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Du Grand Architecte de l'Univers, de l'homme de Néandertal ou d'Imhotep, qui est le premier architecte ? Depuis le XVIIe siècle, les clichés perdurent : "Qui bastit ment. Il n'a pas bien pris ses mesures." Le cinéma enfonce le clou : Fernandel oublie les toilettes de monsieur le maire, tandis que Jamel Debbouze, alias Numérobis, pose la mosaïque d'un atrium avant de(...)
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Du Grand Architecte de l'Univers, de l'homme de Néandertal ou d'Imhotep, qui est le premier architecte ? Depuis le XVIIe siècle, les clichés perdurent : "Qui bastit ment. Il n'a pas bien pris ses mesures." Le cinéma enfonce le clou : Fernandel oublie les toilettes de monsieur le maire, tandis que Jamel Debbouze, alias Numérobis, pose la mosaïque d'un atrium avant de(...)
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May 2017
May 2017
Title:
L'architecte: portraits et clichés
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Du Grand Architecte de l'Univers, de l'homme de Néandertal ou d'Imhotep, qui est le premier architecte ? Depuis le XVIIe siècle, les clichés perdurent : "Qui bastit ment. Il n'a pas bien pris ses mesures." Le cinéma enfonce le clou : Fernandel oublie les toilettes de monsieur le maire, tandis que Jamel Debbouze, alias Numérobis, pose la mosaïque d'un atrium avant de s'occuper des évacuations. L'architecte ne laisse pas indifférent. Personnage de roman ou de film, de bande dessinée ou de jeu pour enfants, à la une des journaux et des magazines, en timbre ou billet de banque, il est l'un des hérauts de notre temps. Perruqué ou poudré, en redingote ou en T-shirt noir, affublé de ses tés, compas ou ordinateurs, seul ou aux côtés de ses commanditaires, l'architecte dévoile ses multiples facettes dans ce livre, immortalisé par les plus grands peintres, graveurs, sculpteurs, photographes, illustrateurs et réalisateurs.
L'architecte: portraits et clichés
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Du Grand Architecte de l'Univers, de l'homme de Néandertal ou d'Imhotep, qui est le premier architecte ? Depuis le XVIIe siècle, les clichés perdurent : "Qui bastit ment. Il n'a pas bien pris ses mesures." Le cinéma enfonce le clou : Fernandel oublie les toilettes de monsieur le maire, tandis que Jamel Debbouze, alias Numérobis, pose la mosaïque d'un atrium avant de s'occuper des évacuations. L'architecte ne laisse pas indifférent. Personnage de roman ou de film, de bande dessinée ou de jeu pour enfants, à la une des journaux et des magazines, en timbre ou billet de banque, il est l'un des hérauts de notre temps. Perruqué ou poudré, en redingote ou en T-shirt noir, affublé de ses tés, compas ou ordinateurs, seul ou aux côtés de ses commanditaires, l'architecte dévoile ses multiples facettes dans ce livre, immortalisé par les plus grands peintres, graveurs, sculpteurs, photographes, illustrateurs et réalisateurs.
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books
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May 2017
May 2017
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books
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Nunatsiavut, the Inuit region of Canada that achieved self-government in 2005, produces art that is distinct within the world of Canadian and circumpolar Inuit art. The world's most southerly population of Inuit, the coastal people of Nunatsiavut have always lived both above and below the tree line, and Inuit artists and craftspeople from Nunatsiavut have had access to a(...)
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Nunatsiavut, the Inuit region of Canada that achieved self-government in 2005, produces art that is distinct within the world of Canadian and circumpolar Inuit art. The world's most southerly population of Inuit, the coastal people of Nunatsiavut have always lived both above and below the tree line, and Inuit artists and craftspeople from Nunatsiavut have had access to a(...)
