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Title:
Elad Lassry
Elad Lassry
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Working in photography, film, sculpture, performance and installation, Los Angeles-based artist Elad Lassry (born 1977) has established himself as one of the most original artists of his generation, with works that are at once visually seductive and conceptually challenging. This book documents Lassry's solo exhibition at the Padiglione d'Arte Contemporanea in Milan,(...)
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Working in photography, film, sculpture, performance and installation, Los Angeles-based artist Elad Lassry (born 1977) has established himself as one of the most original artists of his generation, with works that are at once visually seductive and conceptually challenging. This book documents Lassry's solo exhibition at the Padiglione d'Arte Contemporanea in Milan,(...)
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Elad Lassry
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Working in photography, film, sculpture, performance and installation, Los Angeles-based artist Elad Lassry (born 1977) has established himself as one of the most original artists of his generation, with works that are at once visually seductive and conceptually challenging. This book documents Lassry's solo exhibition at the Padiglione d'Arte Contemporanea in Milan, Italy. With an essay by Aram Moshayedi (Curator at the Hammer Museum in Los Angeles) and a conversation between the artist and Jörg Heiser (co-editor of Frieze magazine), it provides an in-depth critical examination of Lassry's work from the beginning of his career to the present.
Elad Lassry
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Working in photography, film, sculpture, performance and installation, Los Angeles-based artist Elad Lassry (born 1977) has established himself as one of the most original artists of his generation, with works that are at once visually seductive and conceptually challenging. This book documents Lassry's solo exhibition at the Padiglione d'Arte Contemporanea in Milan, Italy. With an essay by Aram Moshayedi (Curator at the Hammer Museum in Los Angeles) and a conversation between the artist and Jörg Heiser (co-editor of Frieze magazine), it provides an in-depth critical examination of Lassry's work from the beginning of his career to the present.
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books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Richard Serra: early work
Richard Serra: early work
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This publication focuses on the early work of Richard Serra, one of the most influential artists working today. The works included in this volume represent the beginning of the artist's innovative, process-oriented experiments with nontraditional materials, such as vulcanized rubber, neon and lead, in addition to key early examples of his work in steel and a selection of(...)
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This publication focuses on the early work of Richard Serra, one of the most influential artists working today. The works included in this volume represent the beginning of the artist's innovative, process-oriented experiments with nontraditional materials, such as vulcanized rubber, neon and lead, in addition to key early examples of his work in steel and a selection of(...)
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Richard Serra: early work
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This publication focuses on the early work of Richard Serra, one of the most influential artists working today. The works included in this volume represent the beginning of the artist's innovative, process-oriented experiments with nontraditional materials, such as vulcanized rubber, neon and lead, in addition to key early examples of his work in steel and a selection of the artist's films from this period.
Richard Serra: early work
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This publication focuses on the early work of Richard Serra, one of the most influential artists working today. The works included in this volume represent the beginning of the artist's innovative, process-oriented experiments with nontraditional materials, such as vulcanized rubber, neon and lead, in addition to key early examples of his work in steel and a selection of the artist's films from this period.
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books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Katharina Grosse
Katharina Grosse
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This book examines the vibrant, abstract paintings and large-scale installations of German artist Katharina Grosse (born 1961). Grosse paints on the floor, walls and facades of the exhibition sites, and often introduces unexpected objects like beds or balloons, merging painting, sculpture and architecture.
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This book examines the vibrant, abstract paintings and large-scale installations of German artist Katharina Grosse (born 1961). Grosse paints on the floor, walls and facades of the exhibition sites, and often introduces unexpected objects like beds or balloons, merging painting, sculpture and architecture.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
February 2014
February 2014
Title:
Katharina Grosse
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This book examines the vibrant, abstract paintings and large-scale installations of German artist Katharina Grosse (born 1961). Grosse paints on the floor, walls and facades of the exhibition sites, and often introduces unexpected objects like beds or balloons, merging painting, sculpture and architecture.
