129 Results
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books
books
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The middle decades of the twentieth century saw an extraordinary flourishing of the illustrated, pictorial dust jacket. From the 1920s, as the potential for the book’s protective wrapping to be used for promotion and enticement became clear, artists and illustrators on both sides of the Atlantic applied their talents to this particular art form. Rising to the wide-ranging(...)
$55.95
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Summary:
The middle decades of the twentieth century saw an extraordinary flourishing of the illustrated, pictorial dust jacket. From the 1920s, as the potential for the book’s protective wrapping to be used for promotion and enticement became clear, artists and illustrators on both sides of the Atlantic applied their talents to this particular art form. Rising to the wide-ranging(...)
Title:
The illustrated dustjacket, 1920-1970
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The middle decades of the twentieth century saw an extraordinary flourishing of the illustrated, pictorial dust jacket. From the 1920s, as the potential for the book’s protective wrapping to be used for promotion and enticement became clear, artists and illustrators on both sides of the Atlantic applied their talents to this particular art form. Rising to the wide-ranging challenges posed by format and subject matter, leading artists and illustrators, including John Piper, Edward Bawden and John Minton in the UK and Ben Shahn, Edward Gorey and George Salter in the USA, brought their unique personal vision to bear on the world of books. Many of their designs reflect the changing visual styles and motifs of the period, including Bloomsbury, Art Deco, Modernism, postwar neo-romanticism and the Kitchen Sink School.
The illustrated dustjacket, 1920-1970
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$55.95
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Summary:
The middle decades of the twentieth century saw an extraordinary flourishing of the illustrated, pictorial dust jacket. From the 1920s, as the potential for the book’s protective wrapping to be used for promotion and enticement became clear, artists and illustrators on both sides of the Atlantic applied their talents to this particular art form. Rising to the wide-ranging challenges posed by format and subject matter, leading artists and illustrators, including John Piper, Edward Bawden and John Minton in the UK and Ben Shahn, Edward Gorey and George Salter in the USA, brought their unique personal vision to bear on the world of books. Many of their designs reflect the changing visual styles and motifs of the period, including Bloomsbury, Art Deco, Modernism, postwar neo-romanticism and the Kitchen Sink School.
Form:
books
books
Publication:
December 2017
December 2017
Subject:
Book Design
Book Design
Form:
books
books
Title:
Artiste éditeur
Artiste éditeur
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La pratique éditoriale comme réalisation artistique contemporaine, de Mallarmé à Jonathan Monk et Lawrence Weiner en passant par Fluxus, l'Internationale situationniste et les fanzines do-it-yourself. Cette publication est un essai tiré d'une thèse de doctorat en arts plastiques réalisée par Antoine Lefebvre, artiste dont la pratique consiste en grande partie en l'édition(...)
$32.95
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La pratique éditoriale comme réalisation artistique contemporaine, de Mallarmé à Jonathan Monk et Lawrence Weiner en passant par Fluxus, l'Internationale situationniste et les fanzines do-it-yourself. Cette publication est un essai tiré d'une thèse de doctorat en arts plastiques réalisée par Antoine Lefebvre, artiste dont la pratique consiste en grande partie en l'édition(...)
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Artiste éditeur
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$32.95
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La pratique éditoriale comme réalisation artistique contemporaine, de Mallarmé à Jonathan Monk et Lawrence Weiner en passant par Fluxus, l'Internationale situationniste et les fanzines do-it-yourself. Cette publication est un essai tiré d'une thèse de doctorat en arts plastiques réalisée par Antoine Lefebvre, artiste dont la pratique consiste en grande partie en l'édition de ses propres publications ou de celles d'autres artistes. Créateur de La Bibliothèque Fantastique (2009-2013), l'ouvrage interroge la pratique éditoriale comme réalisation artistique contemporaine, évoquant le rôle joué par le texte fondateur de Michel Foucault qui fournira l'élan éditorial à Antoine Lefebvre. Il y est question de pratiques rudimentaires, comme l'édition de fanzines, de débrouille et de bricolage à travers le DIY (do-it-yourself).
