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Preface: Hans Ulrich Obrist, Visuals: Olafur Eliasson, Afterword: Sven-Olov Wallenstein
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Preface: Hans Ulrich Obrist, Visuals: Olafur Eliasson, Afterword: Sven-Olov Wallenstein
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Contemporary Art Monographs
Contemporary Art Monographs
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March 2008, New York / Berlin
March 2008, New York / Berlin
Title:
The hospitality of presence: problems of otherness in Husserl's phenomenology
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Preface: Hans Ulrich Obrist, Visuals: Olafur Eliasson, Afterword: Sven-Olov Wallenstein
The hospitality of presence: problems of otherness in Husserl's phenomenology
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Preface: Hans Ulrich Obrist, Visuals: Olafur Eliasson, Afterword: Sven-Olov Wallenstein
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books
books
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March 2008, New York / Berlin
March 2008, New York / Berlin
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Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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It is impossible to overstate the importance of Lincoln Kirstein (1907-1996) to the arts in America. One of the rare talents who touched the entire artistic field of his time – ballet, film, literature, theater, painting, sculpture, photography, architecture – he is perhaps best known for bringing the choreographer George Balanchine to the United States, and for founding(...)
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It is impossible to overstate the importance of Lincoln Kirstein (1907-1996) to the arts in America. One of the rare talents who touched the entire artistic field of his time – ballet, film, literature, theater, painting, sculpture, photography, architecture – he is perhaps best known for bringing the choreographer George Balanchine to the United States, and for founding(...)
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Lincoln Kirstein bibliography of published writings 1922-1996
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It is impossible to overstate the importance of Lincoln Kirstein (1907-1996) to the arts in America. One of the rare talents who touched the entire artistic field of his time – ballet, film, literature, theater, painting, sculpture, photography, architecture – he is perhaps best known for bringing the choreographer George Balanchine to the United States, and for founding with him the supremely influential School of American Ballet and the New York City Ballet. Kirstein was also a persuasive and lucid writer who published over 500 books, articles and monographs. Now, in honor of the centennial of Kirstein’s birth, Eakins Press presents the most comprehensive bibliography ever of his huge literary output, annotated, indexed and categorized into Fiction; Poetry; Drama and Ballet Libretti; On Dance; On Drawing, Painting, Sculpture and Architecture; On Photography; On Film; On Literature, History, Politics and other Subjects; and Memoir. This impressive work includes selected excerpts and a chronology of a life which, as Hilton Kramer wrote in the New York Times, “has helped to shape some of the most valuable parts of our culture.”
Lincoln Kirstein bibliography of published writings 1922-1996
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It is impossible to overstate the importance of Lincoln Kirstein (1907-1996) to the arts in America. One of the rare talents who touched the entire artistic field of his time – ballet, film, literature, theater, painting, sculpture, photography, architecture – he is perhaps best known for bringing the choreographer George Balanchine to the United States, and for founding with him the supremely influential School of American Ballet and the New York City Ballet. Kirstein was also a persuasive and lucid writer who published over 500 books, articles and monographs. Now, in honor of the centennial of Kirstein’s birth, Eakins Press presents the most comprehensive bibliography ever of his huge literary output, annotated, indexed and categorized into Fiction; Poetry; Drama and Ballet Libretti; On Dance; On Drawing, Painting, Sculpture and Architecture; On Photography; On Film; On Literature, History, Politics and other Subjects; and Memoir. This impressive work includes selected excerpts and a chronology of a life which, as Hilton Kramer wrote in the New York Times, “has helped to shape some of the most valuable parts of our culture.”
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books
books
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June 2007, New York
June 2007, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Atelier Van Lieshout
Atelier Van Lieshout
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When Joep van Lieshout (b. 1963) founded the art and architecture studio that bears his name, he set in motion what has been described as "a new Dutch architectural style dirty, delicious and direct." Now Atelier Van Lieshout is 10, and the first major monograph devoted to it, A Manual (1997), has been sold out for years. This new overview brings readers into AVL's(...)
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When Joep van Lieshout (b. 1963) founded the art and architecture studio that bears his name, he set in motion what has been described as "a new Dutch architectural style dirty, delicious and direct." Now Atelier Van Lieshout is 10, and the first major monograph devoted to it, A Manual (1997), has been sold out for years. This new overview brings readers into AVL's(...)
