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The subversive visual programme of the Surrealists was expressed in the interplay of the contradictions, with the goal of radically dismantling the expectations of the hitherto experienced. Today, in a time shaped by increasingly impenetrable and contradictory fragments of information, a new generation of artists is rediscovering the multifarious poetic stylistic devices(...)
July 2011
Das ohr von Giacometti: The ear of Giacometti
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The subversive visual programme of the Surrealists was expressed in the interplay of the contradictions, with the goal of radically dismantling the expectations of the hitherto experienced. Today, in a time shaped by increasingly impenetrable and contradictory fragments of information, a new generation of artists is rediscovering the multifarious poetic stylistic devices of Surrealism. Using a disparate, curious and ambiguous aesthetic, they respond to our uncertain and long since incomprehensible world. The catalogue The Ear of Giacometti evokes the main lines of development of central (post-)surrealist themes and is richly illustrated with images from classical and contemporary Surrealist art.
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Through the work of a renowned group of international artists, "Displaced Fractures" explores the idea of architecture as human surrogate--where the cracks in buildings are analogous to the fissures of human existence. Selected artists include Phyllida Barlow, Tacita Dean, Emilie Ding, Klara Lidén, Ulrich Rückriem, Kilian Rüthemann, Oscar Tuazon and Klaus Winichner.
July 2011
Displaced fractures: on the break lines of architecture and its bodies
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Through the work of a renowned group of international artists, "Displaced Fractures" explores the idea of architecture as human surrogate--where the cracks in buildings are analogous to the fissures of human existence. Selected artists include Phyllida Barlow, Tacita Dean, Emilie Ding, Klara Lidén, Ulrich Rückriem, Kilian Rüthemann, Oscar Tuazon and Klaus Winichner.
Space: about a dream
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April 12, 2011 marks the acclaimed fiftieth anniversary of Yuri Gagarin's voyage into space. This volume looks at a huge selection of art and literature inspired by conceptions of outer space, from Sylvie Fleury to Thomas Ruff, Buckminster Fuller to Philip K. Dick. The book is housed in a silkscreened jacket with fluorescent color printing.
July 2011
Space: about a dream
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April 12, 2011 marks the acclaimed fiftieth anniversary of Yuri Gagarin's voyage into space. This volume looks at a huge selection of art and literature inspired by conceptions of outer space, from Sylvie Fleury to Thomas Ruff, Buckminster Fuller to Philip K. Dick. The book is housed in a silkscreened jacket with fluorescent color printing.
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Defining Contemporary Art responds to this unique landscape with an innovative approach to art history. Assembled and written by eight of the most prominent curators working today, all of whom have both witnessed and shaped this period, this book tells the story of the two hundred pivotal artworks of the past twenty-five years. These artworks include not only the most(...)
November 2011
Defining contemporary art: 25 years in 200 pivotal artworks
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Defining Contemporary Art responds to this unique landscape with an innovative approach to art history. Assembled and written by eight of the most prominent curators working today, all of whom have both witnessed and shaped this period, this book tells the story of the two hundred pivotal artworks of the past twenty-five years. These artworks include not only the most talked about pieces but also the quietly influential works, those which may have been overlooked at the time of their making but which went on to change the paradigm of their era.
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Over the last twenty years an increasing number of artists have turned to expressing themselves through postcards. Whether by way of installation, collage, addition to, or alteration of existing postcards, or the production of postcards themselves, many prominent artists employ the medium in some form. Artists' Postcards traces the origin of artists' fascination with(...)
Artist's postcards : a compendium
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Over the last twenty years an increasing number of artists have turned to expressing themselves through postcards. Whether by way of installation, collage, addition to, or alteration of existing postcards, or the production of postcards themselves, many prominent artists employ the medium in some form. Artists' Postcards traces the origin of artists' fascination with postcards from the early 1900s but with a focus on the contemporary, revealing the significant number of artists who have made creative and unusual artworks in postcard form. With 400 images of postcards created by many well-known artists, Artists' Postcards is the first critical guide to the subject. From surrealists to Fluxus and conceptual artists, this book includes an array of historical and contemporary postcards by such artists as George Grosz, Bruce Nauman, Richard Long, David Hockney, Richard Hamilton, Susan Hiller, Joseph Beuys, Ben Vautier, Dieter Roth, Ray Johnson, Gordon Matta-Clark, Gavin Turk, Tacita Dean, Gilbert and George and Rachel Whiteread. This book will be of interest to artists and graphic designers, as well as to postcard collectors.
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This book documents and exhibition of contemporary Japanese artists who are active at the cutting edge of the global fiber-art movement, transforming fabrics into sculptures, pictures, emulations of nature, or even abstract meditations on memory and identity. The materials they use range from silk, cotton, recycled cocoons, antique paper scraps, jute, and hemp to(...)
October 2011
Fiber futures: Japan's textile pioneers
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This book documents and exhibition of contemporary Japanese artists who are active at the cutting edge of the global fiber-art movement, transforming fabrics into sculptures, pictures, emulations of nature, or even abstract meditations on memory and identity. The materials they use range from silk, cotton, recycled cocoons, antique paper scraps, jute, and hemp to stainless-steel wire and synthetic fiber. Their methods are sometimes traditional, but can also incorporate the latest weaving and dyeing technology, often with the goal of expressing an environmentally conscious green ethic. The thirty artists were selected for "Fiber Futures: Japan's Textile Pioneers," an exhibition at New York's Japan Society Gallery. Introductory essays by Hiroko Watanabe, President of International Textile Network, and Gallery Director Joe Earle provide the context for these innovative, beautiful, and sometimes challenging works of art. The catalogue section features artist statements, informative commentary, and lavish photography, much of it commissioned especially by Japan Society.
