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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and(...)
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and(...)
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Betty Woodman: theatre of the domestic
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and Egyptian art, Greek and Etruscan sculpture, Tang Dynasty works, majolica and Sèvres porcelain, Italian Baroque architecture and the paintings of Bonnard, Picasso and Matisse, while also introducing innovations in both style and technique. This publication focuses on work made over the past ten years, while taking stock of Woodman's continued relevance to contemporary art and her importance among postwar artists.
Betty Woodman: theatre of the domestic
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and Egyptian art, Greek and Etruscan sculpture, Tang Dynasty works, majolica and Sèvres porcelain, Italian Baroque architecture and the paintings of Bonnard, Picasso and Matisse, while also introducing innovations in both style and technique. This publication focuses on work made over the past ten years, while taking stock of Woodman's continued relevance to contemporary art and her importance among postwar artists.
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books
books
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January 2017
January 2017
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Contemporary Art Monographs
Contemporary Art Monographs
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books
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This publication invites the reader to learn about and from Maternal Fantasies ´ feminist research and collective artistic practice on motherhood(s), care work and representation in the arts. Composed of seven interdisciplinary artists / mothers and ten children, Maternal Fantasies takes the social invisibility of the maternal experience as a point of departure to produce(...)
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This publication invites the reader to learn about and from Maternal Fantasies ´ feminist research and collective artistic practice on motherhood(s), care work and representation in the arts. Composed of seven interdisciplinary artists / mothers and ten children, Maternal Fantasies takes the social invisibility of the maternal experience as a point of departure to produce(...)
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Contemporary Art Monographs
Contemporary Art Monographs
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November 2021
November 2021
Title:
Re-assembling motherhood(s): On radical care and collective art as feminist practices
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This publication invites the reader to learn about and from Maternal Fantasies ´ feminist research and collective artistic practice on motherhood(s), care work and representation in the arts. Composed of seven interdisciplinary artists / mothers and ten children, Maternal Fantasies takes the social invisibility of the maternal experience as a point of departure to produce films, images, and performances of fantastical visibility. Through personal writing exercises and collective performance scores, they align themselves with ancestral figures of feminist discourses and artmaking, in order to establish new vocabularies and narratives around the maternal for future generations. As both a handbook and an archive of feminist artmaking, this publication (re-)assembles maternal experiences, reflective essays, autobiographical writing, instructional scores, selected artworks, and a manifesto for a caring economy.
Re-assembling motherhood(s): On radical care and collective art as feminist practices
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This publication invites the reader to learn about and from Maternal Fantasies ´ feminist research and collective artistic practice on motherhood(s), care work and representation in the arts. Composed of seven interdisciplinary artists / mothers and ten children, Maternal Fantasies takes the social invisibility of the maternal experience as a point of departure to produce films, images, and performances of fantastical visibility. Through personal writing exercises and collective performance scores, they align themselves with ancestral figures of feminist discourses and artmaking, in order to establish new vocabularies and narratives around the maternal for future generations. As both a handbook and an archive of feminist artmaking, this publication (re-)assembles maternal experiences, reflective essays, autobiographical writing, instructional scores, selected artworks, and a manifesto for a caring economy.
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books
books
Publication:
November 2021
November 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$39.95
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Toute rencontre suppose un lieu. Lorsqu'un artiste et un philosophe se rencontrent, le lieu est en règle générale le champ de l'art ou celui de la philosophie. C'est-à-dire qu'elle est toujours le fruit de l'invitation de l'un par l'autre sur un terrain étranger. Il en résulte des échanges asymétriques où la philosophie est convoquée par l'artiste pour servir de support(...)
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Toute rencontre suppose un lieu. Lorsqu'un artiste et un philosophe se rencontrent, le lieu est en règle générale le champ de l'art ou celui de la philosophie. C'est-à-dire qu'elle est toujours le fruit de l'invitation de l'un par l'autre sur un terrain étranger. Il en résulte des échanges asymétriques où la philosophie est convoquée par l'artiste pour servir de support(...)
