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The art in the Detroit People Mover stations is a world-class collection with a uniquely Detroit sensibility. When the People Mover, Detroit's elevated transit system, was being planned, the stations were designed simply to serve as basic points of entry and departure, but in 1984 Irene Walt and the Downtown Detroit People Mover Art Commission, a volunteer committee also(...)
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The art in the Detroit People Mover stations is a world-class collection with a uniquely Detroit sensibility. When the People Mover, Detroit's elevated transit system, was being planned, the stations were designed simply to serve as basic points of entry and departure, but in 1984 Irene Walt and the Downtown Detroit People Mover Art Commission, a volunteer committee also(...)
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Art in the stations : the Detroit People Mover
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The art in the Detroit People Mover stations is a world-class collection with a uniquely Detroit sensibility. When the People Mover, Detroit's elevated transit system, was being planned, the stations were designed simply to serve as basic points of entry and departure, but in 1984 Irene Walt and the Downtown Detroit People Mover Art Commission, a volunteer committee also known as Art in the Stations, undertook the task of incorporating major works by contemporary American artists into the thirteen People Mover stations. As a result Detroit now has one of the most impressive collections of public art in the country. With lush photographs by Balthazar Korab and accompanying narrative, Art in the Stations examines each of the gorgeous works that grace the People Mover stations. A stunning guide through the city's People Mover art installations, Art in the Stations documents Detroit's rich culture and testifies to the perseverance and hard work that made the display of this art possible.
Art in the stations : the Detroit People Mover
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The art in the Detroit People Mover stations is a world-class collection with a uniquely Detroit sensibility. When the People Mover, Detroit's elevated transit system, was being planned, the stations were designed simply to serve as basic points of entry and departure, but in 1984 Irene Walt and the Downtown Detroit People Mover Art Commission, a volunteer committee also known as Art in the Stations, undertook the task of incorporating major works by contemporary American artists into the thirteen People Mover stations. As a result Detroit now has one of the most impressive collections of public art in the country. With lush photographs by Balthazar Korab and accompanying narrative, Art in the Stations examines each of the gorgeous works that grace the People Mover stations. A stunning guide through the city's People Mover art installations, Art in the Stations documents Detroit's rich culture and testifies to the perseverance and hard work that made the display of this art possible.
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books
books
Publication:
August 2004, Detroit
August 2004, Detroit
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
The art of Rachel Whiteread
The art of Rachel Whiteread
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once(...)
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once(...)
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The art of Rachel Whiteread
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once immensely reflective, both in its reference to history and to social or political situations of the present, and aware of its place within art history. In "The Art of Rachel Whiteread" a group of leading critics from museums and universities in Europe and North America examine the full range of Whiteread’s work, from the early domestic pieces of the late 1980s, through to her most recent public art projects such as "Monument" and "Room 101". These essays examine both the art historical legacy of post-minimalism within which Whiteread works and the historical commentaries that her site specific projects engender, and they suggest new critical approaches to what is likely to be one of the most enduring artistic projects of our time.
The art of Rachel Whiteread
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once immensely reflective, both in its reference to history and to social or political situations of the present, and aware of its place within art history. In "The Art of Rachel Whiteread" a group of leading critics from museums and universities in Europe and North America examine the full range of Whiteread’s work, from the early domestic pieces of the late 1980s, through to her most recent public art projects such as "Monument" and "Room 101". These essays examine both the art historical legacy of post-minimalism within which Whiteread works and the historical commentaries that her site specific projects engender, and they suggest new critical approaches to what is likely to be one of the most enduring artistic projects of our time.
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books
books
Publication:
November 2004, London
November 2004, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$67.00
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Over the last 15 years, von Bonin has produced sculpture, photography, textile "paintings," installation, performance, film, video and music--often combined in large installations. This generous survey addresses ideas of play, indoctrination, structure, improvisation, cultural and gender representations, identity and self-reflection--with both absurdity and humor.
$67.00
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Summary:
Over the last 15 years, von Bonin has produced sculpture, photography, textile "paintings," installation, performance, film, video and music--often combined in large installations. This generous survey addresses ideas of play, indoctrination, structure, improvisation, cultural and gender representations, identity and self-reflection--with both absurdity and humor.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
February 2008, Los Angeles, Köln
February 2008, Los Angeles, Köln
Title:
Cosima Von Bonin Roger and out: fat female forty fade
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Over the last 15 years, von Bonin has produced sculpture, photography, textile "paintings," installation, performance, film, video and music--often combined in large installations. This generous survey addresses ideas of play, indoctrination, structure, improvisation, cultural and gender representations, identity and self-reflection--with both absurdity and humor.