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Atelier Van Lieshout
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When Joep van Lieshout (b. 1963) founded the art and architecture studio that bears his name, he set in motion what has been described as "a new Dutch architectural style dirty, delicious and direct." Now Atelier Van Lieshout is 10, and the first major monograph devoted to it, A Manual (1997), has been sold out for years. This new overview brings readers into AVL's contrarian applied art via luxuriously appointed "mobile homes," autonomous communes and surreal art projects, with equal time given to AVL-Ville (2001), a "free state" in Rotterdam's port, complete with its own flag, its own constitution and its own currency, and the revealing minutia of AVL's portfolio, from furniture to the "Bar Rectum," a perverse take on the Oscar-Meyer Weiner Mobile. The idea of art that can be used for a self-sufficient and independent lifestyle hits a uniquely high point in AVL-Ville, a culmination of all the work AVL has done before. And it lives on: After a successful and tumultuous year of work, AVL has recently located its first AVL-Ville export product in Park Middelheim in Antwerp: the AVL Franchise Unit. This richly illustrated survey tracks AVL's serious and often provocative portfolio through a crucial period in its growth and development.
Atelier Van Lieshout
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When Joep van Lieshout (b. 1963) founded the art and architecture studio that bears his name, he set in motion what has been described as "a new Dutch architectural style dirty, delicious and direct." Now Atelier Van Lieshout is 10, and the first major monograph devoted to it, A Manual (1997), has been sold out for years. This new overview brings readers into AVL's contrarian applied art via luxuriously appointed "mobile homes," autonomous communes and surreal art projects, with equal time given to AVL-Ville (2001), a "free state" in Rotterdam's port, complete with its own flag, its own constitution and its own currency, and the revealing minutia of AVL's portfolio, from furniture to the "Bar Rectum," a perverse take on the Oscar-Meyer Weiner Mobile. The idea of art that can be used for a self-sufficient and independent lifestyle hits a uniquely high point in AVL-Ville, a culmination of all the work AVL has done before. And it lives on: After a successful and tumultuous year of work, AVL has recently located its first AVL-Ville export product in Park Middelheim in Antwerp: the AVL Franchise Unit. This richly illustrated survey tracks AVL's serious and often provocative portfolio through a crucial period in its growth and development.
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books
books
Publication:
October 2007, Rotterdam
October 2007, Rotterdam
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$42.00
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Erik Steinbrecher, an artist who also has training as an architect, was born in 1963 in Basel, and currently works in Berlin. His oeuvre, which includes an archive of more than 20,000 photographs, as well as sculptures and installations based on those images, has been shown at Documenta X (on bus shelters), and at P.S.1 (Couch Park). The title of this new monograph, which(...)
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Summary:
Erik Steinbrecher, an artist who also has training as an architect, was born in 1963 in Basel, and currently works in Berlin. His oeuvre, which includes an archive of more than 20,000 photographs, as well as sculptures and installations based on those images, has been shown at Documenta X (on bus shelters), and at P.S.1 (Couch Park). The title of this new monograph, which(...)
Title:
Erik Steinbrecher: Minimalist Kitsch
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Erik Steinbrecher, an artist who also has training as an architect, was born in 1963 in Basel, and currently works in Berlin. His oeuvre, which includes an archive of more than 20,000 photographs, as well as sculptures and installations based on those images, has been shown at Documenta X (on bus shelters), and at P.S.1 (Couch Park). The title of this new monograph, which at first seems to be an ironic reply to the assumed purity of Minimalism, represents the very substance of Steinbrecher's work: "Minimalist Kitsch" signifies a productive contradiction between reduction and immoderation. Minimalist Kitsch offers readers some background on the artist's career, which has largely matured off of the American stage, and recent works, including several seen for the first time here.
Erik Steinbrecher: Minimalist Kitsch
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Summary:
Erik Steinbrecher, an artist who also has training as an architect, was born in 1963 in Basel, and currently works in Berlin. His oeuvre, which includes an archive of more than 20,000 photographs, as well as sculptures and installations based on those images, has been shown at Documenta X (on bus shelters), and at P.S.1 (Couch Park). The title of this new monograph, which at first seems to be an ironic reply to the assumed purity of Minimalism, represents the very substance of Steinbrecher's work: "Minimalist Kitsch" signifies a productive contradiction between reduction and immoderation. Minimalist Kitsch offers readers some background on the artist's career, which has largely matured off of the American stage, and recent works, including several seen for the first time here.
