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Apparus en Europe pendant la Renaissance, les cabinets de curiosités abritaient d'immenses collections, souvent princières, marquées par la volonté de recréer la totalité du monde en un lieu, la recherche d'exotisme, de raretés, voire de chimères. Ces accumulations d'objets oscillaient alors entre l'affirmation de la toute puissance de l'homme et de sa vanité. Classées,(...)
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Apparus en Europe pendant la Renaissance, les cabinets de curiosités abritaient d'immenses collections, souvent princières, marquées par la volonté de recréer la totalité du monde en un lieu, la recherche d'exotisme, de raretés, voire de chimères. Ces accumulations d'objets oscillaient alors entre l'affirmation de la toute puissance de l'homme et de sa vanité. Classées,(...)
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January 2012
January 2012
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Cabinets de curiosités: la passion de la collection
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Apparus en Europe pendant la Renaissance, les cabinets de curiosités abritaient d'immenses collections, souvent princières, marquées par la volonté de recréer la totalité du monde en un lieu, la recherche d'exotisme, de raretés, voire de chimères. Ces accumulations d'objets oscillaient alors entre l'affirmation de la toute puissance de l'homme et de sa vanité. Classées, ordonnées, organisées, les collections de ces "chambres des merveilles" ont finalement été regroupées par discipline pour donner, au siècle des Lumières, naissance aux musées. Aujourd'hui, les cabinets de curiosités restent une source d'inspiration importante, tant pour l'art contemporain qu'en décoration : mélange des catégories, métissage des arts, goût pour la collection et sa mise en scène, esthétique du désordre... Autant de citations contemporaines de cette "chambre des merveilles", qui s'avère un magnifique support à la rêverie et à la création.
Cabinets de curiosités: la passion de la collection
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Apparus en Europe pendant la Renaissance, les cabinets de curiosités abritaient d'immenses collections, souvent princières, marquées par la volonté de recréer la totalité du monde en un lieu, la recherche d'exotisme, de raretés, voire de chimères. Ces accumulations d'objets oscillaient alors entre l'affirmation de la toute puissance de l'homme et de sa vanité. Classées, ordonnées, organisées, les collections de ces "chambres des merveilles" ont finalement été regroupées par discipline pour donner, au siècle des Lumières, naissance aux musées. Aujourd'hui, les cabinets de curiosités restent une source d'inspiration importante, tant pour l'art contemporain qu'en décoration : mélange des catégories, métissage des arts, goût pour la collection et sa mise en scène, esthétique du désordre... Autant de citations contemporaines de cette "chambre des merveilles", qui s'avère un magnifique support à la rêverie et à la création.
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January 2012
January 2012
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Axé sur Calais, sa ville et ses artistes, Calais d'ici et d'ailleurs offre un regard renouvelé sur l'art, l'histoire et le patrimoine. La position géographique de Calais, ville de passages et d'échanges, au croisement de l'Angleterre, des Flandres et du bassin parisien, explique ses relations avec les grands centres artistiques que sont Londres, Paris ou Bruxelles. Le(...)
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Axé sur Calais, sa ville et ses artistes, Calais d'ici et d'ailleurs offre un regard renouvelé sur l'art, l'histoire et le patrimoine. La position géographique de Calais, ville de passages et d'échanges, au croisement de l'Angleterre, des Flandres et du bassin parisien, explique ses relations avec les grands centres artistiques que sont Londres, Paris ou Bruxelles. Le(...)
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Calais, d 'ici et d'ailleurs: son territoire et ses artistes
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Axé sur Calais, sa ville et ses artistes, Calais d'ici et d'ailleurs offre un regard renouvelé sur l'art, l'histoire et le patrimoine. La position géographique de Calais, ville de passages et d'échanges, au croisement de l'Angleterre, des Flandres et du bassin parisien, explique ses relations avec les grands centres artistiques que sont Londres, Paris ou Bruxelles. Le local et l'universel, le proche et le lointain sont réunis pour mieux appréhender les liens entre histoires du quotidien et grandes histoires de l'art. Les oeuvres des artistes importants originaires ou proches de la ville côtoient celles d'artistes anonymes ou de renommée internationale et mettent en perspective les grands mouvements de l'art mais aussi les manifestations artistiques plus régionales. Cet ouvrage témoigne de la richesse d'une collection encore mal connue.