Artiste éditeur
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$32.95
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La pratique éditoriale comme réalisation artistique contemporaine, de Mallarmé à Jonathan Monk et Lawrence Weiner en passant par Fluxus, l'Internationale situationniste et les fanzines do-it-yourself. Cette publication est un essai tiré d'une thèse de doctorat en arts plastiques réalisée par Antoine Lefebvre, artiste dont la pratique consiste en grande partie en l'édition de ses propres publications ou de celles d'autres artistes. Créateur de La Bibliothèque Fantastique (2009-2013), l'ouvrage interroge la pratique éditoriale comme réalisation artistique contemporaine, évoquant le rôle joué par le texte fondateur de Michel Foucault qui fournira l'élan éditorial à Antoine Lefebvre. Il y est question de pratiques rudimentaires, comme l'édition de fanzines, de débrouille et de bricolage à travers le DIY (do-it-yourself).
Form:
books
books
Publication:
May 2018
May 2018
Subject:
Book Design
Book Design
Form:
books
books
Price:
$34.95
(available to order)
Summary:
Far from being a staid survey of an art historical practice, “Freedom of the Presses” intervenes in an ongoing discussion about art and activism in the present day by considering the place of the art book in the 21st century. The publisher, Booklyn, has been involved in this conversation since 1999, when a group of six artists decided to band together to promote(...)
$34.95
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Summary:
Far from being a staid survey of an art historical practice, “Freedom of the Presses” intervenes in an ongoing discussion about art and activism in the present day by considering the place of the art book in the 21st century. The publisher, Booklyn, has been involved in this conversation since 1999, when a group of six artists decided to band together to promote(...)
Title:
Freedom of the presses: Artists' books in the twenty-first century
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$34.95
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Far from being a staid survey of an art historical practice, “Freedom of the Presses” intervenes in an ongoing discussion about art and activism in the present day by considering the place of the art book in the 21st century. The publisher, Booklyn, has been involved in this conversation since 1999, when a group of six artists decided to band together to promote contemporary artists’ books and publications. This restless energy is present in Freedom of the Presses, which brings together a provocative mix of humorous, intimate and scholarly writing in order to expand how we think about the concept, content, design, production and distribution of artists’ and activists’ publications today. Aimed at a global community of librarians, publishers and readers, it offers models of how to reimagine contemporary artists’ bookmaking as a socially engaged, political practice.
Freedom of the presses: Artists' books in the twenty-first century
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$34.95
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Summary:
Far from being a staid survey of an art historical practice, “Freedom of the Presses” intervenes in an ongoing discussion about art and activism in the present day by considering the place of the art book in the 21st century. The publisher, Booklyn, has been involved in this conversation since 1999, when a group of six artists decided to band together to promote contemporary artists’ books and publications. This restless energy is present in Freedom of the Presses, which brings together a provocative mix of humorous, intimate and scholarly writing in order to expand how we think about the concept, content, design, production and distribution of artists’ and activists’ publications today. Aimed at a global community of librarians, publishers and readers, it offers models of how to reimagine contemporary artists’ bookmaking as a socially engaged, political practice.
Form:
books
books
Publication:
January 2019
January 2019
Subject:
Book Design
Book Design
Form:
books
books
Price:
$67.50
(available in store)
Summary:
''Touch me not'' is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript “appears at first sight to be a ‘grimoire’ or magician’s manual intended for noviciates of black magic. Psychedelic drug use, animal(...)
$67.50
(available in store)
Summary:
''Touch me not'' is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript “appears at first sight to be a ‘grimoire’ or magician’s manual intended for noviciates of black magic. Psychedelic drug use, animal(...)
Title:
Touch me not: a most rare compendium of the whole magical art
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$67.50
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''Touch me not'' is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript “appears at first sight to be a ‘grimoire’ or magician’s manual intended for noviciates of black magic. Psychedelic drug use, animal sacrifice, sigillary body art, masturbation fantasy and the necromantic manipulation of gallows-corpses count among the transgressive procedures it depicts. With their aid hidden treasures are wrested from guardian spirits, and the black magician’s highest ambition—an infernal transfiguration and union with the Devil—can be fulfilled.” Hidden for decades within the Wellcome Library collection, ''Touch me not'' is published here as a full-color facsimile.
