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Austin Spare's lifelong interest in cartomancy is well documented, yet very few of his own fortune-telling cards were thought to have survived. This compelling new example of the artist's early work demonstrates his precocious involvement with the currents that shaped the British Occult Revival at the beginning of the twentieth century, and his interactions with some of(...)
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Austin Spare's lifelong interest in cartomancy is well documented, yet very few of his own fortune-telling cards were thought to have survived. This compelling new example of the artist's early work demonstrates his precocious involvement with the currents that shaped the British Occult Revival at the beginning of the twentieth century, and his interactions with some of(...)
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Lost envoy: The tarot deck of Austin Osman Spare
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Austin Spare's lifelong interest in cartomancy is well documented, yet very few of his own fortune-telling cards were thought to have survived. This compelling new example of the artist's early work demonstrates his precocious involvement with the currents that shaped the British Occult Revival at the beginning of the twentieth century, and his interactions with some of the period's artistic and political protagonists including Aleister Crowley, Arthur Ivey, Sylvia Pankhurst, and Pamela Colman Smith. Magic Circle Museum curator and artist Jonathan Allen set about tracing the deck's provenance, its place in the artist's oeuvre, and within the wider histories of cartomancy, potentially re-writing the history of popular Tarot in the early twentieth century.
Lost envoy: The tarot deck of Austin Osman Spare
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Austin Spare's lifelong interest in cartomancy is well documented, yet very few of his own fortune-telling cards were thought to have survived. This compelling new example of the artist's early work demonstrates his precocious involvement with the currents that shaped the British Occult Revival at the beginning of the twentieth century, and his interactions with some of the period's artistic and political protagonists including Aleister Crowley, Arthur Ivey, Sylvia Pankhurst, and Pamela Colman Smith. Magic Circle Museum curator and artist Jonathan Allen set about tracing the deck's provenance, its place in the artist's oeuvre, and within the wider histories of cartomancy, potentially re-writing the history of popular Tarot in the early twentieth century.
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books
books
Publication:
March 2024
March 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Fascinated by awareness and ignorance, visual artist Anna Püschel began collecting definitions of words related to knowledge from a broad range of sources, from medieval texts to modern dictionaries. While some are objectively true and others are questionable, she nevertheless gathered the various definitions in this volume, a work that redefines referencing while(...)
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Fascinated by awareness and ignorance, visual artist Anna Püschel began collecting definitions of words related to knowledge from a broad range of sources, from medieval texts to modern dictionaries. While some are objectively true and others are questionable, she nevertheless gathered the various definitions in this volume, a work that redefines referencing while(...)
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Anna Püschel: Encyclopedia of the uncertain. A meditation on doubt
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Fascinated by awareness and ignorance, visual artist Anna Püschel began collecting definitions of words related to knowledge from a broad range of sources, from medieval texts to modern dictionaries. While some are objectively true and others are questionable, she nevertheless gathered the various definitions in this volume, a work that redefines referencing while juxtaposing French poetry with conspiracy theories, political essays, and recipes. Regardless of their origin, the definitions imply that we are always yearning for the truth. As individuals in uncertain times, we must acknowledge what we do not know and listen to nuance, for there is beauty in uncertainty.
Anna Püschel: Encyclopedia of the uncertain. A meditation on doubt
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Fascinated by awareness and ignorance, visual artist Anna Püschel began collecting definitions of words related to knowledge from a broad range of sources, from medieval texts to modern dictionaries. While some are objectively true and others are questionable, she nevertheless gathered the various definitions in this volume, a work that redefines referencing while juxtaposing French poetry with conspiracy theories, political essays, and recipes. Regardless of their origin, the definitions imply that we are always yearning for the truth. As individuals in uncertain times, we must acknowledge what we do not know and listen to nuance, for there is beauty in uncertainty.
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books
books
Publication:
March 2024
March 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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This is the first book on the boundary-pushing practice of the artist, dancer, and educator Suzanne Harris (1940–1979). Harris was a protagonist in key avant-garde projects of the downtown New York City artists’ community in the 1970s (the Anarchitecture group, 112 Greene Street, FOOD, The Natural History of the American Dancer, Heresies); yet her own oeuvre fell into(...)
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This is the first book on the boundary-pushing practice of the artist, dancer, and educator Suzanne Harris (1940–1979). Harris was a protagonist in key avant-garde projects of the downtown New York City artists’ community in the 1970s (the Anarchitecture group, 112 Greene Street, FOOD, The Natural History of the American Dancer, Heresies); yet her own oeuvre fell into(...)
