1866 Results
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Over the past twenty years, Camille Henrot has developed a critically acclaimed practice that moves seamlessly between drawing, painting, sculpture, installation, and film. ''Mother Tongue'' is Henrot’s first publication focused solely on painting and drawing, bringing together over 200 works from the series ''System of Attachment'', ''Wet Job'', and ''Soon'', created(...)
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Over the past twenty years, Camille Henrot has developed a critically acclaimed practice that moves seamlessly between drawing, painting, sculpture, installation, and film. ''Mother Tongue'' is Henrot’s first publication focused solely on painting and drawing, bringing together over 200 works from the series ''System of Attachment'', ''Wet Job'', and ''Soon'', created(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
August 2023
August 2023
Title:
Camille Henrot: Mother tongue
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Over the past twenty years, Camille Henrot has developed a critically acclaimed practice that moves seamlessly between drawing, painting, sculpture, installation, and film. ''Mother Tongue'' is Henrot’s first publication focused solely on painting and drawing, bringing together over 200 works from the series ''System of Attachment'', ''Wet Job'', and ''Soon'', created between 2018 and 2022. This recent body of work addresses the ambivalent nature of care and the tension between the simultaneous developmental need for attachment and independence, beginning at infancy and continuing throughout life. Her deeply personal and intimate interrogations ultimately relate to broader questions such as the expectations placed on mothers and the representation of the female body. This richly illustrated catalogue is accompanied by texts from Emily LaBarge, Legacy Russell, Marcus Steinweg, Hélene Cixous, Seamus Kealy, and a conversation with Camille Henrot and curator Julika Bosch.
Camille Henrot: Mother tongue
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Over the past twenty years, Camille Henrot has developed a critically acclaimed practice that moves seamlessly between drawing, painting, sculpture, installation, and film. ''Mother Tongue'' is Henrot’s first publication focused solely on painting and drawing, bringing together over 200 works from the series ''System of Attachment'', ''Wet Job'', and ''Soon'', created between 2018 and 2022. This recent body of work addresses the ambivalent nature of care and the tension between the simultaneous developmental need for attachment and independence, beginning at infancy and continuing throughout life. Her deeply personal and intimate interrogations ultimately relate to broader questions such as the expectations placed on mothers and the representation of the female body. This richly illustrated catalogue is accompanied by texts from Emily LaBarge, Legacy Russell, Marcus Steinweg, Hélene Cixous, Seamus Kealy, and a conversation with Camille Henrot and curator Julika Bosch.
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books
books
Publication:
August 2023
August 2023
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$131.95
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As sculptor, draughtsman, photographer, and environmental artist, Mary Miss straddles the fields of architecture, landscape architecture, and installation art. Her work moves from the urban bustle of New York, to the vast plains of the American Midwest, to the remote forests of Finland, and has been acclaimed worldwide for its poetry and power. Designed in association(...)
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As sculptor, draughtsman, photographer, and environmental artist, Mary Miss straddles the fields of architecture, landscape architecture, and installation art. Her work moves from the urban bustle of New York, to the vast plains of the American Midwest, to the remote forests of Finland, and has been acclaimed worldwide for its poetry and power. Designed in association(...)
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Mary Miss
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As sculptor, draughtsman, photographer, and environmental artist, Mary Miss straddles the fields of architecture, landscape architecture, and installation art. Her work moves from the urban bustle of New York, to the vast plains of the American Midwest, to the remote forests of Finland, and has been acclaimed worldwide for its poetry and power. Designed in association with the artist, this exquisitely produced monograph, a comprehensive overview of Miss's work, features thirty-five color images and over 150 duotone photographs of her projects accompanied by copious drawings by the artist. Architectural historian Daniel Abramson, who has been granted unparalleled access to the artist and her archives, addresses each of her projects in detail. An introduction by the well-known art critic Eleanor Heartney situates Miss in the context of contemporary movements in art. Architecture critic Joseph Giovannini places her work within contemporary design practice. Together, the text and images of Mary Miss provide a remarkable look at the work of this groundbreaking public artist.
Mary Miss
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As sculptor, draughtsman, photographer, and environmental artist, Mary Miss straddles the fields of architecture, landscape architecture, and installation art. Her work moves from the urban bustle of New York, to the vast plains of the American Midwest, to the remote forests of Finland, and has been acclaimed worldwide for its poetry and power. Designed in association with the artist, this exquisitely produced monograph, a comprehensive overview of Miss's work, features thirty-five color images and over 150 duotone photographs of her projects accompanied by copious drawings by the artist. Architectural historian Daniel Abramson, who has been granted unparalleled access to the artist and her archives, addresses each of her projects in detail. An introduction by the well-known art critic Eleanor Heartney situates Miss in the context of contemporary movements in art. Architecture critic Joseph Giovannini places her work within contemporary design practice. Together, the text and images of Mary Miss provide a remarkable look at the work of this groundbreaking public artist.
