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This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the(...)
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This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the(...)
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September 2012
September 2012
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Alternative histories: New York art spaces 1960 to 2010
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This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the development of alternative spaces was almost synonymous with the rise of the contemporary art scene. Beginning in the 1960s and early 1970s, it was within a network of alternative sites--including 112 Greene Street, The Kitchen, P.S.1, FOOD, and many others--that the work of young artists like Yvonne Rainer, Vito Acconci, Gordon Matta-Clark, Ana Mendieta, David Wojnarowicz, David Hammons, Adrian Piper, Martin Wong, Jimmie Durham, and dozens of other now familiar names first circulated. Through interviews, photographs, essays, and archival material, Alternative Histories tells the story of such famous sites and organizations as Judson Memorial Church, Anthology Film Archives, A.I.R. Gallery, El Museo del Barrio, Franklin Furnace, and Eyebeam, as well as many less well-known sites and organizations. Essays by the exhibition curators and scholars, and excerpts of interviews with alternative space founders and staff, provide cultural and historical context.
Alternative histories: New York art spaces 1960 to 2010
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This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the development of alternative spaces was almost synonymous with the rise of the contemporary art scene. Beginning in the 1960s and early 1970s, it was within a network of alternative sites--including 112 Greene Street, The Kitchen, P.S.1, FOOD, and many others--that the work of young artists like Yvonne Rainer, Vito Acconci, Gordon Matta-Clark, Ana Mendieta, David Wojnarowicz, David Hammons, Adrian Piper, Martin Wong, Jimmie Durham, and dozens of other now familiar names first circulated. Through interviews, photographs, essays, and archival material, Alternative Histories tells the story of such famous sites and organizations as Judson Memorial Church, Anthology Film Archives, A.I.R. Gallery, El Museo del Barrio, Franklin Furnace, and Eyebeam, as well as many less well-known sites and organizations. Essays by the exhibition curators and scholars, and excerpts of interviews with alternative space founders and staff, provide cultural and historical context.
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books
books
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September 2012
September 2012
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the(...)
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the(...)
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Tokyo 1955-1970: a new avant-garde
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the first publication in English to focus in depth on the full scope of postwar art in Japan. Essays by scholars Hayashi Michio and Miryam Sas and curator Mika Yoshitake discuss critical concepts in art and culture at this time, including “graphism,” which manifested itself across various mediums; the development of new sculptural languages; and the “intermedia” tendency that engendered provocative cross-pollination among artistic genres. Masatoshi Nakajima provides an illustrated chronology and Yuri Mitsuda supplies artist biographies.
Tokyo 1955-1970: a new avant-garde
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the first publication in English to focus in depth on the full scope of postwar art in Japan. Essays by scholars Hayashi Michio and Miryam Sas and curator Mika Yoshitake discuss critical concepts in art and culture at this time, including “graphism,” which manifested itself across various mediums; the development of new sculptural languages; and the “intermedia” tendency that engendered provocative cross-pollination among artistic genres. Masatoshi Nakajima provides an illustrated chronology and Yuri Mitsuda supplies artist biographies.
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books
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October 2012
October 2012
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$45.00
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Prior to 1966, if artists wanted to create works larger than their studios or metalworking abilities allowed, they had to turn to industrial manufacturers, who were often unable to accommodate the creative process of making art. Large Scale tells the story of Lippincott, Inc., which, from 1966 to 1994, put the tools of industrial fabrication in the hands of artists,(...)
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Prior to 1966, if artists wanted to create works larger than their studios or metalworking abilities allowed, they had to turn to industrial manufacturers, who were often unable to accommodate the creative process of making art. Large Scale tells the story of Lippincott, Inc., which, from 1966 to 1994, put the tools of industrial fabrication in the hands of artists,(...)