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books
books
Publication:
October 2007, Zurich
October 2007, Zurich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$47.50
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Summary:
The rising Dutch artist Erik van Lieshout, temporarily based in Los Angeles while he sets up for bicoastal American museum debuts at the Hammer in Los Angeles and at Mass MoCA, in North Adams, Massachusetts, works with video installation, painting and drawing to analyze our daily reality in currently confusing times. In a dizzying game of political correctness versus(...)
$47.50
(available to order)
Summary:
The rising Dutch artist Erik van Lieshout, temporarily based in Los Angeles while he sets up for bicoastal American museum debuts at the Hammer in Los Angeles and at Mass MoCA, in North Adams, Massachusetts, works with video installation, painting and drawing to analyze our daily reality in currently confusing times. In a dizzying game of political correctness versus(...)
Title:
Erik van Lieshout: This can't go on (stay with me)
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The rising Dutch artist Erik van Lieshout, temporarily based in Los Angeles while he sets up for bicoastal American museum debuts at the Hammer in Los Angeles and at Mass MoCA, in North Adams, Massachusetts, works with video installation, painting and drawing to analyze our daily reality in currently confusing times. In a dizzying game of political correctness versus incorrectness, he provides razor-sharp comments on sociocultural truths, always seeming to wind up in unfamiliar, uncomfortable and confrontational situations. As he says: "My challenge is to lose control...Because it's only when you lose control that you have the feeling of freedom." On his way to that freedom, van Lieshout turns whomever he encounters into subject matter for social documentaries--his endless curiosity and his disarming personality encouraging strangers to share their intimate feelings and politics openly with him. In his work, van Lieshout translates this ferocious exploration of the behaviors of people he meets into aggressive, sometimes violent, sexual imagery. Born in 1968 in the Netherlands, van Lieshout's work was recently featured in the 2006 Berlin Bienniale and the 2003 Venice Biennale, among others.
Erik van Lieshout: This can't go on (stay with me)
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$47.50
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Summary:
The rising Dutch artist Erik van Lieshout, temporarily based in Los Angeles while he sets up for bicoastal American museum debuts at the Hammer in Los Angeles and at Mass MoCA, in North Adams, Massachusetts, works with video installation, painting and drawing to analyze our daily reality in currently confusing times. In a dizzying game of political correctness versus incorrectness, he provides razor-sharp comments on sociocultural truths, always seeming to wind up in unfamiliar, uncomfortable and confrontational situations. As he says: "My challenge is to lose control...Because it's only when you lose control that you have the feeling of freedom." On his way to that freedom, van Lieshout turns whomever he encounters into subject matter for social documentaries--his endless curiosity and his disarming personality encouraging strangers to share their intimate feelings and politics openly with him. In his work, van Lieshout translates this ferocious exploration of the behaviors of people he meets into aggressive, sometimes violent, sexual imagery. Born in 1968 in the Netherlands, van Lieshout's work was recently featured in the 2006 Berlin Bienniale and the 2003 Venice Biennale, among others.
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books
books
Publication:
October 2007, Zurich
October 2007, Zurich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Like origami gone wrong
Like origami gone wrong
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Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore,(...)
$34.00
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Summary:
Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore,(...)
Title:
Like origami gone wrong
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$34.00
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Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore, Modernism represents--and I guess it is almost a cliche to say--the last period of utopia, and a belief in actually producing truths." One installation, a darkened room with scattered light sources and projection screens, recalls both a party and the fusty setting of an academic conference; in another, a portrait of Le Corbusier emerges from a stain in the ceiling. Frieze magazine has called Moller's celebration of both the past and the uninterrupted march of artistic progress "a welcome alternative to thinking about art history as a daunting public library with strict rules for readers."
Like origami gone wrong
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$34.00
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Summary:
Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore, Modernism represents--and I guess it is almost a cliche to say--the last period of utopia, and a belief in actually producing truths." One installation, a darkened room with scattered light sources and projection screens, recalls both a party and the fusty setting of an academic conference; in another, a portrait of Le Corbusier emerges from a stain in the ceiling. Frieze magazine has called Moller's celebration of both the past and the uninterrupted march of artistic progress "a welcome alternative to thinking about art history as a daunting public library with strict rules for readers."
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books
books
Publication:
October 2007, Thun
October 2007, Thun
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Jiri Kovanda
Jiri Kovanda
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This first complete record of Prague artist Jiri Kovanda's actions, installations and interventions over the past 30 years replicates the A4 pages (with photographs and typewritten texts attached) on which he documented his activities in the 1970s and 1980s. That first ephemeral work focused on the discoveries of new types of relationships, enacted with his friends and(...)
