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Since Osaka World Expo ’70 highlighted contemporary forms, Japan has been a key player in global architecture. Tadao Ando's geometry put Japanese building on the map, bridging East and West. After his concrete buildings, figures like Kengo Kuma, Shigeru Ban, and Kazuyo Sejima pioneered a more sustainable approach. Younger generations have taken new directions, in harmony(...)
Contemporary Japanese architecture
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Since Osaka World Expo ’70 highlighted contemporary forms, Japan has been a key player in global architecture. Tadao Ando's geometry put Japanese building on the map, bridging East and West. After his concrete buildings, figures like Kengo Kuma, Shigeru Ban, and Kazuyo Sejima pioneered a more sustainable approach. Younger generations have taken new directions, in harmony with nature, traditional building, and an endless search for forms. Presenting the latest in Japanese building, this book links this unique creativity to Japan's high population density, modern economy, long history, and continual disasters in the form of earthquakes. Accepting ambiguity, constant change, and catastrophe is a key to understanding how Japanese architecture differs from that of Europe or America.
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En Asie, le grand hôtel est directement lié au voyageur étranger. Il correspond à un temps non seulement de modernisation urbaine mais aussi d'ouverture et de relation avec les Occidentaux. C'est donc un lieu de rapport de forces économiques, d'importation de techniques modernes et de comportements nouveaux, un lieu enfin de confrontation culturelle. Objet urbain importé(...)
January 2004, Paris
Les grands hôtels en Asie : modernité, dynamiques urbaines et sociabilité
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En Asie, le grand hôtel est directement lié au voyageur étranger. Il correspond à un temps non seulement de modernisation urbaine mais aussi d'ouverture et de relation avec les Occidentaux. C'est donc un lieu de rapport de forces économiques, d'importation de techniques modernes et de comportements nouveaux, un lieu enfin de confrontation culturelle. Objet urbain importé de l'Occident, le grand hôtel s'impose néanmoins comme marqueur des sociétés urbaines asiatiques. Il invite ainsi à reconsidérer les oppositions classiques entre la tradition et la modernité, l'identité asiatique et l'occidentalisation. Différentes générations de grands hôtels coexistent aujourd'hui dans les métropoles développées d'Asie que sont Tôkyô, Séoul, Hong Kong, Shanghai ou Pékin. Nombreux sont leurs atouts pour attirer les clients locaux et étrangers : ils s'appuient sur l'évocation de temps magnifiés et révolus, ou au contraire sur la modernité et le renouveau qu'ils incarnent ; ou bien ils jouent de leur double identité occidentale et asiatique ; enfin, ils offrent des services spécifiques (bar de nuit, salle d'exposition, centre de conférence...) Deux démarches sont ici suivies : une comparaison de l'usage asiatique du grand hôtel - et de ses temporalités - avec celui en Europe et en Amérique du Nord ; puis, l'analyse des modèles urbains venus d'Occident non pas sous l'angle de la seule importation mais aussi sous celui d'une histoire proprement asiatique de l'occidentalisation. A partir d'un objet singulier, cet ouvrage propose une interrogation sur la ville dans ses dimensions spatiale, sociale et de représentation. Il porte en particulier sur les sociabilités urbaines en Asie aujourd'hui, et il est issu d'une réflexion commune entre architectes, historiens et géographes, tous spécialistes de l'Asie orientale.
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January 2004, Paris
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This publication, which emanates from the "Emergent practices in South Asia" lecture series, catalogs 41 emergent architectural practices in South Asia that displayed a rigorous engagement in the making of architecture, landscape, and infrastructure in the public realm. The publication and lecture series aims to capture the current pulse of the region, offering a platform(...)
December 2023
Architectures of Transition: Emergent practices in South Asia
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This publication, which emanates from the "Emergent practices in South Asia" lecture series, catalogs 41 emergent architectural practices in South Asia that displayed a rigorous engagement in the making of architecture, landscape, and infrastructure in the public realm. The publication and lecture series aims to capture the current pulse of the region, offering a platform for dialogue among practitioners and exploring the pluralism of modes of practice.
