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À l'ère numérique, le code est au coeur de notre quotidien, il modifie notre rapport au monde et aux autres. « Coder le monde » présente un état de la création digitale contemporaine dans différentes disciplines. Revenant sur l'histoire du code numérique et la manière dont les artistes s'en sont emparés depuis l'avènement de l'ordinateur dans les années 1960, ce livre(...)
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À l'ère numérique, le code est au coeur de notre quotidien, il modifie notre rapport au monde et aux autres. « Coder le monde » présente un état de la création digitale contemporaine dans différentes disciplines. Revenant sur l'histoire du code numérique et la manière dont les artistes s'en sont emparés depuis l'avènement de l'ordinateur dans les années 1960, ce livre(...)
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Coder le monde : mutations créations
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À l'ère numérique, le code est au coeur de notre quotidien, il modifie notre rapport au monde et aux autres. « Coder le monde » présente un état de la création digitale contemporaine dans différentes disciplines. Revenant sur l'histoire du code numérique et la manière dont les artistes s'en sont emparés depuis l'avènement de l'ordinateur dans les années 1960, ce livre fait apparaître un univers esthétique et critique commun qui questionne notre quotidien entièrement irrigué par les logiques numériques. Les artistes, les musiciens, les écrivains, les architectes, les créateurs de toutes disciplines ont en effet été les prescripteurs et les inventeurs d'une approche alternative du code.
Coder le monde : mutations créations
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À l'ère numérique, le code est au coeur de notre quotidien, il modifie notre rapport au monde et aux autres. « Coder le monde » présente un état de la création digitale contemporaine dans différentes disciplines. Revenant sur l'histoire du code numérique et la manière dont les artistes s'en sont emparés depuis l'avènement de l'ordinateur dans les années 1960, ce livre fait apparaître un univers esthétique et critique commun qui questionne notre quotidien entièrement irrigué par les logiques numériques. Les artistes, les musiciens, les écrivains, les architectes, les créateurs de toutes disciplines ont en effet été les prescripteurs et les inventeurs d'une approche alternative du code.
Form:
books
books
Publication:
December 2018
December 2018
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
Future histories: What Ada Lovelace, Tom Paine, and the Paris Commune can teach us about digital
Future histories: What Ada Lovelace, Tom Paine, and the Paris Commune can teach us about digital
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When we talk about technology we always talk about tomorrow and the future - which makes it hard to figure out how to even get there. In "Future Histories", public interest lawyer and digital specialist Lizzie O'Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and progressive social movements with modern(...)
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When we talk about technology we always talk about tomorrow and the future - which makes it hard to figure out how to even get there. In "Future Histories", public interest lawyer and digital specialist Lizzie O'Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and progressive social movements with modern(...)
Title:
Future histories: What Ada Lovelace, Tom Paine, and the Paris Commune can teach us about digital
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$36.95
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When we talk about technology we always talk about tomorrow and the future - which makes it hard to figure out how to even get there. In "Future Histories", public interest lawyer and digital specialist Lizzie O'Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and progressive social movements with modern theories of the mind, society, and self, O'Shea constructs a "usable past" that can help us determine our digital future.
Future histories: What Ada Lovelace, Tom Paine, and the Paris Commune can teach us about digital
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$36.95
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When we talk about technology we always talk about tomorrow and the future - which makes it hard to figure out how to even get there. In "Future Histories", public interest lawyer and digital specialist Lizzie O'Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and progressive social movements with modern theories of the mind, society, and self, O'Shea constructs a "usable past" that can help us determine our digital future.
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books
books
Publication:
May 2019
May 2019
Subject:
Archive, library and the digital
Archive, library and the digital
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books
books
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$38.50
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Over the past fifty years, preservation policy has evolved very little, despite escalating accusations that landmarking and historic districting can inhibit affordable housing, economic development, and socioeconomic diversity. The potential to understand these dynamics and effect positive change is hindered by a lack of data and evidence-based research to better(...)