Katharina Grosse
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This book examines the vibrant, abstract paintings and large-scale installations of German artist Katharina Grosse (born 1961). Grosse paints on the floor, walls and facades of the exhibition sites, and often introduces unexpected objects like beds or balloons, merging painting, sculpture and architecture.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Marcel Duchamp: pharmacie
Marcel Duchamp: pharmacie
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Made by Duchamp in 1914, Pharmacie is a cheap reproduction of a winter landscape with two drops of color and the artist’s signature added to it. With this work, Duchamp created his first "rectified readymade." Here, Stefan Banz investigates the meaning of the term "rectified readymade" and discusses the philosophical dimensions of this cryptic piece.
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Summary:
Made by Duchamp in 1914, Pharmacie is a cheap reproduction of a winter landscape with two drops of color and the artist’s signature added to it. With this work, Duchamp created his first "rectified readymade." Here, Stefan Banz investigates the meaning of the term "rectified readymade" and discusses the philosophical dimensions of this cryptic piece.
Title:
Marcel Duchamp: pharmacie
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Made by Duchamp in 1914, Pharmacie is a cheap reproduction of a winter landscape with two drops of color and the artist’s signature added to it. With this work, Duchamp created his first "rectified readymade." Here, Stefan Banz investigates the meaning of the term "rectified readymade" and discusses the philosophical dimensions of this cryptic piece.
Marcel Duchamp: pharmacie
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Summary:
Made by Duchamp in 1914, Pharmacie is a cheap reproduction of a winter landscape with two drops of color and the artist’s signature added to it. With this work, Duchamp created his first "rectified readymade." Here, Stefan Banz investigates the meaning of the term "rectified readymade" and discusses the philosophical dimensions of this cryptic piece.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Peter Fischli David Weiss
Peter Fischli David Weiss
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Peter Fischli (born 1952) and David Weiss (1946–2012) collaborate to transform the stuff of ordinary life into a series of quizzical, whimsical, even disquieting encounters. Fascinated with unconventional subject matter and material, Fischli and Weiss toy with the idea of "high art," questioning popular narratives and movements in art and cultural history. Peter Fischli(...)
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Peter Fischli (born 1952) and David Weiss (1946–2012) collaborate to transform the stuff of ordinary life into a series of quizzical, whimsical, even disquieting encounters. Fascinated with unconventional subject matter and material, Fischli and Weiss toy with the idea of "high art," questioning popular narratives and movements in art and cultural history. Peter Fischli(...)
Title:
Peter Fischli David Weiss
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Peter Fischli (born 1952) and David Weiss (1946–2012) collaborate to transform the stuff of ordinary life into a series of quizzical, whimsical, even disquieting encounters. Fascinated with unconventional subject matter and material, Fischli and Weiss toy with the idea of "high art," questioning popular narratives and movements in art and cultural history. Peter Fischli David Weiss presents an in-depth survey of the artists’ work from 1979 through 2012, drawn exclusively from Glenstone’s collection.
Peter Fischli David Weiss
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Peter Fischli (born 1952) and David Weiss (1946–2012) collaborate to transform the stuff of ordinary life into a series of quizzical, whimsical, even disquieting encounters. Fascinated with unconventional subject matter and material, Fischli and Weiss toy with the idea of "high art," questioning popular narratives and movements in art and cultural history. Peter Fischli David Weiss presents an in-depth survey of the artists’ work from 1979 through 2012, drawn exclusively from Glenstone’s collection.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Guy de Cointet: Tempo Rubato
Guy de Cointet: Tempo Rubato
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The installations, books, films and plays of Guy de Cointet (1934–1983) offer conceptually playful and witty treatments of codes, ciphers and optical tensions between language and image. Born in France and based in Los Angeles from 1965 until his death, de Cointet was also an important mentor as a teacher at the Otis Art Institute for a generation of Californian artists,(...)
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The installations, books, films and plays of Guy de Cointet (1934–1983) offer conceptually playful and witty treatments of codes, ciphers and optical tensions between language and image. Born in France and based in Los Angeles from 1965 until his death, de Cointet was also an important mentor as a teacher at the Otis Art Institute for a generation of Californian artists,(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
February 2014
February 2014
Title:
Guy de Cointet: Tempo Rubato
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Summary:
The installations, books, films and plays of Guy de Cointet (1934–1983) offer conceptually playful and witty treatments of codes, ciphers and optical tensions between language and image. Born in France and based in Los Angeles from 1965 until his death, de Cointet was also an important mentor as a teacher at the Otis Art Institute for a generation of Californian artists, including Paul McCarthy and Mike Kelley. This volume, published for a 2012/13 survey show at Fundación/Colección Jumex in Mexico, includes extensive documentation (playscripts, photographs) of his plays Tempo Rubato, IGLU and Tell Me, alongside relevant works on paper, archival photographs and essays by Magalí Arriola, Jay Sanders and Marie de Brugerolle.