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An anarchitectural body of work: Suzanne Harris and the downtown New York artists' community in the 1970s
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This is the first book on the boundary-pushing practice of the artist, dancer, and educator Suzanne Harris (1940–1979). Harris was a protagonist in key avant-garde projects of the downtown New York City artists’ community in the 1970s (the Anarchitecture group, 112 Greene Street, FOOD, The Natural History of the American Dancer, Heresies); yet her own oeuvre fell into abeyance. Harris’ postminimalist work broke the mold of art categories, (feminist) art practices, art spaces, and the common notion of space. By transcending sculpture and dance, she created ephemeral, site-specific installations, which she conceived as body-oriented choreographic situations. Her approach of sensory awareness led to a holistic philosophy of space, which again is paradigmatic for a materialist approach to (social) space that emerged in the arts at the time.
An anarchitectural body of work: Suzanne Harris and the downtown New York artists' community in the 1970s
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This is the first book on the boundary-pushing practice of the artist, dancer, and educator Suzanne Harris (1940–1979). Harris was a protagonist in key avant-garde projects of the downtown New York City artists’ community in the 1970s (the Anarchitecture group, 112 Greene Street, FOOD, The Natural History of the American Dancer, Heresies); yet her own oeuvre fell into abeyance. Harris’ postminimalist work broke the mold of art categories, (feminist) art practices, art spaces, and the common notion of space. By transcending sculpture and dance, she created ephemeral, site-specific installations, which she conceived as body-oriented choreographic situations. Her approach of sensory awareness led to a holistic philosophy of space, which again is paradigmatic for a materialist approach to (social) space that emerged in the arts at the time.
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books
books
Publication:
February 2024
February 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Andreas Samuelsso: Vases
Andreas Samuelsso: Vases
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Une série d'images de vases réalisées à l'aquarelle par l'artiste suédois Andreas Samuelsson, imprimées en risographie.
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Une série d'images de vases réalisées à l'aquarelle par l'artiste suédois Andreas Samuelsson, imprimées en risographie.
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Andreas Samuelsso: Vases
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Une série d'images de vases réalisées à l'aquarelle par l'artiste suédois Andreas Samuelsson, imprimées en risographie.
Andreas Samuelsso: Vases
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Une série d'images de vases réalisées à l'aquarelle par l'artiste suédois Andreas Samuelsson, imprimées en risographie.
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books
books
Publication:
March 2024
March 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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$85.00
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Summary:
Koren’s insightful meditation is further distilled into eight rhetorical principles presented alognside 23 idiosyncratic paintings by artist Nathalie Du Pasquier which illustrate the volume. With a welcoming tone, ''Arranging Things'' offers an accessible strategy which can be used to analyse any arrangement. Back by popular demand, this new edition of ''Arranging(...)
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Koren’s insightful meditation is further distilled into eight rhetorical principles presented alognside 23 idiosyncratic paintings by artist Nathalie Du Pasquier which illustrate the volume. With a welcoming tone, ''Arranging Things'' offers an accessible strategy which can be used to analyse any arrangement. Back by popular demand, this new edition of ''Arranging(...)
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Arranging things: A rhetoric of object placement
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Koren’s insightful meditation is further distilled into eight rhetorical principles presented alognside 23 idiosyncratic paintings by artist Nathalie Du Pasquier which illustrate the volume. With a welcoming tone, ''Arranging Things'' offers an accessible strategy which can be used to analyse any arrangement. Back by popular demand, this new edition of ''Arranging Things'' presents Du Pasquier’s artistic works in a generous format in celebration of Koren’s visual journey through the heart of design philosophy. Arranging Things is not merely a popular book on design; it is a landmark text, a practical manifesto of aesthetic beauty, one for brightening and broadening the way we understand and arrange our worlds.
Arranging things: A rhetoric of object placement
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Koren’s insightful meditation is further distilled into eight rhetorical principles presented alognside 23 idiosyncratic paintings by artist Nathalie Du Pasquier which illustrate the volume. With a welcoming tone, ''Arranging Things'' offers an accessible strategy which can be used to analyse any arrangement. Back by popular demand, this new edition of ''Arranging Things'' presents Du Pasquier’s artistic works in a generous format in celebration of Koren’s visual journey through the heart of design philosophy. Arranging Things is not merely a popular book on design; it is a landmark text, a practical manifesto of aesthetic beauty, one for brightening and broadening the way we understand and arrange our worlds.
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books
books
Publication:
May 2024
May 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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Title:
Turner's last sketchbook
Turner's last sketchbook
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J. M. W. Turner (1775–1851) seldom left home without a sketchbook. Over the course of his lifetime, he filled more than three hundred, most of them small enough to carry in his pocket. This facsimile represents Turner’s last known intact sketchbook, now in the collection of the Yale Center for British Art. Turner used it on the coast of the English Channel in Kent, in and(...)
