Bekanntmachungen
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The title Bekanntmachungen (announcements) stands for numerous exhibitions and events which took place from November 12, 2005 to January 8, 2006 in the Kunsthalle Zurich to celebrate the 20th anniversary of the hgkz Fine Arts Studies Course.
July 2007, Zurich
Bekanntmachungen
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The title Bekanntmachungen (announcements) stands for numerous exhibitions and events which took place from November 12, 2005 to January 8, 2006 in the Kunsthalle Zurich to celebrate the 20th anniversary of the hgkz Fine Arts Studies Course.
$58.50
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One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range(...)
April 2005, Minneapolis
Bits & pieces put together to present a semblance of a whole : Walker Art Center collections
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One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range in date from classic early modernist to cutting edge contemporary. While aiming to represent the immense diversity in art-making around the world, the collection also is known for several areas of specialty including Minimalism, Arte Povera, Fluxus, and contemporary printmaking. In-depth representations of work by individual artists, including Matthew Barney, Joseph Beuys, Merce Cunningham, Jasper Johns, William Klein, Robert Motherwell, and Kara Walker reflect the Center's long and close relationships with many of the century's most creative minds. Showcased in this stunning, expansive, well-designed volume are more than 650 beautifully reproduced works of art. Co-authored by the Walker's curators and staff, and more than 30 Walker alumni, this book draws heavily on Walker archival material to serve as both a history of the institution and a primer on modern and contemporary art. Adding further dimension to the polyvocal, multifaceted rendition of this dynamic public art centre are contributions from a select group of acclaimed writers including, A.S. Byatt, Joshua Clover, Arthur Danto, Dave Eggers, Darby English, Annie Proulx, David Shapiro, and others. The catalogue is published in conjunction with the Spring 2005 re-opening of the newly expanded Walker Art Center. Artists include Matthew Barney, Chuck Close, Bruce Conner, Joseph Cornell, Merce Cummingham, Dan Flavin, Robert Gober, Dan Graham, David Hockney, Donald Judd, Ellsworth Kelly, William Klein, Sherrie Levine, Sol Lewitt, Roy Lichtenstein, Sharon Lockhart, Kerry James Marshall, Bruce Nauman, Isamu Noguchi, Claes Oldenburg, Raymond Pettibon, Richard Prince, Charles Ray, Edward Ruscha, Cindy Sherman, Lorna Simpson, Kiki Smith, Frank Stella, Kara Walker, Andy Warhol, and many others. Edited by Joan Rothfuss and Elizabeth Carpenter. Essays by Elizabeth Alexander, A.S. Byatt, Dave Eggers, Arthur C. Danto, Wayne Koestenbaum, James Lingwood, Linda Nochlin, Annie Proulx, David Shapiro, Charles Simic, Howard Singerman, Hamza Walker et al.
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere(...)
October 2004, New York
Graffiti world : street art from five continents
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere and one of the most potent influences on youth-oriented marketing and design. With more than 2,000 illustrations by over 150 artists from all over the world and interviews with many of them, this book is the most comprehensive survey of graffiti art ever published. Today's young graffiti artists incorporate a variety of mediums—including stickers, stencils, oils, acrylics, and oil-based chalk—as well as an ever-expanding range of social commentary. This evolution in style and subject matter has earned graffiti the respect of the art world and guaranteed its long-lasting influence on art, graphic design, and style around the world.
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Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. The(...)
May 2004, Cambridge
A minimal future? : art as object 1958-1968
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Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. The book includes works from the late 1950s through the late 1960s by 40 artists, including Carl Andre, Richard Artschwager, Jo Baer, Larry Bell, Mel Bochner, Judy Chicago, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Sol LeWitt, Agnes Martin, John McCracken, Robert Ryman, Frank Stella, Anne Truitt, and Lawrence Weiner that reflect the shifting object status of painting and sculpture.
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''The Handbook for Social, Ecological and Existential Utopia'' is published on occasion of the exhibition ''Life on Planet Orsimanirana''. It understands itself as a 'collidoscope' of a decentralised, non-hierarchical and generative process of world building by a diverse group of local and international collectives, activists, artists and designers. It brings together(...)
June 2022
Life on Planet Orsimanirana: Handbook for a social, ecological, and existential utopia
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''The Handbook for Social, Ecological and Existential Utopia'' is published on occasion of the exhibition ''Life on Planet Orsimanirana''. It understands itself as a 'collidoscope' of a decentralised, non-hierarchical and generative process of world building by a diverse group of local and international collectives, activists, artists and designers. It brings together these varying and divergent positions in a visual stream of consciousness. It thereby aims to lay a joyful groundwork to create the world we want to live – against the backdrop of the social, ecological and existential crises we face today – on a practical, imaginary as well as symbolic level.
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Ce catalogue qui accompagne l’exposition « Exposé·es » ne se divise pas en chapitres, mais entrelace les genres et les modalités d’écriture et de documentation, avec des formats variés. Il comprend notamment une multitude de courts entretiens ou écrits autour des pratiques des artistes et de personnes concernées, des essais commandés à des auteur·rices et des séquences(...)
