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The architectural interventions of London-based artist Pablo Bronstein (born 1977) explore the relationship between classical architecture and contemporary urbanism. A Is Building, B is Architecture presents a retrospective of Bronstein’s work as well as the first survey of his architectural drawings.
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The architectural interventions of London-based artist Pablo Bronstein (born 1977) explore the relationship between classical architecture and contemporary urbanism. A Is Building, B is Architecture presents a retrospective of Bronstein’s work as well as the first survey of his architectural drawings.
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February 2014
February 2014
Title:
Pablo Bronstein: A is building, B is architecture
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The architectural interventions of London-based artist Pablo Bronstein (born 1977) explore the relationship between classical architecture and contemporary urbanism. A Is Building, B is Architecture presents a retrospective of Bronstein’s work as well as the first survey of his architectural drawings.
Pablo Bronstein: A is building, B is architecture
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The architectural interventions of London-based artist Pablo Bronstein (born 1977) explore the relationship between classical architecture and contemporary urbanism. A Is Building, B is Architecture presents a retrospective of Bronstein’s work as well as the first survey of his architectural drawings.
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books
books
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February 2014
February 2014
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books
books
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In his yellow-tiled studio kitchen, New York-based artist Wade Guyton (born 1972) photographed magazine pages overprinted with geometric shapes and reproduced these on the same yellow tile in the exhibition, connecting the two spaces. This publication documents his installation.
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In his yellow-tiled studio kitchen, New York-based artist Wade Guyton (born 1972) photographed magazine pages overprinted with geometric shapes and reproduced these on the same yellow tile in the exhibition, connecting the two spaces. This publication documents his installation.
Title:
Wade Guyton: Zeichungen für lange Bilder
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In his yellow-tiled studio kitchen, New York-based artist Wade Guyton (born 1972) photographed magazine pages overprinted with geometric shapes and reproduced these on the same yellow tile in the exhibition, connecting the two spaces. This publication documents his installation.
Wade Guyton: Zeichungen für lange Bilder
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In his yellow-tiled studio kitchen, New York-based artist Wade Guyton (born 1972) photographed magazine pages overprinted with geometric shapes and reproduced these on the same yellow tile in the exhibition, connecting the two spaces. This publication documents his installation.
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books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Gert & Uwe Tobias
Gert & Uwe Tobias
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Romanian artists Gert & Uwe Tobias (born 1973) are renowned for their large-scale, colorful woodcut prints and unconventional typewriter drawings. The duo assembles everyday patterns, motifs derived from Dutch still life and abstract geometries from Russian Suprematism in collagelike prints.
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Romanian artists Gert & Uwe Tobias (born 1973) are renowned for their large-scale, colorful woodcut prints and unconventional typewriter drawings. The duo assembles everyday patterns, motifs derived from Dutch still life and abstract geometries from Russian Suprematism in collagelike prints.
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Gert & Uwe Tobias
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Romanian artists Gert & Uwe Tobias (born 1973) are renowned for their large-scale, colorful woodcut prints and unconventional typewriter drawings. The duo assembles everyday patterns, motifs derived from Dutch still life and abstract geometries from Russian Suprematism in collagelike prints.
Gert & Uwe Tobias
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Romanian artists Gert & Uwe Tobias (born 1973) are renowned for their large-scale, colorful woodcut prints and unconventional typewriter drawings. The duo assembles everyday patterns, motifs derived from Dutch still life and abstract geometries from Russian Suprematism in collagelike prints.
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books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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Working across an unusually broad range of media, including painting, photography, film, drawing and sculpture, Sigmar Polke is widely regarded as one of the most influential and experimental artists of the post-war generation. His irreverent wit and promiscuous intelligence, coupled with his exceptional grasp of the properties of his materials, provided the foundation(...)
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Working across an unusually broad range of media, including painting, photography, film, drawing and sculpture, Sigmar Polke is widely regarded as one of the most influential and experimental artists of the post-war generation. His irreverent wit and promiscuous intelligence, coupled with his exceptional grasp of the properties of his materials, provided the foundation(...)
