128 Results
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books
books
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Media organize things into patterns and relations. As intermediaries among people and between people and worlds, media shape sociotechnical orders. At the same time, media are organized: while they condition different organizational forms and processes, they, too, are formed and can be re-formed. This intimate relation of media and organizing is timeless. Yet arguably,(...)
$26.95
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Summary:
Media organize things into patterns and relations. As intermediaries among people and between people and worlds, media shape sociotechnical orders. At the same time, media are organized: while they condition different organizational forms and processes, they, too, are formed and can be re-formed. This intimate relation of media and organizing is timeless. Yet arguably,(...)
Subject:
Archive, library and the digital
Archive, library and the digital
Publication:
October 2019
October 2019
Title:
Organize
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Media organize things into patterns and relations. As intermediaries among people and between people and worlds, media shape sociotechnical orders. At the same time, media are organized: while they condition different organizational forms and processes, they, too, are formed and can be re-formed. This intimate relation of media and organizing is timeless. Yet arguably, digital media technologies repose the question of organization—and thus of power and domination, control and surveillance, disruption and emancipation. Bringing together leading media thinkers and organization theorists, this book interrogates organization as an effect and condition of media. How can we understand the recursive relation between media and organization? How can we think, explore, critique, and perhaps alter the organizational bodies and scripts that shape contemporary life?
Organize
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$26.95
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Summary:
Media organize things into patterns and relations. As intermediaries among people and between people and worlds, media shape sociotechnical orders. At the same time, media are organized: while they condition different organizational forms and processes, they, too, are formed and can be re-formed. This intimate relation of media and organizing is timeless. Yet arguably, digital media technologies repose the question of organization—and thus of power and domination, control and surveillance, disruption and emancipation. Bringing together leading media thinkers and organization theorists, this book interrogates organization as an effect and condition of media. How can we understand the recursive relation between media and organization? How can we think, explore, critique, and perhaps alter the organizational bodies and scripts that shape contemporary life?
Form:
books
books
Publication:
October 2019
October 2019
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
Being material
Being material
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$55.95
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In 'Being Material', artists and technologists explore the relationship of the digital to the material, demonstrating that processes that seem wholly immaterial function within material constraints. Digital technologies themselves, they remind us, are material things—constituted by atoms of gold, silver, silicon, copper, tin, tungsten, and more.
$55.95
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Summary:
In 'Being Material', artists and technologists explore the relationship of the digital to the material, demonstrating that processes that seem wholly immaterial function within material constraints. Digital technologies themselves, they remind us, are material things—constituted by atoms of gold, silver, silicon, copper, tin, tungsten, and more.
Subject:
Archive, library and the digital
Archive, library and the digital
Publication:
October 2019
October 2019
Title:
Being material
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$55.95
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Summary:
In 'Being Material', artists and technologists explore the relationship of the digital to the material, demonstrating that processes that seem wholly immaterial function within material constraints. Digital technologies themselves, they remind us, are material things—constituted by atoms of gold, silver, silicon, copper, tin, tungsten, and more.
Being material
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$55.95
(available to order)
Summary:
In 'Being Material', artists and technologists explore the relationship of the digital to the material, demonstrating that processes that seem wholly immaterial function within material constraints. Digital technologies themselves, they remind us, are material things—constituted by atoms of gold, silver, silicon, copper, tin, tungsten, and more.
Form:
books
books
Publication:
October 2019
October 2019
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
Fantasies of the library
Fantasies of the library
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$24.50
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''Fantasies of the Library'' imagines, and enacts, the library as both keeper of books and curator of ideas as a platform of the future. The book includes an essay on the institutional ordering principles of book collections; a conversation with the proprietors of the Prelinger Library in San Francisco; reflections on the role of cultural memory and the archive; and a(...)
$24.50
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Summary:
''Fantasies of the Library'' imagines, and enacts, the library as both keeper of books and curator of ideas as a platform of the future. The book includes an essay on the institutional ordering principles of book collections; a conversation with the proprietors of the Prelinger Library in San Francisco; reflections on the role of cultural memory and the archive; and a(...)
