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First theorized by composer Richard Wagner, the total artwork, or "gesamtkunstwerk," proposed a synthesis of all arts towards a single, unified spectacle. Wagner's ambitious conception flowered in the early twentieth century throughout numerous avant gardes, particularly in German Expressionism, where art forms cross-pollinated and collaborated to a remarkable degree.(...)
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Summary:
First theorized by composer Richard Wagner, the total artwork, or "gesamtkunstwerk," proposed a synthesis of all arts towards a single, unified spectacle. Wagner's ambitious conception flowered in the early twentieth century throughout numerous avant gardes, particularly in German Expressionism, where art forms cross-pollinated and collaborated to a remarkable degree.(...)
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The total artwork in expressionism
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First theorized by composer Richard Wagner, the total artwork, or "gesamtkunstwerk," proposed a synthesis of all arts towards a single, unified spectacle. Wagner's ambitious conception flowered in the early twentieth century throughout numerous avant gardes, particularly in German Expressionism, where art forms cross-pollinated and collaborated to a remarkable degree. Past considerations of Expressionism have tended to focus only on individual genres, making "The Total Artwork in Expressionism: Art, Film, Literature, Theater, Dance and Architecture 1905-1925" the first-ever publication to examine the interplay between these forms.
The total artwork in expressionism
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Summary:
First theorized by composer Richard Wagner, the total artwork, or "gesamtkunstwerk," proposed a synthesis of all arts towards a single, unified spectacle. Wagner's ambitious conception flowered in the early twentieth century throughout numerous avant gardes, particularly in German Expressionism, where art forms cross-pollinated and collaborated to a remarkable degree. Past considerations of Expressionism have tended to focus only on individual genres, making "The Total Artwork in Expressionism: Art, Film, Literature, Theater, Dance and Architecture 1905-1925" the first-ever publication to examine the interplay between these forms.
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
Title:
This is tomorrow
This is tomorrow
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$27.00
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This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo(...)
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This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo(...)
Title:
This is tomorrow
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This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo Paolozzi, Richard Hamilton, William Turnbull and John McHale. The Independent Group's room premiered works of Op art alongside film posters, collages, murals, films and a jukebox, and was Britain's introduction to the phenomenon later named Pop. The spiralbound catalogue for This Is Tomorrow was designed by Edward Wright and published by Lund Humphries; out of print since 1957, it has since become a much sought-after rarity and a classic of graphic design and postwar visual culture. This facsimile edition is published for the Whitechapel's 2010-11 reconstruction of the 1956 show.
This is tomorrow
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Summary:
This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo Paolozzi, Richard Hamilton, William Turnbull and John McHale. The Independent Group's room premiered works of Op art alongside film posters, collages, murals, films and a jukebox, and was Britain's introduction to the phenomenon later named Pop. The spiralbound catalogue for This Is Tomorrow was designed by Edward Wright and published by Lund Humphries; out of print since 1957, it has since become a much sought-after rarity and a classic of graphic design and postwar visual culture. This facsimile edition is published for the Whitechapel's 2010-11 reconstruction of the 1956 show.
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
Title:
20 + years of Witte de With
20 + years of Witte de With
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Since its inception in 1990, Witte de With has exhibited some 300 artists and, through its publications, lecture programs and participation in events such as the Venice Biennale and the Shanghai World Expo, the center continues to shape international discourse on art and its institutions. On the occasion of its twentieth anniversary, Witte de With Publishers presents a(...)
$39.95
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Summary:
Since its inception in 1990, Witte de With has exhibited some 300 artists and, through its publications, lecture programs and participation in events such as the Venice Biennale and the Shanghai World Expo, the center continues to shape international discourse on art and its institutions. On the occasion of its twentieth anniversary, Witte de With Publishers presents a(...)
Subject:
Art Periods and Styles
Art Periods and Styles
Publication:
February 2011
February 2011
Title:
20 + years of Witte de With
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$39.95
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Summary:
Since its inception in 1990, Witte de With has exhibited some 300 artists and, through its publications, lecture programs and participation in events such as the Venice Biennale and the Shanghai World Expo, the center continues to shape international discourse on art and its institutions. On the occasion of its twentieth anniversary, Witte de With Publishers presents a survey celebrating these achievements.
20 + years of Witte de With
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$39.95
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Summary:
Since its inception in 1990, Witte de With has exhibited some 300 artists and, through its publications, lecture programs and participation in events such as the Venice Biennale and the Shanghai World Expo, the center continues to shape international discourse on art and its institutions. On the occasion of its twentieth anniversary, Witte de With Publishers presents a survey celebrating these achievements.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
Price:
$83.00
(available to order)
Summary:
This publication focuses the cultural and aesthetic dimensions of sustainability through the lens of postwar and contemporary art. Also representing the fields of design, architecture and technology, Examples to Follow! highlights works ranging from objects made from recycled products to a floating island where clean water can be made by physical activity. The list of(...)
