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Le musée ne suffit pas
Le musée ne suffit pas
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« Le musée ne suffit pas » est le fruit de réflexions collectives sur l’architecture, les préoccupations sociales contemporaines, les institutions et le public, effectuées au CCA ces dernières années. Alimenté par le questionnement continu que mène le CCA sur le rôle des institutions culturelles et leurs problèmes actuels, « Le musée ne suffit pas » permet d’amorcer des(...)
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« Le musée ne suffit pas » est le fruit de réflexions collectives sur l’architecture, les préoccupations sociales contemporaines, les institutions et le public, effectuées au CCA ces dernières années. Alimenté par le questionnement continu que mène le CCA sur le rôle des institutions culturelles et leurs problèmes actuels, « Le musée ne suffit pas » permet d’amorcer des(...)
Subject:
CCA Publications
CCA Publications
Publication:
October 2019
October 2019
Title:
Le musée ne suffit pas
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« Le musée ne suffit pas » est le fruit de réflexions collectives sur l’architecture, les préoccupations sociales contemporaines, les institutions et le public, effectuées au CCA ces dernières années. Alimenté par le questionnement continu que mène le CCA sur le rôle des institutions culturelles et leurs problèmes actuels, « Le musée ne suffit pas » permet d’amorcer des discussions avec des partenaires qui se posent des questions semblables.
Le musée ne suffit pas
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$25.00
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« Le musée ne suffit pas » est le fruit de réflexions collectives sur l’architecture, les préoccupations sociales contemporaines, les institutions et le public, effectuées au CCA ces dernières années. Alimenté par le questionnement continu que mène le CCA sur le rôle des institutions culturelles et leurs problèmes actuels, « Le musée ne suffit pas » permet d’amorcer des discussions avec des partenaires qui se posent des questions semblables.
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books
books
Publication:
October 2019
October 2019
Subject:
CCA Publications
CCA Publications
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books
books
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$48.00
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Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in(...)
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Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in(...)
Title:
Building a new New World: Amerikanizm in Russian Architecture
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Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in Revolutionary America, through the spectacular World’s Fairs of the nineteenth century, to department stores, skyscrapers, and factories built in Russia using American methods during the twentieth century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, when the Cold War induced a strategic competition. Tracing the many journeys of Russian writers, politicians, and planners through the American territory, foregrounding the constant streams of cultural and technological transfer from the U.S.A. to Russia, and revealing the parallel fascination among Russian and American intellectuals with the ongoing pursuit of land occupation and development within their respective borders, this study of Amerikanizm in the architecture and urban design of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics.
Building a new New World: Amerikanizm in Russian Architecture
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Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in Revolutionary America, through the spectacular World’s Fairs of the nineteenth century, to department stores, skyscrapers, and factories built in Russia using American methods during the twentieth century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, when the Cold War induced a strategic competition. Tracing the many journeys of Russian writers, politicians, and planners through the American territory, foregrounding the constant streams of cultural and technological transfer from the U.S.A. to Russia, and revealing the parallel fascination among Russian and American intellectuals with the ongoing pursuit of land occupation and development within their respective borders, this study of Amerikanizm in the architecture and urban design of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics.
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books
books
Publication:
December 2019
December 2019
Subject:
CCA Publications
CCA Publications
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books
books
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$48.00
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Les représentations idéales de l’Amérique, à la fois comme horizon prometteur et comme menace, ont joué un rôle déterminant dans la formation de l’architecture et de l’urbanisme russes de la Révolution américaine à la dissolution de l’Union soviétique. Jean-Louis Cohen retrace l’origine du concept d’"amerikanizm" et son impact sur l’environnement bâti de la Russie de(...)
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Les représentations idéales de l’Amérique, à la fois comme horizon prometteur et comme menace, ont joué un rôle déterminant dans la formation de l’architecture et de l’urbanisme russes de la Révolution américaine à la dissolution de l’Union soviétique. Jean-Louis Cohen retrace l’origine du concept d’"amerikanizm" et son impact sur l’environnement bâti de la Russie de(...)
