet there have been few attempts to grasp the cultural and aesthetic nature of its role in film. This volume is an ambitious collection of writings and photo-essays discussing this complex yet(...)
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The city is one of the greatest unsung heroes in cinema -- a modernist inspiration for silent classics such as Metropolis (1926) and a dense urban jungle in The Matrix (1999) -- yet there have been few attempts to grasp the cultural and aesthetic nature of its role in film. This volume is an ambitious collection of writings and photo-essays discussing this complex yet(...)
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Publication:
August 2008, London, New York
August 2008, London, New York
Title:
Cities in transition: the moving image and the modern metropolis
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The city is one of the greatest unsung heroes in cinema -- a modernist inspiration for silent classics such as Metropolis (1926) and a dense urban jungle in The Matrix (1999) -- yet there have been few attempts to grasp the cultural and aesthetic nature of its role in film. This volume is an ambitious collection of writings and photo-essays discussing this complex yet enduring relationship, and how early cinema, digital technology and changing urban geographies have all impacted upon notions and representations of the modern city. Amongst the films discussed are Peeping Tom (1960), Performance (1970), Sans Soleil (1983) and Amores perros (2000). Contributions come from the fields of film studies, cultural theory, architecture and design, as well as filmmakers Patrick Keiller and Chris Petit. Andrew Webber is Reader in Modern German and Comparative Culture at Churchill College, University of Cambridge. He is the author of The European Avant-garde (2004). Emma Wilson is Reader in Contemporary French Literature and Film at Corpus Christi College, University of Cambridge. She is the author of Cinema's Missing Children (2003) and Alain Resnais (2006).
Cities in transition: the moving image and the modern metropolis
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The city is one of the greatest unsung heroes in cinema -- a modernist inspiration for silent classics such as Metropolis (1926) and a dense urban jungle in The Matrix (1999) -- yet there have been few attempts to grasp the cultural and aesthetic nature of its role in film. This volume is an ambitious collection of writings and photo-essays discussing this complex yet enduring relationship, and how early cinema, digital technology and changing urban geographies have all impacted upon notions and representations of the modern city. Amongst the films discussed are Peeping Tom (1960), Performance (1970), Sans Soleil (1983) and Amores perros (2000). Contributions come from the fields of film studies, cultural theory, architecture and design, as well as filmmakers Patrick Keiller and Chris Petit. Andrew Webber is Reader in Modern German and Comparative Culture at Churchill College, University of Cambridge. He is the author of The European Avant-garde (2004). Emma Wilson is Reader in Contemporary French Literature and Film at Corpus Christi College, University of Cambridge. She is the author of Cinema's Missing Children (2003) and Alain Resnais (2006).
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books
books
Publication:
August 2008, London, New York
August 2008, London, New York
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
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books
books
Title:
Dance in Herland
Dance in Herland
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''Dance in Herland'' surveys artist Luka Yuanyuan Yang’s cinematic oeuvre, including her feature-length production Chinatown Cha-Cha and five short films centered on diasporic Chinese communities. The book picks up where the films end, serving as both a reflection and a complement, while also creating a new narrative. Over nearly a year of editing, we felt like revisiting(...)
$69.99
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''Dance in Herland'' surveys artist Luka Yuanyuan Yang’s cinematic oeuvre, including her feature-length production Chinatown Cha-Cha and five short films centered on diasporic Chinese communities. The book picks up where the films end, serving as both a reflection and a complement, while also creating a new narrative. Over nearly a year of editing, we felt like revisiting(...)
Title:
Dance in Herland
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''Dance in Herland'' surveys artist Luka Yuanyuan Yang’s cinematic oeuvre, including her feature-length production Chinatown Cha-Cha and five short films centered on diasporic Chinese communities. The book picks up where the films end, serving as both a reflection and a complement, while also creating a new narrative. Over nearly a year of editing, we felt like revisiting 20th-century San Francisco and Cuba, tracing history through the neons of Chinatown and the echoes of Cantonese opera. For the dancers and performers documented in this book, their bodies act as living archives; their memories and unspoken emotions may be concealed in their steps, fingertips, and gazes.