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n the years following China’s Cultural Revolution, architecture played an active role in the country’s reintegration into the global economy and capitalist world. Looking at the ways in which political and social reform transformed Chinese architecture and how, in turn, architecture gave structure to the reforms, Cole Roskam underlines architecture’s unique ability to(...)
November 2021
Designing reform: architecture in the People's Republic of China, 1970-1992
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n the years following China’s Cultural Revolution, architecture played an active role in the country’s reintegration into the global economy and capitalist world. Looking at the ways in which political and social reform transformed Chinese architecture and how, in turn, architecture gave structure to the reforms, Cole Roskam underlines architecture’s unique ability to shape space as well as behavior. Roskam traces how foreign influences like postmodernism began to permeate Chinese architectural discourse in the 1970s and 1980s and how figures such as Kevin Lynch, I. M. Pei, and John Portman became key forces in the introduction of Western educational ideologies and new modes of production. Offering important insights into architecture’s relationship to the politics, economics, and diplomacy of post-Mao China, this unprecedented interdisciplinary study examines architecture’s multivalent status as an art, science, and physical manifestation of cultural identity.
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Built around snatches of discussion overheard in a Beijing design studio, this book explores attitudes toward architecture in China since the opening of the Treaty Ports in the 1840s. Central to the discussion are the concepts of ti and yong, or “essence” and “form,” Chinese characters that are used to define the proper arrangement of what should be considered modern and(...)
April 2002, Cambridge, Mass.
Architectural encounters with essence and form in modern China
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Built around snatches of discussion overheard in a Beijing design studio, this book explores attitudes toward architecture in China since the opening of the Treaty Ports in the 1840s. Central to the discussion are the concepts of ti and yong, or “essence” and “form,” Chinese characters that are used to define the proper arrangement of what should be considered modern and essentially Chinese. Ti and yong have gone through various transformations--for example, from “Chinese learning for essential principles and Western learning for practical application” to “socialist essence and cultural form” and an almost complete reversal to “modern essence and Chinese form.” The book opens with a discussion of cultural developments in China in response to the forced opening to the West in the mid-nineteenth century, efforts to reform the Qing dynasty, and the Nationalist and Communist regimes. It then considers the return of overseas-educated Chinese architects and foreign influences on Chinese architecture, four architectural orientations toward tradition and modernity in the 1920s and 1930s, and the controversy over the use of “big roofs” and other sinicizing aspects of Chinese architecture in the 1950s. The book then moves to the hard economic conditions of the Great Leap Forward and the Cultural Revolution, when architecture was almost abandoned, and the beginning of reform and opening up to the outside world in the late 1970s and 1980s. Finally, it looks at the present socialist market economy and Chinese architecture during the still incomplete process of modernization. It closes with a prognosis for the future.
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Comme l'a déclaré Itô Teiji à propos de la difficulté de définir l'esthétique japonaise : « Le dilemme auquel nous sommes confrontés vient de ce que notre compréhension est intuitive et perceptuelle plutôt que rationnelle et logique. » De nombreux écrivains japonais privilégient dans la structure de leur travail une qualité d'indécision. Ce ne sont donc pas les hypothèses(...)
Traité d'esthétique japonaise
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Comme l'a déclaré Itô Teiji à propos de la difficulté de définir l'esthétique japonaise : « Le dilemme auquel nous sommes confrontés vient de ce que notre compréhension est intuitive et perceptuelle plutôt que rationnelle et logique. » De nombreux écrivains japonais privilégient dans la structure de leur travail une qualité d'indécision. Ce ne sont donc pas les hypothèses de l'« esprit qui contrôle » de l'auteur qui sont suivies mais, comme le dit l'expression japonaise, le pinceau lui-même. Le terme japonais zuihitsu, qu'on peut traduire par « essai », n'implique rien d'autre que cela : suivre le pinceau, l'autoriser à tenir les rênes. Par conséquent, il ne s'agit pas ici de s'escrimer pour arriver à des conclusions logiques. Nous chercherons plutôt à définir ces perceptions et variations de l'appréciation esthétique dans un style qui suggère le caractère très incertain de leur description.
