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Carlos Bunga: Inhabit the Contradiction is an extensive monograph devoted to the work of Carlos Bunga, published in conjunction with his eponymous exhibition presented at CAM – Gulbenkian. The book contains notes by the exhibition curator and catalogue editor, Rui Mateus Amaral, who introduces readers to the exhibition project, providing an in-depth account of its genesis(...)
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Carlos Bunga: Inhabit the Contradiction is an extensive monograph devoted to the work of Carlos Bunga, published in conjunction with his eponymous exhibition presented at CAM – Gulbenkian. The book contains notes by the exhibition curator and catalogue editor, Rui Mateus Amaral, who introduces readers to the exhibition project, providing an in-depth account of its genesis(...)
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Carlos Bunga: Inhabit the contradiction
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Carlos Bunga: Inhabit the Contradiction is an extensive monograph devoted to the work of Carlos Bunga, published in conjunction with his eponymous exhibition presented at CAM – Gulbenkian. The book contains notes by the exhibition curator and catalogue editor, Rui Mateus Amaral, who introduces readers to the exhibition project, providing an in-depth account of its genesis and development, focusing on the dialogue between Bunga's work and selected pieces from the CAM collection. The notes describe both Bunga's new and existing works, as well as their configuration within the space, with the intention of opening up multiple points of access to the exhibition, leaving room for individual interpretation. Designed by as ilhas studio, the catalogue also contains new essays by various authors written especially for the occasion—Rina Carvajal, Roland Groenenboom, Omar Kholeif, November Paynter, and Catarina Rosendo—each offering an in-depth look at salient aspects of the artist's multifaceted practice.
Carlos Bunga: Inhabit the contradiction
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Carlos Bunga: Inhabit the Contradiction is an extensive monograph devoted to the work of Carlos Bunga, published in conjunction with his eponymous exhibition presented at CAM – Gulbenkian. The book contains notes by the exhibition curator and catalogue editor, Rui Mateus Amaral, who introduces readers to the exhibition project, providing an in-depth account of its genesis and development, focusing on the dialogue between Bunga's work and selected pieces from the CAM collection. The notes describe both Bunga's new and existing works, as well as their configuration within the space, with the intention of opening up multiple points of access to the exhibition, leaving room for individual interpretation. Designed by as ilhas studio, the catalogue also contains new essays by various authors written especially for the occasion—Rina Carvajal, Roland Groenenboom, Omar Kholeif, November Paynter, and Catarina Rosendo—each offering an in-depth look at salient aspects of the artist's multifaceted practice.
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books
books
Publication:
January 2026
January 2026
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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The existing art historical narrative on the early career and development of Donald Judd—a landmark figure in the history of postwar art—focuses predominantly on activities and reception in his homeland. As the artist established his formal and conceptual language and received his first critical and institutional recognition in the United States, remarkably little(...)
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The existing art historical narrative on the early career and development of Donald Judd—a landmark figure in the history of postwar art—focuses predominantly on activities and reception in his homeland. As the artist established his formal and conceptual language and received his first critical and institutional recognition in the United States, remarkably little(...)
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Donald Judd: The Low Countries, 1966–1971
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The existing art historical narrative on the early career and development of Donald Judd—a landmark figure in the history of postwar art—focuses predominantly on activities and reception in his homeland. As the artist established his formal and conceptual language and received his first critical and institutional recognition in the United States, remarkably little attention has been paid to what has happened on the other side of the Atlantic. Writing from Antwerp, Belgium and working with a rich array of sources from archives in Belgium and The Netherlands, Wouter Davids discloses that during the early years of his European career, Judd could count on significant critical and institutional interest in the European region better known as the Low Countries. The starting point is an interview with Judd for Belgian Radio and Television (BRT) from 1970, published here for the first time.
