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En Asie, le grand hôtel est directement lié au voyageur étranger. Il correspond à un temps non seulement de modernisation urbaine mais aussi d'ouverture et de relation avec les Occidentaux. C'est donc un lieu de rapport de forces économiques, d'importation de techniques modernes et de comportements nouveaux, un lieu enfin de confrontation culturelle. Objet urbain importé(...)
January 2004, Paris
Les grands hôtels en Asie : modernité, dynamiques urbaines et sociabilité
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En Asie, le grand hôtel est directement lié au voyageur étranger. Il correspond à un temps non seulement de modernisation urbaine mais aussi d'ouverture et de relation avec les Occidentaux. C'est donc un lieu de rapport de forces économiques, d'importation de techniques modernes et de comportements nouveaux, un lieu enfin de confrontation culturelle. Objet urbain importé de l'Occident, le grand hôtel s'impose néanmoins comme marqueur des sociétés urbaines asiatiques. Il invite ainsi à reconsidérer les oppositions classiques entre la tradition et la modernité, l'identité asiatique et l'occidentalisation. Différentes générations de grands hôtels coexistent aujourd'hui dans les métropoles développées d'Asie que sont Tôkyô, Séoul, Hong Kong, Shanghai ou Pékin. Nombreux sont leurs atouts pour attirer les clients locaux et étrangers : ils s'appuient sur l'évocation de temps magnifiés et révolus, ou au contraire sur la modernité et le renouveau qu'ils incarnent ; ou bien ils jouent de leur double identité occidentale et asiatique ; enfin, ils offrent des services spécifiques (bar de nuit, salle d'exposition, centre de conférence...) Deux démarches sont ici suivies : une comparaison de l'usage asiatique du grand hôtel - et de ses temporalités - avec celui en Europe et en Amérique du Nord ; puis, l'analyse des modèles urbains venus d'Occident non pas sous l'angle de la seule importation mais aussi sous celui d'une histoire proprement asiatique de l'occidentalisation. A partir d'un objet singulier, cet ouvrage propose une interrogation sur la ville dans ses dimensions spatiale, sociale et de représentation. Il porte en particulier sur les sociabilités urbaines en Asie aujourd'hui, et il est issu d'une réflexion commune entre architectes, historiens et géographes, tous spécialistes de l'Asie orientale.
books
January 2004, Paris
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Urban Flashes Asia is a bold conceptual and architectural response to the contemporary city. Supplanting recent Western accounts of urban developments, centred largely on European research, it introduces an emergent network of globally dispersed architects, theorists and urbanists.
October 2003, Chichester
Urban flashes Asia : new architecture and urbanism in Asia
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Urban Flashes Asia is a bold conceptual and architectural response to the contemporary city. Supplanting recent Western accounts of urban developments, centred largely on European research, it introduces an emergent network of globally dispersed architects, theorists and urbanists.
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This publication, which emanates from the "Emergent practices in South Asia" lecture series, catalogs 41 emergent architectural practices in South Asia that displayed a rigorous engagement in the making of architecture, landscape, and infrastructure in the public realm. The publication and lecture series aims to capture the current pulse of the region, offering a platform(...)
December 2023
Architectures of Transition: Emergent practices in South Asia
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This publication, which emanates from the "Emergent practices in South Asia" lecture series, catalogs 41 emergent architectural practices in South Asia that displayed a rigorous engagement in the making of architecture, landscape, and infrastructure in the public realm. The publication and lecture series aims to capture the current pulse of the region, offering a platform for dialogue among practitioners and exploring the pluralism of modes of practice.
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n the years following China’s Cultural Revolution, architecture played an active role in the country’s reintegration into the global economy and capitalist world. Looking at the ways in which political and social reform transformed Chinese architecture and how, in turn, architecture gave structure to the reforms, Cole Roskam underlines architecture’s unique ability to(...)
November 2021
Designing reform: architecture in the People's Republic of China, 1970-1992
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n the years following China’s Cultural Revolution, architecture played an active role in the country’s reintegration into the global economy and capitalist world. Looking at the ways in which political and social reform transformed Chinese architecture and how, in turn, architecture gave structure to the reforms, Cole Roskam underlines architecture’s unique ability to shape space as well as behavior. Roskam traces how foreign influences like postmodernism began to permeate Chinese architectural discourse in the 1970s and 1980s and how figures such as Kevin Lynch, I. M. Pei, and John Portman became key forces in the introduction of Western educational ideologies and new modes of production. Offering important insights into architecture’s relationship to the politics, economics, and diplomacy of post-Mao China, this unprecedented interdisciplinary study examines architecture’s multivalent status as an art, science, and physical manifestation of cultural identity.
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Built around snatches of discussion overheard in a Beijing design studio, this book explores attitudes toward architecture in China since the opening of the Treaty Ports in the 1840s. Central to the discussion are the concepts of ti and yong, or “essence” and “form,” Chinese characters that are used to define the proper arrangement of what should be considered modern and(...)
April 2002, Cambridge, Mass.