Subject:
Archive, library and the digital
Archive, library and the digital
Publication:
August 2018
August 2018
Title:
Fantasies of the library
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$24.50
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Summary:
''Fantasies of the Library'' imagines, and enacts, the library as both keeper of books and curator of ideas as a platform of the future. The book includes an essay on the institutional ordering principles of book collections; a conversation with the proprietors of the Prelinger Library in San Francisco; reflections on the role of cultural memory and the archive; and a dialogue with a new media theorist about experiments at the intersection of curatorial practice and open-source ebooks. The reader emerges from this book-as-exhibition with the growing conviction that the library is not only a curatorial space but a bibliological imaginary, ripe for the exploration of consequential paginated affairs. The physicality of the book- and this book- ''resists the digital,'' argues coeditor Etienne Turpin, ''but not in a nostalgic way.''
Fantasies of the library
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$24.50
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Summary:
''Fantasies of the Library'' imagines, and enacts, the library as both keeper of books and curator of ideas as a platform of the future. The book includes an essay on the institutional ordering principles of book collections; a conversation with the proprietors of the Prelinger Library in San Francisco; reflections on the role of cultural memory and the archive; and a dialogue with a new media theorist about experiments at the intersection of curatorial practice and open-source ebooks. The reader emerges from this book-as-exhibition with the growing conviction that the library is not only a curatorial space but a bibliological imaginary, ripe for the exploration of consequential paginated affairs. The physicality of the book- and this book- ''resists the digital,'' argues coeditor Etienne Turpin, ''but not in a nostalgic way.''
Form:
books
books
Publication:
August 2018
August 2018
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Price:
$18.95
(available in store)
Summary:
À l’intersection des humanités numériques et de l’archéologie des médias, cet essai propose un projet critique des éditions de CDrom d’auteur des années 1990. En s’appuyant sur une contextualisation socio-technique érudite de ces supports de stockages numériques prometteurs et sur de fines descriptions des interfaces et des parcours au sein de ces univers clos, Gilles(...)
$18.95
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Summary:
À l’intersection des humanités numériques et de l’archéologie des médias, cet essai propose un projet critique des éditions de CDrom d’auteur des années 1990. En s’appuyant sur une contextualisation socio-technique érudite de ces supports de stockages numériques prometteurs et sur de fines descriptions des interfaces et des parcours au sein de ces univers clos, Gilles(...)
Subject:
Archive, library and the digital
Archive, library and the digital
Publication:
October 2018
October 2018
Title:
Éditions off-line : projet critique de publications numériques (1989-2001)
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À l’intersection des humanités numériques et de l’archéologie des médias, cet essai propose un projet critique des éditions de CDrom d’auteur des années 1990. En s’appuyant sur une contextualisation socio-technique érudite de ces supports de stockages numériques prometteurs et sur de fines descriptions des interfaces et des parcours au sein de ces univers clos, Gilles Rouffineau livre de précieuses analyses d’objets éditoriaux qui ont marqué la décennie et qui sont aujourd’hui difficilement consultables. Reprise d’une recherche doctorale en sciences de l’art rendue publique en 2006, la démarche scientifique de cet amateur de CDrom éclairé pose la question d’un désir de transmission des données et d’un partage d’expériences contrarié par l’obsolescence technique et le caractère incertain de ces objets culturels.
Éditions off-line : projet critique de publications numériques (1989-2001)
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$18.95
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À l’intersection des humanités numériques et de l’archéologie des médias, cet essai propose un projet critique des éditions de CDrom d’auteur des années 1990. En s’appuyant sur une contextualisation socio-technique érudite de ces supports de stockages numériques prometteurs et sur de fines descriptions des interfaces et des parcours au sein de ces univers clos, Gilles Rouffineau livre de précieuses analyses d’objets éditoriaux qui ont marqué la décennie et qui sont aujourd’hui difficilement consultables. Reprise d’une recherche doctorale en sciences de l’art rendue publique en 2006, la démarche scientifique de cet amateur de CDrom éclairé pose la question d’un désir de transmission des données et d’un partage d’expériences contrarié par l’obsolescence technique et le caractère incertain de ces objets culturels.
