Not to play with dead things
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From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status(...)
March 2010
Not to play with dead things
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From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status becomes ambiguous once the action is over. Not to Play with Dead Things pays overdue attention to these frequently orphaned props of performance art, documenting works from the 1960s to the present by artists as diverse as Richard Jackson, Paul McCarthy, Roman Signer, Mike Kelley, Franz West, Jim Shaw, Guy de Cointet, John Bock, Spartacus Chetwynd, Catherine Sullivan and Erwin Wurm. Not to Play with Dead Things asks: are these objects relics of their own making? And is their hybridity a kind of resistance to the streamlining of art?
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul(...)
February 2010
Kiosk: Modes of multiplication
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul Biennial. To date, it contains more than 7,000 publications by approximately 500 independent art publishing projects, from magazines, fanzines, newspapers, journals, audio and video labels to institutional publishing, covering the entire bandwidth of publishing possibilities. On the occasion of the archive's final public presentation at the Kunstbibliothek, Berlin, this overview on independent art publishing activities today surveys the Kiosk project. This catalogue contains documentary illustrations and provides information on the contributing publishing projects.
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This publication intends to show different aspects of the mural art form. It features the work of the Soninke women of Mauritania, the paintings in dots of clay on a red ground by the Thai artist Sakarin Krue-On, and artists who generally intervene in public places.
June 2010
Murals: pràtiques, murals, contemporànies
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This publication intends to show different aspects of the mural art form. It features the work of the Soninke women of Mauritania, the paintings in dots of clay on a red ground by the Thai artist Sakarin Krue-On, and artists who generally intervene in public places.
Women building history
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This book is an addition to the history of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure,(...)
Women building history
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This book is an addition to the history of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure, including the murals by Mary Cassatt and Mary MacMonnies, Corn uncovers an unspoken but consensual program to visualize a history of the female sex and promote an expansion of modern woman's opportunities. Beautifully written, with informative sidebars by Annelise K. Madsen and artist biographies by Charlene G. Garfinkle, this volume illuminates the originality of the public images female artists created in 1893 and inserts them into the complex discourse of fin de siècle woman's politics. The Woman's Building offered female artists an unprecedented opportunity to create public art and imagine an historical narrative that put women rather than men at its center.
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A volume that spans nearly 250 years of architecture, this handsome publication features projects--known as Diploma Works--by some of the most illustrious members of the Royal Academy of Arts. Diploma Works were presented by the architects upon their election to the Academy and represent the scope and vision of their creative process. They include Sir John Soane's designs(...)
November 2010
Masterworks: architecture at the royal academy of arts
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A volume that spans nearly 250 years of architecture, this handsome publication features projects--known as Diploma Works--by some of the most illustrious members of the Royal Academy of Arts. Diploma Works were presented by the architects upon their election to the Academy and represent the scope and vision of their creative process. They include Sir John Soane's designs for a new House of Lords, Sir Robert Smirke's reconstruc-tive interpretation of the Acropolis at Athens, William Wilkins's designs for the gateway and screen at King's College, Cambridge, Alfred Waterhouse's Manchester Town Hall, Sir Edwin Lutyens's work in New Delhi, and Sir Nicholas Grimshaw's Waterloo International Terminal.
Jana Sterbak: Velleitas
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A l'occasion d'une exposition rétrospective des travaux de Sterbak, Murray met en lumière les composantes architecturale et géométrique présentes dans l'oeuvre de l'artiste. Noble décèle dans l'oeuvre une dialectique situant le corps entre autonomie et confinement. Comprend des anecdotes relatées par l'artiste, deux extraits d'écrits de Calvino et De Azua, ainsi qu'une(...)
Jana Sterbak: Velleitas
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A l'occasion d'une exposition rétrospective des travaux de Sterbak, Murray met en lumière les composantes architecturale et géométrique présentes dans l'oeuvre de l'artiste. Noble décèle dans l'oeuvre une dialectique situant le corps entre autonomie et confinement. Comprend des anecdotes relatées par l'artiste, deux extraits d'écrits de Calvino et De Azua, ainsi qu'une nouvelle de Bowles. On the occasion of a retrospective exhibition of Sterbak's work, Murray brings to light architectural and geometrical components in the artist's work. Noble uncovers a dialectic in the work which situates the body between autonomy and containment. Includes anecdotes by the artist, two excerpts from Calvino and De Azua, and a short story by Bowles.
