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"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of(...)
The artist as producer : Russian Constructivism in revolution
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"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of artists to call themselves Constructivists. Her lively narrative ranges from famous figures such as Aleksandr Rodchenko to others who are much less well known, such as Karl Ioganson, a key member of the state-funded INKhUK whose work paved the way for an eventual dematerialization of the integral art object. Through the mining of untapped archives and collections in Russia and Latvia and a close reading of key Constructivist works, Gough highlights fundamental differences among the Moscow group in their handling of the experimental new sculptural form - the spatial construction - and of their subsequent shift to industrial production. "The Artist as Producer" upends the standard view that the Moscow group's formalism and abstraction were incompatible with the sociopolitical imperatives of the new Communist state. It challenges the common equation of Constructivism with functionalism and utilitarianism by delineating a contrary tendency toward non-determinism and an alternate orientation to process rather than product. Finally, the book counters the popular perception that Constructivism failed in its ambition to enter production by presenting the first-ever case study of how a Constructivist could, and in fact did, operate within an industrial environment. "The Artist as Producer" offers provocative new perspectives on three critical issues - formalism, functionalism, and failure - that are of central importance to our understanding not only of the Soviet phenomenon but also of the European vanguards more generally.
Architecture since 1900, Europe
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The 13th-century town of Tübingen, Germany, is best known for its university, which spawned both Hegel and Kepler. And now, something very progressive is going on in the southern sector of the city. A field where an army barracks once stood has been transformed into a new district which has won international praise and awards for the way it has forged a livable and lovely(...)
Architecture since 1900, Europe
September 2005, Berlin
Go south : the Tübinger model
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The 13th-century town of Tübingen, Germany, is best known for its university, which spawned both Hegel and Kepler. And now, something very progressive is going on in the southern sector of the city. A field where an army barracks once stood has been transformed into a new district which has won international praise and awards for the way it has forged a livable and lovely mixed-use environment out of thin (and clean) air. "Go South", in essays and in the color photographs of Gudrun Theresia de Maddalena, tells the story of what should become a model for urban and suburban development. The palette of buildings and spaces ranges from single-family homes to a townhouse for almost 30 families, from a business promotion center to a passive-solar mixed-use building, complete with apartments, office units, shops, a kindergarten, and a greenhouse lobby. The Tübingen South district received the European Municipal Construction Award in 2002 and the Deutsche Immobilien Fonds AG award for Europe's Best Districts in 2004.
Architecture since 1900, Europe
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How does one reintegrate old textile mills into the fabric of a community? At a former Leipzig cotton-spinning mill (now the site of the Federkiel Foundation), a group of architects, critics, preservationists, city planners, and artists (among them Anne Dressen and Philipp Oswalt) convened to discuss the conversion of industrial space into cultural gathering place.(...)
How architecture can think socially
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How does one reintegrate old textile mills into the fabric of a community? At a former Leipzig cotton-spinning mill (now the site of the Federkiel Foundation), a group of architects, critics, preservationists, city planners, and artists (among them Anne Dressen and Philipp Oswalt) convened to discuss the conversion of industrial space into cultural gathering place. Chapters here cover P.S.1 in New York and MASS MoCA.
Architecture since 1900, Europe
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In 1939, James Agee was assigned to write an article on Brooklyn for a special issue of Fortune on New York City. The draft was rejected for “creative differences,” and remained unpublished until it appeared in Esquire in 1968 under the title “Southeast of the Island : travel notes.” Crossing the borough from the brownstone heights over the Brooklyn Bridge out through(...)
Brooklyn is : southeast of the island, travel notes
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In 1939, James Agee was assigned to write an article on Brooklyn for a special issue of Fortune on New York City. The draft was rejected for “creative differences,” and remained unpublished until it appeared in Esquire in 1968 under the title “Southeast of the Island : travel notes.” Crossing the borough from the brownstone heights over the Brooklyn Bridge out through backstreet neighborhoods like Flatbush, Midwood, and Sheepshead Bay that roll silently to the sea, Agee captured in 10,000 remarkable words the essence of a place and its people.
Architecture since 1900, Europe
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In "Tower and Office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the war(...)
October 2005, Cambridge
Tower and office : from Modernist theory to contemporary practice
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In "Tower and Office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the war was the source of powerful new structural models and construction methods. The authors examine the ways these technologies have been inflected over the last half century by more subjective and integrated processes of spatial organization. In the first part of the book, Abalos and Herreros focus on the work of Le Corbusier, revealing the degree of complexity achieved in his interpretation of the modern skyscraper. In the second part, they look at the intersection of technical and cultural determinants in the design of high-rise structures since World War II. Among the issues they consider are the evolution of the load-bearing frame, the impact of high-tech systems on tall buildings, and the transparent building skin. In the third part, they address developments in office design and planning, tracing an evolution from the repetitive and homogeneous office skyscraper to the present-day mixed-use structure. Overall they demonstrate how the objective technical analysis associated with modernist architectural theory has given way in recent building practice to a variety of flexible, pragmatic, and environmental approaches. These, they suggest, have opened the way to new urban and architectural forms.