$83.00
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Summary:
This publication focuses the cultural and aesthetic dimensions of sustainability through the lens of postwar and contemporary art. Also representing the fields of design, architecture and technology, Examples to Follow! highlights works ranging from objects made from recycled products to a floating island where clean water can be made by physical activity. The list of(...)
Title:
Examples to follow! Expeditions in aesthetics and sustainability
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This publication focuses the cultural and aesthetic dimensions of sustainability through the lens of postwar and contemporary art. Also representing the fields of design, architecture and technology, Examples to Follow! highlights works ranging from objects made from recycled products to a floating island where clean water can be made by physical activity. The list of international artists includes Joseph Beuys, Gordon Matta-Clark, Robert Smithson, Jennifer Allora & Guillermo Calzadilla, Richard Box, Ines Doujak, Adib Fricke, Klara Hobza, Lukas Feireiss, Luis Berríos-Negrón, Josef Hack, Henrik Håkansson, Cornelia Hesse-Honegger, Christoph Keller, and others.
Examples to follow! Expeditions in aesthetics and sustainability
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$83.00
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Summary:
This publication focuses the cultural and aesthetic dimensions of sustainability through the lens of postwar and contemporary art. Also representing the fields of design, architecture and technology, Examples to Follow! highlights works ranging from objects made from recycled products to a floating island where clean water can be made by physical activity. The list of international artists includes Joseph Beuys, Gordon Matta-Clark, Robert Smithson, Jennifer Allora & Guillermo Calzadilla, Richard Box, Ines Doujak, Adib Fricke, Klara Hobza, Lukas Feireiss, Luis Berríos-Negrón, Josef Hack, Henrik Håkansson, Cornelia Hesse-Honegger, Christoph Keller, and others.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
Title:
The more I draw
The more I draw
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$61.00
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Summary:
In the wake of Abstract Expressionism, exponents of drawing found the limits of their art blown wide open. Beuys and Twombly provide two instances of this freedom, and The More I Draw opens its assessment with works by both artists. Fifty artists participate in this overview, among them Ryoko Aoki, Silvia Bächli, Jimmie Durham, Tracey Emin, Dan Perjovschi, Raymond(...)
$61.00
(available to order)
Summary:
In the wake of Abstract Expressionism, exponents of drawing found the limits of their art blown wide open. Beuys and Twombly provide two instances of this freedom, and The More I Draw opens its assessment with works by both artists. Fifty artists participate in this overview, among them Ryoko Aoki, Silvia Bächli, Jimmie Durham, Tracey Emin, Dan Perjovschi, Raymond(...)
Title:
The more I draw
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$61.00
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Summary:
In the wake of Abstract Expressionism, exponents of drawing found the limits of their art blown wide open. Beuys and Twombly provide two instances of this freedom, and The More I Draw opens its assessment with works by both artists. Fifty artists participate in this overview, among them Ryoko Aoki, Silvia Bächli, Jimmie Durham, Tracey Emin, Dan Perjovschi, Raymond Pettibon, David Shrigley, Sandra Vásquez de la Horra, Jorinde Voigt and many others.
The more I draw
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$61.00
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Summary:
In the wake of Abstract Expressionism, exponents of drawing found the limits of their art blown wide open. Beuys and Twombly provide two instances of this freedom, and The More I Draw opens its assessment with works by both artists. Fifty artists participate in this overview, among them Ryoko Aoki, Silvia Bächli, Jimmie Durham, Tracey Emin, Dan Perjovschi, Raymond Pettibon, David Shrigley, Sandra Vásquez de la Horra, Jorinde Voigt and many others.
Form:
books
books
Publication:
March 2011
March 2011
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
Title:
Minimalism
Minimalism
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Survey Critic and art historian James Meyer, a leading authority on Minimalism, examines the movement from its beginnings to its broader cultural influence.
$22.95
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Summary:
Survey Critic and art historian James Meyer, a leading authority on Minimalism, examines the movement from its beginnings to its broader cultural influence.
Title:
Minimalism
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Summary:
Survey Critic and art historian James Meyer, a leading authority on Minimalism, examines the movement from its beginnings to its broader cultural influence.
Minimalism
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Summary:
Survey Critic and art historian James Meyer, a leading authority on Minimalism, examines the movement from its beginnings to its broader cultural influence.
Form:
books
books
Publication:
May 2010
May 2010
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
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$33.95
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Summary:
Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world—not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of(...)
$33.95
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Summary:
Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world—not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of(...)
Title:
Psychedelic: Optical and visionary art since the 1960s
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Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world—not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context.
Psychedelic: Optical and visionary art since the 1960s
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$33.95
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Summary:
Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world—not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context.