Touch me not: a most rare compendium of the whole magical art
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Price:
$67.50
(available in store)
Summary:
''Touch me not'' is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript “appears at first sight to be a ‘grimoire’ or magician’s manual intended for noviciates of black magic. Psychedelic drug use, animal sacrifice, sigillary body art, masturbation fantasy and the necromantic manipulation of gallows-corpses count among the transgressive procedures it depicts. With their aid hidden treasures are wrested from guardian spirits, and the black magician’s highest ambition—an infernal transfiguration and union with the Devil—can be fulfilled.” Hidden for decades within the Wellcome Library collection, ''Touch me not'' is published here as a full-color facsimile.
Form:
books
books
Publication:
July 2019
July 2019
Subject:
Book Design
Book Design
Form:
books
books
Title:
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
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In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of(...)
$39.95
(available to order)
Summary:
In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of(...)
Title:
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
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$39.95
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Summary:
In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of the first English translation of Guy Debord’s "Society of the Spectacle" and journals like "Radical America," produced by the Students for a Democratic Society; books such as "The Political Thought of James Forman" printed by the League of Revolutionary Black Workers; and the occasional broadsheet, such as Judy Campbell’s stirring indictment, "Open letter from ‘white bitch’ to the black youths who beat up on me and my friend."F redy Perlman was not a printer or a designer by training, but was deeply engaged in the ideas, issues, processes and materiality of printing. While at the Detroit Printing Co-op, he radically rethought the possibilities of print by experimenting with overprinting, collage techniques, different kinds of papers and so on. Behind the calls to action and class consciousness written in his publications, there was an innate sense of the politics of design, experimentation and pride of craft.
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
Actions:
Price:
$39.95
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Summary:
In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of the first English translation of Guy Debord’s "Society of the Spectacle" and journals like "Radical America," produced by the Students for a Democratic Society; books such as "The Political Thought of James Forman" printed by the League of Revolutionary Black Workers; and the occasional broadsheet, such as Judy Campbell’s stirring indictment, "Open letter from ‘white bitch’ to the black youths who beat up on me and my friend."F redy Perlman was not a printer or a designer by training, but was deeply engaged in the ideas, issues, processes and materiality of printing. While at the Detroit Printing Co-op, he radically rethought the possibilities of print by experimenting with overprinting, collage techniques, different kinds of papers and so on. Behind the calls to action and class consciousness written in his publications, there was an innate sense of the politics of design, experimentation and pride of craft.
Form:
books
books
Publication:
November 2019
November 2019
Subject:
Book Design
Book Design
Form:
books
books
Actions:
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$48.95
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Summary:
In the nineteenth century, inexpensive editions of Jane Austen's novels targeted to Britain's working classes were sold at railway stations, traded for soap wrappers, and awarded as school prizes. At just pennies a copy, these reprints were some of the earliest mass-market paperbacks, with Austen's beloved stories squeezed into tight columns on thin, cheap paper. Few of(...)
$48.95
(available to order)
Summary:
In the nineteenth century, inexpensive editions of Jane Austen's novels targeted to Britain's working classes were sold at railway stations, traded for soap wrappers, and awarded as school prizes. At just pennies a copy, these reprints were some of the earliest mass-market paperbacks, with Austen's beloved stories squeezed into tight columns on thin, cheap paper. Few of(...)
Title:
The lost books of Jane Austen
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$48.95
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In the nineteenth century, inexpensive editions of Jane Austen's novels targeted to Britain's working classes were sold at railway stations, traded for soap wrappers, and awarded as school prizes. At just pennies a copy, these reprints were some of the earliest mass-market paperbacks, with Austen's beloved stories squeezed into tight columns on thin, cheap paper. Few of these hard-lived bargain books survive, yet they made a substantial difference to Austen's early readership. These were the books bought and read by ordinary people. ''The lost books of Jane Austen'' is a unique history of these rare and forgotten Austen volumes. Such shoddy editions, Janine Barchas argues, were instrumental in bringing Austen's work and reputation before the general public. Only by examining them can we grasp the chaotic range of Austen's popular reach among working-class readers.