Architectural encounters with essence and form in modern China
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Built around snatches of discussion overheard in a Beijing design studio, this book explores attitudes toward architecture in China since the opening of the Treaty Ports in the 1840s. Central to the discussion are the concepts of ti and yong, or “essence” and “form,” Chinese characters that are used to define the proper arrangement of what should be considered modern and essentially Chinese. Ti and yong have gone through various transformations--for example, from “Chinese learning for essential principles and Western learning for practical application” to “socialist essence and cultural form” and an almost complete reversal to “modern essence and Chinese form.” The book opens with a discussion of cultural developments in China in response to the forced opening to the West in the mid-nineteenth century, efforts to reform the Qing dynasty, and the Nationalist and Communist regimes. It then considers the return of overseas-educated Chinese architects and foreign influences on Chinese architecture, four architectural orientations toward tradition and modernity in the 1920s and 1930s, and the controversy over the use of “big roofs” and other sinicizing aspects of Chinese architecture in the 1950s. The book then moves to the hard economic conditions of the Great Leap Forward and the Cultural Revolution, when architecture was almost abandoned, and the beginning of reform and opening up to the outside world in the late 1970s and 1980s. Finally, it looks at the present socialist market economy and Chinese architecture during the still incomplete process of modernization. It closes with a prognosis for the future.
Bombay riots
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A film poem. The author demands that the reader's imagination clothe the printed text with a continuous rhythmical flow of images and sounds.
May 2008, London
Bombay riots
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A film poem. The author demands that the reader's imagination clothe the printed text with a continuous rhythmical flow of images and sounds.
How to make a Japanese house
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Nowhere in the world have architects built homes as small as in Japan, and nowhere have they done so with such ingenuity and success. "How to Make a Japanese House" presents 21 lessons in how to design a single-family home from three decades of architectural practice. From the Western perspective, in which more space is better space, small interiors may once have seemed(...)
September 2012
How to make a Japanese house
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Nowhere in the world have architects built homes as small as in Japan, and nowhere have they done so with such ingenuity and success. "How to Make a Japanese House" presents 21 lessons in how to design a single-family home from three decades of architectural practice. From the Western perspective, in which more space is better space, small interiors may once have seemed undesirable, but Japanese architects have long excelled at overcoming the limitations of building in densely populated areas and creating brilliant effects of spaciousness with minimal square footage.
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Going back to the nineteenth century, Scriver and Srivastava look at the beginnings of modernism in colonial India and the ways that public works and patronage fostered new design practices that directly challenged the social order and values invested in the building traditions of the past. They then trace how India’s architecture embodies the dramatic shifts in Indian(...)
June 2015
India: modern architecture in history
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Going back to the nineteenth century, Scriver and Srivastava look at the beginnings of modernism in colonial India and the ways that public works and patronage fostered new design practices that directly challenged the social order and values invested in the building traditions of the past. They then trace how India’s architecture embodies the dramatic shifts in Indian society and culture during the last century. Making sense of a broad range of sources, from private papers and photographic collections to the extensive records of the Indian Public Works Department, they provide the most rounded account of modern architecture in India that has yet been available.
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Ce « Vocabulaire de la spatialité japonaise » est le résultat d'un projet ambitieux, porté par le réseau franco-japonais Japarchi. Elaboré depuis une demi-douzaine d'années, il a réuni soixante-quatre auteurs, tous spécialistes du Japon ou Japonais eux-mêmes, et attachés à la question si fascinante et si particulière de la spatialité au Japon. L'ouvrage s'emploie à faire(...)
Vocabulaire de la spatialité japonaise
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Ce « Vocabulaire de la spatialité japonaise » est le résultat d'un projet ambitieux, porté par le réseau franco-japonais Japarchi. Elaboré depuis une demi-douzaine d'années, il a réuni soixante-quatre auteurs, tous spécialistes du Japon ou Japonais eux-mêmes, et attachés à la question si fascinante et si particulière de la spatialité au Japon. L'ouvrage s'emploie à faire partager au lecteur, par petites touches, sous forme de 199 courts textes, les notions-clefs de la culture japonaise de l'espace, de l'architecture, des jardins, du pavillon de thé, des temples, sanctuaires shintôs et palais, autant que des simples hameaux et maisons populaires, de la ville dense ou des quartiers animés, du mobilier jusqu'aux aménagements du territoire, des origines anciennes jusqu'aux développements les plus contemporains, de l'espace pictural aux avatars de l'urbanité.Chacune de ces notices invite à découvrir ou à comprendre mieux, à visiter sur le terrain les lieux et les monuments, les réalisations ou les dispositifs exemplaires, grâce notamment à une importante iconographie. Des indications savamment choisies « pour en savoir plus » permettent au lecteur de prolonger sa quête, et un ensemble d'index lui facilitent la consultation et conduisent sa recherche.
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Fifteen projects by Japanese architects are presented in this volume, which explores a mixed group of new buildings brought together under the theme of mass. Each work is illustrated through photos and drawings, and accompanied by detailed project data and description. Among the featured buildings are Okidai House by kenta eto, Studio Velocity’s Forest House in the City,(...)
Mass: details in Japan architecture
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Fifteen projects by Japanese architects are presented in this volume, which explores a mixed group of new buildings brought together under the theme of mass. Each work is illustrated through photos and drawings, and accompanied by detailed project data and description. Among the featured buildings are Okidai House by kenta eto, Studio Velocity’s Forest House in the City, T-Nursery by Uchida Architect Design Office, Spiral Roof by Koji Kudo, Shugoin by Love Architecture Inc., Takato Tamagami’s Northern Nautilus, Zushi Apartment by K2YT, and others. The works, all of which are situated in Japan, commonly feature monolithic forms and closed facades.