Hanna Höch: life portrait
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German photomonteur Hannah Höch (1889–1978) is best known for her association with the Berlin Dadaists. But her life and artistic career far outlasted Dada, spanning two world wars and most of the 20th century. And at the age of 83, Höch began to look back.The result was Höch’s last-and largest, at nearly 4 x 5 feet--photo-collage, “Life Portrait,” created between 1972(...)
Hanna Höch: life portrait
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German photomonteur Hannah Höch (1889–1978) is best known for her association with the Berlin Dadaists. But her life and artistic career far outlasted Dada, spanning two world wars and most of the 20th century. And at the age of 83, Höch began to look back.The result was Höch’s last-and largest, at nearly 4 x 5 feet--photo-collage, “Life Portrait,” created between 1972 and 1973. Though she did not originally set out to make an autobiographical work, the collage functions as a kind of self-portrait for the artist, looking back on her life and work while also ironically and poetically commenting on key political, social and artistic events from the previous 50 years. ''Hannah Höch: Life Portrait'' divides the monumental composition into 38 individual sections, as Höch imagined it, and offers explanatory texts and relevant quotations to complement each section.
Contemporary Art Monographs
Constant: New Babylon
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An open city without borders that is capable of flowing out in all directions to allow its residents to move freely and flexibly: this fascinating utopian conception of architectural and lifeworld growth formed the starting point for Constant’s Situationist project New Babylon. Between 1956 and 1974, the Dutch painter and cofounder of the avant-garde movements Cobra and(...)
Constant: New Babylon
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An open city without borders that is capable of flowing out in all directions to allow its residents to move freely and flexibly: this fascinating utopian conception of architectural and lifeworld growth formed the starting point for Constant’s Situationist project New Babylon. Between 1956 and 1974, the Dutch painter and cofounder of the avant-garde movements Cobra and the Situationist International worked on numerous models, paintings, drawings and collages for the purpose of depicting his vision of the nomadic city of the future. This catalogue focuses not only on New Babylon’s architectural aspects but embraces them as an artist’s synthesis of the arts. Besides the models, drawings and collages, attention is also given to the designs in order to trace Constant’s artistic process. This not only provides extensive insight into utopian urban planning, but to a greater degree into a mode of thought and imagination. The book includes an interview with Rem Koolhaas on Constant’s pioneering project.
Contemporary Art Monographs
Sophie Calle: true stories
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First published in French in 1994, quickly acclaimed as a photobook classic and since republished and enhanced, 'True Stories' returns for the fifth time, gathering a series of short autobiographical texts and photos by acclaimed French artist Sophie Calle, this time with four new tales. The tales - never longer than a page - are by turns lighthearted, humorous, serious,(...)
Sophie Calle: true stories
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First published in French in 1994, quickly acclaimed as a photobook classic and since republished and enhanced, 'True Stories' returns for the fifth time, gathering a series of short autobiographical texts and photos by acclaimed French artist Sophie Calle, this time with four new tales. The tales - never longer than a page - are by turns lighthearted, humorous, serious, dramatic or cruel. Each is accompanied by an image; each offers a fragment of life.
Contemporary Art Monographs
Clare Rojas: plain black
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This volume--the first on the artist in many years--surveys the recent abstractions of the much-admired San Francisco painter Clare Rojas (born 1976). Known for her association with a generation of artists that became internationally prominent through the exhibition ''Beautiful Losers'', Rojas in her earlier paintings drew from various Russian and Eastern European(...)
Clare Rojas: plain black
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This volume--the first on the artist in many years--surveys the recent abstractions of the much-admired San Francisco painter Clare Rojas (born 1976). Known for her association with a generation of artists that became internationally prominent through the exhibition ''Beautiful Losers'', Rojas in her earlier paintings drew from various Russian and Eastern European folkloric subjects. While the figures have been removed from this more recent body of work, it is not hard to see their enduring impact on Rojas’ art: with their lively angularity and bold chromaticism, these paintings are equally evocative of folk art and the formalist reductions of key modernist abstract artists such as Alexander Calder, Matisse, Malevich or Ellsworth Kelly. Accompanying these works is an essay by the curator and Deputy Director of the Jewish Museum, Jens Hoffmann, and a poem by David Whyte.
Contemporary Art Monographs
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This volume is a reprint of the magnificent and rare artist’s book by the Swiss duo Peter Fischli (born 1952) and David Weiss (1946–2012). Bursting with luscious color and consisting of multiple superimposed images, these photographs navigate the fine line between beauty and kitsch. For this series, made between 1997 and 1998, the artists spent countless hours documenting(...)
Peter Fischli and David Weiss: flowers and mushrooms
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This volume is a reprint of the magnificent and rare artist’s book by the Swiss duo Peter Fischli (born 1952) and David Weiss (1946–2012). Bursting with luscious color and consisting of multiple superimposed images, these photographs navigate the fine line between beauty and kitsch. For this series, made between 1997 and 1998, the artists spent countless hours documenting gardens and mushroom patches, thoughtfully crafting intoxicating compositions which took on an element of chance when layered in photographic double exposures. The result is a hallucinogenic portrait of berries, grasses, flowers, weeds and mushrooms in vivid, saturated color, dissolving in and out of focus, beautifully printed on folded, unbound sheets.
