Never built New York
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New York towers among world capitals, but the city we know might have reached even more stellar heights, or burrowed into more destructive depths, had the ideas of its greatest dreamers progressed beyond the drawing board. What is wonderfully grand might easily have been ingloriously grandiose; equally, what is blandly unremarkable might have become delightfully(...)
Never built New York
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New York towers among world capitals, but the city we know might have reached even more stellar heights, or burrowed into more destructive depths, had the ideas of its greatest dreamers progressed beyond the drawing board. What is wonderfully grand might easily have been ingloriously grandiose; equally, what is blandly unremarkable might have become delightfully provocative.Nearly 200 proposals spanning 200 years encompass bridges, skyscrapers, master plans, parks, transit schemes, amusements, airports, plans to fill in rivers and extend Manhattan, and much, much more. Included are alternate visions for Central Park, Columbus Circle, Lincoln Center, MoMA, the UN, Grand Central Terminal, the World Trade Center site and other highlights such as: Alfred Ely Beach’s system of airtight subway cars propelled via atmospheric pressure; Frank Lloyd Wright’s last project, his Key Plan for Ellis Island, on which he would have developed his dream city; Buckminster Fuller’s design for Brooklyn’s Dodger Stadium, complete with giant geodesic dome to shield players and fans from the rain; developer William Zeckendorf’s Rooftop Airport, perched on steel columns 200 feet above street level, spanning from 24th to 71st Street, Ninth Avenue to the Hudson River; John Johansen’s Leapfrog City proposal to create an entirely new neighborhood atop the tenements of East Harlem; and Stephen Holl’s Bridge of Houses, offering options from SROs to modest studios to luxury apartments on a segment of what is now the High Line.
Contemporary Architecture
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Can a building be free of social, geographical and cultural influences? ''Open House 2'' is dedicated to this and other related sociopolitical questions. Buildings by Junya Ishigami, De Vylder Vinck Taillieu, Brandlhuber+, Snøhetta, TYIN tegnestue Architects and many others are discussed.
Open house 2: design criteria for a new architecture
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Can a building be free of social, geographical and cultural influences? ''Open House 2'' is dedicated to this and other related sociopolitical questions. Buildings by Junya Ishigami, De Vylder Vinck Taillieu, Brandlhuber+, Snøhetta, TYIN tegnestue Architects and many others are discussed.
Contemporary Architecture
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The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design.(...)
Centre Pompidou: Renzo Piano, Richard Rogers, and the making of a modern monument
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The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design. Completed in 1977, the building was at first received skeptically by critics, yet it was quickly embraced by the public as a beloved monument of the modern city of Paris. This lively intellectual biography of the building explores its history and the reasons for its success, from its genesis as a politically calculated response to Paris’s turbulent 1968 student protests to the role played by architects in its construction, as well as the historical influences and the engineering solutions that inform its design. A key reason for the Centre Pompidou’s success indeed lies in its ability to channel architectural memory, connecting it powerfully to Paris’s historic urban fabric. This essential text on one of the twentieth century’s most significant buildings is accompanied by a portfolio of rare drawings and photographs.
Contemporary Architecture
The building
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For nearly fifty years “the building” has primarily been viewed as a means rather than an end within architectural history and theory. This volume presents an alternative to that trend by reconceiving it as a central discursive category in its own right. Contributors—including architects and academics from world-renowned institutions—offer insightful discussions of key(...)
October 2016
The building
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For nearly fifty years “the building” has primarily been viewed as a means rather than an end within architectural history and theory. This volume presents an alternative to that trend by reconceiving it as a central discursive category in its own right. Contributors—including architects and academics from world-renowned institutions—offer insightful discussions of key architectural structures conceived in Europe, Asia, and the U.S.A. over the last three decades. In doing so they propel architectural thinking’s importance as a domain of knowledge. Further, in exploring those structures through a number of questions both intra- and meta-disciplinary, this book suggests ways in which buildings can trigger conceptual frameworks whose influence extends well beyond architecture. A balanced text-to-image ratio caters to readers in both practice and academia.
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What is architectural form? What does architectural form mean? And why is it so significant today? Despite the historical signi?cance of form in architecture, the subject is frequently undervalued in debate. The publication The Form of Form examines a variety of ideas regarding form, not only through aesthetic and technological approaches, but also from social and(...)
