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En étudiant des opérations et des systèmes techniques potentiellement ouverts à la recherche, cet essai interroge le rapport du design aux «humanités numériques» (digital humanities) qui se développent depuis le milieu des années 2000. En quoi les environnements numériques contemporains actualisent-ils les modes de production et de transmission des savoirs ? Quelle est la(...)
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En étudiant des opérations et des systèmes techniques potentiellement ouverts à la recherche, cet essai interroge le rapport du design aux «humanités numériques» (digital humanities) qui se développent depuis le milieu des années 2000. En quoi les environnements numériques contemporains actualisent-ils les modes de production et de transmission des savoirs ? Quelle est la(...)
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Design et humanités numériques
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En étudiant des opérations et des systèmes techniques potentiellement ouverts à la recherche, cet essai interroge le rapport du design aux «humanités numériques» (digital humanities) qui se développent depuis le milieu des années 2000. En quoi les environnements numériques contemporains actualisent-ils les modes de production et de transmission des savoirs ? Quelle est la place des designers dans des projets relevant des sciences humaines et sociales ? De la modélisation des connaissances à l’injonction à l’innovation et à la créativité, du design d’expérience aux conditionnements techniques, de l’étude de la rationalité numérique aux reconfigurations de la subjectivité, ce parcours réflexif montre que l’industrie des programmes, chaque jour un peu plus puissante, n’a pas épuisé tout le champ des possibles. En interrogeant et en révélant l’environnement technique dans lequel les humanités numériques opèrent, le travail des techniques numériques par le design montre ainsi qu’il reste de la place pour d’autres modulations, d’autres sensibilités, d’autres cultures.
Design et humanités numériques
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En étudiant des opérations et des systèmes techniques potentiellement ouverts à la recherche, cet essai interroge le rapport du design aux «humanités numériques» (digital humanities) qui se développent depuis le milieu des années 2000. En quoi les environnements numériques contemporains actualisent-ils les modes de production et de transmission des savoirs ? Quelle est la place des designers dans des projets relevant des sciences humaines et sociales ? De la modélisation des connaissances à l’injonction à l’innovation et à la créativité, du design d’expérience aux conditionnements techniques, de l’étude de la rationalité numérique aux reconfigurations de la subjectivité, ce parcours réflexif montre que l’industrie des programmes, chaque jour un peu plus puissante, n’a pas épuisé tout le champ des possibles. En interrogeant et en révélant l’environnement technique dans lequel les humanités numériques opèrent, le travail des techniques numériques par le design montre ainsi qu’il reste de la place pour d’autres modulations, d’autres sensibilités, d’autres cultures.
Form:
books
books
Publication:
November 2017
November 2017
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Archive, library and the digital
Archive, library and the digital
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books
books
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$42.00
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David Parisi offers the first full history of haptic interface technologies, showing how the efforts of scientists and engineers over the past 300 years have gradually remade and redefined our sense of touch. Through lively analyses of electrical machines, videogames, sex toys, sensory substitution systems, robotics, and human-computer interfaces, Parisi shows how the(...)
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Summary:
David Parisi offers the first full history of haptic interface technologies, showing how the efforts of scientists and engineers over the past 300 years have gradually remade and redefined our sense of touch. Through lively analyses of electrical machines, videogames, sex toys, sensory substitution systems, robotics, and human-computer interfaces, Parisi shows how the(...)
Title:
Archaeologies of touch: interfacing with haptics from electricity to computing
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$42.00
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David Parisi offers the first full history of haptic interface technologies, showing how the efforts of scientists and engineers over the past 300 years have gradually remade and redefined our sense of touch. Through lively analyses of electrical machines, videogames, sex toys, sensory substitution systems, robotics, and human-computer interfaces, Parisi shows how the materiality of touch technologies has been shaped by attempts to transform human into more efficient processors of information.
Archaeologies of touch: interfacing with haptics from electricity to computing
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$42.00
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Summary:
David Parisi offers the first full history of haptic interface technologies, showing how the efforts of scientists and engineers over the past 300 years have gradually remade and redefined our sense of touch. Through lively analyses of electrical machines, videogames, sex toys, sensory substitution systems, robotics, and human-computer interfaces, Parisi shows how the materiality of touch technologies has been shaped by attempts to transform human into more efficient processors of information.
