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This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how(...)
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This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how(...)
Publication:
August 2010
August 2010
Title:
The original copy: photography of sculpture, 1839 to today
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This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how photography informs and challenges our knowledge of sculpture. The images range in subject from inanimate objects to performing bodies.
The original copy: photography of sculpture, 1839 to today
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This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how photography informs and challenges our knowledge of sculpture. The images range in subject from inanimate objects to performing bodies.
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books
books
Publication:
August 2010
August 2010
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books
books
Title:
The new décor
The new décor
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This publication gathers a range of contemporary artists whose work takes the vocabulary of interior design as a point of departure. Reconceptualizing the decoration of our everyday environments through sculpture and installation, these artists explore, and sometimes dismantle, the current attitudes and the social furniture that reveal the public dimensions of our private(...)
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This publication gathers a range of contemporary artists whose work takes the vocabulary of interior design as a point of departure. Reconceptualizing the decoration of our everyday environments through sculpture and installation, these artists explore, and sometimes dismantle, the current attitudes and the social furniture that reveal the public dimensions of our private(...)
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The new décor
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This publication gathers a range of contemporary artists whose work takes the vocabulary of interior design as a point of departure. Reconceptualizing the decoration of our everyday environments through sculpture and installation, these artists explore, and sometimes dismantle, the current attitudes and the social furniture that reveal the public dimensions of our private worlds. In French the word "decor" refers to stage and film sets as well as interior design, and in a similar spirit the works in this volume occupy an arena midway between theater and everyday life.
The new décor
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This publication gathers a range of contemporary artists whose work takes the vocabulary of interior design as a point of departure. Reconceptualizing the decoration of our everyday environments through sculpture and installation, these artists explore, and sometimes dismantle, the current attitudes and the social furniture that reveal the public dimensions of our private worlds. In French the word "decor" refers to stage and film sets as well as interior design, and in a similar spirit the works in this volume occupy an arena midway between theater and everyday life.
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books
books
Publication:
September 2010
September 2010
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books
books
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First theorized by composer Richard Wagner, the total artwork, or "gesamtkunstwerk," proposed a synthesis of all arts towards a single, unified spectacle. Wagner's ambitious conception flowered in the early twentieth century throughout numerous avant gardes, particularly in German Expressionism, where art forms cross-pollinated and collaborated to a remarkable degree.(...)
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First theorized by composer Richard Wagner, the total artwork, or "gesamtkunstwerk," proposed a synthesis of all arts towards a single, unified spectacle. Wagner's ambitious conception flowered in the early twentieth century throughout numerous avant gardes, particularly in German Expressionism, where art forms cross-pollinated and collaborated to a remarkable degree.(...)
Title:
The total artwork in expressionism
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First theorized by composer Richard Wagner, the total artwork, or "gesamtkunstwerk," proposed a synthesis of all arts towards a single, unified spectacle. Wagner's ambitious conception flowered in the early twentieth century throughout numerous avant gardes, particularly in German Expressionism, where art forms cross-pollinated and collaborated to a remarkable degree. Past considerations of Expressionism have tended to focus only on individual genres, making "The Total Artwork in Expressionism: Art, Film, Literature, Theater, Dance and Architecture 1905-1925" the first-ever publication to examine the interplay between these forms.
The total artwork in expressionism
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Summary:
First theorized by composer Richard Wagner, the total artwork, or "gesamtkunstwerk," proposed a synthesis of all arts towards a single, unified spectacle. Wagner's ambitious conception flowered in the early twentieth century throughout numerous avant gardes, particularly in German Expressionism, where art forms cross-pollinated and collaborated to a remarkable degree. Past considerations of Expressionism have tended to focus only on individual genres, making "The Total Artwork in Expressionism: Art, Film, Literature, Theater, Dance and Architecture 1905-1925" the first-ever publication to examine the interplay between these forms.
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
Title:
This is tomorrow
This is tomorrow
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This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo(...)
$27.00
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This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo(...)