Dance in Herland
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''Dance in Herland'' surveys artist Luka Yuanyuan Yang’s cinematic oeuvre, including her feature-length production Chinatown Cha-Cha and five short films centered on diasporic Chinese communities. The book picks up where the films end, serving as both a reflection and a complement, while also creating a new narrative. Over nearly a year of editing, we felt like revisiting 20th-century San Francisco and Cuba, tracing history through the neons of Chinatown and the echoes of Cantonese opera. For the dancers and performers documented in this book, their bodies act as living archives; their memories and unspoken emotions may be concealed in their steps, fingertips, and gazes.
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books
books
Publication:
April 2025
April 2025
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
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books
books
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$38.00
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Founded in 2018, COUSIN Collective is dedicated to promoting Indigenous artists working with the moving image. ''Temporal Territories'' is the collective’s critical anthology on Indigenous experimental cinema, bringing together new works, reprints of key writings, theoretical interventions, artist portfolios, intergenerational dialogues and manifestos. With topics ranging(...)
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Founded in 2018, COUSIN Collective is dedicated to promoting Indigenous artists working with the moving image. ''Temporal Territories'' is the collective’s critical anthology on Indigenous experimental cinema, bringing together new works, reprints of key writings, theoretical interventions, artist portfolios, intergenerational dialogues and manifestos. With topics ranging(...)
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Temporal territories: An anthology on indigenous experimental cinema
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Founded in 2018, COUSIN Collective is dedicated to promoting Indigenous artists working with the moving image. ''Temporal Territories'' is the collective’s critical anthology on Indigenous experimental cinema, bringing together new works, reprints of key writings, theoretical interventions, artist portfolios, intergenerational dialogues and manifestos. With topics ranging from science fiction to found-footage filmmaking to the strange case of the DeMille Indians, the volume surveys a varied and vital body of work, and suggests new forms still to come.
Temporal territories: An anthology on indigenous experimental cinema
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$38.00
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Summary:
Founded in 2018, COUSIN Collective is dedicated to promoting Indigenous artists working with the moving image. ''Temporal Territories'' is the collective’s critical anthology on Indigenous experimental cinema, bringing together new works, reprints of key writings, theoretical interventions, artist portfolios, intergenerational dialogues and manifestos. With topics ranging from science fiction to found-footage filmmaking to the strange case of the DeMille Indians, the volume surveys a varied and vital body of work, and suggests new forms still to come.
Form:
books
books
Publication:
April 2025
April 2025
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
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books
books
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$40.00
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''Colectivo Los Ingrávidos: An Anthology'' explores the radical practice of one of today's most prolific and politically charged film collectives. Emerging in 2012, ''Colectivo Los Ingrávidos'' challenges cinematic conventions through a decolonial lens, making films that dissolve the boundaries between ritual and resistance, myth and history, the personal and the(...)
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''Colectivo Los Ingrávidos: An Anthology'' explores the radical practice of one of today's most prolific and politically charged film collectives. Emerging in 2012, ''Colectivo Los Ingrávidos'' challenges cinematic conventions through a decolonial lens, making films that dissolve the boundaries between ritual and resistance, myth and history, the personal and the(...)
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Publication:
July 2025
July 2025
Title:
Colectivo los ingravidos: An anthology 2012-2024
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''Colectivo Los Ingrávidos: An Anthology'' explores the radical practice of one of today's most prolific and politically charged film collectives. Emerging in 2012, ''Colectivo Los Ingrávidos'' challenges cinematic conventions through a decolonial lens, making films that dissolve the boundaries between ritual and resistance, myth and history, the personal and the collective. This publication gathers ''Los Ingrávidos''' foundational texts - including their ''Manifesto and Thesis on the Audiovisual'' - alongside newly comissioned essays and critical reflections by thinkers in experimental and decolonial cinema. By presenting the collective's writings in their voice while broadening its reach.
Colectivo los ingravidos: An anthology 2012-2024
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''Colectivo Los Ingrávidos: An Anthology'' explores the radical practice of one of today's most prolific and politically charged film collectives. Emerging in 2012, ''Colectivo Los Ingrávidos'' challenges cinematic conventions through a decolonial lens, making films that dissolve the boundaries between ritual and resistance, myth and history, the personal and the collective. This publication gathers ''Los Ingrávidos''' foundational texts - including their ''Manifesto and Thesis on the Audiovisual'' - alongside newly comissioned essays and critical reflections by thinkers in experimental and decolonial cinema. By presenting the collective's writings in their voice while broadening its reach.