Exposé.es
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Ce catalogue qui accompagne l’exposition « Exposé·es » ne se divise pas en chapitres, mais entrelace les genres et les modalités d’écriture et de documentation, avec des formats variés. Il comprend notamment une multitude de courts entretiens ou écrits autour des pratiques des artistes et de personnes concernées, des essais commandés à des auteur·rices et des séquences d’images, représentant les travaux des artistes de l’exposition, ou documentant des projets artistiques qui ont eu lieu historiquement dans le contexte de ces luttes.
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This volume, "Grace Wales Bonner: Dream in the rhythm—visions of sound and spirit in the MoMA Collection", is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws(...)
January 2024
Grace Wales Bonner: Dream in the rhythm. Visions of sound and spirit in the MoMA Collection
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This volume, "Grace Wales Bonner: Dream in the rhythm—visions of sound and spirit in the MoMA Collection", is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws multisensory connections between pictures and poems, music and performance, hearing and touch, gestures and vibrations, and bodies in motion. Photographs, scores and films by artists such as Dawoud Bey, Mark Bradford, Roy DeCarava, Lee Friedlander, David Hammons, Glenn Ligon, Steve McQueen, Lorna Simpson and Ming Smith, among others, are juxtaposed with signal texts by Black authors spanning the past century, including Amiri Baraka, Nikki Giovanni, Langston Hughes, June Jordan, Robin Coste Lewis, Ishmael Reed, Greg Tate, Jean Toomer, Quincy Troupe and Lynette Yiadom-Boakye. Published on the occasion of the exhibition "Artist’s Choice: Grace Wales Bonner—Spirit Movers", this resplendent publication is a deeply personal meditation on and around modern Black expression that echoes Wales Bonner’s own vibrant, virtuosic designs.
Painting in New York 1971-83
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Published to follow the landmark exhibition at Karma Gallery, New York, this catalog unites the works of 30 women painters who were active in New York City during the 1970s. The collection showcases the diverse practices and backgrounds of these artists, all of whom were deeply influenced by the transformative legacy of second-wave feminism. During this period, a new form(...)
December 2023
Painting in New York 1971-83
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Published to follow the landmark exhibition at Karma Gallery, New York, this catalog unites the works of 30 women painters who were active in New York City during the 1970s. The collection showcases the diverse practices and backgrounds of these artists, all of whom were deeply influenced by the transformative legacy of second-wave feminism. During this period, a new form of painting emerged, fusing elements of sculpture and textile into the medium while reevaluating its role through innovative art historical methodologies. Amid debates about the relevance of painting, women artists revitalized the practice, coinciding with a shifting political landscape characterized by the global revolt of women against their marginalized status.
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This volume takes Artists for Democracy (AFD) as a starting point to explore the entanglement of artistic practices with transnational solidarities shaped by migration and political mobilization. AFD formed in London in 1974 to give "material and cultural support to liberation movements worldwide" and to use art as "a way of making global political struggles visible."(...)
December 2023
Precarious solidarities: Artists for democracy 1974-1977
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This volume takes Artists for Democracy (AFD) as a starting point to explore the entanglement of artistic practices with transnational solidarities shaped by migration and political mobilization. AFD formed in London in 1974 to give "material and cultural support to liberation movements worldwide" and to use art as "a way of making global political struggles visible." Over the next three years, the collective arranged several large-scale festivals dedicated to the relief of political crises in Chile, Vietnam, Indochina and the United States. Through detailed contextualization, scholastic and artistic commissions and extensive archival documentation, "Precarious solidarities" applies a variety of lenses—artistic, social, political, historical and geographic—to explore AFD’s legacy today.
Figures seules
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Lee Ufan Arles invite Philippe Dagen, historien de l’art, critique et commissaire d’exposition à imaginer pour l’été 2023 la première exposition temporaire de l’Espace MA.Philippe Dagen, proche du travail de Lee Ufan depuis de nombreuses années, a réuni cinq artistes plasticiens travaillant en France - Brigitte Aubignac, Ymane Chabi-Gara, Marc Desgrandchamps Tim Eitel et(...)
November 2023
Figures seules
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Lee Ufan Arles invite Philippe Dagen, historien de l’art, critique et commissaire d’exposition à imaginer pour l’été 2023 la première exposition temporaire de l’Espace MA.Philippe Dagen, proche du travail de Lee Ufan depuis de nombreuses années, a réuni cinq artistes plasticiens travaillant en France - Brigitte Aubignac, Ymane Chabi-Gara, Marc Desgrandchamps Tim Eitel et Djamel Tatah - qui interrogent et représentent la figure humaine. Celle-ci se présente seule, non pour des raisons formelles, mais parce que cette solitude renvoie à des situations aux significations sociales et psychiques qui caractérisent particulièrement notre époque: l’enfermement en soi, l’absence de l’autre, la mélancolie, l'exclusion ou le deuil.L'exposition « Figures seules » sera présentée à l’Espace MA de Lee Ufan Arles du 1er Juillet au 24 septembre 2023.