Unseen Europe : a survey of EU politics and its impact on spatial development in the Netherlands
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The EU is involved, either directly or indirectly, in the most vital issues of national spatial policy. The indirect - and therefore usually unseen - consequences are often more significant, and will become increasingly so in the future. These are the most important findings in "Unseen Europe : a survey of EU politics and its impact on spatial development in the(...)
Architecture since 1900, Europe
January 2004, Rotterdam
Unseen Europe : a survey of EU politics and its impact on spatial development in the Netherlands
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The EU is involved, either directly or indirectly, in the most vital issues of national spatial policy. The indirect - and therefore usually unseen - consequences are often more significant, and will become increasingly so in the future. These are the most important findings in "Unseen Europe : a survey of EU politics and its impact on spatial development in the Netherlands". This study by the Netherlands Institute for Spatial Planning (Ruimtelijk Planbureau) was presented to the Dutch minister of Housing, Spatial Planning and the Environment, Sybilla M. Dekker. This study surveys a selected number of spatially relevant EU policy fields and their potential impacts in the Netherlands. Given this growing importance of European policy, those involved in spatial policy should keep abreast of developments to avoid being caught off-guard by new EU directives or initiatives. Where necessary position should be taken against the too uniform a character of European policy. Otherwise, the Dutch government should more actively anticipate the chances offered by the European context. Without this European perspective it is more and more difficult to conduct spatial policy. Instead of considering the EU as restrictive only, policy should therefore be formulated from a European perspective. In this respect the Netherlands still turns its back on Brussels too much.
Architecture since 1900, Europe
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This book is based on two assumptions : the first is the will to identify and describe a network of existing relationship in a culture of new disciplinary connections ranging from the city to architecture to design. The other is that, in a difficult country like Italy, challenging the problem of conveying and promoting contemporary architectural projects is a somewhat(...)
Architecture since 1900, Europe
June 2005, Barcelone
Net.it : a snapshot of contemporary architecture, design and photography in Italy
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This book is based on two assumptions : the first is the will to identify and describe a network of existing relationship in a culture of new disciplinary connections ranging from the city to architecture to design. The other is that, in a difficult country like Italy, challenging the problem of conveying and promoting contemporary architectural projects is a somewhat slippery task.
Architecture since 1900, Europe
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From the 1920s through the 1950s, two individuals, Joseph Urban and Norman Bel Geddes, did more, by far, to create the image of “America” and make it synonymous with modernity than any of their contemporaries. Urban and Bel Geddes were leading Broadway stage designers and directors who turned their prodigious talents to other projects, becoming mavericks first in(...)
November 2005, New Haven
Designing modern America : Broadway to Main Street
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From the 1920s through the 1950s, two individuals, Joseph Urban and Norman Bel Geddes, did more, by far, to create the image of “America” and make it synonymous with modernity than any of their contemporaries. Urban and Bel Geddes were leading Broadway stage designers and directors who turned their prodigious talents to other projects, becoming mavericks first in industrial design and then in commercial design, fashion, architecture, and more. The two men gave shape to the most quintessential symbols of the modern American lifestyle, including movies, cars, department stores, and nightclubs, along with private homes, kitchens, stoves, fridges, magazines, and numerous household furnishings.
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Vol. 1: Introduction - Vol. 2: Frontières, communes : brève histoire du territoire - Vol. 3: Matériaux.
Architecture since 1900, Europe
November 2005, Basel
La Suisse, portrait urbain (3 volumes)
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Vol. 1: Introduction - Vol. 2: Frontières, communes : brève histoire du territoire - Vol. 3: Matériaux.
Architecture since 1900, Europe
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"Caracas litoral, Venezuela" looks at the challenges, obstacles, and opportunities facing the reconstruction of coastal communities near Caracas, after mudslides devastated these areas in December 1999. Already in the midst of informal land development, affluent weekend residents from Caracas had awkwardly occupied this dramatic and precarious strip of coastland between(...)
September 2005, New York
New urbanism 6 : Caracas litoral, Venezuela / El litoral de Caracas, Venezuela
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"Caracas litoral, Venezuela" looks at the challenges, obstacles, and opportunities facing the reconstruction of coastal communities near Caracas, after mudslides devastated these areas in December 1999. Already in the midst of informal land development, affluent weekend residents from Caracas had awkwardly occupied this dramatic and precarious strip of coastland between the Gulf of Mexico and the Avila Mountain - also shared with the national airport and second largest seaport. In a city where most of the urban population lives in informal housing, the contested nature of redevelopment - emergent social, economic, and cultural patterns confronting traditional patterns of settlement - could easily be predicted. Fully bilingual, in English and Spanish, this book explores opportunities that unite the various constituencies through innovative programming, sustainable geological/hydrological infrastructure, and economically viable housing and commercial development.