Form:
books
books
Publication:
July 2025
July 2025
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
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books
books
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$69.95
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Summary:
Le cinéma et le design le montrent : l'objet impossible peut exister, de multiples manières. Il peut être une pure potentialité, comme un sabre laser (dans Star Wars, ou ailleurs), ou un projet prospectif rattrapé par la réalité (le frigo connecté de Total Recall) ; un moyen de générer de l'énergie ou de voyager dans le temps ; il peut être une caméra, une voiture(...)
$69.95
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Le cinéma et le design le montrent : l'objet impossible peut exister, de multiples manières. Il peut être une pure potentialité, comme un sabre laser (dans Star Wars, ou ailleurs), ou un projet prospectif rattrapé par la réalité (le frigo connecté de Total Recall) ; un moyen de générer de l'énergie ou de voyager dans le temps ; il peut être une caméra, une voiture(...)
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Publication:
September 2025
September 2025
Title:
L'encyclopédie des objets impossibles
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Le cinéma et le design le montrent : l'objet impossible peut exister, de multiples manières. Il peut être une pure potentialité, comme un sabre laser (dans Star Wars, ou ailleurs), ou un projet prospectif rattrapé par la réalité (le frigo connecté de Total Recall) ; un moyen de générer de l'énergie ou de voyager dans le temps ; il peut être une caméra, une voiture réincarnée, un faux livre, un miroir magique ou un plumbus. De tous ces objets, il est question dans « L'Encyclopédie des Objets Impossibles », qui se veut un inventaire critique d'objets de cinéma et de ciné-objets du quotidien, destiné à ouvrir le champ des possibles en termes de représentation et, plus encore, de conception. « L'Encyclopédie des Objets Impossibles » rassemble des articles de recherches, analytiques, critiques, prospectifs, des recueils de notices encyclopédiques, des essais de forme plus libre, allant du cataloguage systématique aux écrits poétiques.
L'encyclopédie des objets impossibles
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Le cinéma et le design le montrent : l'objet impossible peut exister, de multiples manières. Il peut être une pure potentialité, comme un sabre laser (dans Star Wars, ou ailleurs), ou un projet prospectif rattrapé par la réalité (le frigo connecté de Total Recall) ; un moyen de générer de l'énergie ou de voyager dans le temps ; il peut être une caméra, une voiture réincarnée, un faux livre, un miroir magique ou un plumbus. De tous ces objets, il est question dans « L'Encyclopédie des Objets Impossibles », qui se veut un inventaire critique d'objets de cinéma et de ciné-objets du quotidien, destiné à ouvrir le champ des possibles en termes de représentation et, plus encore, de conception. « L'Encyclopédie des Objets Impossibles » rassemble des articles de recherches, analytiques, critiques, prospectifs, des recueils de notices encyclopédiques, des essais de forme plus libre, allant du cataloguage systématique aux écrits poétiques.
Form:
books
books
Publication:
September 2025
September 2025
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
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books
books
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$59.95
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Thirty-three richly suggestive stories by Antonioni, that range in length from a single paragraph to several pages. Not stories in the usual sense, these are instead a series of evocative sketches or “narrative nuclei,” each the genesis for a possible future film. Although he ultimately didn’t develop most of these ideas further, encountering them now provides a unique(...)
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Summary:
Thirty-three richly suggestive stories by Antonioni, that range in length from a single paragraph to several pages. Not stories in the usual sense, these are instead a series of evocative sketches or “narrative nuclei,” each the genesis for a possible future film. Although he ultimately didn’t develop most of these ideas further, encountering them now provides a unique(...)
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Publication:
December 2025
December 2025
Title:
That bowling alley on the Tiber
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Thirty-three richly suggestive stories by Antonioni, that range in length from a single paragraph to several pages. Not stories in the usual sense, these are instead a series of evocative sketches or “narrative nuclei,” each the genesis for a possible future film. Although he ultimately didn’t develop most of these ideas further, encountering them now provides a unique glimpse into Antonioni’s mind and cinematic point of view.
That bowling alley on the Tiber
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$59.95
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Thirty-three richly suggestive stories by Antonioni, that range in length from a single paragraph to several pages. Not stories in the usual sense, these are instead a series of evocative sketches or “narrative nuclei,” each the genesis for a possible future film. Although he ultimately didn’t develop most of these ideas further, encountering them now provides a unique glimpse into Antonioni’s mind and cinematic point of view.
Form:
books
books
Publication:
December 2025
December 2025
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