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Summary:
J. M. W. Turner (1775–1851) seldom left home without a sketchbook. Over the course of his lifetime, he filled more than three hundred, most of them small enough to carry in his pocket. This facsimile represents Turner’s last known intact sketchbook, now in the collection of the Yale Center for British Art. Turner used it on the coast of the English Channel in Kent, in and(...)
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Turner's last sketchbook
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J. M. W. Turner (1775–1851) seldom left home without a sketchbook. Over the course of his lifetime, he filled more than three hundred, most of them small enough to carry in his pocket. This facsimile represents Turner’s last known intact sketchbook, now in the collection of the Yale Center for British Art. Turner used it on the coast of the English Channel in Kent, in and around Margate, from June to September 1845. The volume is accompanied by a poem in which Tracey Emin (b. 1963) expresses her personal connection with Turner’s work. Emin grew up in Margate, the seaside town that Turner returned to time and again to draw.
Turner's last sketchbook
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J. M. W. Turner (1775–1851) seldom left home without a sketchbook. Over the course of his lifetime, he filled more than three hundred, most of them small enough to carry in his pocket. This facsimile represents Turner’s last known intact sketchbook, now in the collection of the Yale Center for British Art. Turner used it on the coast of the English Channel in Kent, in and around Margate, from June to September 1845. The volume is accompanied by a poem in which Tracey Emin (b. 1963) expresses her personal connection with Turner’s work. Emin grew up in Margate, the seaside town that Turner returned to time and again to draw.
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books
books
Publication:
February 2024
February 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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Title:
Anri Sala - Maps/Species
Anri Sala - Maps/Species
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La série « Untitled (Maps/Species, 2018-2022) » d’Anri Sala est constituée de diptyques qui font dialoguer une gravure zoologique du XVIIIe siècle avec un dessin réalisé à l’encre et au pastel par l’artiste. Ce cycle fait écho à l’immense toile marouflée qui épouse l’épaule de la Rotonde. Sous forme d’un leporello à déplier recto-verso, ce livre rend compte de ce projet(...)
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La série « Untitled (Maps/Species, 2018-2022) » d’Anri Sala est constituée de diptyques qui font dialoguer une gravure zoologique du XVIIIe siècle avec un dessin réalisé à l’encre et au pastel par l’artiste. Ce cycle fait écho à l’immense toile marouflée qui épouse l’épaule de la Rotonde. Sous forme d’un leporello à déplier recto-verso, ce livre rend compte de ce projet(...)
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Anri Sala - Maps/Species
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La série « Untitled (Maps/Species, 2018-2022) » d’Anri Sala est constituée de diptyques qui font dialoguer une gravure zoologique du XVIIIe siècle avec un dessin réalisé à l’encre et au pastel par l’artiste. Ce cycle fait écho à l’immense toile marouflée qui épouse l’épaule de la Rotonde. Sous forme d’un leporello à déplier recto-verso, ce livre rend compte de ce projet dans le contexte de sa présentation.
Anri Sala - Maps/Species
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La série « Untitled (Maps/Species, 2018-2022) » d’Anri Sala est constituée de diptyques qui font dialoguer une gravure zoologique du XVIIIe siècle avec un dessin réalisé à l’encre et au pastel par l’artiste. Ce cycle fait écho à l’immense toile marouflée qui épouse l’épaule de la Rotonde. Sous forme d’un leporello à déplier recto-verso, ce livre rend compte de ce projet dans le contexte de sa présentation.
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books
books
Publication:
April 2024
April 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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Ce leporello, un livre en carton dont les pages se déplient à la manière d'un accordéon, regroupe des photos des vitrines de l'exposition « L'Origine des choses » actuellement présentée au Passage de la Bourse de Commerce. En coédition avec la Bourse de Commerce - Pinault Collection.
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Ce leporello, un livre en carton dont les pages se déplient à la manière d'un accordéon, regroupe des photos des vitrines de l'exposition « L'Origine des choses » actuellement présentée au Passage de la Bourse de Commerce. En coédition avec la Bourse de Commerce - Pinault Collection.
Title:
Edith Dekyndt - L'Origine des choses
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Ce leporello, un livre en carton dont les pages se déplient à la manière d'un accordéon, regroupe des photos des vitrines de l'exposition « L'Origine des choses » actuellement présentée au Passage de la Bourse de Commerce. En coédition avec la Bourse de Commerce - Pinault Collection.
Edith Dekyndt - L'Origine des choses
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Ce leporello, un livre en carton dont les pages se déplient à la manière d'un accordéon, regroupe des photos des vitrines de l'exposition « L'Origine des choses » actuellement présentée au Passage de la Bourse de Commerce. En coédition avec la Bourse de Commerce - Pinault Collection.