Guy de Cointet: Tempo Rubato
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Summary:
The installations, books, films and plays of Guy de Cointet (1934–1983) offer conceptually playful and witty treatments of codes, ciphers and optical tensions between language and image. Born in France and based in Los Angeles from 1965 until his death, de Cointet was also an important mentor as a teacher at the Otis Art Institute for a generation of Californian artists, including Paul McCarthy and Mike Kelley. This volume, published for a 2012/13 survey show at Fundación/Colección Jumex in Mexico, includes extensive documentation (playscripts, photographs) of his plays Tempo Rubato, IGLU and Tell Me, alongside relevant works on paper, archival photographs and essays by Magalí Arriola, Jay Sanders and Marie de Brugerolle.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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Graphite Drawings includes 25 of Brice Marden's seminal early works on paper and accompanies the first exhibition devoted solely to this body of work. The drawings, made between 1962 and 1981, feature luxurious surfaces of graphite and beeswax worked into dense, reflective planes of blacks, whites and grays. Within these surfaces, Marden reveals the underlying geometries(...)
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Summary:
Graphite Drawings includes 25 of Brice Marden's seminal early works on paper and accompanies the first exhibition devoted solely to this body of work. The drawings, made between 1962 and 1981, feature luxurious surfaces of graphite and beeswax worked into dense, reflective planes of blacks, whites and grays. Within these surfaces, Marden reveals the underlying geometries(...)
Title:
Brice Marden: graphite drawings
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Graphite Drawings includes 25 of Brice Marden's seminal early works on paper and accompanies the first exhibition devoted solely to this body of work. The drawings, made between 1962 and 1981, feature luxurious surfaces of graphite and beeswax worked into dense, reflective planes of blacks, whites and grays. Within these surfaces, Marden reveals the underlying geometries of the rectangle and the grid, a formal strategy that has characterized his work from the 1960s to the present.
Brice Marden: graphite drawings
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Graphite Drawings includes 25 of Brice Marden's seminal early works on paper and accompanies the first exhibition devoted solely to this body of work. The drawings, made between 1962 and 1981, feature luxurious surfaces of graphite and beeswax worked into dense, reflective planes of blacks, whites and grays. Within these surfaces, Marden reveals the underlying geometries of the rectangle and the grid, a formal strategy that has characterized his work from the 1960s to the present.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Philip Guston: late works
Philip Guston: late works
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Philip Guston (1913–1980) was the first abstract painter to return to figuration in the postwar era and was pioneering in his mixing of high art and popular culture. He initially came to prominence as a first-generation Abstract Expressionist, alongside his close friends Jackson Pollock, Willem de Kooning and Mark Rothko. Toward the end of the 1960s, dissatisfied with(...)
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Philip Guston (1913–1980) was the first abstract painter to return to figuration in the postwar era and was pioneering in his mixing of high art and popular culture. He initially came to prominence as a first-generation Abstract Expressionist, alongside his close friends Jackson Pollock, Willem de Kooning and Mark Rothko. Toward the end of the 1960s, dissatisfied with(...)
Title:
Philip Guston: late works
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Philip Guston (1913–1980) was the first abstract painter to return to figuration in the postwar era and was pioneering in his mixing of high art and popular culture. He initially came to prominence as a first-generation Abstract Expressionist, alongside his close friends Jackson Pollock, Willem de Kooning and Mark Rothko. Toward the end of the 1960s, dissatisfied with abstraction, he embarked on an intense phase of drawing, which culminated in his departure from the "purity" demanded of abstract art. Guston introduced human figures smoking, drinking and painting; large heads, severed hairy legs, clumsy shoes and domestic objects such as walls, doors and lamp bulbs were among the motifs of these new paintings.