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Alibis Sigmar Polke 1963-2010
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Working across an unusually broad range of media, including painting, photography, film, drawing and sculpture, Sigmar Polke is widely regarded as one of the most influential and experimental artists of the post-war generation. His irreverent wit and promiscuous intelligence, coupled with his exceptional grasp of the properties of his materials, provided the foundation for his punishing critiques of the conventions of art history and social behavior. Experimenting wildly with materials and tools as varied as meteor dust and the xerox machine, Polke made work of both an intimate and monumental scale, drawn from sources as diverse as newspaper headlines and Durer prints. Polke avoided any one signature style, a fluid method best defined by the word "alibi," which means "in or at another place." This also is a reminder of the deflection of responsibility which shaped German behavior during the Nazi period, compelling Polke's generation to reinvent the role of the artist. Published in conjunction with "Alibis: Sigmar Polke 1963-2010," the first exhibition to encompass the artist's work across all media, this richly illustrated publication provides an overview of his cross-disciplinary innovations and career. Essays by Kathy Halbreich, Associate Director of The Museum of Modern Art; Mark Godfrey, Curator of International Art, Tate Modern; and a range of scholars and artists examine the full range of Polke's exceptionally inventive oeuvre and place his enormous skepticism of all social, political and artistic conventions against German history.
Alibis Sigmar Polke 1963-2010
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Working across an unusually broad range of media, including painting, photography, film, drawing and sculpture, Sigmar Polke is widely regarded as one of the most influential and experimental artists of the post-war generation. His irreverent wit and promiscuous intelligence, coupled with his exceptional grasp of the properties of his materials, provided the foundation for his punishing critiques of the conventions of art history and social behavior. Experimenting wildly with materials and tools as varied as meteor dust and the xerox machine, Polke made work of both an intimate and monumental scale, drawn from sources as diverse as newspaper headlines and Durer prints. Polke avoided any one signature style, a fluid method best defined by the word "alibi," which means "in or at another place." This also is a reminder of the deflection of responsibility which shaped German behavior during the Nazi period, compelling Polke's generation to reinvent the role of the artist. Published in conjunction with "Alibis: Sigmar Polke 1963-2010," the first exhibition to encompass the artist's work across all media, this richly illustrated publication provides an overview of his cross-disciplinary innovations and career. Essays by Kathy Halbreich, Associate Director of The Museum of Modern Art; Mark Godfrey, Curator of International Art, Tate Modern; and a range of scholars and artists examine the full range of Polke's exceptionally inventive oeuvre and place his enormous skepticism of all social, political and artistic conventions against German history.
Form:
books
books
Publication:
April 2014
April 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Harvey Quaytman
Harvey Quaytman
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This monograph explores the vast body of work by New York artist Harvey Quaytman (1937–2002). It is a comprehensive overview of more than 40 years of painting. Harvey Quaytman’s interpretation of 1960s Minimalism and Hard-edge abstraction culminated in work that swayed between two and three dimensions. The result was sometimes odd but always elegant : arching forms appear(...)
$49.95
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This monograph explores the vast body of work by New York artist Harvey Quaytman (1937–2002). It is a comprehensive overview of more than 40 years of painting. Harvey Quaytman’s interpretation of 1960s Minimalism and Hard-edge abstraction culminated in work that swayed between two and three dimensions. The result was sometimes odd but always elegant : arching forms appear(...)
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Harvey Quaytman
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This monograph explores the vast body of work by New York artist Harvey Quaytman (1937–2002). It is a comprehensive overview of more than 40 years of painting. Harvey Quaytman’s interpretation of 1960s Minimalism and Hard-edge abstraction culminated in work that swayed between two and three dimensions. The result was sometimes odd but always elegant : arching forms appear like wedged shoehorns within the pictorial space, gently exposing painting’s material infrastructure.
Harvey Quaytman
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Summary:
This monograph explores the vast body of work by New York artist Harvey Quaytman (1937–2002). It is a comprehensive overview of more than 40 years of painting. Harvey Quaytman’s interpretation of 1960s Minimalism and Hard-edge abstraction culminated in work that swayed between two and three dimensions. The result was sometimes odd but always elegant : arching forms appear like wedged shoehorns within the pictorial space, gently exposing painting’s material infrastructure.