Calais, d 'ici et d'ailleurs: son territoire et ses artistes
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Axé sur Calais, sa ville et ses artistes, Calais d'ici et d'ailleurs offre un regard renouvelé sur l'art, l'histoire et le patrimoine. La position géographique de Calais, ville de passages et d'échanges, au croisement de l'Angleterre, des Flandres et du bassin parisien, explique ses relations avec les grands centres artistiques que sont Londres, Paris ou Bruxelles. Le local et l'universel, le proche et le lointain sont réunis pour mieux appréhender les liens entre histoires du quotidien et grandes histoires de l'art. Les oeuvres des artistes importants originaires ou proches de la ville côtoient celles d'artistes anonymes ou de renommée internationale et mettent en perspective les grands mouvements de l'art mais aussi les manifestations artistiques plus régionales. Cet ouvrage témoigne de la richesse d'une collection encore mal connue.
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books
books
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January 2012
January 2012
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books
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$54.50
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Art Space Tokyo acts as your 272 page personal guide and interpreter, connecting you with the neighborhoods and figures behind some of the most inspiring art spaces in this colossal city. Each of the featured spaces has been rendered as a striking illustration by Nobumasa Takahashi. The book covers art spaces in neighborhoods such as Ginza, Yanaka, Gaienmae,(...)
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Art Space Tokyo acts as your 272 page personal guide and interpreter, connecting you with the neighborhoods and figures behind some of the most inspiring art spaces in this colossal city. Each of the featured spaces has been rendered as a striking illustration by Nobumasa Takahashi. The book covers art spaces in neighborhoods such as Ginza, Yanaka, Gaienmae,(...)
Publication:
January 2012
January 2012
Title:
Art Space Tokyo: an intimate guide to twelve of Tokyo's most exciting art spaces
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Art Space Tokyo acts as your 272 page personal guide and interpreter, connecting you with the neighborhoods and figures behind some of the most inspiring art spaces in this colossal city. Each of the featured spaces has been rendered as a striking illustration by Nobumasa Takahashi. The book covers art spaces in neighborhoods such as Ginza, Yanaka, Gaienmae, Omotesando, Harajuku, Roppongi, Asakusa and more. The neighborhood surrounding each art space has been meticulously mapped with recommendations for the best food, coffee and sights to enjoy in an afternoon of art viewing. Whether you live in Japan or not, if you want insight into the Tokyo art world, this is the book for you.
Art Space Tokyo: an intimate guide to twelve of Tokyo's most exciting art spaces
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Art Space Tokyo acts as your 272 page personal guide and interpreter, connecting you with the neighborhoods and figures behind some of the most inspiring art spaces in this colossal city. Each of the featured spaces has been rendered as a striking illustration by Nobumasa Takahashi. The book covers art spaces in neighborhoods such as Ginza, Yanaka, Gaienmae, Omotesando, Harajuku, Roppongi, Asakusa and more. The neighborhood surrounding each art space has been meticulously mapped with recommendations for the best food, coffee and sights to enjoy in an afternoon of art viewing. Whether you live in Japan or not, if you want insight into the Tokyo art world, this is the book for you.
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books
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January 2012
January 2012
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$29.00
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Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples(...)
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Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples(...)
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February 2012
February 2012
Title:
In deed : certificates of authenticity in art
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Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples of artists certificates from the past fifty years, this book reveals how roles have shifted and developed, as well as how the materials and content of art have changed. With certificates by Judith Barry, Pierre Bismuth, Daniel Buren, Marcel Duchamp, Dan Flavin, Liam Gillick, Hans Haacke, Edward Kienholz, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Gordon Matta-Clark, Jonathan Monk, Robert Morris, Antoni Muntadas, Yoko Ono, Robert Rauschenberg, David Shrigley, Rirkrit Tiravanija, Ben Vautier, Lawrence Weiner, Franz West and others.