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February 2017
February 2017
Title:
SakKijâjuk : Art and craft From Nunatsiavut
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Nunatsiavut, the Inuit region of Canada that achieved self-government in 2005, produces art that is distinct within the world of Canadian and circumpolar Inuit art. The world's most southerly population of Inuit, the coastal people of Nunatsiavut have always lived both above and below the tree line, and Inuit artists and craftspeople from Nunatsiavut have had access to a diverse range of Arctic and Subarctic flora and fauna, from which they have produced a stunningly diverse range of work. Artists from the territory have traditionally used stone and woods for carving; fur, hide, and sealskin for wearable art; and saltwater seagrass for basketry, as well as wool, metal, cloth, beads, and paper. In recent decades, they have produced work in a variety of contemporary art media, including painting, drawing, printmaking, photography, video, and ceramics, while also working with traditional materials in new and unexpected ways. ''SakKijâjuk: Art and craft from Nunatsiavut'' is the first major publication on the art of the Labrador Inuit. Designed to accompany a major touring exhibition organized by The Rooms Provincial Art Gallery of St. John's, the book will feature more than 80 reproductions of work by 45 different artists, profiles of the featured artists, and a major essay on the art of Nunatsiavut by Heather Igloliorte.
SakKijâjuk : Art and craft From Nunatsiavut
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Nunatsiavut, the Inuit region of Canada that achieved self-government in 2005, produces art that is distinct within the world of Canadian and circumpolar Inuit art. The world's most southerly population of Inuit, the coastal people of Nunatsiavut have always lived both above and below the tree line, and Inuit artists and craftspeople from Nunatsiavut have had access to a diverse range of Arctic and Subarctic flora and fauna, from which they have produced a stunningly diverse range of work. Artists from the territory have traditionally used stone and woods for carving; fur, hide, and sealskin for wearable art; and saltwater seagrass for basketry, as well as wool, metal, cloth, beads, and paper. In recent decades, they have produced work in a variety of contemporary art media, including painting, drawing, printmaking, photography, video, and ceramics, while also working with traditional materials in new and unexpected ways. ''SakKijâjuk: Art and craft from Nunatsiavut'' is the first major publication on the art of the Labrador Inuit. Designed to accompany a major touring exhibition organized by The Rooms Provincial Art Gallery of St. John's, the book will feature more than 80 reproductions of work by 45 different artists, profiles of the featured artists, and a major essay on the art of Nunatsiavut by Heather Igloliorte.
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books
books
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February 2017
February 2017
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books
books
Title:
Wanderlust
Wanderlust
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Wanderlust highlights artists as voyagers who leave their studios to make art. This book (and the exhibition it accompanies) is the first comprehensive survey of the artist's need to roam and the work that emerges from this need. Wanderlust presents the work of under-recognized yet pioneering artists alongside their well-known counterparts, and represents works that vary(...)
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Wanderlust highlights artists as voyagers who leave their studios to make art. This book (and the exhibition it accompanies) is the first comprehensive survey of the artist's need to roam and the work that emerges from this need. Wanderlust presents the work of under-recognized yet pioneering artists alongside their well-known counterparts, and represents works that vary(...)
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Wanderlust
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Wanderlust highlights artists as voyagers who leave their studios to make art. This book (and the exhibition it accompanies) is the first comprehensive survey of the artist's need to roam and the work that emerges from this need. Wanderlust presents the work of under-recognized yet pioneering artists alongside their well-known counterparts, and represents works that vary in process, with some artists working as solitary figures implanting themselves physically on the landscape while others perform and create movements in a collaborative manner or in public.
Wanderlust
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Wanderlust highlights artists as voyagers who leave their studios to make art. This book (and the exhibition it accompanies) is the first comprehensive survey of the artist's need to roam and the work that emerges from this need. Wanderlust presents the work of under-recognized yet pioneering artists alongside their well-known counterparts, and represents works that vary in process, with some artists working as solitary figures implanting themselves physically on the landscape while others perform and create movements in a collaborative manner or in public.
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books
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August 2017
August 2017
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$64.95
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Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, "Delirious" situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology—along with fear of its(...)
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Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, "Delirious" situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology—along with fear of its(...)
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October 2017
October 2017
Title:
Delirious
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Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, "Delirious" situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology—along with fear of its capability to promote mass destruction—developed into a distrust of rationalism, which in the arts had the paradoxical result of extracting irrational effects from rational means. Disturbing and challenging, these works upended traditional notions of aesthetic harmony.