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The art world is no longer defined by the activity of traditional art centers such as New York, Berlin, Beijing, or London, but is instead shaped by many cities, small and large. These new artistic communities, each reflecting the history, culture, and conditions of its region, have established a vibrant network for contemporary art. Six Lines of Flight explores the(...)
September 2012
Six lines of flight: shifting geographies in contemporary art
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The art world is no longer defined by the activity of traditional art centers such as New York, Berlin, Beijing, or London, but is instead shaped by many cities, small and large. These new artistic communities, each reflecting the history, culture, and conditions of its region, have established a vibrant network for contemporary art. Six Lines of Flight explores the hybrid nature of today's international artistic landscape by introducing readers to the art scenes in six featured cities--Beirut, Lebanon; Cali, Colombia; Cluj, Romania; Ho Chi Minh City, Vietnam; San Francisco, USA; and Tangier, Morocco. In bringing together work by artists whose efforts have anchored each city's cultural scene, this book maps the pathways between them, illuminating the dynamic, global, interconnected spirit of twenty-first-century art. Essays by writers active in each region are accompanied by color images of representative artworks, along with brief texts on key local artists and organizations.
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From Futurism to Fluxus, virtually every twentieth-century avant-garde produced art multiples of some kind, whether to defuse the auratic power of the unique artwork, or to foster a more democratic art culture. The Small Utopia provides a thorough overview of this tendency, looking at Malevich’s tea sets, Bauhaus textiles and toys, early audio multiples, Duchamp’s(...)
The small utopia : ars multiplicata
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From Futurism to Fluxus, virtually every twentieth-century avant-garde produced art multiples of some kind, whether to defuse the auratic power of the unique artwork, or to foster a more democratic art culture. The Small Utopia provides a thorough overview of this tendency, looking at Malevich’s tea sets, Bauhaus textiles and toys, early audio multiples, Duchamp’s readymades, films by Fischinger and Moholy-Nagy, Maciunas’ Fluxus kits, Minimalist and Pop art multiples, artist’s books and small press magazines, among other examples. The scholars who contributed to this volume include Maria Gough on Russian Productivism; Elena Gigli on Giacomo Balla; Annette Malochet on Sonia Delaunay’s Atelier Simultané; Karen Koehler on Bauhaus; Antonio Somaini on early sound art; Adina Kamien-Kazhdan on readymades; Marie Rebecchi on abstract cinema; Nicholas Fox Weber on Josef and Anni Albers; and Julia Robinson on Nouveau Realisme and Fluxus multiples. An illustrated chronology rounds out this essential and handsome publication.
Ghosts in the machine
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A sweeping survey on an evergreen subject—the relationship between man and machines. Featuring more than sixty international artists, this volume surveys the constantly shifting relationships between humans, machines, and art. The book spans more than fifty years of history, tracing various movements’ and artists’ engagement with machines—both low- and high-tech—across(...)
October 2012
Ghosts in the machine
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A sweeping survey on an evergreen subject—the relationship between man and machines. Featuring more than sixty international artists, this volume surveys the constantly shifting relationships between humans, machines, and art. The book spans more than fifty years of history, tracing various movements’ and artists’ engagement with machines—both low- and high-tech—across generations. The exhibition and accompanying catalogue present a transhistorical reassessment of optical, kinetic, and technological art, bringing together a wide range of work from—among others—Bridget Riley, Hans Haacke, Gianni Colombo, Channa Horowitz, Heinz Mack, Otto Piene, Stan VanDerBeek, and Victor Vasarely. Truly diverse in its scope, the show investigates the ways in which outsider artists, writers, and other cult figures have illustrated the symbiosis between man and machine, including documents and artifacts by J. G. Ballard, Emery Blagdon, Franz Kafka, Marshall McLuhan, Emma Kunz, and Edoardo Paolozzi.
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Art & Agenda explores the current interrelationship between politics, art, and activism. The book introduces a variety of artists who are advocating political and social reform on a local or a global scale. The personalities and approaches of the featured artists are as diverse as their subject matter the artists goals, techniques, and degrees of radicalness depend on(...)
November 2011
Art & agenda: political art and activism
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Art & Agenda explores the current interrelationship between politics, art, and activism. The book introduces a variety of artists who are advocating political and social reform on a local or a global scale. The personalities and approaches of the featured artists are as diverse as their subject matter the artists goals, techniques, and degrees of radicalness depend on the cultures to which they belong as well as the social and political circles in which they move.