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books
books
Publication:
January 2004, New York
January 2004, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$33.95
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Really important artists situated their work in the master frame of art, well aware of the importance of the material they are using and conscious of questions about paradigms or paradigm shifts in art. This occurs in a special way in the work of Olafur Eliasson and is placed in full view of the observer by the exhibition at the Kunsthaus Bregenz. Eliasson uses nature(...)
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Really important artists situated their work in the master frame of art, well aware of the importance of the material they are using and conscious of questions about paradigms or paradigm shifts in art. This occurs in a special way in the work of Olafur Eliasson and is placed in full view of the observer by the exhibition at the Kunsthaus Bregenz. Eliasson uses nature(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 2002, Bregenz
January 2002, Bregenz
Title:
Olafur Eliasson : the mediated motion - 31.03 - 13.05.2001
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Really important artists situated their work in the master frame of art, well aware of the importance of the material they are using and conscious of questions about paradigms or paradigm shifts in art. This occurs in a special way in the work of Olafur Eliasson and is placed in full view of the observer by the exhibition at the Kunsthaus Bregenz. Eliasson uses nature and the architecture of the building as material : the result is an interplay in flux or a reversal of art and nature. In cooperation with Günter Vogt, landscape architect.
Olafur Eliasson : the mediated motion - 31.03 - 13.05.2001
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Really important artists situated their work in the master frame of art, well aware of the importance of the material they are using and conscious of questions about paradigms or paradigm shifts in art. This occurs in a special way in the work of Olafur Eliasson and is placed in full view of the observer by the exhibition at the Kunsthaus Bregenz. Eliasson uses nature and the architecture of the building as material : the result is an interplay in flux or a reversal of art and nature. In cooperation with Günter Vogt, landscape architect.
Form:
books
books
Publication:
January 2002, Bregenz
January 2002, Bregenz
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Documenta 11 short guide
Documenta 11 short guide
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The short guide introduces, in alphabetical order, all participating artists and their projects. Short essays explain their individual working methods, historical conditions, and approaches to selected works. The publication also includes a list of works as well as information about the documenta film program, artists’ radio projects and Documenta_11 artists’ books. Full(...)
$39.95
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Summary:
The short guide introduces, in alphabetical order, all participating artists and their projects. Short essays explain their individual working methods, historical conditions, and approaches to selected works. The publication also includes a list of works as well as information about the documenta film program, artists’ radio projects and Documenta_11 artists’ books. Full(...)
Title:
Documenta 11 short guide
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The short guide introduces, in alphabetical order, all participating artists and their projects. Short essays explain their individual working methods, historical conditions, and approaches to selected works. The publication also includes a list of works as well as information about the documenta film program, artists’ radio projects and Documenta_11 artists’ books. Full catalogue also available.
Documenta 11 short guide
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$39.95
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Summary:
The short guide introduces, in alphabetical order, all participating artists and their projects. Short essays explain their individual working methods, historical conditions, and approaches to selected works. The publication also includes a list of works as well as information about the documenta film program, artists’ radio projects and Documenta_11 artists’ books. Full catalogue also available.
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books
books
Publication:
January 1900, Ostfildern
January 1900, Ostfildern
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$80.00
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Suzaan Boettger presents a comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers, and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of the(...)
$80.00
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Suzaan Boettger presents a comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers, and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of the(...)
Title:
Earthworks : art and landscape of the sixties
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Suzaan Boettger presents a comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers, and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of the late 1960s social and political tumult.
Earthworks : art and landscape of the sixties
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Suzaan Boettger presents a comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers, and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of the late 1960s social and political tumult.
Form:
books
books
Publication:
July 2002, Berkeley
July 2002, Berkeley
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$63.95
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Summary:
This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its(...)
$63.95
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Summary:
This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2002, Karlsruhe, Germany / Cambridge, Massachusett
March 2002, Karlsruhe, Germany / Cambridge, Massachusett
Title:
CTRL (space) : rhetorics of surveillance from Bentham to big brother
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This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks at the shifting relationships between design and power, imaging and oppression, from the eighteenth to the twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. The artists whose panoptical preoccupations are featured include, among others, Sophie Calle, Diller + Scofidio, Dan Graham, Pierre Huyghe, Michael Klier, Rem Koolhaas, Bruce Nauman, Yoko Ono, Thomas Ruff, Julia Scher, Andy Warhol, and Peter Weibel. This book, along with the exhibition it accompanies, is the first state-of-the-art survey of panopticism--in digital culture, architecture, television, video, cinema, painting, photography, conceptual art, installation work, robotics, and satellite imaging.
CTRL (space) : rhetorics of surveillance from Bentham to big brother
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$63.95
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Summary:
This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks at the shifting relationships between design and power, imaging and oppression, from the eighteenth to the twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. The artists whose panoptical preoccupations are featured include, among others, Sophie Calle, Diller + Scofidio, Dan Graham, Pierre Huyghe, Michael Klier, Rem Koolhaas, Bruce Nauman, Yoko Ono, Thomas Ruff, Julia Scher, Andy Warhol, and Peter Weibel. This book, along with the exhibition it accompanies, is the first state-of-the-art survey of panopticism--in digital culture, architecture, television, video, cinema, painting, photography, conceptual art, installation work, robotics, and satellite imaging.