Cosima Von Bonin Roger and out: fat female forty fade
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Over the last 15 years, von Bonin has produced sculpture, photography, textile "paintings," installation, performance, film, video and music--often combined in large installations. This generous survey addresses ideas of play, indoctrination, structure, improvisation, cultural and gender representations, identity and self-reflection--with both absurdity and humor.
Form:
books
books
Publication:
February 2008, Los Angeles, Köln
February 2008, Los Angeles, Köln
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$37.00
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Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and(...)
$37.00
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Summary:
Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2008, Texas
March 2008, Texas
Title:
John Chamberlain The Foam Sculpture
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Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and tightened it to create dynamic tensions, which resulted in seductively rounded volumes. These sculptures are essential to Chamberlain's oeuvre, and this is the first publication to address them. Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005-2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85 foam sculptures, constituting an almost complete catalogue of this group, and an update to Chamberlain's catalogue raisonne of 1986. Essays by Klaus Kertess, Iris Winkelmeyer and Marianne Stockebrand treat the sculptures in the larger context of Chamberlain's oeuvre and discuss the issue of conservation.
John Chamberlain The Foam Sculpture
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$37.00
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Summary:
Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and tightened it to create dynamic tensions, which resulted in seductively rounded volumes. These sculptures are essential to Chamberlain's oeuvre, and this is the first publication to address them. Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005-2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85 foam sculptures, constituting an almost complete catalogue of this group, and an update to Chamberlain's catalogue raisonne of 1986. Essays by Klaus Kertess, Iris Winkelmeyer and Marianne Stockebrand treat the sculptures in the larger context of Chamberlain's oeuvre and discuss the issue of conservation.
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books
books
Publication:
March 2008, Texas
March 2008, Texas
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$52.00
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Foreword by Ann Philbin. Edited and with text by Russell Ferguson. The Politics of Rehearsal accompanies the first large-scale American museum exhibit on Francis Alys, one of the most acclaimed artists working today. The centerpiece of the book is Alys' Rehearsal (Ensayo) series, but a number of related earlier works are included. "Ensayo 1, 1999-2000" shows a red(...)
$52.00
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Summary:
Foreword by Ann Philbin. Edited and with text by Russell Ferguson. The Politics of Rehearsal accompanies the first large-scale American museum exhibit on Francis Alys, one of the most acclaimed artists working today. The centerpiece of the book is Alys' Rehearsal (Ensayo) series, but a number of related earlier works are included. "Ensayo 1, 1999-2000" shows a red(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
February 2008, Los Angeles
February 2008, Los Angeles
Title:
Francis Alys. The politics of rehearsal
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Foreword by Ann Philbin. Edited and with text by Russell Ferguson. The Politics of Rehearsal accompanies the first large-scale American museum exhibit on Francis Alys, one of the most acclaimed artists working today. The centerpiece of the book is Alys' Rehearsal (Ensayo) series, but a number of related earlier works are included. "Ensayo 1, 1999-2000" shows a red Volkswagen Beetle attempting to ascend a steep hill in Tijuana: its attempts are synchronized with the sound track of Mexican danzon musicians rehearsing. "Ensayo 2, 2005" follows the rehearsal of a dancer practicing a striptease, and "Ensayo 3" will be produced by Alys specifically for the exhibition. Other works include "When Faith Moves Mountains" and "Song for Lupita," as well as many paintings, photographs and drawings. This significant new publication contains a DVD and an in-depth exploration of Alys's oeuvre by Russell Ferguson, organizer of the exhibition, focusing on the theme of rehearsal, which is so characteristic of Alys' work.