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Topographie discrète : Scénario pour un texte sans dimensions
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Toute rencontre suppose un lieu. Lorsqu'un artiste et un philosophe se rencontrent, le lieu est en règle générale le champ de l'art ou celui de la philosophie. C'est-à-dire qu'elle est toujours le fruit de l'invitation de l'un par l'autre sur un terrain étranger. Il en résulte des échanges asymétriques où la philosophie est convoquée par l'artiste pour servir de support ou de cadre à son discours dans un cas, et où l'art est convoqué par le philosophe pour l'offrir à l'esthétique. La philosophe Anne-Françoise Schmid et l'artiste Ivan Liovik Ebel ont décidé de travailler ensemble à la création d'un nouveau lieu qui ne soit pas exactement celui de la rencontre asymétrique habituelle. Soit un commun = X. De ce lieu, des matérialités originales pourront émerger qui ne cherchent pas absolument leurs points d'ancrage dans telle ou telle discipline. Leur projet consiste donc à « théoriser » une topographie de l'autre « espace » où se rejoindront les différentes matérialités. Ce lieu particulier et délicat, incertain dans ses contours, en équilibre toujours précaire, produira les conditions d'une rencontre qui ne prenne pas place sur le terrain connu du dialogue courtois, mais sous une forme originale, sans tradition : une série de textes courts présentés sur deux colonnes et qui, sans s'interpeller ni se répondre tout à fait explicitement, communiquent de manière sensible. Livre délibérement expérimental, il forge le scénario d'un texte aux lieux flottants, au-delà et en deçà de ses dimensions virtuelles. Il effleure à peine et très discrètement les œuvres, théorèmes de l'âme de l'artiste et de la philosophe.
Topographie discrète : Scénario pour un texte sans dimensions
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Toute rencontre suppose un lieu. Lorsqu'un artiste et un philosophe se rencontrent, le lieu est en règle générale le champ de l'art ou celui de la philosophie. C'est-à-dire qu'elle est toujours le fruit de l'invitation de l'un par l'autre sur un terrain étranger. Il en résulte des échanges asymétriques où la philosophie est convoquée par l'artiste pour servir de support ou de cadre à son discours dans un cas, et où l'art est convoqué par le philosophe pour l'offrir à l'esthétique. La philosophe Anne-Françoise Schmid et l'artiste Ivan Liovik Ebel ont décidé de travailler ensemble à la création d'un nouveau lieu qui ne soit pas exactement celui de la rencontre asymétrique habituelle. Soit un commun = X. De ce lieu, des matérialités originales pourront émerger qui ne cherchent pas absolument leurs points d'ancrage dans telle ou telle discipline. Leur projet consiste donc à « théoriser » une topographie de l'autre « espace » où se rejoindront les différentes matérialités. Ce lieu particulier et délicat, incertain dans ses contours, en équilibre toujours précaire, produira les conditions d'une rencontre qui ne prenne pas place sur le terrain connu du dialogue courtois, mais sous une forme originale, sans tradition : une série de textes courts présentés sur deux colonnes et qui, sans s'interpeller ni se répondre tout à fait explicitement, communiquent de manière sensible. Livre délibérement expérimental, il forge le scénario d'un texte aux lieux flottants, au-delà et en deçà de ses dimensions virtuelles. Il effleure à peine et très discrètement les œuvres, théorèmes de l'âme de l'artiste et de la philosophe.
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books
books
Publication:
December 2021
December 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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Title:
Doug Aitken: New Era
Doug Aitken: New Era
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This new monograph on artist Doug Aitken presents a survey of his latest works as well as highlights from his decades-long career. American artist Doug Aitken is internationally recognized for his ambitious practice that incorporates objects, installations, photographs, and vast, multi-screen environments that envelop viewers within a kaleidoscope of moving imagery(...)
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This new monograph on artist Doug Aitken presents a survey of his latest works as well as highlights from his decades-long career. American artist Doug Aitken is internationally recognized for his ambitious practice that incorporates objects, installations, photographs, and vast, multi-screen environments that envelop viewers within a kaleidoscope of moving imagery(...)
Title:
Doug Aitken: New Era
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This new monograph on artist Doug Aitken presents a survey of his latest works as well as highlights from his decades-long career. American artist Doug Aitken is internationally recognized for his ambitious practice that incorporates objects, installations, photographs, and vast, multi-screen environments that envelop viewers within a kaleidoscope of moving imagery and sound. Based in Los Angeles, Aitken has realized museum projects around the world, as well as monumental interventions within the natural landscape and below the ocean’s surface.
Doug Aitken: New Era
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This new monograph on artist Doug Aitken presents a survey of his latest works as well as highlights from his decades-long career. American artist Doug Aitken is internationally recognized for his ambitious practice that incorporates objects, installations, photographs, and vast, multi-screen environments that envelop viewers within a kaleidoscope of moving imagery and sound. Based in Los Angeles, Aitken has realized museum projects around the world, as well as monumental interventions within the natural landscape and below the ocean’s surface.