Delirious
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Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, "Delirious" situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology—along with fear of its capability to promote mass destruction—developed into a distrust of rationalism, which in the arts had the paradoxical result of extracting irrational effects from rational means. Disturbing and challenging, these works upended traditional notions of aesthetic harmony.
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books
books
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October 2017
October 2017
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books
books
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$68.95
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Ambitious and interdisciplinary, "Moscow vanguard art: 1922-1992 tells the story of generations of artists who resisted Soviet dictates on aesthetics, spanning the Russian avant-garde, socialist realism, and Soviet postwar art in one volume. Drawing on art history, criticism, and political theory, Margarita Tupitsyn unites these three epochs, mapping their differences and(...)
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Ambitious and interdisciplinary, "Moscow vanguard art: 1922-1992 tells the story of generations of artists who resisted Soviet dictates on aesthetics, spanning the Russian avant-garde, socialist realism, and Soviet postwar art in one volume. Drawing on art history, criticism, and political theory, Margarita Tupitsyn unites these three epochs, mapping their differences and(...)
Publication:
August 2017
August 2017
Title:
Moscow vanguard art : 1922-1992
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Ambitious and interdisciplinary, "Moscow vanguard art: 1922-1992 tells the story of generations of artists who resisted Soviet dictates on aesthetics, spanning the Russian avant-garde, socialist realism, and Soviet postwar art in one volume. Drawing on art history, criticism, and political theory, Margarita Tupitsyn unites these three epochs, mapping their differences and commonalities, ultimately reconnecting the postwar vanguard with the historical avant-garde. With a focus on Moscow artists, the book chronicles how this milieu achieved institutional and financial independence, and reflects on the theoretical and visual models it generated in various media, including painting, photography, conceptual, performance, and installation art. Generously illustrated, this ground-breaking volume, published in the year that marks the centennial of the October Revolution, demonstrates that, regardless of political repression, the spirit of artistic experiment never ceased to exist in the Soviet Union.
Moscow vanguard art : 1922-1992
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Ambitious and interdisciplinary, "Moscow vanguard art: 1922-1992 tells the story of generations of artists who resisted Soviet dictates on aesthetics, spanning the Russian avant-garde, socialist realism, and Soviet postwar art in one volume. Drawing on art history, criticism, and political theory, Margarita Tupitsyn unites these three epochs, mapping their differences and commonalities, ultimately reconnecting the postwar vanguard with the historical avant-garde. With a focus on Moscow artists, the book chronicles how this milieu achieved institutional and financial independence, and reflects on the theoretical and visual models it generated in various media, including painting, photography, conceptual, performance, and installation art. Generously illustrated, this ground-breaking volume, published in the year that marks the centennial of the October Revolution, demonstrates that, regardless of political repression, the spirit of artistic experiment never ceased to exist in the Soviet Union.
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books
books
Publication:
August 2017
August 2017
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books
books
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$72.50
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Catalogue de l'exposition présentée au Pavillon de l'Arsenal, Paris, à partir du 16 octobre 2015. Anthologie de 264 artistes contemporains qui font intervenir l'architecture dans leur travail...
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Catalogue de l'exposition présentée au Pavillon de l'Arsenal, Paris, à partir du 16 octobre 2015. Anthologie de 264 artistes contemporains qui font intervenir l'architecture dans leur travail...
Publication:
October 2015
October 2015
Title:
Artistes et architecture: 264 artistes présentés
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Catalogue de l'exposition présentée au Pavillon de l'Arsenal, Paris, à partir du 16 octobre 2015. Anthologie de 264 artistes contemporains qui font intervenir l'architecture dans leur travail...
Artistes et architecture: 264 artistes présentés
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Catalogue de l'exposition présentée au Pavillon de l'Arsenal, Paris, à partir du 16 octobre 2015. Anthologie de 264 artistes contemporains qui font intervenir l'architecture dans leur travail...
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October 2015
October 2015
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Title:
The museum of capitalism
The museum of capitalism
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This speculative institution views the present and recent past from the implied perspective of a future society in which our economic and political system is memorialized, and subjected to the museological gaze. Sketches and renderings of exhibits and artifacts, combined with relevant quotations from historical sources, are interspersed with speculative essays on the(...)