Donald Judd: The Low Countries, 1966–1971
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The existing art historical narrative on the early career and development of Donald Judd—a landmark figure in the history of postwar art—focuses predominantly on activities and reception in his homeland. As the artist established his formal and conceptual language and received his first critical and institutional recognition in the United States, remarkably little attention has been paid to what has happened on the other side of the Atlantic. Writing from Antwerp, Belgium and working with a rich array of sources from archives in Belgium and The Netherlands, Wouter Davids discloses that during the early years of his European career, Judd could count on significant critical and institutional interest in the European region better known as the Low Countries. The starting point is an interview with Judd for Belgian Radio and Television (BRT) from 1970, published here for the first time.
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books
books
Publication:
December 2026
December 2026
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$49.95
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Une vie digne d'un roman. De la Poméranie à Paris, en passant par Weimar, Berlin, Tunis, New York ou Bâle – pour ne nommer que les étapes les plus significatives –, Ré Soupault a traversé tout le XXe siècle et a été une protagoniste majeure de la vie artistique, littéraire et intellectuelle européenne. À Weimar, élève du Bauhaus, elle rencontre Vassily Kandinsky, Paul(...)
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Une vie digne d'un roman. De la Poméranie à Paris, en passant par Weimar, Berlin, Tunis, New York ou Bâle – pour ne nommer que les étapes les plus significatives –, Ré Soupault a traversé tout le XXe siècle et a été une protagoniste majeure de la vie artistique, littéraire et intellectuelle européenne. À Weimar, élève du Bauhaus, elle rencontre Vassily Kandinsky, Paul(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 2026
January 2026
Title:
L'esprit avant tout : Du bauhaus au reste du monde, souvenirs
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Une vie digne d'un roman. De la Poméranie à Paris, en passant par Weimar, Berlin, Tunis, New York ou Bâle – pour ne nommer que les étapes les plus significatives –, Ré Soupault a traversé tout le XXe siècle et a été une protagoniste majeure de la vie artistique, littéraire et intellectuelle européenne. À Weimar, élève du Bauhaus, elle rencontre Vassily Kandinsky, Paul Klee et Johannes Itten. À Paris, elle fonde un atelier de mode, expose les bijoux d'Elsa Triolet et ses collections sont photographiées par Man Ray.Tour à tour réalisatrice de films abstraits, journaliste, dessinatrice de mode, photographe, traductrice (notamment les Chants de Maldoror de Lautréamont), journaliste pour la radio, éditrice de contes pour enfants, essayiste, elle n'a eu de cesse de se réinventer. Libre et audacieuse, féministe avant l'heure, bien qu'elle soit restée en retrait, Ré Soupault a parcouru le siècle en mêlant art, engagement et modernité.
L'esprit avant tout : Du bauhaus au reste du monde, souvenirs
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Une vie digne d'un roman. De la Poméranie à Paris, en passant par Weimar, Berlin, Tunis, New York ou Bâle – pour ne nommer que les étapes les plus significatives –, Ré Soupault a traversé tout le XXe siècle et a été une protagoniste majeure de la vie artistique, littéraire et intellectuelle européenne. À Weimar, élève du Bauhaus, elle rencontre Vassily Kandinsky, Paul Klee et Johannes Itten. À Paris, elle fonde un atelier de mode, expose les bijoux d'Elsa Triolet et ses collections sont photographiées par Man Ray.Tour à tour réalisatrice de films abstraits, journaliste, dessinatrice de mode, photographe, traductrice (notamment les Chants de Maldoror de Lautréamont), journaliste pour la radio, éditrice de contes pour enfants, essayiste, elle n'a eu de cesse de se réinventer. Libre et audacieuse, féministe avant l'heure, bien qu'elle soit restée en retrait, Ré Soupault a parcouru le siècle en mêlant art, engagement et modernité.
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books
books
Publication:
January 2026
January 2026
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$22.95
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A monographic publication featuring multilingual text-film transcripts engaging with the legacy of the German colonial project in Cameroon and Germany, as well as broader questions of border crossings, asylum, and exclusion.The works collected for this publication span installation, video art, and ciné-poems, emerging from anti-racist movements and debates around(...)
