1921 Results
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From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of(...)
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From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of(...)
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Käthe Kollwitz: prints, process, politics
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From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of historical narrative and contemporary political and ideological doubt are played out in visual motifs throughout the landscape. Fragments of the past and symbols of capitalist modernity underpin the work-banks, insurance companies and people as effigies of citizens appear as a cloaking miasma, the spectre of past, present and no future. The schema of the glitch and the appropriation methods in Feuerhelm's work are subtle enquiries into the contemporary conditions of fear and confusion. Loose associations about changing futures under technology, religion, immigration and the future of the photographic image also loom large. Dein Kampf is Feuerhelm's proposition about how we activate image and ideology in the book form. Includes text by Ulrich Baer.
Käthe Kollwitz: prints, process, politics
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From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of historical narrative and contemporary political and ideological doubt are played out in visual motifs throughout the landscape. Fragments of the past and symbols of capitalist modernity underpin the work-banks, insurance companies and people as effigies of citizens appear as a cloaking miasma, the spectre of past, present and no future. The schema of the glitch and the appropriation methods in Feuerhelm's work are subtle enquiries into the contemporary conditions of fear and confusion. Loose associations about changing futures under technology, religion, immigration and the future of the photographic image also loom large. Dein Kampf is Feuerhelm's proposition about how we activate image and ideology in the book form. Includes text by Ulrich Baer.
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books
books
Publication:
January 2020
January 2020
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$40.00
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A history of Radio Art through the works and life of theorist, activist and artist Tetsuo Kogawa, a key figure of sound arts and the free radio movement in Japan in the early 1980s.
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A history of Radio Art through the works and life of theorist, activist and artist Tetsuo Kogawa, a key figure of sound arts and the free radio movement in Japan in the early 1980s.
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Guillaume Adjutor Provost de´veloppe depuis biento^t dix ans un travail oriente´ vers l’ame´nagement d’espaces d’hospitalite´ et de collaboration avec une communaute´ de pairs, souvent issus de la performance comme lui, mais e´galement avec des acteurs provenant de milieux non artistiques et dont les histoires demandent a` e^tre raconte´es. Cet espace d’hospitalite´ se(...)
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Guillaume Adjutor Provost de´veloppe depuis biento^t dix ans un travail oriente´ vers l’ame´nagement d’espaces d’hospitalite´ et de collaboration avec une communaute´ de pairs, souvent issus de la performance comme lui, mais e´galement avec des acteurs provenant de milieux non artistiques et dont les histoires demandent a` e^tre raconte´es. Cet espace d’hospitalite´ se(...)
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Guillaume Adjutor Provost : Vapeurs
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Guillaume Adjutor Provost de´veloppe depuis biento^t dix ans un travail oriente´ vers l’ame´nagement d’espaces d’hospitalite´ et de collaboration avec une communaute´ de pairs, souvent issus de la performance comme lui, mais e´galement avec des acteurs provenant de milieux non artistiques et dont les histoires demandent a` e^tre raconte´es. Cet espace d’hospitalite´ se mate´rialise ici sous la forme discursive et polyphonique du livre, qui devient une sorte d’extension du domaine de la conversation mis en place par la pratique artistique de Provost. Conc¸u par l’artiste lui-me^me comme une plateforme d’invitations, de discussions et d’e´changes, le pre´sent ouvrage re´unit quatre essais qui forment autant de points d’entre´e dans l’œuvre.
Guillaume Adjutor Provost : Vapeurs
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Guillaume Adjutor Provost de´veloppe depuis biento^t dix ans un travail oriente´ vers l’ame´nagement d’espaces d’hospitalite´ et de collaboration avec une communaute´ de pairs, souvent issus de la performance comme lui, mais e´galement avec des acteurs provenant de milieux non artistiques et dont les histoires demandent a` e^tre raconte´es. Cet espace d’hospitalite´ se mate´rialise ici sous la forme discursive et polyphonique du livre, qui devient une sorte d’extension du domaine de la conversation mis en place par la pratique artistique de Provost. Conc¸u par l’artiste lui-me^me comme une plateforme d’invitations, de discussions et d’e´changes, le pre´sent ouvrage re´unit quatre essais qui forment autant de points d’entre´e dans l’œuvre.