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books
books
Publication:
January 2022
January 2022
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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Présentation du parcours de l'artiste suisse, dont l'unique oeuvre a consisté en l'aménagement de sa propriété d'Auressio en jardin cosmogonique. De ses 50 ans jusqu'à sa mort, il s'attelle à disposer des centaines de plaques de métal aux branches de ses arbres, consignant sur chacune des bribes de savoirs pluridisciplinaires en cinq langues.
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Présentation du parcours de l'artiste suisse, dont l'unique oeuvre a consisté en l'aménagement de sa propriété d'Auressio en jardin cosmogonique. De ses 50 ans jusqu'à sa mort, il s'attelle à disposer des centaines de plaques de métal aux branches de ses arbres, consignant sur chacune des bribes de savoirs pluridisciplinaires en cinq langues.
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Le jardin de la mémoire : Armand Schulthess
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Présentation du parcours de l'artiste suisse, dont l'unique oeuvre a consisté en l'aménagement de sa propriété d'Auressio en jardin cosmogonique. De ses 50 ans jusqu'à sa mort, il s'attelle à disposer des centaines de plaques de métal aux branches de ses arbres, consignant sur chacune des bribes de savoirs pluridisciplinaires en cinq langues.
Le jardin de la mémoire : Armand Schulthess
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Présentation du parcours de l'artiste suisse, dont l'unique oeuvre a consisté en l'aménagement de sa propriété d'Auressio en jardin cosmogonique. De ses 50 ans jusqu'à sa mort, il s'attelle à disposer des centaines de plaques de métal aux branches de ses arbres, consignant sur chacune des bribes de savoirs pluridisciplinaires en cinq langues.
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books
books
Publication:
November 2021
November 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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$64.95
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This volume is a focused look at two bodies of work, the Tirs (“shooting paintings”) and Nanas (“dames”), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle. Alongside a poetic response to the work, four essays treat Saint Phalle’s oeuvre as works of radical performance and feminist art, as well as highlighting her transatlantic projects(...)
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This volume is a focused look at two bodies of work, the Tirs (“shooting paintings”) and Nanas (“dames”), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle. Alongside a poetic response to the work, four essays treat Saint Phalle’s oeuvre as works of radical performance and feminist art, as well as highlighting her transatlantic projects(...)
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Nikki de Saint Phalle in the 60s
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This volume is a focused look at two bodies of work, the Tirs (“shooting paintings”) and Nanas (“dames”), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle. Alongside a poetic response to the work, four essays treat Saint Phalle’s oeuvre as works of radical performance and feminist art, as well as highlighting her transatlantic projects and collaborations. A chronology with photo-documentation and known participants details for the first time all Tirs shooting events in Europe and the United States, and another timeline recaps Saint Phalle’s life in the 1960s.
Nikki de Saint Phalle in the 60s
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This volume is a focused look at two bodies of work, the Tirs (“shooting paintings”) and Nanas (“dames”), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle. Alongside a poetic response to the work, four essays treat Saint Phalle’s oeuvre as works of radical performance and feminist art, as well as highlighting her transatlantic projects and collaborations. A chronology with photo-documentation and known participants details for the first time all Tirs shooting events in Europe and the United States, and another timeline recaps Saint Phalle’s life in the 1960s.
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books
books
Publication:
November 2021
November 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$80.00
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Sibylle Eimermacher is a German-born artist who has lived in the Netherlands for more than two decades. A few years ago, the reds, browns, and purples of granite and porphyry found on sandy Dutch terrains caught her eye. Research into these glacial erratics pointed her to two regions, the Dalarna province in Sweden and the Åland archipelago in Finland, reawakening her(...)
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Sibylle Eimermacher is a German-born artist who has lived in the Netherlands for more than two decades. A few years ago, the reds, browns, and purples of granite and porphyry found on sandy Dutch terrains caught her eye. Research into these glacial erratics pointed her to two regions, the Dalarna province in Sweden and the Åland archipelago in Finland, reawakening her(...)