Francis Alys. The politics of rehearsal
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Summary:
Foreword by Ann Philbin. Edited and with text by Russell Ferguson. The Politics of Rehearsal accompanies the first large-scale American museum exhibit on Francis Alys, one of the most acclaimed artists working today. The centerpiece of the book is Alys' Rehearsal (Ensayo) series, but a number of related earlier works are included. "Ensayo 1, 1999-2000" shows a red Volkswagen Beetle attempting to ascend a steep hill in Tijuana: its attempts are synchronized with the sound track of Mexican danzon musicians rehearsing. "Ensayo 2, 2005" follows the rehearsal of a dancer practicing a striptease, and "Ensayo 3" will be produced by Alys specifically for the exhibition. Other works include "When Faith Moves Mountains" and "Song for Lupita," as well as many paintings, photographs and drawings. This significant new publication contains a DVD and an in-depth exploration of Alys's oeuvre by Russell Ferguson, organizer of the exhibition, focusing on the theme of rehearsal, which is so characteristic of Alys' work.
Form:
books
books
Publication:
February 2008, Los Angeles
February 2008, Los Angeles
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$47.00
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Summary:
Monographie / livre d'artiste sous couverture transparente imprimée : reproduction sur papier glacé de 3 séries de printer drawings, réalisés à partir de pages de livres d’art ; texte de Vincent Pécoil. Né en 1972 à Hammond, Indiana, Wade Guyton vit et travaille à New York. Ses œuvres assument la structure et l’apparence de peintures au sens traditionnel du terme, et(...)
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Monographie / livre d'artiste sous couverture transparente imprimée : reproduction sur papier glacé de 3 séries de printer drawings, réalisés à partir de pages de livres d’art ; texte de Vincent Pécoil. Né en 1972 à Hammond, Indiana, Wade Guyton vit et travaille à New York. Ses œuvres assument la structure et l’apparence de peintures au sens traditionnel du terme, et(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2007, Lyon
October 2007, Lyon
Title:
Wade Guyton - La salle de bains
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Monographie / livre d'artiste sous couverture transparente imprimée : reproduction sur papier glacé de 3 séries de printer drawings, réalisés à partir de pages de livres d’art ; texte de Vincent Pécoil. Né en 1972 à Hammond, Indiana, Wade Guyton vit et travaille à New York. Ses œuvres assument la structure et l’apparence de peintures au sens traditionnel du terme, et réalisent pourtant un bouleversement complet des codes du modernisme. Elle sont produites à l’aide de très grandes imprimantes jet d’encre dans lesquelles Guyton fait passer plusieurs fois la toile pour y imprimer des motifs et lettrages dont les erreurs, les coulures et les défauts d’impression font partie du programme général de composition.
Wade Guyton - La salle de bains
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Monographie / livre d'artiste sous couverture transparente imprimée : reproduction sur papier glacé de 3 séries de printer drawings, réalisés à partir de pages de livres d’art ; texte de Vincent Pécoil. Né en 1972 à Hammond, Indiana, Wade Guyton vit et travaille à New York. Ses œuvres assument la structure et l’apparence de peintures au sens traditionnel du terme, et réalisent pourtant un bouleversement complet des codes du modernisme. Elle sont produites à l’aide de très grandes imprimantes jet d’encre dans lesquelles Guyton fait passer plusieurs fois la toile pour y imprimer des motifs et lettrages dont les erreurs, les coulures et les défauts d’impression font partie du programme général de composition.
Form:
books
books
Publication:
October 2007, Lyon
October 2007, Lyon
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$23.00
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Summary:
Published for the exhibition Ensemble, September 7 to December 16, 2007, at the Institute of Contemporary Art of the University of Pennsylvania.
$23.00
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Summary:
Published for the exhibition Ensemble, September 7 to December 16, 2007, at the Institute of Contemporary Art of the University of Pennsylvania.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
April 2008, Philadelphia
April 2008, Philadelphia
Form:
books
books
Title:
Daniel Buren
Daniel Buren
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$36.00
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This volume collects recent works by the French conceptualist known for his site specific installations involving stripes--on land, air and sea. From New York's Guggenheim Museum to Beijing's Temple of Heaven, the Venice Architecture Biennale and the gardens of Versaille, Buren's interventions create amazing complex appropriated spatial structures.
$36.00
(available in store)
Summary:
This volume collects recent works by the French conceptualist known for his site specific installations involving stripes--on land, air and sea. From New York's Guggenheim Museum to Beijing's Temple of Heaven, the Venice Architecture Biennale and the gardens of Versaille, Buren's interventions create amazing complex appropriated spatial structures.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2008, London
March 2008, London
Title:
Daniel Buren
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$36.00
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This volume collects recent works by the French conceptualist known for his site specific installations involving stripes--on land, air and sea. From New York's Guggenheim Museum to Beijing's Temple of Heaven, the Venice Architecture Biennale and the gardens of Versaille, Buren's interventions create amazing complex appropriated spatial structures.