October 2016
The form of form: Lisbon Architecture Triennale
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What is architectural form? What does architectural form mean? And why is it so significant today? Despite the historical signi?cance of form in architecture, the subject is frequently undervalued in debate. The publication The Form of Form examines a variety of ideas regarding form, not only through aesthetic and technological approaches, but also from social and political points of view. "The form of form" is the official publication of the same-named 4th Lisbon Architecture Triennale. The content of the book underlines the cultural and technical relevance of architecture within society. It aims to foster new thoughts as we reach the dawn of a rapidly changing society driven by fast access to information. After all the tensions and frictions that happen during the physical and social transformations of our cities and landscapes, when all the fuss is over and the different agents who contributed to change have left the field of play, what is left is a built form. Citizens live among forms; architectural forms have endured from the past and they will populate the future.
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''After Belonging'' examines the objects, spaces, and territories of our transforming condition of belonging. The global circulation of people, information, and goods has destabilised what we under- stand by residence, questioning spatial permanence, property, and identity - a crisis of belonging. Circulation brings greater accessibility to ever-new commodities and(...)
Contemporary Architecture
October 2016
After belonging: objects, spaces, and territories of the ways we stay in transit. Oslo Architecture Trienniale 2016.
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''After Belonging'' examines the objects, spaces, and territories of our transforming condition of belonging. The global circulation of people, information, and goods has destabilised what we under- stand by residence, questioning spatial permanence, property, and identity - a crisis of belonging. Circulation brings greater accessibility to ever-new commodities and further geographies. But, simultaneously, circulation also promotes growing inequalities for large groups who are kept in precarious states of transit. The publication examines both our attachment to places and collectivities as well as our relation to the objects we produce, own, share, and exchange. It analyses the architectures entangled in these definitions through a selection of projects, texts, and case studies.
Contemporary Architecture
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Projects Review offers an overview of the AA’s 2015/16 academic year. Accompanying the school’s end-of-year show, the book features hundreds of drawings, models, installations, photographs and other materials documenting the world’s most international and experimental school of architecture.
AA book : project review 2016
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Projects Review offers an overview of the AA’s 2015/16 academic year. Accompanying the school’s end-of-year show, the book features hundreds of drawings, models, installations, photographs and other materials documenting the world’s most international and experimental school of architecture.
Contemporary Architecture
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Ce volume de référence présente une chronologie non-exhaustive de la législation suisse – et notamment zurichoise – en matière d'architecture, mettant en évidence une série de décisions juridiques controversées et les stratégies d'influences qui ont servi à leur mise en place.
September 2016
Legislating Architecture Schweiz
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Ce volume de référence présente une chronologie non-exhaustive de la législation suisse – et notamment zurichoise – en matière d'architecture, mettant en évidence une série de décisions juridiques controversées et les stratégies d'influences qui ont servi à leur mise en place.
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Together with the first volume, Design Techniques, this second volume of the “SOLID” series, published in collaboration with Harvard GSD Department of Architecture, represents two approaches to the same question: how is the architectural project constructed? Architects today act upon organizations or systems that are social assemblies, sequences in time, or spatial(...)
A+T 46 : solid - Harvard symposia on architecture : organization or design?
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Together with the first volume, Design Techniques, this second volume of the “SOLID” series, published in collaboration with Harvard GSD Department of Architecture, represents two approaches to the same question: how is the architectural project constructed? Architects today act upon organizations or systems that are social assemblies, sequences in time, or spatial networks. Yet these structures act upon architects as well. Is design reducible to organization, or vice versa? Faculty, critics and theorists, and students discuss various approaches and contribute personal experiences, working practices, and opportunities encountered in the field of design.
Contemporary Architecture
Parliament
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*reprinting / en ré-impression* Amsterdam-based office XML explores the complex relationship between space and politics by documenting and comparing the plenary halls of the parliaments of all 193 United Nations member states. Whether arranged in a semicircle or horseshoe, as opposing benches or classroom style, the seats in these halls not only offer clues to a(...)
Parliament
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*reprinting / en ré-impression* Amsterdam-based office XML explores the complex relationship between space and politics by documenting and comparing the plenary halls of the parliaments of all 193 United Nations member states. Whether arranged in a semicircle or horseshoe, as opposing benches or classroom style, the seats in these halls not only offer clues to a nation’s history, but also the atmosphere in which its laws are shaped. Comparing contexts between divergent geographical locations and governments, both democratic and authoritarian, the lexicon addresses these spaces as more than symbolic representations of national values, portraying them as actors in the shaping of our shared future.
Contemporary Architecture