In deed : certificates of authenticity in art
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Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples of artists certificates from the past fifty years, this book reveals how roles have shifted and developed, as well as how the materials and content of art have changed. With certificates by Judith Barry, Pierre Bismuth, Daniel Buren, Marcel Duchamp, Dan Flavin, Liam Gillick, Hans Haacke, Edward Kienholz, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Gordon Matta-Clark, Jonathan Monk, Robert Morris, Antoni Muntadas, Yoko Ono, Robert Rauschenberg, David Shrigley, Rirkrit Tiravanija, Ben Vautier, Lawrence Weiner, Franz West and others.
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books
books
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February 2012
February 2012
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books
books
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$52.95
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Art of the 1980s oscillated between radical and conservative, capricious and political, socially engaged and art-historically aware. This book chronicles canonical as well as nearly forgotten works of the 1980s, arguing that what has often been dismissed as cynical or ironic should be viewed as a struggle on the part of artists to articulate their needs and desires in an(...)
$52.95
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Art of the 1980s oscillated between radical and conservative, capricious and political, socially engaged and art-historically aware. This book chronicles canonical as well as nearly forgotten works of the 1980s, arguing that what has often been dismissed as cynical or ironic should be viewed as a struggle on the part of artists to articulate their needs and desires in an(...)
Publication:
March 2012
March 2012
Title:
This will have been: art, love & politics in the 1980's
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Art of the 1980s oscillated between radical and conservative, capricious and political, socially engaged and art-historically aware. This book chronicles canonical as well as nearly forgotten works of the 1980s, arguing that what has often been dismissed as cynical or ironic should be viewed as a struggle on the part of artists to articulate their needs and desires in an increasingly commodified world. The major developments of the decade - the rise of the commercial art market, the politicization of the AIDS crisis, the increased visibility of women and gay artists and artists of colour, and the ascension of new media - are illuminated in works by Sophie Calle, Nan Goldin, Mike Kelley, Jeff Koons, Sherrie Levine, and Lorna Simpson, among others.
This will have been: art, love & politics in the 1980's
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Art of the 1980s oscillated between radical and conservative, capricious and political, socially engaged and art-historically aware. This book chronicles canonical as well as nearly forgotten works of the 1980s, arguing that what has often been dismissed as cynical or ironic should be viewed as a struggle on the part of artists to articulate their needs and desires in an increasingly commodified world. The major developments of the decade - the rise of the commercial art market, the politicization of the AIDS crisis, the increased visibility of women and gay artists and artists of colour, and the ascension of new media - are illuminated in works by Sophie Calle, Nan Goldin, Mike Kelley, Jeff Koons, Sherrie Levine, and Lorna Simpson, among others.
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books
books
Publication:
March 2012
March 2012
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books
books
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$33.95
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed(...)
$33.95
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed(...)
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April 2012
April 2012
Title:
Utopia dystopia : construction and destruction in photography and collage
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed a number of strategies to this end, such as cutting, fragmenting, and puncturing images as well as reassembling those culled from ready-made materials or giving a subject multiple exposures. The resulting photographs, photocollages, photomontages, and other creations question the validity of seamless pictorial images, and attempt to dismantle the notion of photography as an objective medium. This publication features approximately forty-five exemplary works by artists such as Herbert Bayer, John Heartfield, Hannah Hoch, Arata Isozaki, El Lissitzky, Carter Mull, Laszlo Moholy-Nagy, Vik Muniz, Man Ray, Okanoue Toshiko, and many others.
Utopia dystopia : construction and destruction in photography and collage
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$33.95
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed a number of strategies to this end, such as cutting, fragmenting, and puncturing images as well as reassembling those culled from ready-made materials or giving a subject multiple exposures. The resulting photographs, photocollages, photomontages, and other creations question the validity of seamless pictorial images, and attempt to dismantle the notion of photography as an objective medium. This publication features approximately forty-five exemplary works by artists such as Herbert Bayer, John Heartfield, Hannah Hoch, Arata Isozaki, El Lissitzky, Carter Mull, Laszlo Moholy-Nagy, Vik Muniz, Man Ray, Okanoue Toshiko, and many others.
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books
books
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April 2012
April 2012
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books
books
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$18.95
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This thought-provoking volume offers a critical reevaluation of the term foreclosure: it can refer not only to a forced eviction but also to processes of exclusion - a shutting down of recognition, reflection, and debate. Through work in photography, film, video, installation, and performance, the seven artists represented in this volume (Kamal Aljafari, Yto Barrada,(...)