Title:
This is tomorrow
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This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo Paolozzi, Richard Hamilton, William Turnbull and John McHale. The Independent Group's room premiered works of Op art alongside film posters, collages, murals, films and a jukebox, and was Britain's introduction to the phenomenon later named Pop. The spiralbound catalogue for This Is Tomorrow was designed by Edward Wright and published by Lund Humphries; out of print since 1957, it has since become a much sought-after rarity and a classic of graphic design and postwar visual culture. This facsimile edition is published for the Whitechapel's 2010-11 reconstruction of the 1956 show.
This is tomorrow
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Summary:
This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo Paolozzi, Richard Hamilton, William Turnbull and John McHale. The Independent Group's room premiered works of Op art alongside film posters, collages, murals, films and a jukebox, and was Britain's introduction to the phenomenon later named Pop. The spiralbound catalogue for This Is Tomorrow was designed by Edward Wright and published by Lund Humphries; out of print since 1957, it has since become a much sought-after rarity and a classic of graphic design and postwar visual culture. This facsimile edition is published for the Whitechapel's 2010-11 reconstruction of the 1956 show.
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
Title:
20 + years of Witte de With
20 + years of Witte de With
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Since its inception in 1990, Witte de With has exhibited some 300 artists and, through its publications, lecture programs and participation in events such as the Venice Biennale and the Shanghai World Expo, the center continues to shape international discourse on art and its institutions. On the occasion of its twentieth anniversary, Witte de With Publishers presents a(...)
$39.95
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Summary:
Since its inception in 1990, Witte de With has exhibited some 300 artists and, through its publications, lecture programs and participation in events such as the Venice Biennale and the Shanghai World Expo, the center continues to shape international discourse on art and its institutions. On the occasion of its twentieth anniversary, Witte de With Publishers presents a(...)
Subject:
Art Periods and Styles
Art Periods and Styles
Publication:
February 2011
February 2011
Title:
20 + years of Witte de With
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$39.95
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Summary:
Since its inception in 1990, Witte de With has exhibited some 300 artists and, through its publications, lecture programs and participation in events such as the Venice Biennale and the Shanghai World Expo, the center continues to shape international discourse on art and its institutions. On the occasion of its twentieth anniversary, Witte de With Publishers presents a survey celebrating these achievements.
20 + years of Witte de With
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$39.95
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Summary:
Since its inception in 1990, Witte de With has exhibited some 300 artists and, through its publications, lecture programs and participation in events such as the Venice Biennale and the Shanghai World Expo, the center continues to shape international discourse on art and its institutions. On the occasion of its twentieth anniversary, Witte de With Publishers presents a survey celebrating these achievements.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
Price:
$83.00
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Summary:
This publication focuses the cultural and aesthetic dimensions of sustainability through the lens of postwar and contemporary art. Also representing the fields of design, architecture and technology, Examples to Follow! highlights works ranging from objects made from recycled products to a floating island where clean water can be made by physical activity. The list of(...)
$83.00
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Summary:
This publication focuses the cultural and aesthetic dimensions of sustainability through the lens of postwar and contemporary art. Also representing the fields of design, architecture and technology, Examples to Follow! highlights works ranging from objects made from recycled products to a floating island where clean water can be made by physical activity. The list of(...)
Title:
Examples to follow! Expeditions in aesthetics and sustainability
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This publication focuses the cultural and aesthetic dimensions of sustainability through the lens of postwar and contemporary art. Also representing the fields of design, architecture and technology, Examples to Follow! highlights works ranging from objects made from recycled products to a floating island where clean water can be made by physical activity. The list of international artists includes Joseph Beuys, Gordon Matta-Clark, Robert Smithson, Jennifer Allora & Guillermo Calzadilla, Richard Box, Ines Doujak, Adib Fricke, Klara Hobza, Lukas Feireiss, Luis Berríos-Negrón, Josef Hack, Henrik Håkansson, Cornelia Hesse-Honegger, Christoph Keller, and others.