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This first complete record of Prague artist Jiri Kovanda's actions, installations and interventions over the past 30 years replicates the A4 pages (with photographs and typewritten texts attached) on which he documented his activities in the 1970s and 1980s. That first ephemeral work focused on the discoveries of new types of relationships, enacted with his friends and(...)
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Jiri Kovanda
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This first complete record of Prague artist Jiri Kovanda's actions, installations and interventions over the past 30 years replicates the A4 pages (with photographs and typewritten texts attached) on which he documented his activities in the 1970s and 1980s. That first ephemeral work focused on the discoveries of new types of relationships, enacted with his friends and anonymous passersby in the streets. His installations from the 1980s were ironic responses to American Minimalism, set up in peripheral public spaces during the period of so-called "real socialism." Actions and Installations 1975-2006 covers those evolving performances and interventions up through 2005 and situates Kovanda's work in the history of Conceptualism. Among its three interviews is a talk with the artist by Hans Ulrich Obrist. Kovanda has been invited to participate in Documenta 2007.
Jiri Kovanda
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This first complete record of Prague artist Jiri Kovanda's actions, installations and interventions over the past 30 years replicates the A4 pages (with photographs and typewritten texts attached) on which he documented his activities in the 1970s and 1980s. That first ephemeral work focused on the discoveries of new types of relationships, enacted with his friends and anonymous passersby in the streets. His installations from the 1980s were ironic responses to American Minimalism, set up in peripheral public spaces during the period of so-called "real socialism." Actions and Installations 1975-2006 covers those evolving performances and interventions up through 2005 and situates Kovanda's work in the history of Conceptualism. Among its three interviews is a talk with the artist by Hans Ulrich Obrist. Kovanda has been invited to participate in Documenta 2007.
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books
books
Publication:
October 2007, Amsterdam
October 2007, Amsterdam
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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Mai-Thu Perret examines the relentless movement of capitalism as it absorbs and defeats what were once revolutionary forms, focusing on the aestheticization of historical avant-gardes to reflect the changing realities of utopian thinking. Her major, ongoing project "The Crystal Frontier," begun in 1999, comprises fictional diary entries and letters written by a group of(...)
$58.00
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Summary:
Mai-Thu Perret examines the relentless movement of capitalism as it absorbs and defeats what were once revolutionary forms, focusing on the aestheticization of historical avant-gardes to reflect the changing realities of utopian thinking. Her major, ongoing project "The Crystal Frontier," begun in 1999, comprises fictional diary entries and letters written by a group of(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2007, Berlin, New York
October 2007, Berlin, New York
Title:
Mai-Thu Perret - Land of Crystal
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Mai-Thu Perret examines the relentless movement of capitalism as it absorbs and defeats what were once revolutionary forms, focusing on the aestheticization of historical avant-gardes to reflect the changing realities of utopian thinking. Her major, ongoing project "The Crystal Frontier," begun in 1999, comprises fictional diary entries and letters written by a group of disillusioned women exiled in the New Mexico desert, as well as myriad artworks that Perret describes as their "hypothetical products." Born in 1975 in Geneva, where she lives and works, Perret studied at Cambridge University and the Whitney Independent Study Program, New York. This comprehensive artist's book, Perret's first monograph, includes a selection of her writings and a specially designed collage of references. Perret's work has recently been seen at The Renaissance Society in Chicago.
Mai-Thu Perret - Land of Crystal
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Mai-Thu Perret examines the relentless movement of capitalism as it absorbs and defeats what were once revolutionary forms, focusing on the aestheticization of historical avant-gardes to reflect the changing realities of utopian thinking. Her major, ongoing project "The Crystal Frontier," begun in 1999, comprises fictional diary entries and letters written by a group of disillusioned women exiled in the New Mexico desert, as well as myriad artworks that Perret describes as their "hypothetical products." Born in 1975 in Geneva, where she lives and works, Perret studied at Cambridge University and the Whitney Independent Study Program, New York. This comprehensive artist's book, Perret's first monograph, includes a selection of her writings and a specially designed collage of references. Perret's work has recently been seen at The Renaissance Society in Chicago.
