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This book pursues the legendary but elusive 1974 exhibition, Anarchitecture. Conceived of as an anonymous, photographic statement about the intersection of art and building by the research collective Anarchitecture Group, the exhibition is a constant reference point in discussion, regardless of the almost complete lack of evidence about it. Contrasting the(...)
Cutting Matta-Clark: the anarchitecture investigation
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This book pursues the legendary but elusive 1974 exhibition, Anarchitecture. Conceived of as an anonymous, photographic statement about the intersection of art and building by the research collective Anarchitecture Group, the exhibition is a constant reference point in discussion, regardless of the almost complete lack of evidence about it. Contrasting the hyper-visibility of Anarchitecture Group’s leader, Gordon Matta-Clark, and his canonical work, SPLITTING, with the near invisibility of Anarchitecture, this book takes various Matta-Clark archives, including the CCA’s holdings, as its point of departure and follows the traces of the exhibition. Formulated as a detective story, Cutting Matta-Clark: The Anarchitecture Investigation assembles a comprehensive dossier of previously unpublished evidence including photographs, loose-leaf documents, and notecards, as well as interviews with protagonists of the Anarchitecture Group.
CCA Publications
Archaeology of the digital
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Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s. How was the transition from analog practices to new digital tools managed, and the dialogue between them exploited? What was the cultural and technological landscape of that moment? These questions are(...)
Archaeology of the digital
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Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s. How was the transition from analog practices to new digital tools managed, and the dialogue between them exploited? What was the cultural and technological landscape of that moment? These questions are at the foundation of this publication and its accompanying exhibition that unfold around four projects selected as seminal moments in the early development stages of digital architecture: Frank Gehry’s Lewis Residence (1989 –1995), Peter Eisenman’s Frankfurt Biozentrum (1987), Shoei Yoh’s design of the roof structure of Odawara Municipal Sports Complex and of Galaxy Toyama Gymnasium (1990 –1992) and Chuck Hoberman’s Expanding Sphere (1991) and Iris Dome (1994). Each project established a significant direction for architectural research by experimenting with the possibilities offered by novel digital tools. The dialogue between computer sciences, architecture and engineering is at the core of these experiments, which can be considered precursors of approaches still operative today.
CCA Publications
Archéologie du numérique
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L’archéologie du numérique creuse en profondeur un aspect des plus essentiels : la genèse et la mise en oeuvre, à la fin des années 1980, d’outils numériques servant à la conceptualisation, la visualisation et la fabrication dans le domaine du design. Quels ont été les défis soulevés par ces technologies novatrices et les nouveaux champs de recherche qu’elles ont ouverts(...)
Archéologie du numérique
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L’archéologie du numérique creuse en profondeur un aspect des plus essentiels : la genèse et la mise en oeuvre, à la fin des années 1980, d’outils numériques servant à la conceptualisation, la visualisation et la fabrication dans le domaine du design. Quels ont été les défis soulevés par ces technologies novatrices et les nouveaux champs de recherche qu’elles ont ouverts aux concepteurs ? Comment s’est faite la transition entre pratiques analogiques et outils numériques, et comment le dialogue entre eux a-t-il été exploité ? Ces questions sont au coeur de la présente publication et de l’exposition qu’elle accompagne, qui se déploient autour de quatre projets choisis comme étant des moments charnières des premières étapes du développement de l’architecture numérique : la résidence Lewis (1989–1995), de Frank Gehry, le Biozentrum de Francfort (1987), de Peter Eisenman, la conception de la toiture du complexe sportif municipal d’Odawara et celle du gymnase Galaxy de Toyama (1990 –1992), de Shoei Yoh, ainsi que la sphère déployable (1991) et le dôme Iris (1994) de Chuck Hoberman. Chacun des projets a imprimé une orientation certaine à la recherche architecturale en permettant d’expérimenter les possibilités qu’offraient les nouveaux outils numériques. Le dialogue entre informatique, architecture et génie est au coeur de ces expériences, qui peuvent être considérées comme les précurseurs de méthodes encore opérationnelles aujourd’hui.