$18.95
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Summary:
This thought-provoking volume offers a critical reevaluation of the term foreclosure: it can refer not only to a forced eviction but also to processes of exclusion - a shutting down of recognition, reflection, and debate. Through work in photography, film, video, installation, and performance, the seven artists represented in this volume (Kamal Aljafari, Yto Barrada,(...)
Publication:
February 2012
February 2012
Title:
Foreclosed : between crisis and possibility
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This thought-provoking volume offers a critical reevaluation of the term foreclosure: it can refer not only to a forced eviction but also to processes of exclusion - a shutting down of recognition, reflection, and debate. Through work in photography, film, video, installation, and performance, the seven artists represented in this volume (Kamal Aljafari, Yto Barrada, Tania Bruguera, Claude Closky, Harun Farocki, Allan Sekula, and David Shrigley) investigate the expanded meaning of foreclosure by reexamining the systems that have produced crises, instead of focusing on the aftermath. Four essays from a team of international curators discuss foreclosure as both a generative concept and a curatorial strategy, allowing the text itself to become a platform for critique.
Foreclosed : between crisis and possibility
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This thought-provoking volume offers a critical reevaluation of the term foreclosure: it can refer not only to a forced eviction but also to processes of exclusion - a shutting down of recognition, reflection, and debate. Through work in photography, film, video, installation, and performance, the seven artists represented in this volume (Kamal Aljafari, Yto Barrada, Tania Bruguera, Claude Closky, Harun Farocki, Allan Sekula, and David Shrigley) investigate the expanded meaning of foreclosure by reexamining the systems that have produced crises, instead of focusing on the aftermath. Four essays from a team of international curators discuss foreclosure as both a generative concept and a curatorial strategy, allowing the text itself to become a platform for critique.
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books
books
Publication:
February 2012
February 2012
Form:
books
books
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$64.95
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How did a small art college in Nova Scotia become the epicenter of art education - and to a large extent of the postmimimalist and conceptual art world itself - in the 1960s and 1970s ? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia(...)
$64.95
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Summary:
How did a small art college in Nova Scotia become the epicenter of art education - and to a large extent of the postmimimalist and conceptual art world itself - in the 1960s and 1970s ? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia(...)
Publication:
April 2012
April 2012
Title:
The last art college: Nova Scotia College of Art and Design, 1968-1978
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How did a small art college in Nova Scotia become the epicenter of art education - and to a large extent of the postmimimalist and conceptual art world itself - in the 1960s and 1970s ? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. A partial list of visiting artists and faculty members at NSCAD would include: Joseph Beuys, Sol LeWitt, Gerhard Richter, Dan Graham, Lucy Lippard, John Baldessari, Jenny Holzer and Eric Fischl. Kasper Koenig and Benjamin Buchloh ran the NSCAD Press, publishing books by Hollis Frampton, Lawrence Weiner, Donald Judd, Daniel Buren, Michael Asher, Martha Rosler, and Michael Snow, among others. The Lithography Workshop produced early works by many of today's masters, including John Baldessari, Vito Acconci, and Claes Oldenburg.
The last art college: Nova Scotia College of Art and Design, 1968-1978
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$64.95
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Summary:
How did a small art college in Nova Scotia become the epicenter of art education - and to a large extent of the postmimimalist and conceptual art world itself - in the 1960s and 1970s ? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. A partial list of visiting artists and faculty members at NSCAD would include: Joseph Beuys, Sol LeWitt, Gerhard Richter, Dan Graham, Lucy Lippard, John Baldessari, Jenny Holzer and Eric Fischl. Kasper Koenig and Benjamin Buchloh ran the NSCAD Press, publishing books by Hollis Frampton, Lawrence Weiner, Donald Judd, Daniel Buren, Michael Asher, Martha Rosler, and Michael Snow, among others. The Lithography Workshop produced early works by many of today's masters, including John Baldessari, Vito Acconci, and Claes Oldenburg.