Form:
books
books
Publication:
February 2018
February 2018
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Price:
$37.95
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Summary:
Les deux intellectuels débattent de leur vision du numérique et de ses impacts positifs ou négatifs sur le monde à venir. Si pour M. Maffesoli, les nouvelles technologies ne constituent qu'une étape dans la structuration de la société, elles représentent l'avenir de l'homme aux yeux de l'artiste et philosophe canadien H. Fischer.
$37.95
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Summary:
Les deux intellectuels débattent de leur vision du numérique et de ses impacts positifs ou négatifs sur le monde à venir. Si pour M. Maffesoli, les nouvelles technologies ne constituent qu'une étape dans la structuration de la société, elles représentent l'avenir de l'homme aux yeux de l'artiste et philosophe canadien H. Fischer.
Subject:
Archive, library and the digital
Archive, library and the digital
Publication:
April 2016
April 2016
Title:
La postmodernité à l'heure du numérique : regards croisés sur notre époque
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Les deux intellectuels débattent de leur vision du numérique et de ses impacts positifs ou négatifs sur le monde à venir. Si pour M. Maffesoli, les nouvelles technologies ne constituent qu'une étape dans la structuration de la société, elles représentent l'avenir de l'homme aux yeux de l'artiste et philosophe canadien H. Fischer.
La postmodernité à l'heure du numérique : regards croisés sur notre époque
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$37.95
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Summary:
Les deux intellectuels débattent de leur vision du numérique et de ses impacts positifs ou négatifs sur le monde à venir. Si pour M. Maffesoli, les nouvelles technologies ne constituent qu'une étape dans la structuration de la société, elles représentent l'avenir de l'homme aux yeux de l'artiste et philosophe canadien H. Fischer.
Form:
books
books
Publication:
April 2016
April 2016
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
Penser / Classer
Penser / Classer
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$29.95
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Que me demande-t-on, au juste ? Si je pense avant de classer ? Si je classe avant de penser ? Comment je classe ce que je pense ? Comment je pense quand je veux classer ? [...] Tellement tentant de vouloir distribuer le monde entier selon un code unique ; une loi universelle régirait l'ensemble des phénomènes : deux hémisphères, cinq continents, masculin et féminin,(...)
$29.95
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Que me demande-t-on, au juste ? Si je pense avant de classer ? Si je classe avant de penser ? Comment je classe ce que je pense ? Comment je pense quand je veux classer ? [...] Tellement tentant de vouloir distribuer le monde entier selon un code unique ; une loi universelle régirait l'ensemble des phénomènes : deux hémisphères, cinq continents, masculin et féminin,(...)
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Penser / Classer
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$29.95
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Que me demande-t-on, au juste ? Si je pense avant de classer ? Si je classe avant de penser ? Comment je classe ce que je pense ? Comment je pense quand je veux classer ? [...] Tellement tentant de vouloir distribuer le monde entier selon un code unique ; une loi universelle régirait l'ensemble des phénomènes : deux hémisphères, cinq continents, masculin et féminin, animal et végétal, singulier pluriel, droite gauche, quatre saisons, cinq sens, six voyelles, sept jours, douze mois, vingt-six lettres. Malheureusement ça ne marche pas, ça n'a même jamais commencé à marcher, ça ne marchera jamais. N'empêche que l'on continuera encore longtemps à catégoriser tel ou tel animal selon qu'il a un nombre impair de doigts ou des cornes creuses.
Penser / Classer
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Que me demande-t-on, au juste ? Si je pense avant de classer ? Si je classe avant de penser ? Comment je classe ce que je pense ? Comment je pense quand je veux classer ? [...] Tellement tentant de vouloir distribuer le monde entier selon un code unique ; une loi universelle régirait l'ensemble des phénomènes : deux hémisphères, cinq continents, masculin et féminin, animal et végétal, singulier pluriel, droite gauche, quatre saisons, cinq sens, six voyelles, sept jours, douze mois, vingt-six lettres. Malheureusement ça ne marche pas, ça n'a même jamais commencé à marcher, ça ne marchera jamais. N'empêche que l'on continuera encore longtemps à catégoriser tel ou tel animal selon qu'il a un nombre impair de doigts ou des cornes creuses.