Form:
books
books
Publication:
October 2018
October 2018
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Actions:
Price:
$56.00
(available to order)
Summary:
À l'ère numérique, le code est au coeur de notre quotidien, il modifie notre rapport au monde et aux autres. « Coder le monde » présente un état de la création digitale contemporaine dans différentes disciplines. Revenant sur l'histoire du code numérique et la manière dont les artistes s'en sont emparés depuis l'avènement de l'ordinateur dans les années 1960, ce livre(...)
$56.00
(available to order)
Summary:
À l'ère numérique, le code est au coeur de notre quotidien, il modifie notre rapport au monde et aux autres. « Coder le monde » présente un état de la création digitale contemporaine dans différentes disciplines. Revenant sur l'histoire du code numérique et la manière dont les artistes s'en sont emparés depuis l'avènement de l'ordinateur dans les années 1960, ce livre(...)
Title:
Coder le monde : mutations créations
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$56.00
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Summary:
À l'ère numérique, le code est au coeur de notre quotidien, il modifie notre rapport au monde et aux autres. « Coder le monde » présente un état de la création digitale contemporaine dans différentes disciplines. Revenant sur l'histoire du code numérique et la manière dont les artistes s'en sont emparés depuis l'avènement de l'ordinateur dans les années 1960, ce livre fait apparaître un univers esthétique et critique commun qui questionne notre quotidien entièrement irrigué par les logiques numériques. Les artistes, les musiciens, les écrivains, les architectes, les créateurs de toutes disciplines ont en effet été les prescripteurs et les inventeurs d'une approche alternative du code.
Coder le monde : mutations créations
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Price:
$56.00
(available to order)
Summary:
À l'ère numérique, le code est au coeur de notre quotidien, il modifie notre rapport au monde et aux autres. « Coder le monde » présente un état de la création digitale contemporaine dans différentes disciplines. Revenant sur l'histoire du code numérique et la manière dont les artistes s'en sont emparés depuis l'avènement de l'ordinateur dans les années 1960, ce livre fait apparaître un univers esthétique et critique commun qui questionne notre quotidien entièrement irrigué par les logiques numériques. Les artistes, les musiciens, les écrivains, les architectes, les créateurs de toutes disciplines ont en effet été les prescripteurs et les inventeurs d'une approche alternative du code.
Form:
books
books
Publication:
December 2018
December 2018
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Actions:
Price:
$48.00
(available to order)
Summary:
Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information(...)
$48.00
(available to order)
Summary:
Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information(...)
Title:
Control: digitality as cultural logic
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$48.00
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Summary:
Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information economy" possible while at the same time obscuring its effects on material social spaces. In so doing, Franklin traces three intertwined threads: the relationships among information, labor, and social management that emerged in the nineteenth century; the mid-twentieth-century diffusion of computational metaphors; and the appearance of informatic principles in certain contemporary socioeconomic and cultural practices. Drawing on critical theory, media theory, and the history of science, Franklin names control as the episteme grounding late capitalism. Beyond any specific device or set of technically mediated practices, digitality functions within this episteme as the logical basis for reshaped concepts of labor, subjectivity, and collectivity, as well as for the intensification of older modes of exclusion and dispossession. In tracking the pervasiveness of this logical mode into the present, Franklin locates the cultural traces of control across a diverse body of objects and practices, from cybernetics to economic theory and management styles, and from concepts of language and subjectivity to literary texts, films, and video games.
Control: digitality as cultural logic
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Price:
$48.00
(available to order)
Summary:
Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information economy" possible while at the same time obscuring its effects on material social spaces. In so doing, Franklin traces three intertwined threads: the relationships among information, labor, and social management that emerged in the nineteenth century; the mid-twentieth-century diffusion of computational metaphors; and the appearance of informatic principles in certain contemporary socioeconomic and cultural practices. Drawing on critical theory, media theory, and the history of science, Franklin names control as the episteme grounding late capitalism. Beyond any specific device or set of technically mediated practices, digitality functions within this episteme as the logical basis for reshaped concepts of labor, subjectivity, and collectivity, as well as for the intensification of older modes of exclusion and dispossession. In tracking the pervasiveness of this logical mode into the present, Franklin locates the cultural traces of control across a diverse body of objects and practices, from cybernetics to economic theory and management styles, and from concepts of language and subjectivity to literary texts, films, and video games.