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books
books
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July 2019
July 2019
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This book offers the first in-depth biographical study of the British surrealist and occultist Ithell Colquhoun, situating her art within the magical contexts that shaped her imaginative life and work. After decades of neglect, Colquhoun's unique vision and hermetic life have become an object of great renewed interest, both for artists and for historians of magic.
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This book offers the first in-depth biographical study of the British surrealist and occultist Ithell Colquhoun, situating her art within the magical contexts that shaped her imaginative life and work. After decades of neglect, Colquhoun's unique vision and hermetic life have become an object of great renewed interest, both for artists and for historians of magic.
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Ithell Colquhoun: genius of the fern loved gully
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This book offers the first in-depth biographical study of the British surrealist and occultist Ithell Colquhoun, situating her art within the magical contexts that shaped her imaginative life and work. After decades of neglect, Colquhoun's unique vision and hermetic life have become an object of great renewed interest, both for artists and for historians of magic.
Ithell Colquhoun: genius of the fern loved gully
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This book offers the first in-depth biographical study of the British surrealist and occultist Ithell Colquhoun, situating her art within the magical contexts that shaped her imaginative life and work. After decades of neglect, Colquhoun's unique vision and hermetic life have become an object of great renewed interest, both for artists and for historians of magic.
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books
books
Publication:
December 2020
December 2020
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Wassily Kandinsky: Sounds
Wassily Kandinsky: Sounds
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Wassily Kandinsky (1866–1944) was a Russian pioneer of abstract painting whose work has influenced generations of artists. His "Sounds" (Klänge) of 1912 is one of the earliest, most beautiful examples of a 20th-century artist’s book. Its “sound poems” are alternately narrative and expressive, witty and simple in form. They treat questions of space, color, physical design,(...)
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Wassily Kandinsky (1866–1944) was a Russian pioneer of abstract painting whose work has influenced generations of artists. His "Sounds" (Klänge) of 1912 is one of the earliest, most beautiful examples of a 20th-century artist’s book. Its “sound poems” are alternately narrative and expressive, witty and simple in form. They treat questions of space, color, physical design,(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2019
October 2019
Title:
Wassily Kandinsky: Sounds
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Wassily Kandinsky (1866–1944) was a Russian pioneer of abstract painting whose work has influenced generations of artists. His "Sounds" (Klänge) of 1912 is one of the earliest, most beautiful examples of a 20th-century artist’s book. Its “sound poems” are alternately narrative and expressive, witty and simple in form. They treat questions of space, color, physical design, and the act of seeing in a world that offers multiple and often contradictory possibilities. The woodcut illustrations that accompany the poems range from representational designs to abstract vignettes. In its fusion of image and word, "Sounds" epitomizes the artist’s move toward abstraction and his aspiration to a synthesis of the arts.
Wassily Kandinsky: Sounds
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Wassily Kandinsky (1866–1944) was a Russian pioneer of abstract painting whose work has influenced generations of artists. His "Sounds" (Klänge) of 1912 is one of the earliest, most beautiful examples of a 20th-century artist’s book. Its “sound poems” are alternately narrative and expressive, witty and simple in form. They treat questions of space, color, physical design, and the act of seeing in a world that offers multiple and often contradictory possibilities. The woodcut illustrations that accompany the poems range from representational designs to abstract vignettes. In its fusion of image and word, "Sounds" epitomizes the artist’s move toward abstraction and his aspiration to a synthesis of the arts.
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books
books
Publication:
October 2019
October 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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Conceived as an illustrated “field guide” to the work of Danish artist Olafur Eliasson (b. 1967), this book features a substantial conversation between the artist and Tate curator Mark Godfrey, as well as a collection of short dialogues with a strikingly varied range of people working both inside and outside the arts—from anthropology, economics, political science, and(...)
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Conceived as an illustrated “field guide” to the work of Danish artist Olafur Eliasson (b. 1967), this book features a substantial conversation between the artist and Tate curator Mark Godfrey, as well as a collection of short dialogues with a strikingly varied range of people working both inside and outside the arts—from anthropology, economics, political science, and(...)