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Over the past fifty years, preservation policy has evolved very little, despite escalating accusations that landmarking and historic districting can inhibit affordable housing, economic development, and socioeconomic diversity. The potential to understand these dynamics and effect positive change is hindered by a lack of data and evidence-based research to better(...)
Title:
Preservation and the new data landscape
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Over the past fifty years, preservation policy has evolved very little, despite escalating accusations that landmarking and historic districting can inhibit affordable housing, economic development, and socioeconomic diversity. The potential to understand these dynamics and effect positive change is hindered by a lack of data and evidence-based research to better understand these impacts. One of the biggest barriers to preservation research has been the lack of data sets that can be used for geospatial, evidence-based, and longitudinal analyses. This first book in the series ''Issues in Preservation Policy'' explores the ways that enhancing the collection, accuracy, and management of data can serve a critical role in identifying vulnerable neighborhoods, understanding the role of older buildings in economic vitality and community resilience, planning sustainable growth, and more.
Preservation and the new data landscape
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$38.50
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Over the past fifty years, preservation policy has evolved very little, despite escalating accusations that landmarking and historic districting can inhibit affordable housing, economic development, and socioeconomic diversity. The potential to understand these dynamics and effect positive change is hindered by a lack of data and evidence-based research to better understand these impacts. One of the biggest barriers to preservation research has been the lack of data sets that can be used for geospatial, evidence-based, and longitudinal analyses. This first book in the series ''Issues in Preservation Policy'' explores the ways that enhancing the collection, accuracy, and management of data can serve a critical role in identifying vulnerable neighborhoods, understanding the role of older buildings in economic vitality and community resilience, planning sustainable growth, and more.
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books
books
Publication:
March 2019
March 2019
Subject:
Archive, library and the digital
Archive, library and the digital
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books
books
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$34.95
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En plein air — painting outdoors — traditionally describes the impressionist revolt against the studio. This book compiles texts by media scholars, scientists, artists, anthropologists and theorists exploring the concept of en plein air in terms of the digital, a realm with ever-evolving boundaries.
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En plein air — painting outdoors — traditionally describes the impressionist revolt against the studio. This book compiles texts by media scholars, scientists, artists, anthropologists and theorists exploring the concept of en plein air in terms of the digital, a realm with ever-evolving boundaries.
Title:
En plein air: ethnographies of the digital
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En plein air — painting outdoors — traditionally describes the impressionist revolt against the studio. This book compiles texts by media scholars, scientists, artists, anthropologists and theorists exploring the concept of en plein air in terms of the digital, a realm with ever-evolving boundaries.
En plein air: ethnographies of the digital
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En plein air — painting outdoors — traditionally describes the impressionist revolt against the studio. This book compiles texts by media scholars, scientists, artists, anthropologists and theorists exploring the concept of en plein air in terms of the digital, a realm with ever-evolving boundaries.
Form:
books
books
Publication:
April 2019
April 2019
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
Moving archives
Moving archives
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$85.00
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The image of the dusty, undisturbed archive has been swept away in response to growing interest across disciplines in the materials they house and the desire to find and make meaning through an engagement with those materials. Archival studies scholars and archivists are developing related theoretical frameworks and practices that recognize that the archives are anything(...)
$85.00
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Summary:
The image of the dusty, undisturbed archive has been swept away in response to growing interest across disciplines in the materials they house and the desire to find and make meaning through an engagement with those materials. Archival studies scholars and archivists are developing related theoretical frameworks and practices that recognize that the archives are anything(...)