Form:
books
books
Publication:
June 2003
June 2003
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
This will - this
This will - this
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$20.00
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Summary:
The 2D bar code is disturbing and exciting because it is legible at an aesthetic level while remaining illegible at the level of content. What can we make of its linkages between logistics, cryptography, and space?
$20.00
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Summary:
The 2D bar code is disturbing and exciting because it is legible at an aesthetic level while remaining illegible at the level of content. What can we make of its linkages between logistics, cryptography, and space?
Subject:
Archive, library and the digital
Archive, library and the digital
Publication:
January 2009
January 2009
Title:
This will - this
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$20.00
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Summary:
The 2D bar code is disturbing and exciting because it is legible at an aesthetic level while remaining illegible at the level of content. What can we make of its linkages between logistics, cryptography, and space?
This will - this
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$20.00
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Summary:
The 2D bar code is disturbing and exciting because it is legible at an aesthetic level while remaining illegible at the level of content. What can we make of its linkages between logistics, cryptography, and space?
Form:
books
books
Publication:
January 2009
January 2009
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
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Price:
$34.00
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Summary:
'Track Changes' balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and(...)
$34.00
(available to order)
Summary:
'Track Changes' balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and(...)
Title:
Track changes: a literary history of word processing
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$34.00
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'Track Changes' balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and serious literature adopted the technology, trace the spread of new metaphors and ideas from word processing in fiction and poetry, and consider the fate of literary scholarship and memory in an era when the final remnants of authorship may consist of folders on a hard drive or documents in the cloud.
Track changes: a literary history of word processing
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Price:
$34.00
(available to order)
Summary:
'Track Changes' balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and serious literature adopted the technology, trace the spread of new metaphors and ideas from word processing in fiction and poetry, and consider the fate of literary scholarship and memory in an era when the final remnants of authorship may consist of folders on a hard drive or documents in the cloud.
Form:
books
books
Publication:
May 2016
May 2016
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
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$57.50
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Summary:
The book "Writingplace: investigations in architecture and literature" marks a step forward in an emerging debate on literary means in architecture. It offers a series of reflections on written language as a crucial element of architecture culture, and on the potential of using literary methods in architectural and urban research, education and design. For everyone(...)
$57.50
(available to order)
Summary:
The book "Writingplace: investigations in architecture and literature" marks a step forward in an emerging debate on literary means in architecture. It offers a series of reflections on written language as a crucial element of architecture culture, and on the potential of using literary methods in architectural and urban research, education and design. For everyone(...)
Title:
Writingplace: investigations in architecture and literature
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$57.50
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Summary:
The book "Writingplace: investigations in architecture and literature" marks a step forward in an emerging debate on literary means in architecture. It offers a series of reflections on written language as a crucial element of architecture culture, and on the potential of using literary methods in architectural and urban research, education and design. For everyone interested in the transdisciplinary encounters between architecture and literature, the book offers both theoretical contributions that address notions such as narrative and literary imagination, and contemporary explorations regarding the operability of literary approaches. Writingplace includes contributions by experts in the fi eld such as Bart Keunen, Alberto Pérez Gómez, Wim van den Bergh, Klaske Havik, Katja Grillner and Wim Cuyvers.
Writingplace: investigations in architecture and literature
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$57.50
(available to order)
Summary:
The book "Writingplace: investigations in architecture and literature" marks a step forward in an emerging debate on literary means in architecture. It offers a series of reflections on written language as a crucial element of architecture culture, and on the potential of using literary methods in architectural and urban research, education and design. For everyone interested in the transdisciplinary encounters between architecture and literature, the book offers both theoretical contributions that address notions such as narrative and literary imagination, and contemporary explorations regarding the operability of literary approaches. Writingplace includes contributions by experts in the fi eld such as Bart Keunen, Alberto Pérez Gómez, Wim van den Bergh, Klaske Havik, Katja Grillner and Wim Cuyvers.