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July 2012
July 2012
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Large scale : fabricating sculpture in the 1960's and 1970's
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Prior to 1966, if artists wanted to create works larger than their studios or metalworking abilities allowed, they had to turn to industrial manufacturers, who were often unable to accommodate the creative process of making art. Large Scale tells the story of Lippincott, Inc., which, from 1966 to 1994, put the tools of industrial fabrication in the hands of artists, allowing them to produce at a scale they had previously only dreamed of on paper. Lippincott worked with artists from the conception of a project to the completed sculpture, displaying pieces in the field adjoining the shop before installing them all over the country and the world. Drawing on the vast collection of images in the Lippincott archive, Large Scale presents more than three hundred photographs of these artists and their iconic works. *** An important lost chapter in the history of modern art is now available in paperback.
Large scale : fabricating sculpture in the 1960's and 1970's
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$45.00
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Summary:
Prior to 1966, if artists wanted to create works larger than their studios or metalworking abilities allowed, they had to turn to industrial manufacturers, who were often unable to accommodate the creative process of making art. Large Scale tells the story of Lippincott, Inc., which, from 1966 to 1994, put the tools of industrial fabrication in the hands of artists, allowing them to produce at a scale they had previously only dreamed of on paper. Lippincott worked with artists from the conception of a project to the completed sculpture, displaying pieces in the field adjoining the shop before installing them all over the country and the world. Drawing on the vast collection of images in the Lippincott archive, Large Scale presents more than three hundred photographs of these artists and their iconic works. *** An important lost chapter in the history of modern art is now available in paperback.
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books
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July 2012
July 2012
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books
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$30.00
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Cette publication présente un ensemble de propositions artistiques et de textes théoriques enracinés dans le Liban, pour interroger, à travers le prisme de la mobilité, le modernisme et ses échecs dans le territoire géographique du Moyen-Orient. Projet organique, arborescent et évolutif, Suspended Spaces a comme méthode le déplacement. Pour le collectif d'artistes et(...)
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Cette publication présente un ensemble de propositions artistiques et de textes théoriques enracinés dans le Liban, pour interroger, à travers le prisme de la mobilité, le modernisme et ses échecs dans le territoire géographique du Moyen-Orient. Projet organique, arborescent et évolutif, Suspended Spaces a comme méthode le déplacement. Pour le collectif d'artistes et(...)
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Suspended spaces #2: une expérience collective
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Cette publication présente un ensemble de propositions artistiques et de textes théoriques enracinés dans le Liban, pour interroger, à travers le prisme de la mobilité, le modernisme et ses échecs dans le territoire géographique du Moyen-Orient. Projet organique, arborescent et évolutif, Suspended Spaces a comme méthode le déplacement. Pour le collectif d'artistes et de chercheurs qui le compose, ce déplacement est certes géographique mais surtout artistique, culturel et intellectuel.
Suspended spaces #2: une expérience collective
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Cette publication présente un ensemble de propositions artistiques et de textes théoriques enracinés dans le Liban, pour interroger, à travers le prisme de la mobilité, le modernisme et ses échecs dans le territoire géographique du Moyen-Orient. Projet organique, arborescent et évolutif, Suspended Spaces a comme méthode le déplacement. Pour le collectif d'artistes et de chercheurs qui le compose, ce déplacement est certes géographique mais surtout artistique, culturel et intellectuel.
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books
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July 2012
July 2012
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This catalogue was published in conjunction with the exhibition "Skyscraper: Art and Architecture Against Gravity," organized by the Museum of Contemporary Art Chicago; curated by Michael Darling, James W. Alsdorf Chief Curator, and Joanna Szupinska, Marjorie Susman Curatorial Fellow; and presented at the Museum of Contemporary Art Chicago, June 30-September 23, 2012.
$40.00
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Summary:
This catalogue was published in conjunction with the exhibition "Skyscraper: Art and Architecture Against Gravity," organized by the Museum of Contemporary Art Chicago; curated by Michael Darling, James W. Alsdorf Chief Curator, and Joanna Szupinska, Marjorie Susman Curatorial Fellow; and presented at the Museum of Contemporary Art Chicago, June 30-September 23, 2012.