CCA Publications
$25.00
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Rooms You May Have Missed reclaims the significance of inhabitation and is for that reason a collection of domestic spaces—entry porticos, kitchens, bedrooms, closets, dining rooms, courtyards, gardens, vestibules, living rooms, offices, dens and washrooms—as reinvented in the work of two very different architects: Umberto Riva in Milan and Bijoy Jain in Mumbai. Common to(...)
Rooms you may have missed: Bijoy Jain, Umberto Riva
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Rooms You May Have Missed reclaims the significance of inhabitation and is for that reason a collection of domestic spaces—entry porticos, kitchens, bedrooms, closets, dining rooms, courtyards, gardens, vestibules, living rooms, offices, dens and washrooms—as reinvented in the work of two very different architects: Umberto Riva in Milan and Bijoy Jain in Mumbai. Common to their practices is a genuine concern for the details that support living in and our common rituals of waking, bathing, eating, entertaining and sleeping.
CCA Publications
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L’exposition Des pièces à ne manquer revendique l’importance de l’acte d’habiter et constitue, pour cette raison, une collection d’espaces domestiques (porches, cuisines, chambres, penderies, salles à manger, cours, jardins, vestibules, séjours, bureaux, coins de détente et salles d’eau) réinventés par deux architectes très différents, Umberto Riva à Milan et Bijoy Jain à(...)
Des pièces à ne pas manquer: Bijoy Jain, Umberto Riva
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L’exposition Des pièces à ne manquer revendique l’importance de l’acte d’habiter et constitue, pour cette raison, une collection d’espaces domestiques (porches, cuisines, chambres, penderies, salles à manger, cours, jardins, vestibules, séjours, bureaux, coins de détente et salles d’eau) réinventés par deux architectes très différents, Umberto Riva à Milan et Bijoy Jain à Mumbai. Ceux-ci se rejoignent néanmoins dans l’attention qu’ils portent aux détails de la vie à l’intérieur ainsi qu’à nos rituels communs que sont le réveil, le bain, les repas, le divertissement et le sommeil. Cette publication accompagne l'exposition.
CCA Publications
$49.00
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The Anatomy of the Architectural Book examines the relationships between book culture and building culture, making visible the axes along which architectural knowledge circulates through books into buildings and back. Using five conceptual tools—texture, surface, rhythm, structure, and scale—Tavares analyzes the material qualities of a wide range of books in order to(...)
The anatomy of the architectural book
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The Anatomy of the Architectural Book examines the relationships between book culture and building culture, making visible the axes along which architectural knowledge circulates through books into buildings and back. Using five conceptual tools—texture, surface, rhythm, structure, and scale—Tavares analyzes the material qualities of a wide range of books in order to assess these dynamics and intersections. This investigation confronts us with the rise of the industrialized book, and thus of the editor as an important intermediary between the author and the printer, as well as with the configuration of the book as a unique visual device (with the designer taking part in a progressively more complex chain of decision-making). Richly illustrated with samples from the CCA library, the volume discusses work by authors including William Morris, Gottfried Semper, El Lissitzky, Le Corbusier, and Frank Lloyd Wright, among others. A large portion of the research for the book was undertaken while Tavares was a Visiting Scholar at the CCA. It is co-published in English by Lars Müller Publishers and in Portuguese by Dafne Editora.
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The Other Architect presents 23 case studies that emphasize the potential for architecture to identify the urgent issues of our time. These international and often multidisciplinary groups, with examples from the 1960s to today, invented and adopted new methods outside of traditional design practices in order to create architecture without building. The alternative(...)
The other architect: another way of building architecture
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The Other Architect presents 23 case studies that emphasize the potential for architecture to identify the urgent issues of our time. These international and often multidisciplinary groups, with examples from the 1960s to today, invented and adopted new methods outside of traditional design practices in order to create architecture without building. The alternative approaches shown in the exhibition challenge the concept of individual authorship in favor of establishing collaborative networks or partnerships with permeable roles. Their work took on non-traditional forms such as bibliographies, surveys, databases, conferences, posters, questionnaires and manifestos. By avoiding the built form, these unexpected ways of practicing allow architecture to actively shape a cultural agenda. 416 pages and over 300 colour facsimiles of traces left in letters, books, drawings, photographs, budgets, videos, mission statements, meeting minutes, T-shirts, boats, and buses
CCA Publications