CCA à l'affiche
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« CCA à l’affiche » est un guide visuel des expositions produites par le Centre Canadien d’Architecture depuis sa fondation en 1979. De « La préservation et conservation des dessins et estampes d’Ernest Cormier (1885-1990) », installé dans le hall des premiers bureaux du CCA en 1982, à l’exposition « L’histoire, par ailleurs » présentée dans les salles principales du(...)
CCA à l'affiche
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« CCA à l’affiche » est un guide visuel des expositions produites par le Centre Canadien d’Architecture depuis sa fondation en 1979. De « La préservation et conservation des dessins et estampes d’Ernest Cormier (1885-1990) », installé dans le hall des premiers bureaux du CCA en 1982, à l’exposition « L’histoire, par ailleurs » présentée dans les salles principales du bâtiment de la rue Baile en 2017 – chaque projet est décrit brièvement et présenté à travers des vues d’installation, des photographies d’objets exposés et des documents de travail jusqu’alors inédits. Ces artéfacts, intercalés d’interjections par des directeurs, curateurs et collaborateurs du CCA, illustrent le propos développé dans chaque projet. « CCA à l’affiche » plonge dans les archives institutionnelles du CCA pour mettre en lumière le caractère et la trajectoire de sa démarche curatoriale au fil du temps.
CCA Publications
books
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Japanese version
Besides, history (Japanese edition) Go Hasegawa, Kersten Geers, David Van Severen.
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Japanese version
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July 2018
CCA Publications
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Before architectural postmodernism was named as such, the process of postmodernizing architecture had already begun implicating architectural work in the increasingly information-driven logic of the late twentieth century. Though radical, the effects of this process have long been excluded from the predominant histories of postmodernism, which continue to rely on notions(...)
Architecture itself and other postmodernization effects
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Before architectural postmodernism was named as such, the process of postmodernizing architecture had already begun implicating architectural work in the increasingly information-driven logic of the late twentieth century. Though radical, the effects of this process have long been excluded from the predominant histories of postmodernism, which continue to rely on notions of individual and creative genius, architectural autonomy, and stylistic genealogies. Architecture Itself and Other Postmodernization Effects places material devices, such as Pantone chips, research grant applications, questionnaires, Xerography, and travel photography, at the forefront of a counter-narrative that recasts these informatic procedures as fundamentally architectural and as the primary of catalysts of the loose agglomeration of styles that was once called postmodernism.
CCA Publications
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How do we design our cities when our most intimate experiences are incessantly tracked and our feelings become the base of new modes of production that prioritize the immaterial over the material? Since the 2008 financial crisis, lists of well-being indicators, happiness indexes, and quality-of-life rankings have become viral. Concurrently, the emotional data presented in(...)
Our happy life: architecture and well-being in the age of emotional capitalism
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How do we design our cities when our most intimate experiences are incessantly tracked and our feelings become the base of new modes of production that prioritize the immaterial over the material? Since the 2008 financial crisis, lists of well-being indicators, happiness indexes, and quality-of-life rankings have become viral. Concurrently, the emotional data presented in these surveys- including perceptions on questions such as loneliness, friendship and intimate fears- feed an expanding political agenda of happiness and a new form of market whose most decisive asset is "affect." 'Our Happy Life' investigates the architectural implications of this trend by dissecting and questioning the political, economic, and emotional conditions that generate space today. Organized as a visual narrative with critical readings by Will Davies, Daniel Fujiwara, Simon Fujiwara, Ingo Niermann, Deane Simpson, and Mirko Zardini, this book reveals architecture, city, and landscape as contested surfaces, caught between the intagible guidelines of happiness indexes, the new marketplace of emotions, and the relentless ideology of positivity.
CCA Publications
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Comment concevoir la ville lorsque nos expériences les plus intimes sont constamment traquées et nos sentiments utilisés comme base à de nouveaux modes de production favorisant l’immatériel au détriment du matériel ? Depuis la crise financière de 2008, les listes d’indicateurs du bien-être et d’indices du bonheur, ainsi que les classements fondés sur la qualité de vie,(...)