Philip Guston: late works
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Philip Guston (1913–1980) was the first abstract painter to return to figuration in the postwar era and was pioneering in his mixing of high art and popular culture. He initially came to prominence as a first-generation Abstract Expressionist, alongside his close friends Jackson Pollock, Willem de Kooning and Mark Rothko. Toward the end of the 1960s, dissatisfied with abstraction, he embarked on an intense phase of drawing, which culminated in his departure from the "purity" demanded of abstract art. Guston introduced human figures smoking, drinking and painting; large heads, severed hairy legs, clumsy shoes and domestic objects such as walls, doors and lamp bulbs were among the motifs of these new paintings.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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The art of Alice Neel (1900-1984) distinguished itself from that of her American contemporaries by the special intimacy of its style, in which her drawing practice was a decisive factor. Though somewhat less known than her paintings, Neel's drawings and watercolors articulate an array of influences--German Expressionist and Neue Sachlichkeit painting, the Ashcan School,(...)
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The art of Alice Neel (1900-1984) distinguished itself from that of her American contemporaries by the special intimacy of its style, in which her drawing practice was a decisive factor. Though somewhat less known than her paintings, Neel's drawings and watercolors articulate an array of influences--German Expressionist and Neue Sachlichkeit painting, the Ashcan School,(...)
Title:
Alice Neel: intimate relations
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The art of Alice Neel (1900-1984) distinguished itself from that of her American contemporaries by the special intimacy of its style, in which her drawing practice was a decisive factor. Though somewhat less known than her paintings, Neel's drawings and watercolors articulate an array of influences--German Expressionist and Neue Sachlichkeit painting, the Ashcan School, an early sojourn in Cuba--that accompanied her through her tentative beginnings in the mid-1920s through to the maturity of her art after the Second World War, when she found room to accommodate abstraction and Pop art.
Alice Neel: intimate relations
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The art of Alice Neel (1900-1984) distinguished itself from that of her American contemporaries by the special intimacy of its style, in which her drawing practice was a decisive factor. Though somewhat less known than her paintings, Neel's drawings and watercolors articulate an array of influences--German Expressionist and Neue Sachlichkeit painting, the Ashcan School, an early sojourn in Cuba--that accompanied her through her tentative beginnings in the mid-1920s through to the maturity of her art after the Second World War, when she found room to accommodate abstraction and Pop art.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Alexander Calder: trees
Alexander Calder: trees
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Alexander Calder (1898–1976) famously transposed modernist visual abstraction into three-dimensional space, initially doing so in the context of European abstract artists such as Mondrian. In 1933, leaving Paris for his native United States, he settled in an old farmhouse in Roxbury, Connecticut, where the forms of nature became a new source of inspiration for his(...)
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Alexander Calder (1898–1976) famously transposed modernist visual abstraction into three-dimensional space, initially doing so in the context of European abstract artists such as Mondrian. In 1933, leaving Paris for his native United States, he settled in an old farmhouse in Roxbury, Connecticut, where the forms of nature became a new source of inspiration for his(...)
Title:
Alexander Calder: trees
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Alexander Calder (1898–1976) famously transposed modernist visual abstraction into three-dimensional space, initially doing so in the context of European abstract artists such as Mondrian. In 1933, leaving Paris for his native United States, he settled in an old farmhouse in Roxbury, Connecticut, where the forms of nature became a new source of inspiration for his creativity. By the summer of 1934, Calder was producing his first outdoor sculptures. His monumental standing mobile "The Tree" (1966) exemplifies this new tension between abstraction and figuration. This volume, published for an exhibition at the Fondation Beyeler, tracks Calder’s evolution away from geometric abstraction and toward large-scale biomorphism via the tree motif.
Alexander Calder: trees
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Alexander Calder (1898–1976) famously transposed modernist visual abstraction into three-dimensional space, initially doing so in the context of European abstract artists such as Mondrian. In 1933, leaving Paris for his native United States, he settled in an old farmhouse in Roxbury, Connecticut, where the forms of nature became a new source of inspiration for his creativity. By the summer of 1934, Calder was producing his first outdoor sculptures. His monumental standing mobile "The Tree" (1966) exemplifies this new tension between abstraction and figuration. This volume, published for an exhibition at the Fondation Beyeler, tracks Calder’s evolution away from geometric abstraction and toward large-scale biomorphism via the tree motif.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