Form:
books
books
Publication:
November 2015
November 2015
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Actions:
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$8.95
(available to order)
Summary:
L'auteure analyse les codes et les usages des membres de communautés d'internautes amateurs de produits Apple. Elle montre que l'imaginaire déployé découle d'une volonté de la marque de créer un univers technologique au sein duquel les attentes et les rêves des clients sont comblés par une offre de produits informatiques.
$8.95
(available to order)
Summary:
L'auteure analyse les codes et les usages des membres de communautés d'internautes amateurs de produits Apple. Elle montre que l'imaginaire déployé découle d'une volonté de la marque de créer un univers technologique au sein duquel les attentes et les rêves des clients sont comblés par une offre de produits informatiques.
Title:
Les Fans d'Apple : enquête sur les réseaux sociaux
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$8.95
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L'auteure analyse les codes et les usages des membres de communautés d'internautes amateurs de produits Apple. Elle montre que l'imaginaire déployé découle d'une volonté de la marque de créer un univers technologique au sein duquel les attentes et les rêves des clients sont comblés par une offre de produits informatiques.
Les Fans d'Apple : enquête sur les réseaux sociaux
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$8.95
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Summary:
L'auteure analyse les codes et les usages des membres de communautés d'internautes amateurs de produits Apple. Elle montre que l'imaginaire déployé découle d'une volonté de la marque de créer un univers technologique au sein duquel les attentes et les rêves des clients sont comblés par une offre de produits informatiques.
Form:
books
books
Publication:
February 2016
February 2016
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
Digital keywords
Digital keywords
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$31.95
(available to order)
Summary:
In the age of search, keywords increasingly organize research, teaching, and even thought itself. Inspired by Raymond Williams's 1976 classic 'Keywords', the timely collection 'Digital Keywords' gathers pointed, provocative short essays on more than two dozen keywords by leading and rising digital media scholars from the areas of anthropology, digital humanities, history,(...)
$31.95
(available to order)
Summary:
In the age of search, keywords increasingly organize research, teaching, and even thought itself. Inspired by Raymond Williams's 1976 classic 'Keywords', the timely collection 'Digital Keywords' gathers pointed, provocative short essays on more than two dozen keywords by leading and rising digital media scholars from the areas of anthropology, digital humanities, history,(...)
Title:
Digital keywords
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$31.95
(available to order)
Summary:
In the age of search, keywords increasingly organize research, teaching, and even thought itself. Inspired by Raymond Williams's 1976 classic 'Keywords', the timely collection 'Digital Keywords' gathers pointed, provocative short essays on more than two dozen keywords by leading and rising digital media scholars from the areas of anthropology, digital humanities, history, political science, philosophy, religious studies, rhetoric, science and technology studies, and sociology. 'Digital Keywords' examines and critiques the rich lexicon animating the emerging field of digital studies.
Digital keywords
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$31.95
(available to order)
Summary:
In the age of search, keywords increasingly organize research, teaching, and even thought itself. Inspired by Raymond Williams's 1976 classic 'Keywords', the timely collection 'Digital Keywords' gathers pointed, provocative short essays on more than two dozen keywords by leading and rising digital media scholars from the areas of anthropology, digital humanities, history, political science, philosophy, religious studies, rhetoric, science and technology studies, and sociology. 'Digital Keywords' examines and critiques the rich lexicon animating the emerging field of digital studies.
Form:
books
books
Publication:
July 2016
July 2016
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
Manifestly Haraway
Manifestly Haraway
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$29.95
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Summary:
Provocative, and controversial when first published thirty years ago, Donna Haraway’s “Cyborg Manifesto” is even more relevant today, when the divisions that she so eloquently challenges—of human and machine but also of gender, class, race, ethnicity, sexuality, and location—are increasingly complex. The subsequent “Companion Species Manifesto,” which further questions(...)