Title:
Moving archives
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$85.00
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The image of the dusty, undisturbed archive has been swept away in response to growing interest across disciplines in the materials they house and the desire to find and make meaning through an engagement with those materials. Archival studies scholars and archivists are developing related theoretical frameworks and practices that recognize that the archives are anything but static. Archival deposits are proliferating, and the architects, practitioners, and scholars engaged with them are scarcely able to keep abreast of them. Archives, archival theory, and archival practice are on the move. But what of the archives that were once safely housed and have since been lost, or are under threat? What of the urgency that underscores the appeals made on behalf of these archives? As scholars in this volume argue, archives—their materialization, their preservation, and the research produced about them—are moving in a different way: they are involved in an emotionally engaged and charged process, one that acts equally upon archival subjects and those engaged with them. So too do archives at once represent members of various communities and the fields of study drawn to them. "Moving Archives" grounds itself in the critical trajectory related to what Sara Ahmed calls “affective economies” to offer fresh insights about the process of archiving and approaching literary materials. These economies are not necessarily determined by ethical impulses, although many scholars have called out for such impulses to underwrite current archival practices; rather, they form the crucial affective contexts for the legitimization of archival caches in the present moment and for future use.
Moving archives
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$85.00
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The image of the dusty, undisturbed archive has been swept away in response to growing interest across disciplines in the materials they house and the desire to find and make meaning through an engagement with those materials. Archival studies scholars and archivists are developing related theoretical frameworks and practices that recognize that the archives are anything but static. Archival deposits are proliferating, and the architects, practitioners, and scholars engaged with them are scarcely able to keep abreast of them. Archives, archival theory, and archival practice are on the move. But what of the archives that were once safely housed and have since been lost, or are under threat? What of the urgency that underscores the appeals made on behalf of these archives? As scholars in this volume argue, archives—their materialization, their preservation, and the research produced about them—are moving in a different way: they are involved in an emotionally engaged and charged process, one that acts equally upon archival subjects and those engaged with them. So too do archives at once represent members of various communities and the fields of study drawn to them. "Moving Archives" grounds itself in the critical trajectory related to what Sara Ahmed calls “affective economies” to offer fresh insights about the process of archiving and approaching literary materials. These economies are not necessarily determined by ethical impulses, although many scholars have called out for such impulses to underwrite current archival practices; rather, they form the crucial affective contexts for the legitimization of archival caches in the present moment and for future use.
Form:
books
books
Publication:
January 2020
January 2020
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
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Summary:
Au cours des deux dernières décennies, la production de données numériques a connu une croissance sans précédent, redéfinissant la puissance entre États, mais aussi acteurs privés (GAFAM) et autres (hackers, cybercriminels, etc.). Cette redéfinition conduit à interroger la notion de frontière dans ce contexte non-clos où la localisation physique peut ne pas correspondre à(...)
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Summary:
Au cours des deux dernières décennies, la production de données numériques a connu une croissance sans précédent, redéfinissant la puissance entre États, mais aussi acteurs privés (GAFAM) et autres (hackers, cybercriminels, etc.). Cette redéfinition conduit à interroger la notion de frontière dans ce contexte non-clos où la localisation physique peut ne pas correspondre à(...)
Title:
Géopolitique des données numériques
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Au cours des deux dernières décennies, la production de données numériques a connu une croissance sans précédent, redéfinissant la puissance entre États, mais aussi acteurs privés (GAFAM) et autres (hackers, cybercriminels, etc.). Cette redéfinition conduit à interroger la notion de frontière dans ce contexte non-clos où la localisation physique peut ne pas correspondre à la location logique ou juridique. Pour traiter cette masse de données disparates, il a fallu créer des outils (Big Data, intelligence artificielles) qui modifient également les rapports de puissance entre les États. Mais dont l'usage modifie aussi l'analyse géopolitique elle-même. Dans cet ouvrage, Amaël Cattaruzza analyse comment les données numériques ont doublement modifié la géopolitique.
Géopolitique des données numériques
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Au cours des deux dernières décennies, la production de données numériques a connu une croissance sans précédent, redéfinissant la puissance entre États, mais aussi acteurs privés (GAFAM) et autres (hackers, cybercriminels, etc.). Cette redéfinition conduit à interroger la notion de frontière dans ce contexte non-clos où la localisation physique peut ne pas correspondre à la location logique ou juridique. Pour traiter cette masse de données disparates, il a fallu créer des outils (Big Data, intelligence artificielles) qui modifient également les rapports de puissance entre les États. Mais dont l'usage modifie aussi l'analyse géopolitique elle-même. Dans cet ouvrage, Amaël Cattaruzza analyse comment les données numériques ont doublement modifié la géopolitique.