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Olafur Eliasson: In real life
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Conceived as an illustrated “field guide” to the work of Danish artist Olafur Eliasson (b. 1967), this book features a substantial conversation between the artist and Tate curator Mark Godfrey, as well as a collection of short dialogues with a strikingly varied range of people working both inside and outside the arts—from anthropology, economics, political science, and biology to architecture and urbanism, dance, music, and food. Eliasson builds such conversations into his daily life and work. They help him not only to understand other people’s unique fields of knowledge, but also to ask, “What does my understanding of your knowledge do to my understanding of the world?” The interweaving of these texts with stunning photography of his remarkable and immersive works provides an insight into what Eliasson calls his ongoing aim of “reaching out into the world.”
Olafur Eliasson: In real life
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Conceived as an illustrated “field guide” to the work of Danish artist Olafur Eliasson (b. 1967), this book features a substantial conversation between the artist and Tate curator Mark Godfrey, as well as a collection of short dialogues with a strikingly varied range of people working both inside and outside the arts—from anthropology, economics, political science, and biology to architecture and urbanism, dance, music, and food. Eliasson builds such conversations into his daily life and work. They help him not only to understand other people’s unique fields of knowledge, but also to ask, “What does my understanding of your knowledge do to my understanding of the world?” The interweaving of these texts with stunning photography of his remarkable and immersive works provides an insight into what Eliasson calls his ongoing aim of “reaching out into the world.”
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books
books
Publication:
November 2019
November 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Steven Leiber: Catalogs
Steven Leiber: Catalogs
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Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogs between 1992 and 2010. Far from your ordinary dealer(...)
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Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogs between 1992 and 2010. Far from your ordinary dealer(...)
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Steven Leiber: Catalogs
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Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogs between 1992 and 2010. Far from your ordinary dealer catalog, Leiber’s catalogs paid homage to the kind of historic printed matter that he bought and sold, mimicking iconic publications like Wallace Berman’s Semina journal and the exhibition catalog for ''Documenta V'' (1972). Leiber’s reputation spread via these unique volumes, which included works by John Baldessari, Lynda Benglis, Ray Johnson, Lucy Lippard, Allan Kaprow, Yayoi Kusama, Claes Oldenburg, Ed Ruscha, Lawrence Weiner and many more.
Steven Leiber: Catalogs
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Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogs between 1992 and 2010. Far from your ordinary dealer catalog, Leiber’s catalogs paid homage to the kind of historic printed matter that he bought and sold, mimicking iconic publications like Wallace Berman’s Semina journal and the exhibition catalog for ''Documenta V'' (1972). Leiber’s reputation spread via these unique volumes, which included works by John Baldessari, Lynda Benglis, Ray Johnson, Lucy Lippard, Allan Kaprow, Yayoi Kusama, Claes Oldenburg, Ed Ruscha, Lawrence Weiner and many more.
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books
books
Publication:
August 2019
August 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Among LeWitt's great contributions to art was the invention of his own economic model Not to Be Sold For More Than $100 presents a comprehensive overview of conceptualist pioneer Sol LeWitt’s numbered R Series drawings, which he created from approximately 1971 to 1979. As early as 1967, LeWitt had started making cut, folded and torn works, which he intended would(...)
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Among LeWitt's great contributions to art was the invention of his own economic model Not to Be Sold For More Than $100 presents a comprehensive overview of conceptualist pioneer Sol LeWitt’s numbered R Series drawings, which he created from approximately 1971 to 1979. As early as 1967, LeWitt had started making cut, folded and torn works, which he intended would(...)
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Sol Lewitt: Not to be sold for more than $100
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Among LeWitt's great contributions to art was the invention of his own economic model Not to Be Sold For More Than $100 presents a comprehensive overview of conceptualist pioneer Sol LeWitt’s numbered R Series drawings, which he created from approximately 1971 to 1979. As early as 1967, LeWitt had started making cut, folded and torn works, which he intended would always sell for $100. “His wall drawings were already selling for thousands of dollars, so he wanted to have some artwork that everybody could buy,” notes Jason Rulnick. This body of work consists of over 800 folded, torn and cut paper works, including cut maps, reproductions, and manipulated silver gelatin photographs. Thanks to extensive research throughout various private and public collections around the world, this volume includes over 100 color plates, along with an index/description of all 870 known works, information that has been made available through the artist's day books and journals uncovered (in the studio) by Veronica Roberts.