Contemporary Art Monographs
Siri Aurdal
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Norwegian artist Siri Aurdal (born 1937) achieved prominence in her home country during the 1960s and ’70s with works that encouraged public participation. An interest in mathematics moved Aurdal to devise modular forms that could be reconceived for a range of sites, not only in the galleries and museums where they were initially exhibited. These works included(...)
Siri Aurdal
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Norwegian artist Siri Aurdal (born 1937) achieved prominence in her home country during the 1960s and ’70s with works that encouraged public participation. An interest in mathematics moved Aurdal to devise modular forms that could be reconceived for a range of sites, not only in the galleries and museums where they were initially exhibited. These works included installations made of common materials like Plexiglas or large-scale sinusoidal sculptures made of industrial tubes. The reproductions in this artist’s book include installation views, slides, drawings, collages, portraits and ephemera from the 1960s to 2016, highlighting many pieces that have never been exhibited or are no longer in existence. Aurdal collaborated with Norwegian artist Eline Mugaas on an exhibition at Kunstnernes Hus, and Mugaas extended their collaboration into book form, assembling this catalogue-cum-artist’s book. It gives a kaleidoscopic representation of Aurdal’s past ventures, her archive and her current studio work, lyrically arranged by Mugaas.
Contemporary Art Monographs
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Published on the occasion of Marcel Dzama’s (born 1974) collaborative ballet with choreographer Justin Peck and musician Bryce Dessner at the New York City Ballet, ''The Book of Ballet'' documents the genesis of all aspects of the project. It begins with “The Most Incredible Thing,” the Hans Christian Andersen story on which the ballet is based, and presents Dzama’s(...)
Contemporary Art Monographs
August 2016
Marcel Dzama: the book of ballet
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Published on the occasion of Marcel Dzama’s (born 1974) collaborative ballet with choreographer Justin Peck and musician Bryce Dessner at the New York City Ballet, ''The Book of Ballet'' documents the genesis of all aspects of the project. It begins with “The Most Incredible Thing,” the Hans Christian Andersen story on which the ballet is based, and presents Dzama’s costume designs. The images not only show final design decisions, but also chart the changes in costumes as the project unfolded, and the ways in which Dzama’s conception of the characters in the ballet evolved. The book closes with a conversation between Dzama and Peck in which choreographer and artist discuss their collaborative process, and the important role of renowned composer Dessner in bringing the project to life. Also included is a poster made specifically for this book by the artist.
Contemporary Art Monographs
Jean Tinguely: retrospective
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Associated with the Nouveaux Réalistes and Zero, Swiss painter and sculptor Jean Tinguely (1925–91) is best known for his whirring, jangling meta-mechanic sculptures, which take up Dada’s mantle in their use of discarded materials and their wit, humor and irony. But this perception of Tinguely as merely a playful kinetic sculptor neglects the more topical, critical,(...)
Jean Tinguely: retrospective
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Associated with the Nouveaux Réalistes and Zero, Swiss painter and sculptor Jean Tinguely (1925–91) is best known for his whirring, jangling meta-mechanic sculptures, which take up Dada’s mantle in their use of discarded materials and their wit, humor and irony. But this perception of Tinguely as merely a playful kinetic sculptor neglects the more topical, critical, theoretical and interdisciplinary aspects of Tinguely’s work. An extensive monograph on this chronically underpublished artist, Jean Tinguely: Retrospective is the first publication to explore the artist’s work from this perspective.
Contemporary Art Monographs
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In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips. With the exception of only one other painting, this marked the artist’s first use of color and a turning point in his career. This(...)
Gerhard Richter: color charts
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In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips. With the exception of only one other painting, this marked the artist’s first use of color and a turning point in his career. This comprehensive catalogue is the first publication dedicated to the original Colour Charts, both those created in 1966 and those made in the ‘70s after a five-year hiatus. Featuring new essays by Dietmar Elger, head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, professor at the University of British Columbia.
Contemporary Art Monographs
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In the intricate wire sculptures of the German-born Venezuelan artist Gego (1912–94), lines are given new dimension, describing architectural space and engaging with the human body. Here are gathered key works from the artist’s oeuvre, from her famed entropic sculpture of the ‘70s to the works on paper created at the end of her long career. This fully illustrated(...)
Gego: autobiography of a line
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In the intricate wire sculptures of the German-born Venezuelan artist Gego (1912–94), lines are given new dimension, describing architectural space and engaging with the human body. Here are gathered key works from the artist’s oeuvre, from her famed entropic sculpture of the ‘70s to the works on paper created at the end of her long career. This fully illustrated publication is among the first to position Gego’s work in a global context, and features texts by curator Chus Martínez, head of the Institute of Art of the FHNW Academy of Arts and Design in Basel, Switzerland; art historian Kaira Cabañas; and Gego’s grandson, Daniel Crespin; as well as previously unpublished archival material. The book also includes "GEGO," a new poem by poet, artist and composer Anne Tardos, performing a linguistic intervention in Gego’s work.
Contemporary Art Monographs