Sherrie Levine: mayhem
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The American photographer and conceptual artist Sherrie Levine (b 1947) has been the subject of much critical discourse. This title contains 150 colour images that cover the full range of Levine's practice, from classic photographic works and sculptures to lesser-known works on paper, paintings, and three-dimensional objects.
Sherrie Levine: mayhem
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$64.95
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The American photographer and conceptual artist Sherrie Levine (b 1947) has been the subject of much critical discourse. This title contains 150 colour images that cover the full range of Levine's practice, from classic photographic works and sculptures to lesser-known works on paper, paintings, and three-dimensional objects.
Contemporary Art Monographs
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The works of Christa Sommerer and Laurent Mignonneau explore the relation between art, science and technology. Their projects have been branded as pioneering not only for their natural and intuitive development of diverse interactive interfaces, but also for the application of basic scientific principles from the fields of biology, artificial life, complexity science and(...)
Sommerer and Mignonneau : living systems
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The works of Christa Sommerer and Laurent Mignonneau explore the relation between art, science and technology. Their projects have been branded as pioneering not only for their natural and intuitive development of diverse interactive interfaces, but also for the application of basic scientific principles from the fields of biology, artificial life, complexity science and nanotechnology. This book reviews their oeuvres and is a testament to the underlying scientific concepts.
Contemporary Art Monographs
Dennis Oppenheim
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Cet ouvrage accompagne l’exposition consacrée à Dennis Oppenheim au Musée d’Art Moderne de Saint-Etienne Métropole. Le Musée de Saint-Etienne s’intéresse au travail de cet artiste américain, né en 1938, depuis son ouverture. Alors que l’exposition se préparait en lien direct et régulier avec l’artiste, l’équipe du Musée a brutalement appris sa disparition (janvier 2011).(...)
Dennis Oppenheim
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Cet ouvrage accompagne l’exposition consacrée à Dennis Oppenheim au Musée d’Art Moderne de Saint-Etienne Métropole. Le Musée de Saint-Etienne s’intéresse au travail de cet artiste américain, né en 1938, depuis son ouverture. Alors que l’exposition se préparait en lien direct et régulier avec l’artiste, l’équipe du Musée a brutalement appris sa disparition (janvier 2011). L’artiste avait déjà pensé l’exposition: cinq installations dans quatre lieux différents du Musée. Chaque lieu convoquerait des univers spécifiques: celui du corps et du mimétisme ironique de la vie avec Theme for a Major Hit (1974) et Table Piece (1975); celui de la transformation jusqu’à la disparition dans le couloir (lieu de transition) avec Aging (1974); celui dela sculpture urbaine, décorative et exubérante avec les Splash Buildings (2009), et enfin celui du jeu entre l’architecture etla sculpture avec les installations des Smokestack Buildings with Frozen Fireworks (2009) et Black (2007). Cette publication accompagne l’exposition mais se veut plus qu’un simple catalogue. Elle offre l’occasion de parcourir les trente dernières années de création de ce fabuleux constructeur de formes et de mécanismes, de ce singulier artiste qui échappe à toute forme de classification ou de système. Outre une riche et précieuse iconographie sur son travail (environ 80 illustrations, sélectionnées en collaboration avec l’épouse de l’artiste), le volume présente un texte émouvant du directeur du Musée et ami de l’artiste, Lóránd Hegyi, et un essai du critique Alberto Fiz.
Contemporary Art Monographs
Krzysztof Wodiczko
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This is the first full-scale study of Wodiczko's work, its ethico-political imperatives, and the diverse interpretive lenses which accompany its theorization. Developed in close collaboration with the artist, and bringing together an array of essays by leading scholars from a variety of disciplines, the book represents the most significant and sustained engagement with(...)
Krzysztof Wodiczko
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This is the first full-scale study of Wodiczko's work, its ethico-political imperatives, and the diverse interpretive lenses which accompany its theorization. Developed in close collaboration with the artist, and bringing together an array of essays by leading scholars from a variety of disciplines, the book represents the most significant and sustained engagement with the artist's practice to date. By nature, Wodiczko's work is often controversial and the book looks at his development of a series of nomadic instruments for both homeless and immigrant operators that function as implements for survival, communication, empowerment, and healing. The Homeless Vehicle project in New York City, equips nomadic 'evicts' with tools for self-articulation, whilst the elaborate Xenology instruments are designed to empower the 'immigrant' by providing access to speech and figuration in the public realm. Like much of his work, his interrogative designs and portable instruments are animated by a desire to bring the socially opaque into the public sphere of appearances, to restore voice and visibility to those rendered mute within the parameters of the public domain.
Contemporary Art Monographs
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Le livre reproduit recto verso 87 dessins de vautours réalisés par Rober Racine. On y retrouve deux essais : une réflexion de l’artiste, à la fois biographique, philosophique et poétique, sur le développement du motif du vautour dans son oeuvre et un essai de Louise Déry qui situe la portée de cette production dans l’oeuvre visuelle et littéraire de Rober Racine. La(...)