Form:
books
books
Publication:
April 2016
April 2016
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
Fantasies of the library
Fantasies of the library
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$32.95
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Summary:
''Fantasies of the Library'' lets readers experience the library anew. The book imagines, and enacts, the library as both keeper of books and curator of ideas--as a platform of the future. One essay occupies the right-hand page of a two-page spread while interviews scrolls independently on the left. Bibliophilic artworks intersect both throughout the book-as-exhibition. A(...)
$32.95
(available to order)
Summary:
''Fantasies of the Library'' lets readers experience the library anew. The book imagines, and enacts, the library as both keeper of books and curator of ideas--as a platform of the future. One essay occupies the right-hand page of a two-page spread while interviews scrolls independently on the left. Bibliophilic artworks intersect both throughout the book-as-exhibition. A(...)
Subject:
Archive, library and the digital
Archive, library and the digital
Publication:
September 2016
September 2016
Title:
Fantasies of the library
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$32.95
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Summary:
''Fantasies of the Library'' lets readers experience the library anew. The book imagines, and enacts, the library as both keeper of books and curator of ideas--as a platform of the future. One essay occupies the right-hand page of a two-page spread while interviews scrolls independently on the left. Bibliophilic artworks intersect both throughout the book-as-exhibition. A photo essay, "Reading Rooms Reading Machines" further interrupts the book in order to display images of libraries (old and new, real and imagined), and readers (human and machine) and features work by artists including Kader Atta, Wafaa Bilal, Mark Dion, Rodney Graham, Katie Paterson, Veronika Spierenburg, and others.
Fantasies of the library
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Price:
$32.95
(available to order)
Summary:
''Fantasies of the Library'' lets readers experience the library anew. The book imagines, and enacts, the library as both keeper of books and curator of ideas--as a platform of the future. One essay occupies the right-hand page of a two-page spread while interviews scrolls independently on the left. Bibliophilic artworks intersect both throughout the book-as-exhibition. A photo essay, "Reading Rooms Reading Machines" further interrupts the book in order to display images of libraries (old and new, real and imagined), and readers (human and machine) and features work by artists including Kader Atta, Wafaa Bilal, Mark Dion, Rodney Graham, Katie Paterson, Veronika Spierenburg, and others.
Form:
books
books
Publication:
September 2016
September 2016
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
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$57.95
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Summary:
In this publication, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival.(...)
$57.95
(available to order)
Summary:
In this publication, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival.(...)
Title:
Archive everything: mapping the everyday
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$57.95
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In this publication, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival. Archives now consist of not only documents and sites but also artworks, installations, museums, social media platforms, and mediated and mixed reality environments. Giannachi tracks the evolution of these diverse archival practices across the centuries.
Archive everything: mapping the everyday
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$57.95
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Summary:
In this publication, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival. Archives now consist of not only documents and sites but also artworks, installations, museums, social media platforms, and mediated and mixed reality environments. Giannachi tracks the evolution of these diverse archival practices across the centuries.
Form:
books
books
Publication:
November 2016
November 2016
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
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Price:
$54.95
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Summary:
The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have(...)
$54.95
(available to order)
Summary:
The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have(...)
Title:
Rogue archives: digital cultural memory and the media fandom
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$54.95
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The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have democratized cultural memory, building freely accessible online archives of whatever content they consider suitable for digital preservation. In Rogue Archives, Abigail De Kosnik examines the practice of archiving in the transition from print to digital media, looking in particular at Internet fan fiction archives.
Rogue archives: digital cultural memory and the media fandom
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Price:
$54.95
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Summary:
The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have democratized cultural memory, building freely accessible online archives of whatever content they consider suitable for digital preservation. In Rogue Archives, Abigail De Kosnik examines the practice of archiving in the transition from print to digital media, looking in particular at Internet fan fiction archives.
Form:
books
books
Publication:
September 2016
September 2016
Subject:
Archive, library and the digital
Archive, library and the digital
