Eating architecture
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The contributors to this collection of essays explore the relationship between food and architecture, asking what can be learned by examining the (often metaphorical) intersection of the preparation of meals and the production of space. In a culture that includes the Food Channel and the knife-juggling chefs of Benihana, food has become not only an obsession but an(...)
Eating architecture
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The contributors to this collection of essays explore the relationship between food and architecture, asking what can be learned by examining the (often metaphorical) intersection of the preparation of meals and the production of space. In a culture that includes the Food Channel and the knife-juggling chefs of Benihana, food has become not only an obsession but an alternative art form. The nineteen essays and "Gallery of Recipes" in "Eating architecture" seize this moment to investigate how art and architecture engage issues of identity, ideology, conviviality, memory, and loss that cookery evokes. The essays are organized into four sections that lead the reader from the landscape to the kitchen, the table, and finally the mouth. The essays in "Place settings" examine the relationships between food and location that arise in culinary colonialism and the global economy of tourism. "Philosophy in the kitchen" traces the routines that create a site for aesthetic experimentation, including an examination of gingerbread houses as art, food, and architectural space. The essays in "Table rules" consider the spatial and performative aspects of eating and the ways in which shared meals are among the most perishable and preserved cultural artifacts. Finally, "Embodied taste" considers the sensual apprehension of food and what it means to consume a work of art. The "Gallery of recipes" contains images by contemporary architects on the subject of eating architecture.
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For more than 150 years, Central Park has been the centerpiece of New York City, drawing more than 25 million visitors each year. In this title, the author, the official historian and photographer of the Central Park Conservancy, takes readers through America's most popular and celebrated park, where natural and manmade features are interwoven into a spectacular work of public art.
Seeing Central Park : the official guide to the world's greatest urban park
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For more than 150 years, Central Park has been the centerpiece of New York City, drawing more than 25 million visitors each year. In this title, the author, the official historian and photographer of the Central Park Conservancy, takes readers through America's most popular and celebrated park, where natural and manmade features are interwoven into a spectacular work of public art.
Food
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This book is an historical investigation of mourning sites and practices within the context of the province of British Columbia. The authors are concerned, primarily, with the rise of the roadside death memorial in the late twentieth century. They argue that RDMs are not a marginal, quirky phenomenon but part of a longer and complex story about the meaning of both death(...)
Private grief, public mourning: the rise of the roadside shrine in British Columbia
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This book is an historical investigation of mourning sites and practices within the context of the province of British Columbia. The authors are concerned, primarily, with the rise of the roadside death memorial in the late twentieth century. They argue that RDMs are not a marginal, quirky phenomenon but part of a longer and complex story about the meaning of both death and grieving, one more thread in a long tapestry of public exhibitions of grief that serve to announce to the watching world who we are.
Food
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This book reveals the wide variety of possibilities for using water as a creative element in the city, in art, in the landscape and architecture. The works are organized in seven categories and encompass large-scale masterplans, urban plazas and parks, river restaurations but also interior design schemes and art objects. Amongst the works documented are the landscape(...)
Recent waterscapes: planning, building and designing with water
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This book reveals the wide variety of possibilities for using water as a creative element in the city, in art, in the landscape and architecture. The works are organized in seven categories and encompass large-scale masterplans, urban plazas and parks, river restaurations but also interior design schemes and art objects. Amongst the works documented are the landscape design for Dubai Business Park, a river restauration in Bishan Park in Singapore, landscaping for a new town in Tianjin, China, the schemes for Telecom Park, Taipei and Vuores Central Park in Tampere, Finland, and the design for Civic Square Seattle.
Grave Matters
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'Cemeteries', writes Mark C. Taylor, 'are where I go to commune with "my" ghosts. The journey to the cemetery is always solitary even when I am with people who are closest to me. In the graveyard, the we is dispersed and the I stripped bare.' In "Grave Matters", Taylor's ghosts become our own. His thoughtful, poignant essay interweaves personal narrative, historical(...)
Grave Matters
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'Cemeteries', writes Mark C. Taylor, 'are where I go to commune with "my" ghosts. The journey to the cemetery is always solitary even when I am with people who are closest to me. In the graveyard, the we is dispersed and the I stripped bare.' In "Grave Matters", Taylor's ghosts become our own. His thoughtful, poignant essay interweaves personal narrative, historical analysis, cultural commentary and philosophical reflection. Dietrich Christian Lammerts's photographs show us the graves of the artists, architects, writers, philosophers and musicians who shaped Western culture; at once beautiful and disturbing, they suggest an alternative history of modernism and its precursors. Grave Matters raises difficult questions: What place do the modern greats have in the postmodern age? Who decided where and how they would be buried? Who wrote their epitaphs? What do their deaths, and their graves, tell us about their lives and suggest about our own? The words and images of Grave Matters inscribe the future that we all face, and to ponder this memento mori is to meet life anew.
Food
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EOOS takes forty kitchen utensils and uses them to reconfigure the entire world of the kitchen. Away from the well-trodden path of design theory and design history - with all its stylistic histories and theories borrowed from sociology and ethnography - EOOS deploys Poetical Analysis to describe the creative process of design and usage of objects. This design philosophy(...)