$29.95
(available to order)
Summary:
Provocative, and controversial when first published thirty years ago, Donna Haraway’s “Cyborg Manifesto” is even more relevant today, when the divisions that she so eloquently challenges—of human and machine but also of gender, class, race, ethnicity, sexuality, and location—are increasingly complex. The subsequent “Companion Species Manifesto,” which further questions(...)
Title:
Manifestly Haraway
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$29.95
(available to order)
Summary:
Provocative, and controversial when first published thirty years ago, Donna Haraway’s “Cyborg Manifesto” is even more relevant today, when the divisions that she so eloquently challenges—of human and machine but also of gender, class, race, ethnicity, sexuality, and location—are increasingly complex. The subsequent “Companion Species Manifesto,” which further questions the human–nonhuman disjunction, is no less urgently needed in our time of environmental crisis and profound polarization.
Manifestly Haraway
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$29.95
(available to order)
Summary:
Provocative, and controversial when first published thirty years ago, Donna Haraway’s “Cyborg Manifesto” is even more relevant today, when the divisions that she so eloquently challenges—of human and machine but also of gender, class, race, ethnicity, sexuality, and location—are increasingly complex. The subsequent “Companion Species Manifesto,” which further questions the human–nonhuman disjunction, is no less urgently needed in our time of environmental crisis and profound polarization.
Form:
books
books
Publication:
April 2016
April 2016
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
L'être et l'écran
L'être et l'écran
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$37.95
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Summary:
Les techniques ne sont pas seulement des outils, ce sont des structures de la perception. Elles conditionnent la manière dont le monde nous apparaît et dont les phénomènes nous sont donnés. Depuis près d’un demi-siècle, les technologies numériques nous apportent des perceptions d’un monde inconnu. Ces êtres qui émergent de nos écrans et de nos interfaces bouleversent(...)
$37.95
(available to order)
Summary:
Les techniques ne sont pas seulement des outils, ce sont des structures de la perception. Elles conditionnent la manière dont le monde nous apparaît et dont les phénomènes nous sont donnés. Depuis près d’un demi-siècle, les technologies numériques nous apportent des perceptions d’un monde inconnu. Ces êtres qui émergent de nos écrans et de nos interfaces bouleversent(...)
Title:
L'être et l'écran
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$37.95
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Summary:
Les techniques ne sont pas seulement des outils, ce sont des structures de la perception. Elles conditionnent la manière dont le monde nous apparaît et dont les phénomènes nous sont donnés. Depuis près d’un demi-siècle, les technologies numériques nous apportent des perceptions d’un monde inconnu. Ces êtres qui émergent de nos écrans et de nos interfaces bouleversent l’idée que nous nous faisons de ce qui est réel et nous réapprennent à percevoir. Quel est l’être des êtres numériques ? Que devient notre être-dans-le-monde à l’heure des êtres numériques ? Le temps est venu d’analyser l’«ontophanie numérique» dans toute sa complexité. La prétendue différence entre le réel et le virtuel n’existe pas et n’a jamais existé. Nous vivons dans un environnement hybride, à la fois numérique et non numérique, en ligne et hors ligne, qu’il appartient aux designers de rendre habitable. -
L'être et l'écran
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Price:
$37.95
(available to order)
Summary:
Les techniques ne sont pas seulement des outils, ce sont des structures de la perception. Elles conditionnent la manière dont le monde nous apparaît et dont les phénomènes nous sont donnés. Depuis près d’un demi-siècle, les technologies numériques nous apportent des perceptions d’un monde inconnu. Ces êtres qui émergent de nos écrans et de nos interfaces bouleversent l’idée que nous nous faisons de ce qui est réel et nous réapprennent à percevoir. Quel est l’être des êtres numériques ? Que devient notre être-dans-le-monde à l’heure des êtres numériques ? Le temps est venu d’analyser l’«ontophanie numérique» dans toute sa complexité. La prétendue différence entre le réel et le virtuel n’existe pas et n’a jamais existé. Nous vivons dans un environnement hybride, à la fois numérique et non numérique, en ligne et hors ligne, qu’il appartient aux designers de rendre habitable. -
Form:
books
books
Publication:
August 2013
August 2013
Subject:
Archive, library and the digital
Archive, library and the digital