Form:
books
books
Publication:
March 2019
March 2019
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
Culture numérique
Culture numérique
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Ce livre raconte un programme unique au monde : la conception, la construction et l’usage de 10 L'entrée du numérique dans nos sociétés est souvent comparée aux grandes ruptures technologiques des révolutions industrielles. En réalité, c'est avec l'invention de l'imprimerie que la comparaison s’impose, car la révolution digitale est avant tout d’ordre cognitif. Elle est(...)
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Summary:
Ce livre raconte un programme unique au monde : la conception, la construction et l’usage de 10 L'entrée du numérique dans nos sociétés est souvent comparée aux grandes ruptures technologiques des révolutions industrielles. En réalité, c'est avec l'invention de l'imprimerie que la comparaison s’impose, car la révolution digitale est avant tout d’ordre cognitif. Elle est(...)
Title:
Culture numérique
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Ce livre raconte un programme unique au monde : la conception, la construction et l’usage de 10 L'entrée du numérique dans nos sociétés est souvent comparée aux grandes ruptures technologiques des révolutions industrielles. En réalité, c'est avec l'invention de l'imprimerie que la comparaison s’impose, car la révolution digitale est avant tout d’ordre cognitif. Elle est venue insérer des connaissances et des informations dans tous les aspects de nos vies. Jusqu'aux machines, qu'elle est en train de rendre intelligentes. Si nous fabriquons le numérique, il nous fabrique aussi. Voilà pourquoi il est indispensable que nous nous forgions une culture numérique.
Culture numérique
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Ce livre raconte un programme unique au monde : la conception, la construction et l’usage de 10 L'entrée du numérique dans nos sociétés est souvent comparée aux grandes ruptures technologiques des révolutions industrielles. En réalité, c'est avec l'invention de l'imprimerie que la comparaison s’impose, car la révolution digitale est avant tout d’ordre cognitif. Elle est venue insérer des connaissances et des informations dans tous les aspects de nos vies. Jusqu'aux machines, qu'elle est en train de rendre intelligentes. Si nous fabriquons le numérique, il nous fabrique aussi. Voilà pourquoi il est indispensable que nous nous forgions une culture numérique.
Form:
books
books
Publication:
April 2019
April 2019
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
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$31.95
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Summary:
L'architecture, son évolution comme sa connaissance, dépend en grande partie de la circulation et de la transmission dans l'espace et le temps d'une accumulation d'expériences, de règles ou de modèles. Voilà pourquoi ce livre examine les moyens de communication utilisés par les architectes occidentaux, de Vitruve à l'époque moderne, en montrant comment chaque média influe(...)
$31.95
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Summary:
L'architecture, son évolution comme sa connaissance, dépend en grande partie de la circulation et de la transmission dans l'espace et le temps d'une accumulation d'expériences, de règles ou de modèles. Voilà pourquoi ce livre examine les moyens de communication utilisés par les architectes occidentaux, de Vitruve à l'époque moderne, en montrant comment chaque média influe(...)
Title:
L'architecture à l'âge de l'imprimerie
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L'architecture, son évolution comme sa connaissance, dépend en grande partie de la circulation et de la transmission dans l'espace et le temps d'une accumulation d'expériences, de règles ou de modèles. Voilà pourquoi ce livre examine les moyens de communication utilisés par les architectes occidentaux, de Vitruve à l'époque moderne, en montrant comment chaque média influe sur les formes spécifiques de la pensée architecturale et sur les modalités de la diffusion des savoirs.
L'architecture à l'âge de l'imprimerie
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L'architecture, son évolution comme sa connaissance, dépend en grande partie de la circulation et de la transmission dans l'espace et le temps d'une accumulation d'expériences, de règles ou de modèles. Voilà pourquoi ce livre examine les moyens de communication utilisés par les architectes occidentaux, de Vitruve à l'époque moderne, en montrant comment chaque média influe sur les formes spécifiques de la pensée architecturale et sur les modalités de la diffusion des savoirs.