The lost books of Jane Austen
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Price:
$48.95
(available to order)
Summary:
In the nineteenth century, inexpensive editions of Jane Austen's novels targeted to Britain's working classes were sold at railway stations, traded for soap wrappers, and awarded as school prizes. At just pennies a copy, these reprints were some of the earliest mass-market paperbacks, with Austen's beloved stories squeezed into tight columns on thin, cheap paper. Few of these hard-lived bargain books survive, yet they made a substantial difference to Austen's early readership. These were the books bought and read by ordinary people. ''The lost books of Jane Austen'' is a unique history of these rare and forgotten Austen volumes. Such shoddy editions, Janine Barchas argues, were instrumental in bringing Austen's work and reputation before the general public. Only by examining them can we grasp the chaotic range of Austen's popular reach among working-class readers.
Form:
books
books
Publication:
October 2019
October 2019
Subject:
Book Design
Book Design
Form:
books
books
Price:
$42.99
(available to order)
Summary:
The renowned and influential book artist Hedi Kyle shows you step-by-step how to create her unique designs, using folding techniques. Projects include flag books, blizzard books, the fishbone fold and nesting boxes. Hedi Kyle has been described as a book structure magician. She recently retired as Head Conservator at the American Philosophical Society, and was Adjunct(...)
$42.99
(available to order)
Summary:
The renowned and influential book artist Hedi Kyle shows you step-by-step how to create her unique designs, using folding techniques. Projects include flag books, blizzard books, the fishbone fold and nesting boxes. Hedi Kyle has been described as a book structure magician. She recently retired as Head Conservator at the American Philosophical Society, and was Adjunct(...)
Title:
The art of the fold: how to make innovative books and paper structures
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$42.99
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Summary:
The renowned and influential book artist Hedi Kyle shows you step-by-step how to create her unique designs, using folding techniques. Projects include flag books, blizzard books, the fishbone fold and nesting boxes. Hedi Kyle has been described as a book structure magician. She recently retired as Head Conservator at the American Philosophical Society, and was Adjunct Professor at the University of the Arts in Philadelphia. Her one-of-a-kind constructions have been exhibited internationally. Ulla Warchol graduated from The Cooper Union in New York City with a degree in architecture. After working in the field in the 1990s, Ulla has spent the last two decades developing a multidisciplinary approach to structure. She leans toward a broad exploration of materials and techniques in both large-scale and small-scale works.
The art of the fold: how to make innovative books and paper structures
Actions:
Price:
$42.99
(available to order)
Summary:
The renowned and influential book artist Hedi Kyle shows you step-by-step how to create her unique designs, using folding techniques. Projects include flag books, blizzard books, the fishbone fold and nesting boxes. Hedi Kyle has been described as a book structure magician. She recently retired as Head Conservator at the American Philosophical Society, and was Adjunct Professor at the University of the Arts in Philadelphia. Her one-of-a-kind constructions have been exhibited internationally. Ulla Warchol graduated from The Cooper Union in New York City with a degree in architecture. After working in the field in the 1990s, Ulla has spent the last two decades developing a multidisciplinary approach to structure. She leans toward a broad exploration of materials and techniques in both large-scale and small-scale works.
Form:
books
books
Publication:
October 2018
October 2018
Subject:
Book Design
Book Design
Form:
books
books
Actions:
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$24.95
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Summary:
While immersed in the work of editing and publishing trade books at Gaspereau Press, Andrew Steeves has also produced an eclectic array of letterpress-printed, limited-edition books and broadsides. In this book he revisits sixty of these projects, chronicling the influence that using traditional book-arts tools has had on his thinking about culture, design and(...)