Title:
Construire un nouveau Nouveau Monde : L’amerikanizm dans l’architecture russe
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Les représentations idéales de l’Amérique, à la fois comme horizon prometteur et comme menace, ont joué un rôle déterminant dans la formation de l’architecture et de l’urbanisme russes de la Révolution américaine à la dissolution de l’Union soviétique. Jean-Louis Cohen retrace l’origine du concept d’"amerikanizm" et son impact sur l’environnement bâti de la Russie de l’intérêt précoce de l’intelligentsia pour l’Amérique révolutionnaire et la découverte des expositions universelles du XIXe siècle jusqu’aux grands magasins, aux gratte-ciel et aux usines construits en Russie selon les méthodes américaines au cours du XXe siècle. Les images de l’Amérique ont également captivé l’avant-garde russe, d’El Lissitzky à Moïsseï Guinzbourg, et Cohen explore la relation spéculaire entretenue entre les deux pays au milieu du siècle dernier et à la fin de l’ère soviétique, dans une concurrence stratégique aiguisée par la Guerre Froide. Dans cette première grande étude de l’américanisme dans l’architecture russe, la trame tissée par Jean-Louis Cohen entrecroise les trajectoires d’écrivains, d’hommes politiques et d’urbanistes russes à travers le sol américain, met en avant le flux constant de transferts culturels et technologiques des États-Unis vers la Russie, et révèle la fascination parallèle des intellectuels russes et américains face à la poursuite inexorable de l’occupation et l’exploitation du territoire au sein de leurs frontières respectives. Construire un nouveau Nouveau Monde : L’amerikanizm dans l’architecture russe apporte une contribution opportune à notre compréhension de la géopolitique des édifices et des formes urbaines.
Construire un nouveau Nouveau Monde : L’amerikanizm dans l’architecture russe
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Summary:
Les représentations idéales de l’Amérique, à la fois comme horizon prometteur et comme menace, ont joué un rôle déterminant dans la formation de l’architecture et de l’urbanisme russes de la Révolution américaine à la dissolution de l’Union soviétique. Jean-Louis Cohen retrace l’origine du concept d’"amerikanizm" et son impact sur l’environnement bâti de la Russie de l’intérêt précoce de l’intelligentsia pour l’Amérique révolutionnaire et la découverte des expositions universelles du XIXe siècle jusqu’aux grands magasins, aux gratte-ciel et aux usines construits en Russie selon les méthodes américaines au cours du XXe siècle. Les images de l’Amérique ont également captivé l’avant-garde russe, d’El Lissitzky à Moïsseï Guinzbourg, et Cohen explore la relation spéculaire entretenue entre les deux pays au milieu du siècle dernier et à la fin de l’ère soviétique, dans une concurrence stratégique aiguisée par la Guerre Froide. Dans cette première grande étude de l’américanisme dans l’architecture russe, la trame tissée par Jean-Louis Cohen entrecroise les trajectoires d’écrivains, d’hommes politiques et d’urbanistes russes à travers le sol américain, met en avant le flux constant de transferts culturels et technologiques des États-Unis vers la Russie, et révèle la fascination parallèle des intellectuels russes et américains face à la poursuite inexorable de l’occupation et l’exploitation du territoire au sein de leurs frontières respectives. Construire un nouveau Nouveau Monde : L’amerikanizm dans l’architecture russe apporte une contribution opportune à notre compréhension de la géopolitique des édifices et des formes urbaines.
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books
books
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December 2019
December 2019
Subject:
CCA Publications
CCA Publications
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books
books
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$45.00
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Summary:
Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and(...)
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Summary:
Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and(...)
Title:
AP164: Ábalos & Herreros. Selected by OFFICE, Juan José Castellon and SO-IL
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Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and curatorial projects presented a remarkable challenge to assumptions about the role of an architect. In 2012, the Canadian Centre for Architecture obtained the Ábalos & Herreros archive, which contains documents related to more than 160 projects. The material comprises sketches, slides, models, collages, and drawings. The archive presents a compelling opportunity to reconstruct Ábalos and Herreros’s planning and design process. Each of the book’s three contributors—two of whom worked with Ábalos and Herreros—approaches the archive with specific questions, and their essays explore topics including the architects’ fascination with industrial architecture, their capacity to construct a hybrid materiality without recourse to building technology as language, and their innovative visions for landscape architecture.