Title:
Sibylle Eimermacher: A guide through hue
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Sibylle Eimermacher is a German-born artist who has lived in the Netherlands for more than two decades. A few years ago, the reds, browns, and purples of granite and porphyry found on sandy Dutch terrains caught her eye. Research into these glacial erratics pointed her to two regions, the Dalarna province in Sweden and the Åland archipelago in Finland, reawakening her urge to travel north. This book is the outcome of her quest, leading to where the rocks lay bare, to the open veins that pigment the landscape as they leave behind their native Scandinavian bedrock to eventually fade into the Dutch flatlands – a surrender to the universal condition of constant change.
Sibylle Eimermacher: A guide through hue
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Sibylle Eimermacher is a German-born artist who has lived in the Netherlands for more than two decades. A few years ago, the reds, browns, and purples of granite and porphyry found on sandy Dutch terrains caught her eye. Research into these glacial erratics pointed her to two regions, the Dalarna province in Sweden and the Åland archipelago in Finland, reawakening her urge to travel north. This book is the outcome of her quest, leading to where the rocks lay bare, to the open veins that pigment the landscape as they leave behind their native Scandinavian bedrock to eventually fade into the Dutch flatlands – a surrender to the universal condition of constant change.
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books
books
Publication:
December 2021
December 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Luzia Simons: traces
Luzia Simons: traces
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This publication presents a comprehensive survey of the artist’s oeuvre and an overview of her exhibitions of the past three decades. The luxuriant equatorial forests and voluptuous vegetation of Brazil and the cultural implications of plant genera and flowers are integral to the imagery of Luzia Simons’s art. In watercolors, paintings, photographs, and tapestries, the(...)
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This publication presents a comprehensive survey of the artist’s oeuvre and an overview of her exhibitions of the past three decades. The luxuriant equatorial forests and voluptuous vegetation of Brazil and the cultural implications of plant genera and flowers are integral to the imagery of Luzia Simons’s art. In watercolors, paintings, photographs, and tapestries, the(...)
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Luzia Simons: traces
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This publication presents a comprehensive survey of the artist’s oeuvre and an overview of her exhibitions of the past three decades. The luxuriant equatorial forests and voluptuous vegetation of Brazil and the cultural implications of plant genera and flowers are integral to the imagery of Luzia Simons’s art. In watercolors, paintings, photographs, and tapestries, the artist probes the impenetrable role that nature plays, employing pictorial techniques of her own devising to create poetic studies of forms and colors. Simons is a pioneer in the development of the scanogram—a media technique that combines elements of painting and photography. Arranging blossoms and leaves of a wide range of tulip cultivars on a high-resolution scanner, she produces imposing works that boast intense and brilliant colors and stupendous definition. Just as nature and culture are in constant transformation, identities never remain fixed: that is what Simons’s work illustrates to stunning effect.
Luzia Simons: traces
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This publication presents a comprehensive survey of the artist’s oeuvre and an overview of her exhibitions of the past three decades. The luxuriant equatorial forests and voluptuous vegetation of Brazil and the cultural implications of plant genera and flowers are integral to the imagery of Luzia Simons’s art. In watercolors, paintings, photographs, and tapestries, the artist probes the impenetrable role that nature plays, employing pictorial techniques of her own devising to create poetic studies of forms and colors. Simons is a pioneer in the development of the scanogram—a media technique that combines elements of painting and photography. Arranging blossoms and leaves of a wide range of tulip cultivars on a high-resolution scanner, she produces imposing works that boast intense and brilliant colors and stupendous definition. Just as nature and culture are in constant transformation, identities never remain fixed: that is what Simons’s work illustrates to stunning effect.
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books
books
Publication:
June 2021
June 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
The polar world
The polar world
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This publication combines fantasy and reality: giant squids, hybrids, and humanoid figures dance across Shuvinai Ashoona’s sensual vistas, lending a surreal quality to her work. Springing her imagination but rooted in the landscape of her Kinngait home, ''The polar world'' combines Ashoona’s drawings from her 2017 exhibition with a narrative by Andrew Hunter.
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This publication combines fantasy and reality: giant squids, hybrids, and humanoid figures dance across Shuvinai Ashoona’s sensual vistas, lending a surreal quality to her work. Springing her imagination but rooted in the landscape of her Kinngait home, ''The polar world'' combines Ashoona’s drawings from her 2017 exhibition with a narrative by Andrew Hunter.
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January 2017
January 2017
Title:
The polar world
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This publication combines fantasy and reality: giant squids, hybrids, and humanoid figures dance across Shuvinai Ashoona’s sensual vistas, lending a surreal quality to her work. Springing her imagination but rooted in the landscape of her Kinngait home, ''The polar world'' combines Ashoona’s drawings from her 2017 exhibition with a narrative by Andrew Hunter.