$24.95
(available in store)
Summary:
While immersed in the work of editing and publishing trade books at Gaspereau Press, Andrew Steeves has also produced an eclectic array of letterpress-printed, limited-edition books and broadsides. In this book he revisits sixty of these projects, chronicling the influence that using traditional book-arts tools has had on his thinking about culture, design and(...)
Title:
Sixty over twenty: letterpress books and broadsides printed at Gaspereau press
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$24.95
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Summary:
While immersed in the work of editing and publishing trade books at Gaspereau Press, Andrew Steeves has also produced an eclectic array of letterpress-printed, limited-edition books and broadsides. In this book he revisits sixty of these projects, chronicling the influence that using traditional book-arts tools has had on his thinking about culture, design and manufacturing. His frank commentary explores the wider implications of practising handwork in the digital age, exploring the relationship between art, craft and community.
Sixty over twenty: letterpress books and broadsides printed at Gaspereau press
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Price:
$24.95
(available in store)
Summary:
While immersed in the work of editing and publishing trade books at Gaspereau Press, Andrew Steeves has also produced an eclectic array of letterpress-printed, limited-edition books and broadsides. In this book he revisits sixty of these projects, chronicling the influence that using traditional book-arts tools has had on his thinking about culture, design and manufacturing. His frank commentary explores the wider implications of practising handwork in the digital age, exploring the relationship between art, craft and community.
Form:
books
books
Publication:
December 2017
December 2017
Subject:
Book Design
Book Design
Form:
books
books
Price:
$50.00
(available to order)
Summary:
Beauty lies in the details. Organised each year, the competition for the Most Beautiful Swiss Books recognises outstanding graphic design in the field of books, promotes and showcases high-quality production, and raises public awareness of the winning books, both nationally and abroad. This year’s five-member jury, chaired by Gilles Gavillet, selected 24 publications from(...)
$50.00
(available to order)
Summary:
Beauty lies in the details. Organised each year, the competition for the Most Beautiful Swiss Books recognises outstanding graphic design in the field of books, promotes and showcases high-quality production, and raises public awareness of the winning books, both nationally and abroad. This year’s five-member jury, chaired by Gilles Gavillet, selected 24 publications from(...)
Title:
Les plus beaux livres suisses 2016/ The most beautiful Swiss books 2016
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$50.00
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Summary:
Beauty lies in the details. Organised each year, the competition for the Most Beautiful Swiss Books recognises outstanding graphic design in the field of books, promotes and showcases high-quality production, and raises public awareness of the winning books, both nationally and abroad. This year’s five-member jury, chaired by Gilles Gavillet, selected 24 publications from among more than 400 submissions. The works were appraised for concept, graphic design and typography, quality of printing and binding, and attention to the materials used. The exceptional catalogue for this edition was designed by Hubertus, who takes us literally back to the book and its material essence.
Les plus beaux livres suisses 2016/ The most beautiful Swiss books 2016
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$50.00
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Summary:
Beauty lies in the details. Organised each year, the competition for the Most Beautiful Swiss Books recognises outstanding graphic design in the field of books, promotes and showcases high-quality production, and raises public awareness of the winning books, both nationally and abroad. This year’s five-member jury, chaired by Gilles Gavillet, selected 24 publications from among more than 400 submissions. The works were appraised for concept, graphic design and typography, quality of printing and binding, and attention to the materials used. The exceptional catalogue for this edition was designed by Hubertus, who takes us literally back to the book and its material essence.
Form:
books
books
Publication:
December 2017
December 2017
Subject:
Book Design
Book Design
Form:
books
books
Price:
$45.00
(available to order)
Summary:
For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of(...)
$45.00
(available to order)
Summary:
For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of(...)
Title:
Post-digital print: the mutation of publishing since 1894, 2nd edition
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$45.00
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Summary:
For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico rereads the history of the avant-garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics.
Post-digital print: the mutation of publishing since 1894, 2nd edition
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Price:
$45.00
(available to order)
Summary:
For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico rereads the history of the avant-garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics.
Form:
books
books
Publication:
April 2019
April 2019
Subject:
Book Design
Book Design