AP164: Ábalos & Herreros. Selected by OFFICE, Juan José Castellon and SO-IL
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Summary:
Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and curatorial projects presented a remarkable challenge to assumptions about the role of an architect. In 2012, the Canadian Centre for Architecture obtained the Ábalos & Herreros archive, which contains documents related to more than 160 projects. The material comprises sketches, slides, models, collages, and drawings. The archive presents a compelling opportunity to reconstruct Ábalos and Herreros’s planning and design process. Each of the book’s three contributors—two of whom worked with Ábalos and Herreros—approaches the archive with specific questions, and their essays explore topics including the architects’ fascination with industrial architecture, their capacity to construct a hybrid materiality without recourse to building technology as language, and their innovative visions for landscape architecture.
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books
books
Publication:
May 2016
May 2016
Subject:
CCA Publications
CCA Publications
Form:
books
books
Title:
The evidence room
The evidence room
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Internationally renowned and award-winning historian Dr. Robert Jan van Pelt's 'The Evidence Room' is a chilling exploration of the role architecture played in constructing Auschwitz-arguably the Nazis' most horrifying facility. 'The Evidence Room' is both a companion piece to, and an elaboration of, the upcoming exhibit at the 2016 Venice Architecture Biennale and at the(...)
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Internationally renowned and award-winning historian Dr. Robert Jan van Pelt's 'The Evidence Room' is a chilling exploration of the role architecture played in constructing Auschwitz-arguably the Nazis' most horrifying facility. 'The Evidence Room' is both a companion piece to, and an elaboration of, the upcoming exhibit at the 2016 Venice Architecture Biennale and at the(...)
Publication:
June 2016
June 2016
Title:
The evidence room
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Internationally renowned and award-winning historian Dr. Robert Jan van Pelt's 'The Evidence Room' is a chilling exploration of the role architecture played in constructing Auschwitz-arguably the Nazis' most horrifying facility. 'The Evidence Room' is both a companion piece to, and an elaboration of, the upcoming exhibit at the 2016 Venice Architecture Biennale and at the Canadian Center for Architecture, based on van Pelt's authoritative testimony against Holocaust denial in a 2000 libel suit argued before the Royal Courts of Justice in London.
The evidence room
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$40.95
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Internationally renowned and award-winning historian Dr. Robert Jan van Pelt's 'The Evidence Room' is a chilling exploration of the role architecture played in constructing Auschwitz-arguably the Nazis' most horrifying facility. 'The Evidence Room' is both a companion piece to, and an elaboration of, the upcoming exhibit at the 2016 Venice Architecture Biennale and at the Canadian Center for Architecture, based on van Pelt's authoritative testimony against Holocaust denial in a 2000 libel suit argued before the Royal Courts of Justice in London.
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books
books
Publication:
June 2016
June 2016
Form:
books
books
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Price:
$45.00
(available in store)
Summary:
Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and(...)
$45.00
(available in store)
Summary:
Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and(...)
Title:
AP164: Ábalos & Herreros (spanish version)
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Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and curatorial projects presented a remarkable challenge to assumptions about the role of an architect. In 2012, the Canadian Centre for Architecture obtained the Ábalos & Herreros archive, which contains documents related to more than 160 projects. The material comprises sketches, slides, models, collages, and drawings. The archive presents a compelling opportunity to reconstruct Ábalos and Herreros’s planning and design process. Each of the book’s three contributors—two of whom worked with Ábalos and Herreros—approaches the archive with specific questions, and their essays explore topics including the architects’ fascination with industrial architecture, their capacity to construct a hybrid materiality without recourse to building technology as language, and their innovative visions for landscape architecture. Texto en español / text in spanish
AP164: Ábalos & Herreros (spanish version)
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$45.00
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Summary:
Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and curatorial projects presented a remarkable challenge to assumptions about the role of an architect. In 2012, the Canadian Centre for Architecture obtained the Ábalos & Herreros archive, which contains documents related to more than 160 projects. The material comprises sketches, slides, models, collages, and drawings. The archive presents a compelling opportunity to reconstruct Ábalos and Herreros’s planning and design process. Each of the book’s three contributors—two of whom worked with Ábalos and Herreros—approaches the archive with specific questions, and their essays explore topics including the architects’ fascination with industrial architecture, their capacity to construct a hybrid materiality without recourse to building technology as language, and their innovative visions for landscape architecture. Texto en español / text in spanish
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books
books
Publication:
May 2016
May 2016
Subject:
CCA Publications
CCA Publications
Form:
books
books
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$59.95
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Summary:
This wide-ranging book considers Soane’s architectural achievements as well as his life and public role and reproduces over one hundred of Soane’s drawings and contains specially commissioned photographs of his original models and existing buildings. The contributors to the volume discuss all of the architect’s major commissions, including the Dulwich College Art Gallery,(...)