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A monographic publication featuring multilingual text-film transcripts engaging with the legacy of the German colonial project in Cameroon and Germany, as well as broader questions of border crossings, asylum, and exclusion.The works collected for this publication span installation, video art, and ciné-poems, emerging from anti-racist movements and debates around(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
February 2026
February 2026
Title:
Brigitta Kuster: Territoires / Territories / Territorien – Filmtranskripte
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A monographic publication featuring multilingual text-film transcripts engaging with the legacy of the German colonial project in Cameroon and Germany, as well as broader questions of border crossings, asylum, and exclusion.The works collected for this publication span installation, video art, and ciné-poems, emerging from anti-racist movements and debates around disidentification, representation, and institutional critique—through the medium of moving images. A key part of the publication comprises films created in French and German as part of the research project ''Choix d'un passé'', in collaboration with Moïse Merlin Mabouna. These films are accompanied by textual and visual sequences from the video works S. – ''Je suis, je lis à haute voix and Erase them!'' – The image as it is falling apart into looks. The reader series ''Scriptings: Political Scenarios'', edited by Achim Lengerer, publishes carefully selected scripts and texts by artists that refer neither to academic forms nor to purely literary forms of writing, but rather embed "text" as a fully integral part of contemporary political and visual art practice.
Brigitta Kuster: Territoires / Territories / Territorien – Filmtranskripte
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A monographic publication featuring multilingual text-film transcripts engaging with the legacy of the German colonial project in Cameroon and Germany, as well as broader questions of border crossings, asylum, and exclusion.The works collected for this publication span installation, video art, and ciné-poems, emerging from anti-racist movements and debates around disidentification, representation, and institutional critique—through the medium of moving images. A key part of the publication comprises films created in French and German as part of the research project ''Choix d'un passé'', in collaboration with Moïse Merlin Mabouna. These films are accompanied by textual and visual sequences from the video works S. – ''Je suis, je lis à haute voix and Erase them!'' – The image as it is falling apart into looks. The reader series ''Scriptings: Political Scenarios'', edited by Achim Lengerer, publishes carefully selected scripts and texts by artists that refer neither to academic forms nor to purely literary forms of writing, but rather embed "text" as a fully integral part of contemporary political and visual art practice.
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books
books
Publication:
February 2026
February 2026
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$59.95
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Nathalie Du Pasquier présente des natures mortes rassemblant objets, dessins, livres et photographies, réunis comme les fragments d'un langage intime. Chaque composition, spécialement composée dans son atelier milanais, est accompagnée d'un court texte de l'artiste, dévoilant les histoires et les résonances des éléments choisis. Tel un portrait chinois, le livre compose(...)
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Nathalie Du Pasquier présente des natures mortes rassemblant objets, dessins, livres et photographies, réunis comme les fragments d'un langage intime. Chaque composition, spécialement composée dans son atelier milanais, est accompagnée d'un court texte de l'artiste, dévoilant les histoires et les résonances des éléments choisis. Tel un portrait chinois, le livre compose(...)
Title:
Nathalie du Pasquier: So many real things
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Nathalie Du Pasquier présente des natures mortes rassemblant objets, dessins, livres et photographies, réunis comme les fragments d'un langage intime. Chaque composition, spécialement composée dans son atelier milanais, est accompagnée d'un court texte de l'artiste, dévoilant les histoires et les résonances des éléments choisis. Tel un portrait chinois, le livre compose un autoportrait poétique et singulier, invitant le lecteur à entrer dans l'univers sensible de l'artiste.// Specially composed in her Milan studio, Nathalie Du Pasquier presents still lifes bringing together objects, drawings, books, and photographs—assembled like fragments of an intimate language. Each composition is accompanied by a short text by the artist, revealing the stories and resonances of the chosen elements. Like a "Chinese portrait," the book unfolds as a poetic and singular self-portrait, inviting the reader to enter the artist's sensitive universe.