Sol Lewitt: Not to be sold for more than $100
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Among LeWitt's great contributions to art was the invention of his own economic model Not to Be Sold For More Than $100 presents a comprehensive overview of conceptualist pioneer Sol LeWitt’s numbered R Series drawings, which he created from approximately 1971 to 1979. As early as 1967, LeWitt had started making cut, folded and torn works, which he intended would always sell for $100. “His wall drawings were already selling for thousands of dollars, so he wanted to have some artwork that everybody could buy,” notes Jason Rulnick. This body of work consists of over 800 folded, torn and cut paper works, including cut maps, reproductions, and manipulated silver gelatin photographs. Thanks to extensive research throughout various private and public collections around the world, this volume includes over 100 color plates, along with an index/description of all 870 known works, information that has been made available through the artist's day books and journals uncovered (in the studio) by Veronica Roberts.
Form:
books
books
Publication:
July 2020
July 2020
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist’s work in New York to date, held at The Shed in fall 2019 as part of the arts space’s opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed “the queen of land art”(...)
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Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist’s work in New York to date, held at The Shed in fall 2019 as part of the arts space’s opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed “the queen of land art”(...)
Title:
Agnes Denes: Absolutes and intermediates
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Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist’s work in New York to date, held at The Shed in fall 2019 as part of the arts space’s opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed “the queen of land art” by the New York Times, famed for her iconic Wheatfield—A Confrontation (1982), for which she planted a two-acre wheatfield in Lower Manhattan on the Battery Park Landfill, in the shadow of the then recently erected Twin Towers.
Agnes Denes: Absolutes and intermediates
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Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist’s work in New York to date, held at The Shed in fall 2019 as part of the arts space’s opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed “the queen of land art” by the New York Times, famed for her iconic Wheatfield—A Confrontation (1982), for which she planted a two-acre wheatfield in Lower Manhattan on the Battery Park Landfill, in the shadow of the then recently erected Twin Towers.
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books
books
Publication:
April 2020
April 2020
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Lucian Freud Herbarium
Lucian Freud Herbarium
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$79.00
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Lucian Freud's portraits are known for their spectacular detail and unflinching gaze. Although Freud brought the same qualities to his paintings and drawings of plants, flowers, and landscapes, these are largely unknown. This book shows how working with plants emboldened Freud to experiment with style and composition. Seventy-five works--including Two Plants, Bananas,(...)
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Lucian Freud's portraits are known for their spectacular detail and unflinching gaze. Although Freud brought the same qualities to his paintings and drawings of plants, flowers, and landscapes, these are largely unknown. This book shows how working with plants emboldened Freud to experiment with style and composition. Seventy-five works--including Two Plants, Bananas,(...)
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Lucian Freud Herbarium
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$79.00
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Lucian Freud's portraits are known for their spectacular detail and unflinching gaze. Although Freud brought the same qualities to his paintings and drawings of plants, flowers, and landscapes, these are largely unknown. This book shows how working with plants emboldened Freud to experiment with style and composition. Seventy-five works--including Two Plants, Bananas, Cyclamen, The Painter's Garden, and Interior at Paddington--reveal Freud's singular approach to plant life. Readers unfamiliar with this aspect of Freud's work will find many similarities to his portraits--earthy palettes, unconventional rawness, and assiduous attention to detail.
Lucian Freud Herbarium
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$79.00
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Lucian Freud's portraits are known for their spectacular detail and unflinching gaze. Although Freud brought the same qualities to his paintings and drawings of plants, flowers, and landscapes, these are largely unknown. This book shows how working with plants emboldened Freud to experiment with style and composition. Seventy-five works--including Two Plants, Bananas, Cyclamen, The Painter's Garden, and Interior at Paddington--reveal Freud's singular approach to plant life. Readers unfamiliar with this aspect of Freud's work will find many similarities to his portraits--earthy palettes, unconventional rawness, and assiduous attention to detail.
Form:
books
books
Publication:
October 2019
October 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