The polar world
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This publication combines fantasy and reality: giant squids, hybrids, and humanoid figures dance across Shuvinai Ashoona’s sensual vistas, lending a surreal quality to her work. Springing her imagination but rooted in the landscape of her Kinngait home, ''The polar world'' combines Ashoona’s drawings from her 2017 exhibition with a narrative by Andrew Hunter.
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books
books
Publication:
January 2017
January 2017
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$50.00
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Figure majeure de l'art américain des années 1970, Gordon Matta-Clark a produit un corpus d'œuvres d'une grande diversité. Expérimentations sur la matière, installations, performances, découpes architecturales, dessins, films, photographies, ou photomontages témoignent de cette multiplicité de démarches et de mediums explorés. C'est au travers de ses découpes (cuttings)(...)
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Figure majeure de l'art américain des années 1970, Gordon Matta-Clark a produit un corpus d'œuvres d'une grande diversité. Expérimentations sur la matière, installations, performances, découpes architecturales, dessins, films, photographies, ou photomontages témoignent de cette multiplicité de démarches et de mediums explorés. C'est au travers de ses découpes (cuttings)(...)
Title:
L'architecture selon Gordon Matta-Clark
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Figure majeure de l'art américain des années 1970, Gordon Matta-Clark a produit un corpus d'œuvres d'une grande diversité. Expérimentations sur la matière, installations, performances, découpes architecturales, dessins, films, photographies, ou photomontages témoignent de cette multiplicité de démarches et de mediums explorés. C'est au travers de ses découpes (cuttings) et dissections de bâtiments qu'il s'est fait d'abord connaître, en intervenant sur des immeubles abandonnés et voués à la démolition. Ces spectaculaires découpes ont longtemps prévalu dans les analyses, et ont le plus souvent été considérées comme des attaques portées contre l'architecture. Pourtant, architecte de formation, Gordon Matta-Clark a surtout cherché à expérimenter, selon ses termes, « les usages alternatifs d'espaces qui sont les plus familiers ». Sur la base de documents d'archives, cet ouvrage propose de lire ses travaux depuis ce point de vue venant de l'architecture, en envisageant les mouvements de sa pensée spatiale et ses enjeux architecturaux, dans tous les lieux singuliers explorés. Que ce soit en découpant les murs, planchers et plafonds de bâtiments abandonnés ; en créant une perspective implicite sous une dalle funéraire ; en installant un abri dans un arbre ; en dessinant des maisons-paniers mobiles ; en construisant un mur à partir de déchets trouvés dans la rue ; en voulant grimper au ciel avec une échelle en corde ou en voulant habiter dans un immeuble ballon, que disent ses projets de son idée d'architecture ?
L'architecture selon Gordon Matta-Clark
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Figure majeure de l'art américain des années 1970, Gordon Matta-Clark a produit un corpus d'œuvres d'une grande diversité. Expérimentations sur la matière, installations, performances, découpes architecturales, dessins, films, photographies, ou photomontages témoignent de cette multiplicité de démarches et de mediums explorés. C'est au travers de ses découpes (cuttings) et dissections de bâtiments qu'il s'est fait d'abord connaître, en intervenant sur des immeubles abandonnés et voués à la démolition. Ces spectaculaires découpes ont longtemps prévalu dans les analyses, et ont le plus souvent été considérées comme des attaques portées contre l'architecture. Pourtant, architecte de formation, Gordon Matta-Clark a surtout cherché à expérimenter, selon ses termes, « les usages alternatifs d'espaces qui sont les plus familiers ». Sur la base de documents d'archives, cet ouvrage propose de lire ses travaux depuis ce point de vue venant de l'architecture, en envisageant les mouvements de sa pensée spatiale et ses enjeux architecturaux, dans tous les lieux singuliers explorés. Que ce soit en découpant les murs, planchers et plafonds de bâtiments abandonnés ; en créant une perspective implicite sous une dalle funéraire ; en installant un abri dans un arbre ; en dessinant des maisons-paniers mobiles ; en construisant un mur à partir de déchets trouvés dans la rue ; en voulant grimper au ciel avec une échelle en corde ou en voulant habiter dans un immeuble ballon, que disent ses projets de son idée d'architecture ?
Form:
books
books
Publication:
January 2022
January 2022
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