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This speculative institution views the present and recent past from the implied perspective of a future society in which our economic and political system is memorialized, and subjected to the museological gaze. Sketches and renderings of exhibits and artifacts, combined with relevant quotations from historical sources, are interspersed with speculative essays on the(...)
Publication:
September 2017
September 2017
Title:
The museum of capitalism
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This speculative institution views the present and recent past from the implied perspective of a future society in which our economic and political system is memorialized, and subjected to the museological gaze. Sketches and renderings of exhibits and artifacts, combined with relevant quotations from historical sources, are interspersed with speculative essays on the intersections of ecology, race, museology, historiography, economics and politics. Included are representations of artworks and museum exhibits created by artists Oliver Ressler, Sayler/Morris, Dread Scott, Temporary Services, and others, original Isotype graphics drawn from the museum’s lexicon of “capitalisms,” and texts from Lucy Lippard, Lester K. Spence, T.J. Demos, Chantal Mouffe, McKenzie Wark and Kim Stanley Robinson, among others.
The museum of capitalism
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This speculative institution views the present and recent past from the implied perspective of a future society in which our economic and political system is memorialized, and subjected to the museological gaze. Sketches and renderings of exhibits and artifacts, combined with relevant quotations from historical sources, are interspersed with speculative essays on the intersections of ecology, race, museology, historiography, economics and politics. Included are representations of artworks and museum exhibits created by artists Oliver Ressler, Sayler/Morris, Dread Scott, Temporary Services, and others, original Isotype graphics drawn from the museum’s lexicon of “capitalisms,” and texts from Lucy Lippard, Lester K. Spence, T.J. Demos, Chantal Mouffe, McKenzie Wark and Kim Stanley Robinson, among others.
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books
books
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September 2017
September 2017
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books
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$54.95
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Le parcours se déroule de la Préhistoire à nos jours, à travers le monde entier. Cet ouvrage est une invitation à découvrir ce qui constitue une histoire universelle de l'art. Il fait ainsi écho au rôle que jouera à l'avenir le Louvre Abu Dhabi dans la découverte artistique, l'éducation et l'échange entre les peuples. Situé dans le quartier culturel de Saadiyat, pensé(...)
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Le parcours se déroule de la Préhistoire à nos jours, à travers le monde entier. Cet ouvrage est une invitation à découvrir ce qui constitue une histoire universelle de l'art. Il fait ainsi écho au rôle que jouera à l'avenir le Louvre Abu Dhabi dans la découverte artistique, l'éducation et l'échange entre les peuples. Situé dans le quartier culturel de Saadiyat, pensé(...)
Publication:
November 2017
November 2017
Title:
L'album des collections : Louvre Abu Dhabi
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Le parcours se déroule de la Préhistoire à nos jours, à travers le monde entier. Cet ouvrage est une invitation à découvrir ce qui constitue une histoire universelle de l'art. Il fait ainsi écho au rôle que jouera à l'avenir le Louvre Abu Dhabi dans la découverte artistique, l'éducation et l'échange entre les peuples. Situé dans le quartier culturel de Saadiyat, pensé comme une ville-musée, inspiré du monde et pour le monde, Le Louvre Abu Dhabi conçoit sa mission comme un pont vers le futur et vers les cultures dans le but de relier savoirs et civilisations.
L'album des collections : Louvre Abu Dhabi
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Le parcours se déroule de la Préhistoire à nos jours, à travers le monde entier. Cet ouvrage est une invitation à découvrir ce qui constitue une histoire universelle de l'art. Il fait ainsi écho au rôle que jouera à l'avenir le Louvre Abu Dhabi dans la découverte artistique, l'éducation et l'échange entre les peuples. Situé dans le quartier culturel de Saadiyat, pensé comme une ville-musée, inspiré du monde et pour le monde, Le Louvre Abu Dhabi conçoit sa mission comme un pont vers le futur et vers les cultures dans le but de relier savoirs et civilisations.