Daniel Buren
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$36.00
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Summary:
This volume collects recent works by the French conceptualist known for his site specific installations involving stripes--on land, air and sea. From New York's Guggenheim Museum to Beijing's Temple of Heaven, the Venice Architecture Biennale and the gardens of Versaille, Buren's interventions create amazing complex appropriated spatial structures.
Form:
books
books
Publication:
March 2008, London
March 2008, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$17.00
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The woven/Intersected/Reciewed series, gathering preparatory material, documentation on the works, and essays by critics or the artists themselves, these volumes contribute a discussion around commissioning, the notions of public vs. private collection, and the relationship between artists and patrons. Liam Gillick’s book shows the realization of his designs in(...)
$17.00
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Summary:
The woven/Intersected/Reciewed series, gathering preparatory material, documentation on the works, and essays by critics or the artists themselves, these volumes contribute a discussion around commissioning, the notions of public vs. private collection, and the relationship between artists and patrons. Liam Gillick’s book shows the realization of his designs in(...)
Title:
Liam Gillick. Woven/Intersected/Revised
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The woven/Intersected/Reciewed series, gathering preparatory material, documentation on the works, and essays by critics or the artists themselves, these volumes contribute a discussion around commissioning, the notions of public vs. private collection, and the relationship between artists and patrons. Liam Gillick’s book shows the realization of his designs in conference rooms, corridors, and offices, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist’s essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.
Liam Gillick. Woven/Intersected/Revised
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The woven/Intersected/Reciewed series, gathering preparatory material, documentation on the works, and essays by critics or the artists themselves, these volumes contribute a discussion around commissioning, the notions of public vs. private collection, and the relationship between artists and patrons. Liam Gillick’s book shows the realization of his designs in conference rooms, corridors, and offices, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist’s essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.
Form:
books
books
Publication:
March 2008, Lugano
March 2008, Lugano
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$36.00
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Summary:
This volume documents the New York-based, Swiss conceptual artist’s recent intervention - a planted basin, which he placed inside the reservoir of Vienna’s famous Melk seminary. The selection of plants calls up the notion of hortus conclusus or "small paradise garden". This volume includes research materials, sketches, models, installation photographs, an index of the(...)
$36.00
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Summary:
This volume documents the New York-based, Swiss conceptual artist’s recent intervention - a planted basin, which he placed inside the reservoir of Vienna’s famous Melk seminary. The selection of plants calls up the notion of hortus conclusus or "small paradise garden". This volume includes research materials, sketches, models, installation photographs, an index of the(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2008, Köln
March 2008, Köln
Title:
Christian Philipp Müller : the New World, a sort of locus amoenus / Melk
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This volume documents the New York-based, Swiss conceptual artist’s recent intervention - a planted basin, which he placed inside the reservoir of Vienna’s famous Melk seminary. The selection of plants calls up the notion of hortus conclusus or "small paradise garden". This volume includes research materials, sketches, models, installation photographs, an index of the plant varieties of 'The new woeld', recipes, biography, and an index auf the authors, which are Burkhard Hofer, Katharina Blass-Pratscher, Brigitte Huck, Thomas Trummer, Heike Maier-Rieper, Sonja Wunderer and Bernd Kajtna.
Christian Philipp Müller : the New World, a sort of locus amoenus / Melk
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This volume documents the New York-based, Swiss conceptual artist’s recent intervention - a planted basin, which he placed inside the reservoir of Vienna’s famous Melk seminary. The selection of plants calls up the notion of hortus conclusus or "small paradise garden". This volume includes research materials, sketches, models, installation photographs, an index of the plant varieties of 'The new woeld', recipes, biography, and an index auf the authors, which are Burkhard Hofer, Katharina Blass-Pratscher, Brigitte Huck, Thomas Trummer, Heike Maier-Rieper, Sonja Wunderer and Bernd Kajtna.
Form:
books
books
Publication:
March 2008, Köln
March 2008, Köln
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