Nathalie du Pasquier: So many real things
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Nathalie Du Pasquier présente des natures mortes rassemblant objets, dessins, livres et photographies, réunis comme les fragments d'un langage intime. Chaque composition, spécialement composée dans son atelier milanais, est accompagnée d'un court texte de l'artiste, dévoilant les histoires et les résonances des éléments choisis. Tel un portrait chinois, le livre compose un autoportrait poétique et singulier, invitant le lecteur à entrer dans l'univers sensible de l'artiste.// Specially composed in her Milan studio, Nathalie Du Pasquier presents still lifes bringing together objects, drawings, books, and photographs—assembled like fragments of an intimate language. Each composition is accompanied by a short text by the artist, revealing the stories and resonances of the chosen elements. Like a "Chinese portrait," the book unfolds as a poetic and singular self-portrait, inviting the reader to enter the artist's sensitive universe.
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books
books
Publication:
December 2025
December 2025
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$150.00
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Summary:
Mapping constellations between five specific pre-colonial cosmological examples extending from the Sahel to the Horn of Africa, this work reframes cosmology as a multi-dimensional and scalable practice of situated technologies and embodied cartographies. The resulting publication which was produced during the Jan van Eyck residency is a culmination of several years of(...)
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Summary:
Mapping constellations between five specific pre-colonial cosmological examples extending from the Sahel to the Horn of Africa, this work reframes cosmology as a multi-dimensional and scalable practice of situated technologies and embodied cartographies. The resulting publication which was produced during the Jan van Eyck residency is a culmination of several years of(...)
Title:
The incomplete cosmic catalogue
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Mapping constellations between five specific pre-colonial cosmological examples extending from the Sahel to the Horn of Africa, this work reframes cosmology as a multi-dimensional and scalable practice of situated technologies and embodied cartographies. The resulting publication which was produced during the Jan van Eyck residency is a culmination of several years of research and exploration into precolonial cosmologies and spatial orders rooted in the African Sahel extending to the Horn of Africa. The (Incomplete) Cosmic Catalogue is an output of a research project that was initially commissioned by the Canadian Centre for Architecture as part of the multi-disciplinary research fellowship, The Digita Now: Architecture and Intersectionality in 2022.
The incomplete cosmic catalogue
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Mapping constellations between five specific pre-colonial cosmological examples extending from the Sahel to the Horn of Africa, this work reframes cosmology as a multi-dimensional and scalable practice of situated technologies and embodied cartographies. The resulting publication which was produced during the Jan van Eyck residency is a culmination of several years of research and exploration into precolonial cosmologies and spatial orders rooted in the African Sahel extending to the Horn of Africa. The (Incomplete) Cosmic Catalogue is an output of a research project that was initially commissioned by the Canadian Centre for Architecture as part of the multi-disciplinary research fellowship, The Digita Now: Architecture and Intersectionality in 2022.
Form:
books
books
Publication:
November 2025
November 2025
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$75.00
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
December 1999, Cambridge, Mass.
December 1999, Cambridge, Mass.
Title:
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Form:
books
books
Publication:
December 1999, Cambridge, Mass.
December 1999, Cambridge, Mass.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
S.O.H. (states of humanity)
S.O.H. (states of humanity)
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"States of humanity" (SOH) is a comprehensive work of art to which every participant makes a subjective contribution. It is also an ongoing project that took as its starting point six sculptures made by Alex Vermeulen.
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"States of humanity" (SOH) is a comprehensive work of art to which every participant makes a subjective contribution. It is also an ongoing project that took as its starting point six sculptures made by Alex Vermeulen.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
August 1999, Amsterdam
August 1999, Amsterdam
Title:
S.O.H. (states of humanity)
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$74.95
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"States of humanity" (SOH) is a comprehensive work of art to which every participant makes a subjective contribution. It is also an ongoing project that took as its starting point six sculptures made by Alex Vermeulen.
S.O.H. (states of humanity)
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$74.95
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Summary:
"States of humanity" (SOH) is a comprehensive work of art to which every participant makes a subjective contribution. It is also an ongoing project that took as its starting point six sculptures made by Alex Vermeulen.
Form:
books
books
Publication:
August 1999, Amsterdam
August 1999, Amsterdam
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$28.95
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A thorough documentation of Whiteread's "Water Tower" from notebook entries to the final completion of the resin tank, this book includes texts by Louise Neri, Molly Nesbitt, Luc Sante, Tom Eccles, and Neville Wakefield.