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books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Len Lye: motion sketch
Len Lye: motion sketch
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Motion Sketch reintroduces Len Lye’s multidimensional practice specifically in relation to drawing. Lye’s kinesthetic approach to drawing--related to Surrealist automatism and anticipating aspects of Abstract Expressionism--also informed his practice in painting, photography, film and sculpture. Not limited to works on paper, this publication instead reveals how Lye’s(...)
$18.00
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Summary:
Motion Sketch reintroduces Len Lye’s multidimensional practice specifically in relation to drawing. Lye’s kinesthetic approach to drawing--related to Surrealist automatism and anticipating aspects of Abstract Expressionism--also informed his practice in painting, photography, film and sculpture. Not limited to works on paper, this publication instead reveals how Lye’s(...)
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Len Lye: motion sketch
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$18.00
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Motion Sketch reintroduces Len Lye’s multidimensional practice specifically in relation to drawing. Lye’s kinesthetic approach to drawing--related to Surrealist automatism and anticipating aspects of Abstract Expressionism--also informed his practice in painting, photography, film and sculpture. Not limited to works on paper, this publication instead reveals how Lye’s concept of "doodling" underpinned his approach to much of his work.
Len Lye: motion sketch
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$18.00
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Summary:
Motion Sketch reintroduces Len Lye’s multidimensional practice specifically in relation to drawing. Lye’s kinesthetic approach to drawing--related to Surrealist automatism and anticipating aspects of Abstract Expressionism--also informed his practice in painting, photography, film and sculpture. Not limited to works on paper, this publication instead reveals how Lye’s concept of "doodling" underpinned his approach to much of his work.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$30.00
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This publication focuses on the visualization and drawing practices of master chef Ferran Adrià. His complex body of work positions the drawing medium as both a philosophical tool -used to organize and convey knowledge, meaning and signification - as well as a physical object - used to synthesize over twenty years of innovation within the kitchen.
$30.00
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Summary:
This publication focuses on the visualization and drawing practices of master chef Ferran Adrià. His complex body of work positions the drawing medium as both a philosophical tool -used to organize and convey knowledge, meaning and signification - as well as a physical object - used to synthesize over twenty years of innovation within the kitchen.
Title:
Ferran Adrià : notes on creativity
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This publication focuses on the visualization and drawing practices of master chef Ferran Adrià. His complex body of work positions the drawing medium as both a philosophical tool -used to organize and convey knowledge, meaning and signification - as well as a physical object - used to synthesize over twenty years of innovation within the kitchen.
Ferran Adrià : notes on creativity
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$30.00
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Summary:
This publication focuses on the visualization and drawing practices of master chef Ferran Adrià. His complex body of work positions the drawing medium as both a philosophical tool -used to organize and convey knowledge, meaning and signification - as well as a physical object - used to synthesize over twenty years of innovation within the kitchen.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$20.00
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This publication brings together Robert Walser’s microscripts and Emily Dickinson’s poem manuscripts for the first time. Although Walser, who was born shortly before Dickinson died, was most likely unaware of her work, both writers were obsessively private as well as peculiarly attentive to the visual dimension of their texts. Walser wrote in tiny, inscrutable script on(...)
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This publication brings together Robert Walser’s microscripts and Emily Dickinson’s poem manuscripts for the first time. Although Walser, who was born shortly before Dickinson died, was most likely unaware of her work, both writers were obsessively private as well as peculiarly attentive to the visual dimension of their texts. Walser wrote in tiny, inscrutable script on(...)
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Dickinson/Walser: pencil sketches
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This publication brings together Robert Walser’s microscripts and Emily Dickinson’s poem manuscripts for the first time. Although Walser, who was born shortly before Dickinson died, was most likely unaware of her work, both writers were obsessively private as well as peculiarly attentive to the visual dimension of their texts. Walser wrote in tiny, inscrutable script on narrow strips of paper using an antiquated German alphabet that was long considered indecipherable. Only recently have these scripts been shown to consist of early drafts of the author’s published texts. Similarly, Dickinson fitted her poetic fragments to carefully torn pieces of envelope or stationery, which were discovered among her posthumous papers.