Form:
books
books
Publication:
March 2002, Karlsruhe, Germany / Cambridge, Massachusett
March 2002, Karlsruhe, Germany / Cambridge, Massachusett
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$98.50
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The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph(...)
$98.50
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Summary:
The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
June 2003, Bielefeld, Germany
June 2003, Bielefeld, Germany
Title:
Tadashi Kawamata : bridge and archives
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The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph Beuys Archive--hence the Archive in the title. The bridge places the viewer at the center of two poles of art and represents an incongruous addition to the romantic castle ensemble. Demonstrating how the artistic work of Kawamata stands on the threshold between functional everyday object and autonomous work of art, between emergence and transience, between the individual and society, the bridge also reveals points of contact between the art of Beuys and Kawamata's own process-based and socially relevant work. Japanese artist Tadashi Kawamata has collaborated since 1986 with Dutch photographer Leo van der Kleij, who documents the artist's work in photographs.
Tadashi Kawamata : bridge and archives
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Summary:
The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph Beuys Archive--hence the Archive in the title. The bridge places the viewer at the center of two poles of art and represents an incongruous addition to the romantic castle ensemble. Demonstrating how the artistic work of Kawamata stands on the threshold between functional everyday object and autonomous work of art, between emergence and transience, between the individual and society, the bridge also reveals points of contact between the art of Beuys and Kawamata's own process-based and socially relevant work. Japanese artist Tadashi Kawamata has collaborated since 1986 with Dutch photographer Leo van der Kleij, who documents the artist's work in photographs.
Form:
books
books
Publication:
June 2003, Bielefeld, Germany
June 2003, Bielefeld, Germany
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$48.95
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
Publication:
October 2001
October 2001
Title:
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Form:
books
books
Publication:
October 2001
October 2001
Form:
books
books
Price:
$49.50
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Summary:
"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public(...)
$49.50
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"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
November 2001, Cambridge, Mass.
November 2001, Cambridge, Mass.
Title:
One place after another : site-specific art and locational identity
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"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renée Green, Suzanne Lacy, Iñigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
One place after another : site-specific art and locational identity
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$49.50
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Summary:
"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renée Green, Suzanne Lacy, Iñigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Form:
books
books
Publication:
November 2001, Cambridge, Mass.
November 2001, Cambridge, Mass.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$90.00
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Rachel Whiteread (b. 1963) creates spare, poetic sculptures that challenge perceptions of the commonplace. Working from everyday domestic items, she casts - in rubber, concrete, plaster, and polyester resin - the negative spaces inside closets and underneath beds, sinks, bathtubs, and chairs. Now, in what may be her most personal project to date, the Turner Prize-winning(...)
$90.00
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Summary:
Rachel Whiteread (b. 1963) creates spare, poetic sculptures that challenge perceptions of the commonplace. Working from everyday domestic items, she casts - in rubber, concrete, plaster, and polyester resin - the negative spaces inside closets and underneath beds, sinks, bathtubs, and chairs. Now, in what may be her most personal project to date, the Turner Prize-winning(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2001, New York
October 2001, New York
Title:
Rachel Whiteread : transient spaces
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$90.00
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Summary:
Rachel Whiteread (b. 1963) creates spare, poetic sculptures that challenge perceptions of the commonplace. Working from everyday domestic items, she casts - in rubber, concrete, plaster, and polyester resin - the negative spaces inside closets and underneath beds, sinks, bathtubs, and chairs. Now, in what may be her most personal project to date, the Turner Prize-winning artist has been commissioned by Deutsche Guggenheim Berlin to make two large-scale casts from distinct spaces in a London building that she recently purchased to become her home and studio. Although the building has a history as both a synagogue and a factory, it is a product of austere postwar architecture, lacking many of the traditional embellishments associated with such structures. This fully illustrated volume documents Whiteread's process as she creates casts from this religious-cum-industrial-cum-personal space, which blurs boundaries between the spiritual and secular, as well as the public and private.
Rachel Whiteread : transient spaces
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$90.00
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Summary:
Rachel Whiteread (b. 1963) creates spare, poetic sculptures that challenge perceptions of the commonplace. Working from everyday domestic items, she casts - in rubber, concrete, plaster, and polyester resin - the negative spaces inside closets and underneath beds, sinks, bathtubs, and chairs. Now, in what may be her most personal project to date, the Turner Prize-winning artist has been commissioned by Deutsche Guggenheim Berlin to make two large-scale casts from distinct spaces in a London building that she recently purchased to become her home and studio. Although the building has a history as both a synagogue and a factory, it is a product of austere postwar architecture, lacking many of the traditional embellishments associated with such structures. This fully illustrated volume documents Whiteread's process as she creates casts from this religious-cum-industrial-cum-personal space, which blurs boundaries between the spiritual and secular, as well as the public and private.
Form:
books
books
Publication:
October 2001, New York
October 2001, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