Sydney XXXL
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In less than 250 years Sydney has evolved from fledgling colonial outpost to thriving global city. But behind the perfect postcard images, it is a city that struggles with its own success. This is the point of departure for renowned Sydney architect Ed Lippmann, a first-hand witness to the problems that have emerged from the city’s lack of planning who offers perspectives(...)
Sydney XXXL
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In less than 250 years Sydney has evolved from fledgling colonial outpost to thriving global city. But behind the perfect postcard images, it is a city that struggles with its own success. This is the point of departure for renowned Sydney architect Ed Lippmann, a first-hand witness to the problems that have emerged from the city’s lack of planning who offers perspectives on how such issues might be avoided in the future. ‘Sydney XXXL’ digs deeply into the city’s history, charting the financial and political interests that shaped its development and identifying the key decisions that need to be made to accommodate future population growth in a more liveable, sustainable city.
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Au Japon, un fossé générationnel, voire historique, semble s’être creusé entre les images d’une architecture traditionnelle très emblématique où le bois est le matériau de prédilection, et celles plus actuelles de projets innovants où son usage se réduit, depuis l'ère Meiji, à la fin du XIXe siècle. Les auteurs présentent l'évolution des styles architecturaux à l'aide de(...)
November 2019
Le charpentier et l'architecte : une histoire de la construction en bois au Japon
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Au Japon, un fossé générationnel, voire historique, semble s’être creusé entre les images d’une architecture traditionnelle très emblématique où le bois est le matériau de prédilection, et celles plus actuelles de projets innovants où son usage se réduit, depuis l'ère Meiji, à la fin du XIXe siècle. Les auteurs présentent l'évolution des styles architecturaux à l'aide de nombreux plans et photos.
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Catalogue of the exhibition ''Sixteen Chinese Museums. Fifteen Chinese Architects''.The exhibition reflects on the role museums play as motors of progress within the socio-political and cultural landscape in China today. It simultaneously presents and enquires into this role, and the associated tasks and aims of museums and cultural spaces, against the backdrop of the(...)
Sixteen chinese museums: fifteen chinese architects
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Catalogue of the exhibition ''Sixteen Chinese Museums. Fifteen Chinese Architects''.The exhibition reflects on the role museums play as motors of progress within the socio-political and cultural landscape in China today. It simultaneously presents and enquires into this role, and the associated tasks and aims of museums and cultural spaces, against the backdrop of the global, digital, urban and demographic challenges of the 21st Century, as well as the more locally-specific concerns of heritage and identity. Taking each of sixteen museums as case studies, the exhibition focuses on a set of crucial questions. How is local and national identity defined by the museum design and curation? How does the museum function within the context of its local social and urban environment? Which form or shape was identified as being most suitable for the museum’s function and its context?
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''Japan: nation building nature'' is the first book to map out the views of nature that have shaped the widely acclaimed but often misunderstood modern architecture of Japan. By connecting the dots between philosophy, design, geopolitics, and an earnest quest for a greener tomorrow, this book explains how Japanese culture can shed new light on our understanding of(...)
Japan: Nation building nature
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''Japan: nation building nature'' is the first book to map out the views of nature that have shaped the widely acclaimed but often misunderstood modern architecture of Japan. By connecting the dots between philosophy, design, geopolitics, and an earnest quest for a greener tomorrow, this book explains how Japanese culture can shed new light on our understanding of ecology, and vice-versa. Using a distinctive blend of academic research and personal experience, Joachim Nijs draws on architectural history to navigate Japan's complex and unique ecological ethic through the lens of four stereotypical phenomena: earthquakes, monsoon climates, nuclear erasure of life, and insularity.