September 2011
Rober Racine: fantasmes fragiles
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Le livre reproduit recto verso 87 dessins de vautours réalisés par Rober Racine. On y retrouve deux essais : une réflexion de l’artiste, à la fois biographique, philosophique et poétique, sur le développement du motif du vautour dans son oeuvre et un essai de Louise Déry qui situe la portée de cette production dans l’oeuvre visuelle et littéraire de Rober Racine. La publication a été produite par la Galerie de l’UQAM pour accompagner la circulation internationale de Fantasmes fragiles, présentée en 2006 au Site Odéon °5 (Paris), au Musée d’art moderne et d’art contemporain de Nice, à La Nube di Oort (Rome) et à la Galerie de l’Ambassade du Canada à Tokyo. Cette publication a remporté un prix au concours Grafika 2007.
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Depuis une trentaine d'années, Richard-Max Tremblay crée en photographie et en peinture autour de la figure centrale du portrait. Cette monographie révèle son approche multidisciplinaire. Un travail photographique d'abord, composé entre autres des portraits d’artistes canadiens majeurs ; un travail pictural qui s'inscrit dans la lignée de Richter ; enfin, une inspiration(...)
Richard-Max Tremblay: portrait
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Depuis une trentaine d'années, Richard-Max Tremblay crée en photographie et en peinture autour de la figure centrale du portrait. Cette monographie révèle son approche multidisciplinaire. Un travail photographique d'abord, composé entre autres des portraits d’artistes canadiens majeurs ; un travail pictural qui s'inscrit dans la lignée de Richter ; enfin, une inspiration empreinte de l'univers littéraire de Borges,Yourcenar et Beckett. Témoin privilégié du travail de Tremblay depuis vingt-cinq ans, l'auteur André Lamarre - à travers un entretien avec l'artiste et un essai –nous fait découvrir un processus créatif, une démarche artistique et la richesse d'une œuvre.
Contemporary Art Monographs
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Book containing two series of water color drawings: - Dots in Tree (5 drawings) - Tree Drawings (5 drawings)
Irene Kopelman: Looking at trees. Notes on representation volume 3
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Book containing two series of water color drawings: - Dots in Tree (5 drawings) - Tree Drawings (5 drawings)
Contemporary Art Monographs
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Although Al Taylor began his career as a painter, in 1985 he devised an innovative approach that encompassed twodimensional drawings and three-dimensional objects. Taylor saw no distinction between his drawings and threedimensional works and referred to his constructions not as sculptures but as "drawings in space" or "drawing instruments". These objects were usually(...)
Al Taylor: rim jobs and sideffects
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Although Al Taylor began his career as a painter, in 1985 he devised an innovative approach that encompassed twodimensional drawings and three-dimensional objects. Taylor saw no distinction between his drawings and threedimensional works and referred to his constructions not as sculptures but as "drawings in space" or "drawing instruments". These objects were usually fashioned out of unconventional materials, and often incorporated humble and humorous elements. They offered multiple viewpoints and would subsequently form the basis of further explorations on paper. Rim Jobs and Sideffects presents two series, "Rim Jobs" (1995) and "Sideffects" (1995-97), which demonstrate Taylor's multi-dimensional compositions.
Contemporary Art Monographs
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By way of actions, films, installations, operas, theater pieces, television broadcasting, and teaching, Christoph Schliegensief produced work that boldly addressed contemporary culture and politics, particularly within Germany. Schlingensief’s death in the summer of 2010, which occurred as he was planning the German Pavilion for the 54th Venice Biennale, shifted the(...)
Christoph Schlingensief: German pavillon, 54th Venice Biennale 2011
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By way of actions, films, installations, operas, theater pieces, television broadcasting, and teaching, Christoph Schliegensief produced work that boldly addressed contemporary culture and politics, particularly within Germany. Schlingensief’s death in the summer of 2010, which occurred as he was planning the German Pavilion for the 54th Venice Biennale, shifted the course of the 2011 program. Instead of presenting elements of Schlingensief’s project, Festspielhaus Afrika, which initiated the first “opera village,” curator Susanne Gaensheimer has developed a program and accompanying catalogue that pays tribute to one of Germany’s most radical, experimental, and progressive voices. With contributions from over thirty internationally renowned curators, artists, critics, theorists, directors, and practitioners.
Contemporary Art Monographs
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Michael Merrill's recent series of ink wash drawings is part of a larger project: the mapping of the interior spaces of the Montreal Museum of Fine Arts, particularly the new Claire and Marc Bourgie pavilion dedicated to Quebec and Canadian art. The drawings were completed intermittently while working on twelve gouache paintings on view at the Museum as of September 2011.(...)
Contemporary Art Monographs
September 2011
Michael Merrill: Espace/ Outer space
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Michael Merrill's recent series of ink wash drawings is part of a larger project: the mapping of the interior spaces of the Montreal Museum of Fine Arts, particularly the new Claire and Marc Bourgie pavilion dedicated to Quebec and Canadian art. The drawings were completed intermittently while working on twelve gouache paintings on view at the Museum as of September 2011. Both series are presented herein. These works are extension of the artist's series entitled Paintings About Art that has been shown throughout Canada and in Europe. In English and French.
Contemporary Art Monographs