Examples to follow! Expeditions in aesthetics and sustainability
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$83.00
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Summary:
This publication focuses the cultural and aesthetic dimensions of sustainability through the lens of postwar and contemporary art. Also representing the fields of design, architecture and technology, Examples to Follow! highlights works ranging from objects made from recycled products to a floating island where clean water can be made by physical activity. The list of international artists includes Joseph Beuys, Gordon Matta-Clark, Robert Smithson, Jennifer Allora & Guillermo Calzadilla, Richard Box, Ines Doujak, Adib Fricke, Klara Hobza, Lukas Feireiss, Luis Berríos-Negrón, Josef Hack, Henrik Håkansson, Cornelia Hesse-Honegger, Christoph Keller, and others.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
Title:
The more I draw
The more I draw
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$61.00
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In the wake of Abstract Expressionism, exponents of drawing found the limits of their art blown wide open. Beuys and Twombly provide two instances of this freedom, and The More I Draw opens its assessment with works by both artists. Fifty artists participate in this overview, among them Ryoko Aoki, Silvia Bächli, Jimmie Durham, Tracey Emin, Dan Perjovschi, Raymond(...)
$61.00
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Summary:
In the wake of Abstract Expressionism, exponents of drawing found the limits of their art blown wide open. Beuys and Twombly provide two instances of this freedom, and The More I Draw opens its assessment with works by both artists. Fifty artists participate in this overview, among them Ryoko Aoki, Silvia Bächli, Jimmie Durham, Tracey Emin, Dan Perjovschi, Raymond(...)
Title:
The more I draw
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$61.00
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Summary:
In the wake of Abstract Expressionism, exponents of drawing found the limits of their art blown wide open. Beuys and Twombly provide two instances of this freedom, and The More I Draw opens its assessment with works by both artists. Fifty artists participate in this overview, among them Ryoko Aoki, Silvia Bächli, Jimmie Durham, Tracey Emin, Dan Perjovschi, Raymond Pettibon, David Shrigley, Sandra Vásquez de la Horra, Jorinde Voigt and many others.
The more I draw
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$61.00
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Summary:
In the wake of Abstract Expressionism, exponents of drawing found the limits of their art blown wide open. Beuys and Twombly provide two instances of this freedom, and The More I Draw opens its assessment with works by both artists. Fifty artists participate in this overview, among them Ryoko Aoki, Silvia Bächli, Jimmie Durham, Tracey Emin, Dan Perjovschi, Raymond Pettibon, David Shrigley, Sandra Vásquez de la Horra, Jorinde Voigt and many others.
Form:
books
books
Publication:
March 2011
March 2011
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
Price:
$34.00
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Summary:
The snake as an ambivalent symbol and the serpentine line as form and medium are part of the culture of Surrealism. They link Jackson Pollock to Max Ernst. The focus of the work of Max von Moos is human existence under threat, and the motif of the snake is encountered repeatedly in his painting. In the generation after him , André Thomkins and Aldo Walker, who were(...)
$34.00
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Summary:
The snake as an ambivalent symbol and the serpentine line as form and medium are part of the culture of Surrealism. They link Jackson Pollock to Max Ernst. The focus of the work of Max von Moos is human existence under threat, and the motif of the snake is encountered repeatedly in his painting. In the generation after him , André Thomkins and Aldo Walker, who were(...)
Title:
Serpentine lines : Max von Moos, André Thomkins, Aldo Walker, Max Ernst
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The snake as an ambivalent symbol and the serpentine line as form and medium are part of the culture of Surrealism. They link Jackson Pollock to Max Ernst. The focus of the work of Max von Moos is human existence under threat, and the motif of the snake is encountered repeatedly in his painting. In the generation after him , André Thomkins and Aldo Walker, who were familiar with his oeuvre, worked with the form of the snake redeemed as a freely curving line. Paul Klee described the serpentine line as an active line on a walk, moving freely, without goal.