Nos jours heureux : architecture et bien-être à l'ère du capitalisme émotionnel
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Comment concevoir la ville lorsque nos expériences les plus intimes sont constamment traquées et nos sentiments utilisés comme base à de nouveaux modes de production favorisant l’immatériel au détriment du matériel ? Depuis la crise financière de 2008, les listes d’indicateurs du bien-être et d’indices du bonheur, ainsi que les classements fondés sur la qualité de vie, circulent de manière virale. Parallèlement, les données émotionnelles présentées dans ces enquêtes, y compris les perceptions relatives aux notions de solitude, d’amitié et de peurs intimes, alimentent un agenda politique du bonheur en croissance et une nouvelle forme de marché dont l’atout le plus déterminant est l’« affect ». Nos jours heureux examine les implications architecturales de cette tendance en disséquant et en questionnant les conditions politiques, économiques et émotionnelles qui génèrent l’espace aujourd’hui. Structuré comme une narration visuelle – assortie de lectures critiques de William Davies, Daniel Fujiwara, Simon Fujiwara, Ingo Niermann, Deane Simpson et Mirko Zardini –, cet ouvrage présente l’architecture, la ville et le paysage comme des surfaces contestées, prises entre les lignes directrices intangibles des indices de bonheur, le nouveau marché des émotions et l’idéologie implacable de la positivité.
CCA Publications
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This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco(...)
Autonomy and ideology: positioning an avant-garde in America
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This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco Dal Co, Detlef Mertins, Mitchell Schwarzer, Sanford Kwinter, Rem Koolhaas, and Beatriz Colomina.
CCA Publications
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Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and(...)
AP164: Ábalos & Herreros. Selected by OFFICE, Juan José Castellon and SO-IL
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Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and curatorial projects presented a remarkable challenge to assumptions about the role of an architect. In 2012, the Canadian Centre for Architecture obtained the Ábalos & Herreros archive, which contains documents related to more than 160 projects. The material comprises sketches, slides, models, collages, and drawings. The archive presents a compelling opportunity to reconstruct Ábalos and Herreros’s planning and design process. Each of the book’s three contributors—two of whom worked with Ábalos and Herreros—approaches the archive with specific questions, and their essays explore topics including the architects’ fascination with industrial architecture, their capacity to construct a hybrid materiality without recourse to building technology as language, and their innovative visions for landscape architecture.
CCA Publications
The evidence room
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Internationally renowned and award-winning historian Dr. Robert Jan van Pelt's 'The Evidence Room' is a chilling exploration of the role architecture played in constructing Auschwitz-arguably the Nazis' most horrifying facility. 'The Evidence Room' is both a companion piece to, and an elaboration of, the upcoming exhibit at the 2016 Venice Architecture Biennale and at the(...)
June 2016
The evidence room
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Internationally renowned and award-winning historian Dr. Robert Jan van Pelt's 'The Evidence Room' is a chilling exploration of the role architecture played in constructing Auschwitz-arguably the Nazis' most horrifying facility. 'The Evidence Room' is both a companion piece to, and an elaboration of, the upcoming exhibit at the 2016 Venice Architecture Biennale and at the Canadian Center for Architecture, based on van Pelt's authoritative testimony against Holocaust denial in a 2000 libel suit argued before the Royal Courts of Justice in London.
Afterword: J
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Afterword is a series of CCA publications that document and reflect on the realisation of projects. Each Afterword looks back on a selected CCA project after a pause to critically assess its context and process, to consider newly-disclosed aspects of the project and those whose relevance emerged only after time. Each volume is identified by a letter to create an(...)
Afterword: J
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Afterword is a series of CCA publications that document and reflect on the realisation of projects. Each Afterword looks back on a selected CCA project after a pause to critically assess its context and process, to consider newly-disclosed aspects of the project and those whose relevance emerged only after time. Each volume is identified by a letter to create an independent alphabet for ideas; this first volume J looks at the exhibition component of the project entitled Journeys: How travelling fruit, ideas and buildings rearrange our environment , its content and presentation within the CCA gallery spaces.
CCA Publications
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Imperfect Health takes a critical look at how architects and planners are responding to growing urban health concerns and points to sometimes unforeseen consequences of their built interventions. Available in English and French editions, the book tackles this contemporary issue from a historical and critical perspective, focusing on different themes: epidemics and urban(...)
Imperfect health: the medicalization of architecture
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Imperfect Health takes a critical look at how architects and planners are responding to growing urban health concerns and points to sometimes unforeseen consequences of their built interventions. Available in English and French editions, the book tackles this contemporary issue from a historical and critical perspective, focusing on different themes: epidemics and urban defence systems; architecture combating pollution; environmental and urban challenges, obesity and design strategies; Modernism and tuberculosis; sunbathing and suburbia; aging today and indoor life and toxic materials. The publication is richly conveyed through a diverse range of materials including architectural drawings, photographs, books and artefacts.
CCA Publications