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August 2012
August 2012
Title:
Skyscraper: Art and architecture against gravity
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This catalogue was published in conjunction with the exhibition "Skyscraper: Art and Architecture Against Gravity," organized by the Museum of Contemporary Art Chicago; curated by Michael Darling, James W. Alsdorf Chief Curator, and Joanna Szupinska, Marjorie Susman Curatorial Fellow; and presented at the Museum of Contemporary Art Chicago, June 30-September 23, 2012.
Skyscraper: Art and architecture against gravity
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$40.00
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This catalogue was published in conjunction with the exhibition "Skyscraper: Art and Architecture Against Gravity," organized by the Museum of Contemporary Art Chicago; curated by Michael Darling, James W. Alsdorf Chief Curator, and Joanna Szupinska, Marjorie Susman Curatorial Fellow; and presented at the Museum of Contemporary Art Chicago, June 30-September 23, 2012.
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books
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August 2012
August 2012
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$19.95
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The longest line on the London Underground network, the Central line opened in 1900 and has nearly quadrupled in size, now serving 49 stations and spanning 74 km (46 miles). The Central line’s sheer size presents significant challenges for personal interaction amongst its 1,408 operational staff. Artworks in the Central Line Series take the theme of ‘communication’ as a(...)
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The longest line on the London Underground network, the Central line opened in 1900 and has nearly quadrupled in size, now serving 49 stations and spanning 74 km (46 miles). The Central line’s sheer size presents significant challenges for personal interaction amongst its 1,408 operational staff. Artworks in the Central Line Series take the theme of ‘communication’ as a(...)
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August 2012
August 2012
Title:
Central lines series: art on the underground
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The longest line on the London Underground network, the Central line opened in 1900 and has nearly quadrupled in size, now serving 49 stations and spanning 74 km (46 miles). The Central line’s sheer size presents significant challenges for personal interaction amongst its 1,408 operational staff. Artworks in the Central Line Series take the theme of ‘communication’ as a starting point to explore ideas around interaction, engagement and exchange, in the context of the Central line, and specific locations along the line.
Central lines series: art on the underground
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The longest line on the London Underground network, the Central line opened in 1900 and has nearly quadrupled in size, now serving 49 stations and spanning 74 km (46 miles). The Central line’s sheer size presents significant challenges for personal interaction amongst its 1,408 operational staff. Artworks in the Central Line Series take the theme of ‘communication’ as a starting point to explore ideas around interaction, engagement and exchange, in the context of the Central line, and specific locations along the line.
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August 2012
August 2012
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One Thing Leads to Another - Everything is Connected is part of a new series in collaboration with Art on the Underground. Each year Art on the Underground focuses its temporary commissions programme on a specific tube line on the London Underground network and this book centres on the Jubilee Line.
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One Thing Leads to Another - Everything is Connected is part of a new series in collaboration with Art on the Underground. Each year Art on the Underground focuses its temporary commissions programme on a specific tube line on the London Underground network and this book centres on the Jubilee Line.
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August 2012
August 2012
Title:
One thing leads to another - everything is connected
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One Thing Leads to Another - Everything is Connected is part of a new series in collaboration with Art on the Underground. Each year Art on the Underground focuses its temporary commissions programme on a specific tube line on the London Underground network and this book centres on the Jubilee Line.
One thing leads to another - everything is connected
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$19.95
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One Thing Leads to Another - Everything is Connected is part of a new series in collaboration with Art on the Underground. Each year Art on the Underground focuses its temporary commissions programme on a specific tube line on the London Underground network and this book centres on the Jubilee Line.