Serpentine lines : Max von Moos, André Thomkins, Aldo Walker, Max Ernst
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Summary:
The snake as an ambivalent symbol and the serpentine line as form and medium are part of the culture of Surrealism. They link Jackson Pollock to Max Ernst. The focus of the work of Max von Moos is human existence under threat, and the motif of the snake is encountered repeatedly in his painting. In the generation after him , André Thomkins and Aldo Walker, who were familiar with his oeuvre, worked with the form of the snake redeemed as a freely curving line. Paul Klee described the serpentine line as an active line on a walk, moving freely, without goal.
Form:
books
books
Publication:
July 2011
July 2011
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
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$59.95
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Giovanni Battista Piranesi (1720-1778) is most known for his terrifyingly original series of etchings of labyrinthine and megalomaniac prisons, Carceri d'Invenzione. In his own day, he was most celebrated for his Vedute, 137 etchings of ancient and modern Rome; so renowned were these startling and dramatic chiaroscuro images, imbued with Piranesi's romantic feeling for(...)
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Giovanni Battista Piranesi (1720-1778) is most known for his terrifyingly original series of etchings of labyrinthine and megalomaniac prisons, Carceri d'Invenzione. In his own day, he was most celebrated for his Vedute, 137 etchings of ancient and modern Rome; so renowned were these startling and dramatic chiaroscuro images, imbued with Piranesi's romantic feeling for(...)
Title:
Piranesi: The complete etchings
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Giovanni Battista Piranesi (1720-1778) is most known for his terrifyingly original series of etchings of labyrinthine and megalomaniac prisons, Carceri d'Invenzione. In his own day, he was most celebrated for his Vedute, 137 etchings of ancient and modern Rome; so renowned were these startling and dramatic chiaroscuro images, imbued with Piranesi's romantic feeling for archaeological ruins, that they formed the mental picture of Rome for generations after. Indeed, Piranesi could be said to have shaped a whole strain of contemporary architecture, as well as the wider visualization of antiquity itself. In our time, he has had a direct influence on writers such as Borges and Kafka and on filmmakers such as Terry Gilliam and Peter Greenaway.
Piranesi: The complete etchings
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$59.95
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Summary:
Giovanni Battista Piranesi (1720-1778) is most known for his terrifyingly original series of etchings of labyrinthine and megalomaniac prisons, Carceri d'Invenzione. In his own day, he was most celebrated for his Vedute, 137 etchings of ancient and modern Rome; so renowned were these startling and dramatic chiaroscuro images, imbued with Piranesi's romantic feeling for archaeological ruins, that they formed the mental picture of Rome for generations after. Indeed, Piranesi could be said to have shaped a whole strain of contemporary architecture, as well as the wider visualization of antiquity itself. In our time, he has had a direct influence on writers such as Borges and Kafka and on filmmakers such as Terry Gilliam and Peter Greenaway.
Form:
books
books
Publication:
December 2011
December 2011
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
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$60.00
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Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with(...)
$60.00
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Summary:
Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with(...)
Title:
Italian futurism, 1909-1944: reconstructing the universe
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Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with F.T. Marinetti’s manifesto in 1909 through the movement’s demise at the end of World War II. Presenting over 300 works created between 1909 and 1944, by artists, writers, designers and composers such as Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Fortunato Depero, Gerardo Dottori, Marinetti, Ivo Pannaggi, Rosa Rosà, Luigi Russolo, Tato and many others, this publication encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater and performance.
Italian futurism, 1909-1944: reconstructing the universe
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$60.00
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Summary:
Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with F.T. Marinetti’s manifesto in 1909 through the movement’s demise at the end of World War II. Presenting over 300 works created between 1909 and 1944, by artists, writers, designers and composers such as Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Fortunato Depero, Gerardo Dottori, Marinetti, Ivo Pannaggi, Rosa Rosà, Luigi Russolo, Tato and many others, this publication encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater and performance.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Art Periods and Styles
Art Periods and Styles