Form:
books
books
Publication:
April 2010
April 2010
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
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$50.95
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Through an examination of Surrealist photographs, objects, exhibitions, activities, and writings, the essays in Twilight Visions, the illustrated companion volume to the exhibition of the same name, portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research, the major Surrealist exhibitions, and the(...)
$50.95
(available to order)
Summary:
Through an examination of Surrealist photographs, objects, exhibitions, activities, and writings, the essays in Twilight Visions, the illustrated companion volume to the exhibition of the same name, portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research, the major Surrealist exhibitions, and the(...)
Subject:
Art Periods and Styles
Art Periods and Styles
Publication:
September 2009
September 2009
Title:
Twilight visions: Surrealism and Paris
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$50.95
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Through an examination of Surrealist photographs, objects, exhibitions, activities, and writings, the essays in Twilight Visions, the illustrated companion volume to the exhibition of the same name, portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research, the major Surrealist exhibitions, and the photographs of Paris by Brassai, Andre Kertesz, Ilse Bing, Germaine Krull, and Man Ray, among others, all reflect the tumultuous social and cultural transformations occurring in Paris in the 1920s and 30s. This volume considers the social, aesthetic, and political stances of the Surrealists as they probed hidden aspects of the commonplace and blurred the boundaries between dreams and reality, subjectivity and objectivity.
Twilight visions: Surrealism and Paris
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Price:
$50.95
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Summary:
Through an examination of Surrealist photographs, objects, exhibitions, activities, and writings, the essays in Twilight Visions, the illustrated companion volume to the exhibition of the same name, portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research, the major Surrealist exhibitions, and the photographs of Paris by Brassai, Andre Kertesz, Ilse Bing, Germaine Krull, and Man Ray, among others, all reflect the tumultuous social and cultural transformations occurring in Paris in the 1920s and 30s. This volume considers the social, aesthetic, and political stances of the Surrealists as they probed hidden aspects of the commonplace and blurred the boundaries between dreams and reality, subjectivity and objectivity.
Form:
books
books
Publication:
September 2009
September 2009
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
Title:
Futurism, an anthology
Futurism, an anthology
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$67.00
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Summary:
Published to coincide with the 100th anniversary of the founding of futurism, this is the most complete anthology of futurist manifestos, poems, plays, and images ever to bepublished in English, spanning from 1909 to 1944. Now, amidst another era of unprecedented technological change and cultural crisis, is a pivotal moment to reevaluate futurism and its haunting legacy(...)
$67.00
(available to order)
Summary:
Published to coincide with the 100th anniversary of the founding of futurism, this is the most complete anthology of futurist manifestos, poems, plays, and images ever to bepublished in English, spanning from 1909 to 1944. Now, amidst another era of unprecedented technological change and cultural crisis, is a pivotal moment to reevaluate futurism and its haunting legacy(...)
Title:
Futurism, an anthology
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$67.00
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Summary:
Published to coincide with the 100th anniversary of the founding of futurism, this is the most complete anthology of futurist manifestos, poems, plays, and images ever to bepublished in English, spanning from 1909 to 1944. Now, amidst another era of unprecedented technological change and cultural crisis, is a pivotal moment to reevaluate futurism and its haunting legacy for Western civilization.
Futurism, an anthology
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$67.00
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Summary:
Published to coincide with the 100th anniversary of the founding of futurism, this is the most complete anthology of futurist manifestos, poems, plays, and images ever to bepublished in English, spanning from 1909 to 1944. Now, amidst another era of unprecedented technological change and cultural crisis, is a pivotal moment to reevaluate futurism and its haunting legacy for Western civilization.
Form:
books
books
Publication:
September 2009
September 2009
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
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$60.00
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Summary:
Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with(...)
$60.00
(available to order)
Summary:
Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with(...)
Title:
Italian futurism, 1909-1944: reconstructing the universe
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$60.00
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Summary:
Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with F.T. Marinetti’s manifesto in 1909 through the movement’s demise at the end of World War II. Presenting over 300 works created between 1909 and 1944, by artists, writers, designers and composers such as Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Fortunato Depero, Gerardo Dottori, Marinetti, Ivo Pannaggi, Rosa Rosà, Luigi Russolo, Tato and many others, this publication encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater and performance.
Italian futurism, 1909-1944: reconstructing the universe
Actions:
Price:
$60.00
(available to order)
Summary:
Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with F.T. Marinetti’s manifesto in 1909 through the movement’s demise at the end of World War II. Presenting over 300 works created between 1909 and 1944, by artists, writers, designers and composers such as Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Fortunato Depero, Gerardo Dottori, Marinetti, Ivo Pannaggi, Rosa Rosà, Luigi Russolo, Tato and many others, this publication encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater and performance.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Art Periods and Styles
Art Periods and Styles