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books
books
Publication:
November 2017
November 2017
Form:
books
books
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$47.95
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En Russie, pendant la période soviétique, on voit naître « un étonnant théâtre d'inventions urbaines et architecturales » . La collection de Serguéï Tchoban nous les fait découvrir en plus de cinquante dessins expérimentaux réalisés par dix-sept architectes : Afanassiev, Bourov, Chtchoussev, Igor et Ivan Fomine, Golossov, Grinberg, Guinzbourg, Iofan, Joltovski, Kamenski,(...)
$47.95
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En Russie, pendant la période soviétique, on voit naître « un étonnant théâtre d'inventions urbaines et architecturales » . La collection de Serguéï Tchoban nous les fait découvrir en plus de cinquante dessins expérimentaux réalisés par dix-sept architectes : Afanassiev, Bourov, Chtchoussev, Igor et Ivan Fomine, Golossov, Grinberg, Guinzbourg, Iofan, Joltovski, Kamenski,(...)
Publication:
November 2017
November 2017
Title:
Architecture de l'avant-garde : dessins de la collection Sergeï Tchoban
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En Russie, pendant la période soviétique, on voit naître « un étonnant théâtre d'inventions urbaines et architecturales » . La collection de Serguéï Tchoban nous les fait découvrir en plus de cinquante dessins expérimentaux réalisés par dix-sept architectes : Afanassiev, Bourov, Chtchoussev, Igor et Ivan Fomine, Golossov, Grinberg, Guinzbourg, Iofan, Joltovski, Kamenski, Kisselev, Korjev, Krassilnikov, Slavina, Tchernikhov, Trotski.
Architecture de l'avant-garde : dessins de la collection Sergeï Tchoban
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En Russie, pendant la période soviétique, on voit naître « un étonnant théâtre d'inventions urbaines et architecturales » . La collection de Serguéï Tchoban nous les fait découvrir en plus de cinquante dessins expérimentaux réalisés par dix-sept architectes : Afanassiev, Bourov, Chtchoussev, Igor et Ivan Fomine, Golossov, Grinberg, Guinzbourg, Iofan, Joltovski, Kamenski, Kisselev, Korjev, Krassilnikov, Slavina, Tchernikhov, Trotski.
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books
books
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November 2017
November 2017
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books
books
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$79.95
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Au moyen de plus de 400 objets, 700 citations littéraires et 400 photographies d’époque, cet ouvrage propose une plongée inédite dans un monde disparu : la « civilisation soviétique ». Les objets les plus ordinaires, dont la banalité se révèle souvent trompeuse, offrent l’occasion de détailler les modes de vie, la culture et les valeurs, singulièrement cohérents, qui ont(...)
$79.95
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Summary:
Au moyen de plus de 400 objets, 700 citations littéraires et 400 photographies d’époque, cet ouvrage propose une plongée inédite dans un monde disparu : la « civilisation soviétique ». Les objets les plus ordinaires, dont la banalité se révèle souvent trompeuse, offrent l’occasion de détailler les modes de vie, la culture et les valeurs, singulièrement cohérents, qui ont(...)
Publication:
March 2017
March 2017
Title:
L’utopie au quotidien : la vie ordinaire en URSS
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Au moyen de plus de 400 objets, 700 citations littéraires et 400 photographies d’époque, cet ouvrage propose une plongée inédite dans un monde disparu : la « civilisation soviétique ». Les objets les plus ordinaires, dont la banalité se révèle souvent trompeuse, offrent l’occasion de détailler les modes de vie, la culture et les valeurs, singulièrement cohérents, qui ont marqué l’ensemble des pays de l’ex-URSS durant les décennies comprises entre la mort de Staline (1953) et le début de la perestroïka (1985).
L’utopie au quotidien : la vie ordinaire en URSS
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Au moyen de plus de 400 objets, 700 citations littéraires et 400 photographies d’époque, cet ouvrage propose une plongée inédite dans un monde disparu : la « civilisation soviétique ». Les objets les plus ordinaires, dont la banalité se révèle souvent trompeuse, offrent l’occasion de détailler les modes de vie, la culture et les valeurs, singulièrement cohérents, qui ont marqué l’ensemble des pays de l’ex-URSS durant les décennies comprises entre la mort de Staline (1953) et le début de la perestroïka (1985).
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books
books
Publication:
March 2017
March 2017