On the metaphor of growth
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This catalogue of a travelling exhibition (Hannover, Basel, Frankfurt am Main) demonstrates that artists are able, past all doctrines of growth, to bring forth an artistic treatment of the concept of growth. They indicate lines of connection and dependencies which seem strange to us. Among these are the splendid Venetian Murano glass with which Tue Greenfort illustrates(...)
August 2011
On the metaphor of growth
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This catalogue of a travelling exhibition (Hannover, Basel, Frankfurt am Main) demonstrates that artists are able, past all doctrines of growth, to bring forth an artistic treatment of the concept of growth. They indicate lines of connection and dependencies which seem strange to us. Among these are the splendid Venetian Murano glass with which Tue Greenfort illustrates the growth of algae in the Adriatic, the ludicrous flooding of a McDonald’s restaurant, by means of which the Danish artist’s group Superflex alludes to the threatening growth in sea levels. Also works by Dirk Fleischmann, Sylvie Fleury, Mika Rottenberg, Julika Rudelius, Lois Weinberger, Franck Scurti, Dan Peterman and many others.
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S’IMBRIQUER entend faire le point sur une pratique croissante de la sculpture contemporaine en terre à travers l’usage de la brique. Symboliquement, la brique est un élément de construction; elle incarne aussi le socle d’une connaissance commune à tous. Partir de ce module architectural basique pour entrer dans des questionnements plastiques très actuels participe à une(...)
September 2011
S'imbriquer : autour de la brique
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S’IMBRIQUER entend faire le point sur une pratique croissante de la sculpture contemporaine en terre à travers l’usage de la brique. Symboliquement, la brique est un élément de construction; elle incarne aussi le socle d’une connaissance commune à tous. Partir de ce module architectural basique pour entrer dans des questionnements plastiques très actuels participe à une démarche pédagogique propre à l’Ecole d’Art du Beauvaisis. Cette exposition, et la publication qui l’accompagne, nous mènent ainsi sur les pistes les plus contrastées de la sculpture contemporaine : pesanteur-apesanteur, construction- déconstruction, monumentalité-miniaturisation, terre crue-terre cuite, appareillage, emboîtement, mémoire... Ce catalogue réunit 20 artistes, certains de renommée internationale, d’autres plus jeunes.
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The first book to look extensively at conceptualism in Canada, published to accompany a touring exhibition. The most transformative art movement of the late 20th century, conceptual art became a global phenomenon long before it was popularized by a new generation of artists and institutions in the early 21st century. Its various manifestations in Canada, however, have(...)
January 2012
Traffic : conceptual art in Canada, 1965-1980
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The first book to look extensively at conceptualism in Canada, published to accompany a touring exhibition. The most transformative art movement of the late 20th century, conceptual art became a global phenomenon long before it was popularized by a new generation of artists and institutions in the early 21st century. Its various manifestations in Canada, however, have remained a limited concern, a whispered art history circulated among artists and writers primarily in alternative publications and artist-run centres. Traffic: Conceptual Art in Canada 1965-1980 is the first publication and exhibition to track the complex, rigorous and diverse manifestations of conceptual art in the country. Presenting work by more than 90 artists, Traffic examines the particular local and geographic needs and interests enacted by individual artists, collectives and art communities from across the country. The book includes essays by six curators, a conversation with an international group of scholars, an annotated chronology and many reproductions of conceptual artworks produced in Canada. Co-published by the Vancouver Art Gallery, Art Gallery of Alberta, Justina M. Barnicke Gallery (Hart House, University of Toronto), Leonard & Bina Ellen Gallery (Concordia University) and Halifax, INK
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Construit en 5 parties, le livre s'ouvre sur la genèse du projet, intimement lié à l'enfance de l'artiste, et développé au gré d'un entretien entre Linda Ellia et Thierry Illouz, auteur du texte. L'ouvrage s'interroge ensuite sur ces "trésors cachés" que sont les dessins d'enfants jetés et perdus, pour mettre en lumière toute la créativité inhérente à ces oeuvres(...)
November 2011
Hors classe : quand l'école passe à côté...
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Construit en 5 parties, le livre s'ouvre sur la genèse du projet, intimement lié à l'enfance de l'artiste, et développé au gré d'un entretien entre Linda Ellia et Thierry Illouz, auteur du texte. L'ouvrage s'interroge ensuite sur ces "trésors cachés" que sont les dessins d'enfants jetés et perdus, pour mettre en lumière toute la créativité inhérente à ces oeuvres naissantes, et toucher, par un détour dans l'atelier de l'artiste, à cet "hors classe" ici magnifié. Enfin, il s'achève par un dialogue où se répondent, dans un rapprochement inattendu mais saisissant, les oeuvres de Linda Ellia et celles de ces artistes en herbe, "revanche" contre une certaine école, dans ce qu'elle peut parfois avoir d'écrasant et d'autoritaire. Préface de Michel Onfray