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books
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August 2012
August 2012
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Jana Sterbak: Velleitas
Jana Sterbak: Velleitas
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A l'occasion d'une exposition rétrospective des travaux de Sterbak, Murray met en lumière les composantes architecturale et géométrique présentes dans l'oeuvre de l'artiste. Noble décèle dans l'oeuvre une dialectique situant le corps entre autonomie et confinement. Comprend des anecdotes relatées par l'artiste, deux extraits d'écrits de Calvino et De Azua, ainsi qu'une(...)
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Summary:
A l'occasion d'une exposition rétrospective des travaux de Sterbak, Murray met en lumière les composantes architecturale et géométrique présentes dans l'oeuvre de l'artiste. Noble décèle dans l'oeuvre une dialectique situant le corps entre autonomie et confinement. Comprend des anecdotes relatées par l'artiste, deux extraits d'écrits de Calvino et De Azua, ainsi qu'une(...)
Title:
Jana Sterbak: Velleitas
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A l'occasion d'une exposition rétrospective des travaux de Sterbak, Murray met en lumière les composantes architecturale et géométrique présentes dans l'oeuvre de l'artiste. Noble décèle dans l'oeuvre une dialectique situant le corps entre autonomie et confinement. Comprend des anecdotes relatées par l'artiste, deux extraits d'écrits de Calvino et De Azua, ainsi qu'une nouvelle de Bowles. On the occasion of a retrospective exhibition of Sterbak's work, Murray brings to light architectural and geometrical components in the artist's work. Noble uncovers a dialectic in the work which situates the body between autonomy and containment. Includes anecdotes by the artist, two excerpts from Calvino and De Azua, and a short story by Bowles.
Jana Sterbak: Velleitas
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$50.00
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Summary:
A l'occasion d'une exposition rétrospective des travaux de Sterbak, Murray met en lumière les composantes architecturale et géométrique présentes dans l'oeuvre de l'artiste. Noble décèle dans l'oeuvre une dialectique situant le corps entre autonomie et confinement. Comprend des anecdotes relatées par l'artiste, deux extraits d'écrits de Calvino et De Azua, ainsi qu'une nouvelle de Bowles. On the occasion of a retrospective exhibition of Sterbak's work, Murray brings to light architectural and geometrical components in the artist's work. Noble uncovers a dialectic in the work which situates the body between autonomy and containment. Includes anecdotes by the artist, two excerpts from Calvino and De Azua, and a short story by Bowles.
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books
books
Publication:
August 1995
August 1995
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books
books
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$56.95
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The art world is no longer defined by the activity of traditional art centers such as New York, Berlin, Beijing, or London, but is instead shaped by many cities, small and large. These new artistic communities, each reflecting the history, culture, and conditions of its region, have established a vibrant network for contemporary art. Six Lines of Flight explores the(...)
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The art world is no longer defined by the activity of traditional art centers such as New York, Berlin, Beijing, or London, but is instead shaped by many cities, small and large. These new artistic communities, each reflecting the history, culture, and conditions of its region, have established a vibrant network for contemporary art. Six Lines of Flight explores the(...)
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September 2012
September 2012
Title:
Six lines of flight: shifting geographies in contemporary art
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The art world is no longer defined by the activity of traditional art centers such as New York, Berlin, Beijing, or London, but is instead shaped by many cities, small and large. These new artistic communities, each reflecting the history, culture, and conditions of its region, have established a vibrant network for contemporary art. Six Lines of Flight explores the hybrid nature of today's international artistic landscape by introducing readers to the art scenes in six featured cities--Beirut, Lebanon; Cali, Colombia; Cluj, Romania; Ho Chi Minh City, Vietnam; San Francisco, USA; and Tangier, Morocco. In bringing together work by artists whose efforts have anchored each city's cultural scene, this book maps the pathways between them, illuminating the dynamic, global, interconnected spirit of twenty-first-century art. Essays by writers active in each region are accompanied by color images of representative artworks, along with brief texts on key local artists and organizations.