Dickinson/Walser: pencil sketches
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$20.00
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Summary:
This publication brings together Robert Walser’s microscripts and Emily Dickinson’s poem manuscripts for the first time. Although Walser, who was born shortly before Dickinson died, was most likely unaware of her work, both writers were obsessively private as well as peculiarly attentive to the visual dimension of their texts. Walser wrote in tiny, inscrutable script on narrow strips of paper using an antiquated German alphabet that was long considered indecipherable. Only recently have these scripts been shown to consist of early drafts of the author’s published texts. Similarly, Dickinson fitted her poetic fragments to carefully torn pieces of envelope or stationery, which were discovered among her posthumous papers.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$60.00
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In 1927, Kazimir Malevich published The World as Objectlessness, his vision of a "world of non-representation," through the Bauhaus publishing arm. For a long time this book was Malevich’s only publication in a Western language, and the title then, somewhat imprecisely translated, was Die gegenstandslose Welt (The Non-Objective World). This volume offers a new translation(...)
$60.00
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Summary:
In 1927, Kazimir Malevich published The World as Objectlessness, his vision of a "world of non-representation," through the Bauhaus publishing arm. For a long time this book was Malevich’s only publication in a Western language, and the title then, somewhat imprecisely translated, was Die gegenstandslose Welt (The Non-Objective World). This volume offers a new translation(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
February 2014
February 2014
Title:
Kazimir Malevitch : the world as objectlessness
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In 1927, Kazimir Malevich published The World as Objectlessness, his vision of a "world of non-representation," through the Bauhaus publishing arm. For a long time this book was Malevich’s only publication in a Western language, and the title then, somewhat imprecisely translated, was Die gegenstandslose Welt (The Non-Objective World). This volume offers a new translation of the artist’s illustrated text, along with important research on the preliminary drawings made for the Bauhaus publication.
Kazimir Malevitch : the world as objectlessness
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$60.00
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Summary:
In 1927, Kazimir Malevich published The World as Objectlessness, his vision of a "world of non-representation," through the Bauhaus publishing arm. For a long time this book was Malevich’s only publication in a Western language, and the title then, somewhat imprecisely translated, was Die gegenstandslose Welt (The Non-Objective World). This volume offers a new translation of the artist’s illustrated text, along with important research on the preliminary drawings made for the Bauhaus publication.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Episodes with Wayne Thiebaud
Episodes with Wayne Thiebaud
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In Episodes with Wayne Thiebaud, Eve Aschheim and Chris Daubert interview Wayne Thiebaud in four extensive conversations in his studio. Thiebaud, known for his iconic paintings of cakes, pies and counter displays, is one of the last living painters of the Pop era. Staunchly maintaining his independence from that group and others, he went on to develop vertiginous(...)
$20.00
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Summary:
In Episodes with Wayne Thiebaud, Eve Aschheim and Chris Daubert interview Wayne Thiebaud in four extensive conversations in his studio. Thiebaud, known for his iconic paintings of cakes, pies and counter displays, is one of the last living painters of the Pop era. Staunchly maintaining his independence from that group and others, he went on to develop vertiginous(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
February 2014
February 2014
Title:
Episodes with Wayne Thiebaud
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$20.00
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Summary:
In Episodes with Wayne Thiebaud, Eve Aschheim and Chris Daubert interview Wayne Thiebaud in four extensive conversations in his studio. Thiebaud, known for his iconic paintings of cakes, pies and counter displays, is one of the last living painters of the Pop era. Staunchly maintaining his independence from that group and others, he went on to develop vertiginous cityscapes, deeply abstracted rural landscapes and, most recently, monolithic mountains.
Episodes with Wayne Thiebaud
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$20.00
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Summary:
In Episodes with Wayne Thiebaud, Eve Aschheim and Chris Daubert interview Wayne Thiebaud in four extensive conversations in his studio. Thiebaud, known for his iconic paintings of cakes, pies and counter displays, is one of the last living painters of the Pop era. Staunchly maintaining his independence from that group and others, he went on to develop vertiginous cityscapes, deeply abstracted rural landscapes and, most recently, monolithic mountains.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