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books
books
Publication:
April 2012
April 2012
Form:
books
books
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$43.95
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Over the past twenty years, an abundance of art forms have emerged that use aesthetics to affect social dynamics. These works are often produced by collectives or come out of a community context; they emphasize participation, dialogue, and action, and appear in situations ranging from theater to activism to urban planning to visual art to health care. Engaged with the(...)
$43.95
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Summary:
Over the past twenty years, an abundance of art forms have emerged that use aesthetics to affect social dynamics. These works are often produced by collectives or come out of a community context; they emphasize participation, dialogue, and action, and appear in situations ranging from theater to activism to urban planning to visual art to health care. Engaged with the(...)
Title:
Living as form : socially engaged art from 1991-2011
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Over the past twenty years, an abundance of art forms have emerged that use aesthetics to affect social dynamics. These works are often produced by collectives or come out of a community context; they emphasize participation, dialogue, and action, and appear in situations ranging from theater to activism to urban planning to visual art to health care. Engaged with the texture of living, these art works often blur the line between art and life. This book offers the first global portrait of a complex and exciting mode of cultural production — one that has virtually redefined contemporary art practice. This publication grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a thirty-person curatorial advisory team; each project is documented by a selection of color images. The artists include the Danish collective Superflex, who empower communities to challenge corporate interest; Turner Prize nominee Jeremy Deller, creator of socially and politically charged performance works; Women on Waves, who provide abortion services and information to women in regions where the procedure is illegal; and Santiágo Cirugeda, an architect who builds temporary structures to solve housing problems.
Living as form : socially engaged art from 1991-2011
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Summary:
Over the past twenty years, an abundance of art forms have emerged that use aesthetics to affect social dynamics. These works are often produced by collectives or come out of a community context; they emphasize participation, dialogue, and action, and appear in situations ranging from theater to activism to urban planning to visual art to health care. Engaged with the texture of living, these art works often blur the line between art and life. This book offers the first global portrait of a complex and exciting mode of cultural production — one that has virtually redefined contemporary art practice. This publication grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a thirty-person curatorial advisory team; each project is documented by a selection of color images. The artists include the Danish collective Superflex, who empower communities to challenge corporate interest; Turner Prize nominee Jeremy Deller, creator of socially and politically charged performance works; Women on Waves, who provide abortion services and information to women in regions where the procedure is illegal; and Santiágo Cirugeda, an architect who builds temporary structures to solve housing problems.
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books
books
Publication:
March 2012
March 2012
Form:
books
books
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$44.95
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Le catalogue Incongru: quand l’art fait rire illustre la relation entre inconvenance et rire. Grâce au télescopage d’oeuvres de toutes époques, il montre la récurrence de l’incongruité dans le champ de l’histoire de l’art et l’évolution parallèle des notions d’humour, de parodie, d’ironie, de comique et de burlesque. Historiens de l’art, historiens, anthropologues et(...)
$44.95
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Summary:
Le catalogue Incongru: quand l’art fait rire illustre la relation entre inconvenance et rire. Grâce au télescopage d’oeuvres de toutes époques, il montre la récurrence de l’incongruité dans le champ de l’histoire de l’art et l’évolution parallèle des notions d’humour, de parodie, d’ironie, de comique et de burlesque. Historiens de l’art, historiens, anthropologues et(...)
Title:
Incongru : quand l'art fait rire
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Le catalogue Incongru: quand l’art fait rire illustre la relation entre inconvenance et rire. Grâce au télescopage d’oeuvres de toutes époques, il montre la récurrence de l’incongruité dans le champ de l’histoire de l’art et l’évolution parallèle des notions d’humour, de parodie, d’ironie, de comique et de burlesque. Historiens de l’art, historiens, anthropologues et philosophes proposent leurs analyses de la question.
Incongru : quand l'art fait rire
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Le catalogue Incongru: quand l’art fait rire illustre la relation entre inconvenance et rire. Grâce au télescopage d’oeuvres de toutes époques, il montre la récurrence de l’incongruité dans le champ de l’histoire de l’art et l’évolution parallèle des notions d’humour, de parodie, d’ironie, de comique et de burlesque. Historiens de l’art, historiens, anthropologues et philosophes proposent leurs analyses de la question.
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books
books
Publication:
February 2012
February 2012