Six lines of flight: shifting geographies in contemporary art
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$56.95
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The art world is no longer defined by the activity of traditional art centers such as New York, Berlin, Beijing, or London, but is instead shaped by many cities, small and large. These new artistic communities, each reflecting the history, culture, and conditions of its region, have established a vibrant network for contemporary art. Six Lines of Flight explores the hybrid nature of today's international artistic landscape by introducing readers to the art scenes in six featured cities--Beirut, Lebanon; Cali, Colombia; Cluj, Romania; Ho Chi Minh City, Vietnam; San Francisco, USA; and Tangier, Morocco. In bringing together work by artists whose efforts have anchored each city's cultural scene, this book maps the pathways between them, illuminating the dynamic, global, interconnected spirit of twenty-first-century art. Essays by writers active in each region are accompanied by color images of representative artworks, along with brief texts on key local artists and organizations.
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books
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Publication:
September 2012
September 2012
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$120.00
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From Futurism to Fluxus, virtually every twentieth-century avant-garde produced art multiples of some kind, whether to defuse the auratic power of the unique artwork, or to foster a more democratic art culture. The Small Utopia provides a thorough overview of this tendency, looking at Malevich’s tea sets, Bauhaus textiles and toys, early audio multiples, Duchamp’s(...)
$120.00
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From Futurism to Fluxus, virtually every twentieth-century avant-garde produced art multiples of some kind, whether to defuse the auratic power of the unique artwork, or to foster a more democratic art culture. The Small Utopia provides a thorough overview of this tendency, looking at Malevich’s tea sets, Bauhaus textiles and toys, early audio multiples, Duchamp’s(...)
Title:
The small utopia : ars multiplicata
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From Futurism to Fluxus, virtually every twentieth-century avant-garde produced art multiples of some kind, whether to defuse the auratic power of the unique artwork, or to foster a more democratic art culture. The Small Utopia provides a thorough overview of this tendency, looking at Malevich’s tea sets, Bauhaus textiles and toys, early audio multiples, Duchamp’s readymades, films by Fischinger and Moholy-Nagy, Maciunas’ Fluxus kits, Minimalist and Pop art multiples, artist’s books and small press magazines, among other examples. The scholars who contributed to this volume include Maria Gough on Russian Productivism; Elena Gigli on Giacomo Balla; Annette Malochet on Sonia Delaunay’s Atelier Simultané; Karen Koehler on Bauhaus; Antonio Somaini on early sound art; Adina Kamien-Kazhdan on readymades; Marie Rebecchi on abstract cinema; Nicholas Fox Weber on Josef and Anni Albers; and Julia Robinson on Nouveau Realisme and Fluxus multiples. An illustrated chronology rounds out this essential and handsome publication.
The small utopia : ars multiplicata
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$120.00
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From Futurism to Fluxus, virtually every twentieth-century avant-garde produced art multiples of some kind, whether to defuse the auratic power of the unique artwork, or to foster a more democratic art culture. The Small Utopia provides a thorough overview of this tendency, looking at Malevich’s tea sets, Bauhaus textiles and toys, early audio multiples, Duchamp’s readymades, films by Fischinger and Moholy-Nagy, Maciunas’ Fluxus kits, Minimalist and Pop art multiples, artist’s books and small press magazines, among other examples. The scholars who contributed to this volume include Maria Gough on Russian Productivism; Elena Gigli on Giacomo Balla; Annette Malochet on Sonia Delaunay’s Atelier Simultané; Karen Koehler on Bauhaus; Antonio Somaini on early sound art; Adina Kamien-Kazhdan on readymades; Marie Rebecchi on abstract cinema; Nicholas Fox Weber on Josef and Anni Albers; and Julia Robinson on Nouveau Realisme and Fluxus multiples. An illustrated chronology rounds out this essential and handsome publication.
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books
books
Publication:
October 2012
October 2012