$59.95
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Summary:
This wide-ranging book considers Soane’s architectural achievements as well as his life and public role and reproduces over one hundred of Soane’s drawings and contains specially commissioned photographs of his original models and existing buildings. The contributors to the volume discuss all of the architect’s major commissions, including the Dulwich College Art Gallery,(...)
Publication:
March 2001, London
March 2001, London
Title:
John Soane architect : master of space and light
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This wide-ranging book considers Soane’s architectural achievements as well as his life and public role and reproduces over one hundred of Soane’s drawings and contains specially commissioned photographs of his original models and existing buildings. The contributors to the volume discuss all of the architect’s major commissions, including the Dulwich College Art Gallery, the Law Courts at Westminster, and the Bank of England. Throughout Soane’s work two dominant qualities emerge: a distinctive interiors, and an abstracted linear style that evolved over the course of his career. PRIX DE VENTE : $59.95 MOINS 50% / SALE PRICE : $59.95 LESS 50%
John Soane architect : master of space and light
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$59.95
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This wide-ranging book considers Soane’s architectural achievements as well as his life and public role and reproduces over one hundred of Soane’s drawings and contains specially commissioned photographs of his original models and existing buildings. The contributors to the volume discuss all of the architect’s major commissions, including the Dulwich College Art Gallery, the Law Courts at Westminster, and the Bank of England. Throughout Soane’s work two dominant qualities emerge: a distinctive interiors, and an abstracted linear style that evolved over the course of his career. PRIX DE VENTE : $59.95 MOINS 50% / SALE PRICE : $59.95 LESS 50%
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books
books
Publication:
March 2001, London
March 2001, London
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books
books
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$46.95
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
Publication:
September 2006, Ostfildern
September 2006, Ostfildern
Title:
Victor Burgin : voyage to Italy
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
Victor Burgin : voyage to Italy
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
Form:
books
books
Publication:
September 2006, Ostfildern
September 2006, Ostfildern
Form:
books
books
Price:
$49.95
(available in store)
Summary:
The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has(...)
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The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has(...)
Title:
Czech cubism : Architecture, furniture, and decorative arts, 1910-1925
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The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has rarely been seen outside of Eastern Europe. ''Czech cubism'' presents a collection of architecture, furniture, and decorative arts through more than 500 photographs and drawings. Essays by nine noted scholars provide historical and critical background for the work.
Czech cubism : Architecture, furniture, and decorative arts, 1910-1925
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The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has rarely been seen outside of Eastern Europe. ''Czech cubism'' presents a collection of architecture, furniture, and decorative arts through more than 500 photographs and drawings. Essays by nine noted scholars provide historical and critical background for the work.
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books
books
Publication:
June 1992
June 1992
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books
books
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$39.95
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This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco(...)
$39.95
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Summary:
This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco(...)
Title:
Autonomy and ideology: positioning an avant-garde in America
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$39.95
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Summary:
This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco Dal Co, Detlef Mertins, Mitchell Schwarzer, Sanford Kwinter, Rem Koolhaas, and Beatriz Colomina.
Autonomy and ideology: positioning an avant-garde in America
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$39.95
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Summary:
This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco Dal Co, Detlef Mertins, Mitchell Schwarzer, Sanford Kwinter, Rem Koolhaas, and Beatriz Colomina.
Form:
books
books
Publication:
November 1997, New York
November 1997, New York
Subject:
CCA Publications
CCA Publications