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A thorough documentation of Whiteread's "Water Tower" from notebook entries to the final completion of the resin tank, this book includes texts by Louise Neri, Molly Nesbitt, Luc Sante, Tom Eccles, and Neville Wakefield.
Title:
Looking up : Rachel Whiteread's water tower
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A thorough documentation of Whiteread's "Water Tower" from notebook entries to the final completion of the resin tank, this book includes texts by Louise Neri, Molly Nesbitt, Luc Sante, Tom Eccles, and Neville Wakefield.
Looking up : Rachel Whiteread's water tower
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$28.95
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A thorough documentation of Whiteread's "Water Tower" from notebook entries to the final completion of the resin tank, this book includes texts by Louise Neri, Molly Nesbitt, Luc Sante, Tom Eccles, and Neville Wakefield.
Form:
books
books
Publication:
September 1999, New York
September 1999, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Colour after Klein
Colour after Klein
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$53.95
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As suggested by the work of Yves Klein, this book is not about colour rules or colour theory; instead it takes pleasure in the oscillation between the aesthetic and the conceptual, materiality and immateriality, the object and the void, purification and mystification, and between erasure and colouring in. Colour is celebrated for its immanence, its quality of being in the(...)
$53.95
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Summary:
As suggested by the work of Yves Klein, this book is not about colour rules or colour theory; instead it takes pleasure in the oscillation between the aesthetic and the conceptual, materiality and immateriality, the object and the void, purification and mystification, and between erasure and colouring in. Colour is celebrated for its immanence, its quality of being in the(...)
Title:
Colour after Klein
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$53.95
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As suggested by the work of Yves Klein, this book is not about colour rules or colour theory; instead it takes pleasure in the oscillation between the aesthetic and the conceptual, materiality and immateriality, the object and the void, purification and mystification, and between erasure and colouring in. Colour is celebrated for its immanence, its quality of being in the world, but also the potential it has to open up a psychic space, a world of lost feeling; with literally the power to take us over, colour us in. "Colour after Klein" explores the significance of colour as it emerges in the work of 20 of some influential artists of the twentieth and twenty-first centuries, including Yves Klein, Donald Judd, Bruce Nauman, Louise Bourgeois, Andy Warhol and James Turrell. Featuring an introduction by curator Jane Alison, an essay that explores the place of colour in the work of Yves Klein by art historian Nuit Banai, and profiles of each of the contributing artists, this book provides a new perspective on key works of Modern and contemporary art. Also included in the book are artists' writings on the subject of colour, with pieces by Klein, Judd and Hélio Oiticica. This book accompanies the exhibition "Colour after Klein" at the Barbican Art Gallery, London, 27 May to 11 September 2005.
Colour after Klein
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$53.95
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As suggested by the work of Yves Klein, this book is not about colour rules or colour theory; instead it takes pleasure in the oscillation between the aesthetic and the conceptual, materiality and immateriality, the object and the void, purification and mystification, and between erasure and colouring in. Colour is celebrated for its immanence, its quality of being in the world, but also the potential it has to open up a psychic space, a world of lost feeling; with literally the power to take us over, colour us in. "Colour after Klein" explores the significance of colour as it emerges in the work of 20 of some influential artists of the twentieth and twenty-first centuries, including Yves Klein, Donald Judd, Bruce Nauman, Louise Bourgeois, Andy Warhol and James Turrell. Featuring an introduction by curator Jane Alison, an essay that explores the place of colour in the work of Yves Klein by art historian Nuit Banai, and profiles of each of the contributing artists, this book provides a new perspective on key works of Modern and contemporary art. Also included in the book are artists' writings on the subject of colour, with pieces by Klein, Judd and Hélio Oiticica. This book accompanies the exhibition "Colour after Klein" at the Barbican Art Gallery, London, 27 May to 11 September 2005.
Form:
books
books
Publication:
September 2005, London
September 2005, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