Form:
books
books
Publication:
April 2009, Paris
April 2009, Paris
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
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$56.95
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Summary:
Comment assurer une conservation pérenne et efficace des archives des architectes? Quelles sont les normes et les tendances actuelles? Les réflexions présentées dans cet ouvrage émanent d'architectes, d'archivistes et conservateurs, historiens d'architecture, de chercheurs et d'enseignants. Issus d'une dizaine de pays d'Europe, des États-Unis et du Canada.
$56.95
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Comment assurer une conservation pérenne et efficace des archives des architectes? Quelles sont les normes et les tendances actuelles? Les réflexions présentées dans cet ouvrage émanent d'architectes, d'archivistes et conservateurs, historiens d'architecture, de chercheurs et d'enseignants. Issus d'une dizaine de pays d'Europe, des États-Unis et du Canada.
Subject:
Archive, library and the digital
Archive, library and the digital
Publication:
February 2009
February 2009
Title:
Architectures et archives numériques: l'architecture à l'ère numérique: un enjeu de mémoire
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Comment assurer une conservation pérenne et efficace des archives des architectes? Quelles sont les normes et les tendances actuelles? Les réflexions présentées dans cet ouvrage émanent d'architectes, d'archivistes et conservateurs, historiens d'architecture, de chercheurs et d'enseignants. Issus d'une dizaine de pays d'Europe, des États-Unis et du Canada.
Architectures et archives numériques: l'architecture à l'ère numérique: un enjeu de mémoire
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$56.95
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Summary:
Comment assurer une conservation pérenne et efficace des archives des architectes? Quelles sont les normes et les tendances actuelles? Les réflexions présentées dans cet ouvrage émanent d'architectes, d'archivistes et conservateurs, historiens d'architecture, de chercheurs et d'enseignants. Issus d'une dizaine de pays d'Europe, des États-Unis et du Canada.
Form:
books
books
Publication:
February 2009
February 2009
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
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$48.00
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Summary:
Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information(...)
$48.00
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Summary:
Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information(...)
Title:
Control: digitality as cultural logic
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Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information economy" possible while at the same time obscuring its effects on material social spaces. In so doing, Franklin traces three intertwined threads: the relationships among information, labor, and social management that emerged in the nineteenth century; the mid-twentieth-century diffusion of computational metaphors; and the appearance of informatic principles in certain contemporary socioeconomic and cultural practices. Drawing on critical theory, media theory, and the history of science, Franklin names control as the episteme grounding late capitalism. Beyond any specific device or set of technically mediated practices, digitality functions within this episteme as the logical basis for reshaped concepts of labor, subjectivity, and collectivity, as well as for the intensification of older modes of exclusion and dispossession. In tracking the pervasiveness of this logical mode into the present, Franklin locates the cultural traces of control across a diverse body of objects and practices, from cybernetics to economic theory and management styles, and from concepts of language and subjectivity to literary texts, films, and video games.
Control: digitality as cultural logic
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$48.00
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Summary:
Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information economy" possible while at the same time obscuring its effects on material social spaces. In so doing, Franklin traces three intertwined threads: the relationships among information, labor, and social management that emerged in the nineteenth century; the mid-twentieth-century diffusion of computational metaphors; and the appearance of informatic principles in certain contemporary socioeconomic and cultural practices. Drawing on critical theory, media theory, and the history of science, Franklin names control as the episteme grounding late capitalism. Beyond any specific device or set of technically mediated practices, digitality functions within this episteme as the logical basis for reshaped concepts of labor, subjectivity, and collectivity, as well as for the intensification of older modes of exclusion and dispossession. In tracking the pervasiveness of this logical mode into the present, Franklin locates the cultural traces of control across a diverse body of objects and practices, from cybernetics to economic theory and management styles, and from concepts of language and subjectivity to literary texts, films, and video games.
Form:
books
books
Publication:
November 2015
November 2015
Subject:
Archive, library and the digital
Archive, library and the digital