July 2008, New York
EOOS The Cooked Kitchen a poetical analysis
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EOOS takes forty kitchen utensils and uses them to reconfigure the entire world of the kitchen. Away from the well-trodden path of design theory and design history - with all its stylistic histories and theories borrowed from sociology and ethnography - EOOS deploys Poetical Analysis to describe the creative process of design and usage of objects. This design philosophy seeks out intuitive images, rituals and myths serving as a point of departure for the creative process. Ancient myths meet with today's high tech. EOOS is able to do justice to the complex background of theory and practice.
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This publication shows readers how to find and prepare more than five hundred different plants for nutrition and better health, including such common plants as mullein (a tea made from the leaves and flowers suppresses a cough), stinging nettle (steam the leaves and you have a tasty dish rich in iron), cattail (cooked stalks taste similar to corn and are rich in protein),(...)
Identifying and harvesting edible and medicinal plants in wild (and not so wild) places
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This publication shows readers how to find and prepare more than five hundred different plants for nutrition and better health, including such common plants as mullein (a tea made from the leaves and flowers suppresses a cough), stinging nettle (steam the leaves and you have a tasty dish rich in iron), cattail (cooked stalks taste similar to corn and are rich in protein), and wild apricots (an infusion made with the leaves is good for stomach aches and disgestive disorders). More than 260 detailed line drawings help readers identify a wide range of plants - many of which are suited for cooking by following the more than thirty recipes included in this book.
Food
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Introduction by Lucy Lippard, essay by Mike Davis. Between October 2006 and April 2007, three gardens were given away. Each garden was planted in one of the three microclimates in San Francisco: sunbelt, transition belt and fog belt. The households were selected based on an ad posted on Craiglist. It was posted on October 10th ad midnight. By 9:30am October 11th, we had(...)
September 2008, San Francisco
Amy Franceschini: victory gardens 2007: a plan for subsidized urban gardens
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Introduction by Lucy Lippard, essay by Mike Davis. Between October 2006 and April 2007, three gardens were given away. Each garden was planted in one of the three microclimates in San Francisco: sunbelt, transition belt and fog belt. The households were selected based on an ad posted on Craiglist. It was posted on October 10th ad midnight. By 9:30am October 11th, we had received over 800 responses. Each garden was delivered on the Victory Garden Trike and included a planting party, a Starter Kit, and two lessons. The lessons included how to build a raised bed, install a drip system, planting instructions, seasonal planting, seed saving, harvesting methods, composting, and canning. 1 Artist 1 Concept is a series of books by individual artists, produced by The Expanding Color System.
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Cookery has never been so high on the agenda of Western popular culture. And yet the endlessly-multiplying TV shows, the obsessive interest in the provenance of ingredients, and the celebration of ‘radical’ experiments in gastronomy, tell us little about the nature of the culinary. Is it possible to maintain that cookery has a philosophical pertinence without merely(...)
Collapse: philosophical research and development 2012: culinary materialism, volume VII
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Cookery has never been so high on the agenda of Western popular culture. And yet the endlessly-multiplying TV shows, the obsessive interest in the provenance of ingredients, and the celebration of ‘radical’ experiments in gastronomy, tell us little about the nature of the culinary. Is it possible to maintain that cookery has a philosophical pertinence without merely appending philosophy to our burgeoning gastroculture? How might the everyday sense of the culinary be expanded into a philosophy of ‘culinary materialism’ wherein synthesis, experimentation, and operations of mixing and blending take precedence over analysis, subtraction and axiomatisation? Drawing on resources ranging from anthropology to chemistry, from hermetic alchemy to contemporary mathematics, "Collapse VII: culinary materialism" undertakes a trans-modal experiment in culinary thinking. A wide range of contributors including philosophers, chefs, artists, historians, and synaesthetes examine the cultural, industrial, physiological, alchemical and even cosmic dimensions of cookery, and propose new models of culinary thought for the future.
Food
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El Internacional Tapas Bar & Restaurant was conceived as an artistic project carried out between 1984 and 1986 by artist Antoni Miralda (born 1942) and chef Montse Guillén (born 1946) in the Tribeca neighborhood of New York City. One of the first restaurants to introduce Spanish tapas in the United States, El Internacional quickly became a cultural icon and a creative hub(...)
Miralda's El Internacional (1984-1986)
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El Internacional Tapas Bar & Restaurant was conceived as an artistic project carried out between 1984 and 1986 by artist Antoni Miralda (born 1942) and chef Montse Guillén (born 1946) in the Tribeca neighborhood of New York City. One of the first restaurants to introduce Spanish tapas in the United States, El Internacional quickly became a cultural icon and a creative hub of New York’s downtown in the 1980s. It combined the social ritual of eating with installation and performance art, blurring the boundaries between food, art, design, architecture and mass media. Miralda’s El Internacional (1984–1986) documents the restaurant’s history through the memories of the people who contributed to it. Richly illustrated and featuring some of El Internacional’s most successful recipes, this volume tells the story of a crucial piece of urban history from a city not always able to protect its landmarks.
Food