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books
books
Publication:
April 2024
April 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Anish Kapoor
Anish Kapoor
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Ce livre, conçu par Anish Kapoor, prend la forme d’un leporello, un livre relié dont l’intérieur se déploie en accordéon. Il rassemble une série de 10 gouaches inédites de l’artiste en 2011, et une présentation de Marie-Laure Bernadac, conservatrice générale en charge de l’art contemporain au Louvre. Le livre reproduit le carnet de croquis d’Anish Kapoor, que l’artiste(...)
$79.00
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Ce livre, conçu par Anish Kapoor, prend la forme d’un leporello, un livre relié dont l’intérieur se déploie en accordéon. Il rassemble une série de 10 gouaches inédites de l’artiste en 2011, et une présentation de Marie-Laure Bernadac, conservatrice générale en charge de l’art contemporain au Louvre. Le livre reproduit le carnet de croquis d’Anish Kapoor, que l’artiste(...)
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Anish Kapoor
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Ce livre, conçu par Anish Kapoor, prend la forme d’un leporello, un livre relié dont l’intérieur se déploie en accordéon. Il rassemble une série de 10 gouaches inédites de l’artiste en 2011, et une présentation de Marie-Laure Bernadac, conservatrice générale en charge de l’art contemporain au Louvre. Le livre reproduit le carnet de croquis d’Anish Kapoor, que l’artiste présente comme son « cahier noir ». Les dessins d’Anish Kapoor captivent le regard et nous invitent à découvrir le monde de l’artiste – et notre propre inconscient.
Anish Kapoor
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Ce livre, conçu par Anish Kapoor, prend la forme d’un leporello, un livre relié dont l’intérieur se déploie en accordéon. Il rassemble une série de 10 gouaches inédites de l’artiste en 2011, et une présentation de Marie-Laure Bernadac, conservatrice générale en charge de l’art contemporain au Louvre. Le livre reproduit le carnet de croquis d’Anish Kapoor, que l’artiste présente comme son « cahier noir ». Les dessins d’Anish Kapoor captivent le regard et nous invitent à découvrir le monde de l’artiste – et notre propre inconscient.
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books
books
Publication:
April 2024
April 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Hannah Höch (1889–1978) moved between differing worlds: as an editorial assistant with a major Berlin-based magazine publisher, and as the only woman who could hold her own in the German capital’s vibrant Dada scene of the 1920s. Cutting and montage also shaped film, still a new medium in the 1920s, which strongly influenced Höch’s art: she understood her assembled(...)
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Hannah Höch (1889–1978) moved between differing worlds: as an editorial assistant with a major Berlin-based magazine publisher, and as the only woman who could hold her own in the German capital’s vibrant Dada scene of the 1920s. Cutting and montage also shaped film, still a new medium in the 1920s, which strongly influenced Höch’s art: she understood her assembled(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
February 2024
February 2024
Title:
Hannah Höch: Assembled worlds
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Hannah Höch (1889–1978) moved between differing worlds: as an editorial assistant with a major Berlin-based magazine publisher, and as the only woman who could hold her own in the German capital’s vibrant Dada scene of the 1920s. Cutting and montage also shaped film, still a new medium in the 1920s, which strongly influenced Höch’s art: she understood her assembled pictures as static films. This richly illustrated and expertly annotated book explores comprehensively for the first time Höch’s life-long fascination with film and the visual culture of the modern industrial age. Covering her entire career, It demonstrates how montage evolved in a field of tension between artistic experimentation, commercial exploitation, and political appropriation. A text on photomontage by Höch, written in 1948, and a text-collage on the history of montage, in which major protagonists of Modernism and Avant-garde have their say, round out this volume.
Hannah Höch: Assembled worlds
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Hannah Höch (1889–1978) moved between differing worlds: as an editorial assistant with a major Berlin-based magazine publisher, and as the only woman who could hold her own in the German capital’s vibrant Dada scene of the 1920s. Cutting and montage also shaped film, still a new medium in the 1920s, which strongly influenced Höch’s art: she understood her assembled pictures as static films. This richly illustrated and expertly annotated book explores comprehensively for the first time Höch’s life-long fascination with film and the visual culture of the modern industrial age. Covering her entire career, It demonstrates how montage evolved in a field of tension between artistic experimentation, commercial exploitation, and political appropriation. A text on photomontage by Höch, written in 1948, and a text-collage on the history of montage, in which major protagonists of Modernism and Avant-garde have their say, round out this volume.
Form:
books
books
Publication:
February 2024
February 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