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books
books
Publication:
October 2007, Berlin, New York
October 2007, Berlin, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Negative space
Negative space
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Summary:
What do black holes, distant galaxies, solar systems, nebulae and supernovas look like when seen in the negative, suddenly devoid of the color black? Mesmerizing, abstract, strangely familiar and yet hauntingly strange. This artist's book collects a group of images from National Geographic magazine, which the artist also uses in an ongoing series of photographic murals(...)
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Summary:
What do black holes, distant galaxies, solar systems, nebulae and supernovas look like when seen in the negative, suddenly devoid of the color black? Mesmerizing, abstract, strangely familiar and yet hauntingly strange. This artist's book collects a group of images from National Geographic magazine, which the artist also uses in an ongoing series of photographic murals(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2007, Zurich
October 2007, Zurich
Title:
Negative space
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What do black holes, distant galaxies, solar systems, nebulae and supernovas look like when seen in the negative, suddenly devoid of the color black? Mesmerizing, abstract, strangely familiar and yet hauntingly strange. This artist's book collects a group of images from National Geographic magazine, which the artist also uses in an ongoing series of photographic murals which can be custom-sized for walls and architectural spaces and installed as wallpaper. The four-color images are in fact inverted photographs of outer space made by the Hubble Space Telescope. Conceived by the artist in collaboration with designer Connie Purtil, it is part of a series edited by Christoph Keller. It was launched at the 2006 Art Basel Miami.
Negative space
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$30.00
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Summary:
What do black holes, distant galaxies, solar systems, nebulae and supernovas look like when seen in the negative, suddenly devoid of the color black? Mesmerizing, abstract, strangely familiar and yet hauntingly strange. This artist's book collects a group of images from National Geographic magazine, which the artist also uses in an ongoing series of photographic murals which can be custom-sized for walls and architectural spaces and installed as wallpaper. The four-color images are in fact inverted photographs of outer space made by the Hubble Space Telescope. Conceived by the artist in collaboration with designer Connie Purtil, it is part of a series edited by Christoph Keller. It was launched at the 2006 Art Basel Miami.
Form:
books
books
Publication:
October 2007, Zurich
October 2007, Zurich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Appendix appendix
Appendix appendix
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While he was working on Appendix Appendix, Ryan Gander described it to Artforum as "a shooting script for a 13-part television series about television" and "a cross between John Berger's Ways of Seeing and Monty Python." His collaborator and typographer Stuart Bailey, on the other hand, describes it as a sequel to their first book, Appendix, which compiled back stories(...)
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Summary:
While he was working on Appendix Appendix, Ryan Gander described it to Artforum as "a shooting script for a 13-part television series about television" and "a cross between John Berger's Ways of Seeing and Monty Python." His collaborator and typographer Stuart Bailey, on the other hand, describes it as a sequel to their first book, Appendix, which compiled back stories(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2007
October 2007
Title:
Appendix appendix
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Summary:
While he was working on Appendix Appendix, Ryan Gander described it to Artforum as "a shooting script for a 13-part television series about television" and "a cross between John Berger's Ways of Seeing and Monty Python." His collaborator and typographer Stuart Bailey, on the other hand, describes it as a sequel to their first book, Appendix, which compiled back stories for Gander's conceptual work. Bailey says, "The problem (a good problem) is to work out how the second [collaboration] is affected by the first, how it swallows it. I always relate these things to music, so it's like thinking what's the second album going to be after the rough debut; more studio time, more pressure, bigger egos, drinking problems, etcetera." Bailey has created books with Paulina Olowska, Lucy McKenzie and Frances Stark; Gander recently won the Baloise Prize at Art Basel and appeared in the 2006 Tate Triennial.
Appendix appendix
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While he was working on Appendix Appendix, Ryan Gander described it to Artforum as "a shooting script for a 13-part television series about television" and "a cross between John Berger's Ways of Seeing and Monty Python." His collaborator and typographer Stuart Bailey, on the other hand, describes it as a sequel to their first book, Appendix, which compiled back stories for Gander's conceptual work. Bailey says, "The problem (a good problem) is to work out how the second [collaboration] is affected by the first, how it swallows it. I always relate these things to music, so it's like thinking what's the second album going to be after the rough debut; more studio time, more pressure, bigger egos, drinking problems, etcetera." Bailey has created books with Paulina Olowska, Lucy McKenzie and Frances Stark; Gander recently won the Baloise Prize at Art Basel and appeared in the 2006 Tate Triennial.
Form:
books
books
Publication:
October 2007
October 2007
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
